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Color name
RGB 214 103 97

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 103 97 it is the complementary color RGB 41 152 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 103 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 103 97 shade: RGB 219 103 92, RGB 236 121 111, RGB 253 139 130, RGB 255 157 149 and RGB 255 175 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 103 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 103 97 shade: RGB 214 103 97, RGB 197 85 78, RGB 180 67 59, RGB 163 49 40 and RGB 146 31 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 103 97 shade: RGB 214 102 96 and RGB 214 96 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 103 97 shade: RGB 214 102 96, RGB 214 134 96, RGB 214 166 96, RGB 214 197 96 and RGB 198 214 96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 103 97 shade matches the following richer shades: RGB 214 102 96, RGB 230 88 80 and RGB 246 74 64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 103 97 shade: RGB 214 102 96, RGB 198 117 112, RGB 182 131 129, RGB 165 146 145 and RGB 149 160 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 103 97 shade: RGB 214 96 153, RGB 214 96 122, RGB 214 102 96, RGB 214 134 96 and RGB 214 165 96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 103 97 shade: RGB 181 53 46, RGB 205 71 64, RGB 214 102 96, RGB 222 134 129 and RGB 231 166 162

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 103 97 shade: RGB 214 103 97, RGB 184 214 96 and RGB 96 137 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 103 97 shade: RGB 214 103 97, RGB 96 214 102 and RGB 102 96 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 103 97 shade: RGB 214 103 97, RGB 184 214 96, RGB 96 208 214 and RGB 126 96 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 103 97 shade: RGB 214 103 97, RGB 149 214 96, RGB 96 208 214 and RGB 161 96 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 55 / 16

HEX #D66761

RGB 214 103 97

HSL 3.08, 0.59%, 0.61%

LAB 56.94, 43.1, 24.15

 

Complementary color

CMYK 74 / 4 / 0 / 38

HEX #29989E

RGB 41 152 158

HSL 183.08, 0.59%, 0.39%

LAB 57.46, -27.84, -12.01

 

CMYK 0 / 53 / 58 / 14

HEX #DB675C

RGB 219 103 92

HSL 5.2, 0.64%, 0.61%

LAB 57.59, 44.54, 28.01

 

CMYK 0 / 49 / 53 / 7

HEX #EC796F

RGB 236 121 111

HSL 4.8, 0.77%, 0.68%

LAB 63.88, 43.35, 25.95

 

CMYK 0 / 45 / 49 / 1

HEX #FD8B82

RGB 253 139 130

HSL 4.39, 0.97%, 0.75%

LAB 70.15, 42.2, 24.15

 

CMYK 0 / 38 / 42 / 0

HEX #FF9D95

RGB 255 157 149

HSL 4.53, 1%, 0.79%

LAB 74.54, 35.61, 19.73

 

CMYK 0 / 31 / 34 / 0

HEX #FFAFA8

RGB 255 175 168

HSL 4.83, 1%, 0.83%

LAB 78.9, 28.39, 15.46

 

CMYK 0 / 52 / 55 / 16

HEX #D66761

RGB 214 103 97

HSL 3.08, 0.59%, 0.61%

LAB 56.94, 43.1, 24.15

 

CMYK 0 / 57 / 60 / 23

HEX #C5554E

RGB 197 85 78

HSL 3.53, 0.51%, 0.54%

LAB 50.59, 44.27, 26.41

 

CMYK 0 / 63 / 67 / 29

HEX #B4433B

RGB 180 67 59

HSL 3.97, 0.51%, 0.47%

LAB 44.28, 45.38, 29.08

 

CMYK 0 / 70 / 75 / 36

HEX #A33128

RGB 163 49 40

HSL 4.39, 0.61%, 0.4%

LAB 38.09, 46.28, 32.25

 

CMYK 0 / 79 / 86 / 43

HEX #921F15

RGB 146 31 21

HSL 4.8, 0.75%, 0.33%

LAB 32.13, 46.65, 35.79

 

CMYK 0 / 52 / 55 / 16

HEX #D66660

RGB 214 102 96

HSL 3.05, 0.59%, 0.61%

LAB 56.73, 43.52, 24.45

 

CMYK 0 / 55 / 55 / 16

HEX #D66060

RGB 214 96 96

HSL 0, 0.59%, 0.61%

LAB 55.59, 46.45, 22.94

 

CMYK 0 / 52 / 55 / 16

HEX #D66660

RGB 214 102 96

HSL 3.05, 0.59%, 0.61%

LAB 56.73, 43.52, 24.45

 

CMYK 0 / 37 / 55 / 16

HEX #D68660

RGB 214 134 96

HSL 19.32, 0.59%, 0.61%

LAB 63.5, 26.85, 33.19

 

CMYK 0 / 22 / 55 / 16

HEX #D6A660

RGB 214 166 96

HSL 35.59, 0.59%, 0.61%

LAB 71.15, 9.59, 42.65

 

CMYK 0 / 8 / 55 / 16

HEX #D6C560

RGB 214 197 96

HSL 51.36, 0.59%, 0.61%

LAB 79.08, -6.73, 52.04

 

CMYK 7 / 0 / 55 / 16

HEX #C6D660

RGB 198 214 96

HSL 68.14, 0.59%, 0.61%

LAB 82.35, -21.78, 55.45

 

CMYK 0 / 52 / 55 / 16

HEX #D66660

RGB 214 102 96

HSL 3.05, 0.59%, 0.61%

LAB 56.73, 43.52, 24.45

 

CMYK 0 / 62 / 65 / 10

HEX #E65850

RGB 230 88 80

HSL 3.2, 0.75%, 0.61%

LAB 56.47, 54.59, 33.77

 

CMYK 0 / 70 / 74 / 4

HEX #F64A40

RGB 246 74 64

HSL 3.3, 0.91%, 0.61%

LAB 56.94, 64.56, 43.89

 

CMYK 0 / 52 / 55 / 16

HEX #D66660

RGB 214 102 96

HSL 3.05, 0.59%, 0.61%

LAB 56.73, 43.52, 24.45

 

CMYK 0 / 41 / 43 / 22

HEX #C67570

RGB 198 117 112

HSL 3.49, 0.43%, 0.61%

LAB 57.94, 31.2, 16.49

 

CMYK 0 / 28 / 29 / 29

HEX #B68381

RGB 182 131 129

HSL 2.26, 0.27%, 0.61%

LAB 59.67, 19.36, 8.87

 

CMYK 0 / 12 / 12 / 35

HEX #A59291

RGB 165 146 145

HSL 3, 0.1%, 0.61%

LAB 62.17, 6.89, 3.11

 

CMYK 7 / 1 / 0 / 37

HEX #95A0A1

RGB 149 160 161

HSL 185, 0.06%, 0.61%

LAB 65.05, -3.69, -1.87

 

CMYK 0 / 55 / 29 / 16

HEX #D66099

RGB 214 96 153

HSL 331.02, 0.59%, 0.61%

LAB 57.04, 52.43, -8.37

 

CMYK 0 / 55 / 43 / 16

HEX #D6607A

RGB 214 96 122

HSL 346.78, 0.59%, 0.61%

LAB 56.15, 48.82, 8.5

 

CMYK 0 / 52 / 55 / 16

HEX #D66660

RGB 214 102 96

HSL 3.05, 0.59%, 0.61%

LAB 56.73, 43.52, 24.45

 

CMYK 0 / 37 / 55 / 16

HEX #D68660

RGB 214 134 96

HSL 19.32, 0.59%, 0.61%

LAB 63.5, 26.85, 33.19

 

CMYK 0 / 23 / 55 / 16

HEX #D6A560

RGB 214 165 96

HSL 35.08, 0.59%, 0.61%

LAB 70.91, 10.13, 42.35

 

CMYK 0 / 71 / 75 / 29

HEX #B5352E

RGB 181 53 46

HSL 3.11, 0.59%, 0.45%

LAB 42.1, 50.97, 34.18

 

CMYK 0 / 65 / 69 / 20

HEX #CD4740

RGB 205 71 64

HSL 2.98, 0.59%, 0.53%

LAB 49.32, 52.54, 33.26

 

CMYK 0 / 52 / 55 / 16

HEX #D66660

RGB 214 102 96

HSL 3.05, 0.59%, 0.61%

LAB 56.73, 43.52, 24.45

 

CMYK 0 / 40 / 42 / 13

HEX #DE8681

RGB 222 134 129

HSL 3.23, 0.58%, 0.69%

LAB 65.09, 33.14, 17.16

 

CMYK 0 / 28 / 30 / 9

HEX #E7A6A2

RGB 231 166 162

HSL 3.48, 0.59%, 0.77%

LAB 74.11, 23.45, 11.61

 

CMYK 0 / 52 / 55 / 16

HEX #D66761

RGB 214 103 97

HSL 3.08, 0.59%, 0.61%

LAB 56.94, 43.1, 24.15

 

CMYK 14 / 0 / 55 / 16

HEX #B8D660

RGB 184 214 96

HSL 75.25, 0.59%, 0.61%

LAB 81.36, -27.31, 54.06

 

CMYK 55 / 36 / 0 / 16

HEX #6089D6

RGB 96 137 214

HSL 219.15, 0.59%, 0.61%

LAB 57.3, 8.23, -43.83

 

CMYK 0 / 52 / 55 / 16

HEX #D66761

RGB 214 103 97

HSL 3.08, 0.59%, 0.61%

LAB 56.94, 43.1, 24.15

 

CMYK 55 / 0 / 52 / 16

HEX #60D666

RGB 96 214 102

HSL 123.05, 0.59%, 0.61%

LAB 77, -55.72, 45.04

 

CMYK 52 / 55 / 0 / 16

HEX #6660D6

RGB 102 96 214

HSL 243.05, 0.59%, 0.61%

LAB 47.03, 34.36, -60.21

 

CMYK 0 / 52 / 55 / 16

HEX #D66761

RGB 214 103 97

HSL 3.08, 0.59%, 0.61%

LAB 56.94, 43.1, 24.15

 

CMYK 14 / 0 / 55 / 16

HEX #B8D660

RGB 184 214 96

HSL 75.25, 0.59%, 0.61%

LAB 81.36, -27.31, 54.06

 

CMYK 55 / 3 / 0 / 16

HEX #60D0D6

RGB 96 208 214

HSL 183.05, 0.59%, 0.61%

LAB 77.55, -30.06, -12.67

 

CMYK 41 / 55 / 0 / 16

HEX #7E60D6

RGB 126 96 214

HSL 255.25, 0.59%, 0.61%

LAB 49.08, 39.53, -56.81

 

CMYK 0 / 52 / 55 / 16

HEX #D66761

RGB 214 103 97

HSL 3.08, 0.59%, 0.61%

LAB 56.94, 43.1, 24.15

 

CMYK 30 / 0 / 55 / 16

HEX #95D660

RGB 149 214 96

HSL 93.05, 0.59%, 0.61%

LAB 79.23, -40.35, 51.04

 

CMYK 55 / 3 / 0 / 16

HEX #60D0D6

RGB 96 208 214

HSL 183.05, 0.59%, 0.61%

LAB 77.55, -30.06, -12.67

 

CMYK 25 / 55 / 0 / 16

HEX #A160D6

RGB 161 96 214

HSL 273.05, 0.59%, 0.61%

LAB 52.73, 48, -50.76

 

Description

Color code: RGB 214 103 97 | qconv.com Color code: RGB 214 103 97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 103 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 103 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 55 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 55% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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