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Color name
RGB 214.9 128.2 42

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214.9 128.2 42 it is the complementary color RGB 40.1 126.8 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214.9 128.2 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214.9 128.2 42 shade: RGB 219.9 128.2 37, RGB 236.9 146.2 56, RGB 253.9 164.2 75, RGB 255 182.2 94 and RGB 255 200.2 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214.9 128.2 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214.9 128.2 42 shade: RGB 214.9 128.2 42, RGB 197.9 110.2 23, RGB 180.9 92.2 4, RGB 163.9 74.2 0 and RGB 146.9 56.2 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214.9 128.2 42 shade: RGB 214 127 40, RGB 214 80 40 and RGB 214 40 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214.9 128.2 42 shade: RGB 214 127 40, RGB 214 174 40, RGB 207 214 40, RGB 160 214 40 and RGB 114 214 40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214.9 128.2 42 shade matches the following richer shades: RGB 214 127 40 and RGB 234 127 20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214.9 128.2 42 shade: RGB 214 127 40, RGB 193 127 61, RGB 172 127 82, RGB 152 127 102 and RGB 131 127 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214.9 128.2 42 shade: RGB 214 40 49, RGB 214 78 40, RGB 214 124 40, RGB 214 170 40 and RGB 211 214 40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214.9 128.2 42 shade: RGB 144 86 27, RGB 179 106 34, RGB 214 127 40, RGB 220 147 75 and RGB 227 168 110

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214.9 128.2 42 shade: RGB 214.9 128.2 42, RGB 95 214 40 and RGB 55 40 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214.9 128.2 42 shade: RGB 214.9 128.2 42, RGB 40 214 124 and RGB 124 40 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214.9 128.2 42 shade: RGB 214.9 128.2 42, RGB 95 214 40, RGB 40 130 214 and RGB 159 40 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214.9 128.2 42 shade: RGB 214.9 128.2 42, RGB 43 214 40, RGB 40 130 214 and RGB 211 40 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 80 / 16

HEX #D6802A

RGB 214.9 128.2 42

HSL 29.91, 0.68%, 0.5%

LAB 61.73, 27.24, 57.52

 

Complementary color

CMYK 81 / 40 / 0 / 16

HEX #287ED5

RGB 40.1 126.8 213

HSL 209.91, 0.68%, 0.5%

LAB 52.27, 5.36, -51.39

 

CMYK 0 / 42 / 83 / 14

HEX #DB8025

RGB 219.9 128.2 37

HSL 29.92, 0.72%, 0.5%

LAB 62.36, 29.17, 60.2

 

CMYK 0 / 38 / 76 / 7

HEX #EC9238

RGB 236.9 146.2 56

HSL 29.92, 0.83%, 0.57%

LAB 68.67, 27.35, 59.42

 

CMYK 0 / 35 / 70 / 0

HEX #FDA44B

RGB 253.9 164.2 75

HSL 29.92, 0.99%, 0.64%

LAB 74.94, 25.73, 58.22

 

CMYK 0 / 29 / 63 / 0

HEX #FFB65E

RGB 255 182.2 94

HSL 32.87, 1%, 0.68%

LAB 79.39, 17.83, 54.38

 

CMYK 0 / 21 / 56 / 0

HEX #FFC871

RGB 255 200.2 113

HSL 36.85, 1%, 0.72%

LAB 83.89, 9.78, 50.53

 

CMYK 0 / 40 / 80 / 16

HEX #D6802A

RGB 214.9 128.2 42

HSL 29.91, 0.68%, 0.5%

LAB 61.73, 27.24, 57.52

 

CMYK 0 / 44 / 88 / 22

HEX #C56E17

RGB 197.9 110.2 23

HSL 29.91, 0.79%, 0.43%

LAB 55.33, 29.21, 57.8

 

CMYK 0 / 49 / 98 / 29

HEX #B45C04

RGB 180.9 92.2 4

HSL 29.92, 0.96%, 0.36%

LAB 48.9, 31.4, 56.7

 

CMYK 0 / 55 / 100 / 36

HEX #A34A00

RGB 163.9 74.2 0

HSL 27.16, 1%, 0.32%

LAB 42.47, 33.78, 52.48

 

CMYK 0 / 62 / 100 / 42

HEX #923800

RGB 146.9 56.2 0

HSL 22.95, 1%, 0.29%

LAB 36.06, 36.07, 47.37

 

CMYK 0 / 41 / 81 / 16

HEX #D67F28

RGB 214 127 40

HSL 30, 0.69%, 0.5%

LAB 61.33, 27.44, 57.89

 

CMYK 0 / 63 / 81 / 16

HEX #D65028

RGB 214 80 40

HSL 13.79, 0.69%, 0.5%

LAB 52.05, 50.8, 49.37

 

CMYK 0 / 81 / 81 / 16

HEX #D62828

RGB 214 40 40

HSL 0, 0.69%, 0.5%

LAB 46.93, 64.86, 44.5

 

CMYK 0 / 41 / 81 / 16

HEX #D67F28

RGB 214 127 40

HSL 30, 0.69%, 0.5%

LAB 61.33, 27.44, 57.89

 

CMYK 0 / 19 / 81 / 16

HEX #D6AE28

RGB 214 174 40

HSL 46.21, 0.69%, 0.5%

LAB 72.71, 2.22, 67.94

 

CMYK 3 / 0 / 81 / 16

HEX #CFD628

RGB 207 214 40

HSL 62.41, 0.69%, 0.5%

LAB 82.65, -21.17, 76.28

 

CMYK 25 / 0 / 81 / 16

HEX #A0D628

RGB 160 214 40

HSL 78.62, 0.69%, 0.5%

LAB 79.45, -40.13, 72.25

 

CMYK 47 / 0 / 81 / 16

HEX #72D628

RGB 114 214 40

HSL 94.48, 0.69%, 0.5%

LAB 77.18, -56.08, 69.35

 

CMYK 0 / 41 / 81 / 16

HEX #D67F28

RGB 214 127 40

HSL 30, 0.69%, 0.5%

LAB 61.33, 27.44, 57.89

 

CMYK 0 / 46 / 91 / 8

HEX #EA7F14

RGB 234 127 20

HSL 30, 0.84%, 0.5%

LAB 63.93, 35.22, 67.25

 

CMYK 0 / 41 / 81 / 16

HEX #D67F28

RGB 214 127 40

HSL 30, 0.69%, 0.5%

LAB 61.33, 27.44, 57.89

 

CMYK 0 / 34 / 68 / 24

HEX #C17F3D

RGB 193 127 61

HSL 30, 0.52%, 0.5%

LAB 58.84, 19.45, 45.28

 

CMYK 0 / 26 / 52 / 33

HEX #AC7F52

RGB 172 127 82

HSL 30, 0.35%, 0.5%

LAB 56.64, 11.98, 31.13

 

CMYK 0 / 16 / 33 / 40

HEX #987F66

RGB 152 127 102

HSL 30, 0.2%, 0.5%

LAB 54.88, 5.78, 17.19

 

CMYK 0 / 3 / 6 / 49

HEX #837F7B

RGB 131 127 123

HSL 30, 0.03%, 0.5%

LAB 53.42, 0.74, 2.7

 

CMYK 0 / 81 / 77 / 16

HEX #D62831

RGB 214 40 49

HSL 356.9, 0.69%, 0.5%

LAB 47.02, 65.14, 39.66

 

CMYK 0 / 64 / 81 / 16

HEX #D64E28

RGB 214 78 40

HSL 13.1, 0.69%, 0.5%

LAB 51.72, 51.67, 49.06

 

CMYK 0 / 42 / 81 / 16

HEX #D67C28

RGB 214 124 40

HSL 28.97, 0.69%, 0.5%

LAB 60.66, 29.04, 57.28

 

CMYK 0 / 21 / 81 / 16

HEX #D6AA28

RGB 214 170 40

HSL 44.83, 0.69%, 0.5%

LAB 71.69, 4.34, 67.05

 

CMYK 1 / 0 / 81 / 16

HEX #D3D628

RGB 211 214 40

HSL 61.03, 0.69%, 0.5%

LAB 82.96, -19.49, 76.67

 

CMYK 0 / 40 / 81 / 44

HEX #90561B

RGB 144 86 27

HSL 30.26, 0.68%, 0.34%

LAB 42.25, 19.28, 42.19

 

CMYK 0 / 41 / 81 / 30

HEX #B36A22

RGB 179 106 34

HSL 29.79, 0.68%, 0.42%

LAB 51.85, 23.74, 49.89

 

CMYK 0 / 41 / 81 / 16

HEX #D67F28

RGB 214 127 40

HSL 30, 0.69%, 0.5%

LAB 61.33, 27.44, 57.89

 

CMYK 0 / 33 / 66 / 14

HEX #DC934B

RGB 220 147 75

HSL 29.79, 0.67%, 0.58%

LAB 66.97, 20.84, 48.38

 

CMYK 0 / 26 / 52 / 11

HEX #E3A86E

RGB 227 168 110

HSL 29.74, 0.68%, 0.66%

LAB 73.2, 15.08, 38.28

 

CMYK 0 / 40 / 80 / 16

HEX #D6802A

RGB 214.9 128.2 42

HSL 29.91, 0.68%, 0.5%

LAB 61.73, 27.24, 57.52

 

CMYK 56 / 0 / 81 / 16

HEX #5FD628

RGB 95 214 40

HSL 101.03, 0.69%, 0.5%

LAB 76.48, -61.46, 68.46

 

CMYK 74 / 81 / 0 / 16

HEX #3728D6

RGB 55 40 214

HSL 245.17, 0.69%, 0.5%

LAB 32.22, 59.13, -84.6

 

CMYK 0 / 40 / 80 / 16

HEX #D6802A

RGB 214.9 128.2 42

HSL 29.91, 0.68%, 0.5%

LAB 61.73, 27.24, 57.52

 

CMYK 81 / 0 / 42 / 16

HEX #28D67C

RGB 40 214 124

HSL 148.97, 0.69%, 0.5%

LAB 76.07, -61.95, 32.76

 

CMYK 42 / 81 / 0 / 16

HEX #7C28D6

RGB 124 40 214

HSL 268.97, 0.69%, 0.5%

LAB 39, 66.21, -73.2

 

CMYK 0 / 40 / 80 / 16

HEX #D6802A

RGB 214.9 128.2 42

HSL 29.91, 0.68%, 0.5%

LAB 61.73, 27.24, 57.52

 

CMYK 56 / 0 / 81 / 16

HEX #5FD628

RGB 95 214 40

HSL 101.03, 0.69%, 0.5%

LAB 76.48, -61.46, 68.46

 

CMYK 81 / 39 / 0 / 16

HEX #2882D6

RGB 40 130 214

HSL 208.97, 0.69%, 0.5%

LAB 53.25, 3.78, -50.4

 

CMYK 26 / 81 / 0 / 16

HEX #9F28D6

RGB 159 40 214

HSL 281.03, 0.69%, 0.5%

LAB 43.86, 71.44, -65.05

 

CMYK 0 / 40 / 80 / 16

HEX #D6802A

RGB 214.9 128.2 42

HSL 29.91, 0.68%, 0.5%

LAB 61.73, 27.24, 57.52

 

CMYK 80 / 0 / 81 / 16

HEX #2BD628

RGB 43 214 40

HSL 118.97, 0.69%, 0.5%

LAB 75.3, -71.37, 66.94

 

CMYK 81 / 39 / 0 / 16

HEX #2882D6

RGB 40 130 214

HSL 208.97, 0.69%, 0.5%

LAB 53.25, 3.78, -50.4

 

CMYK 1 / 81 / 0 / 16

HEX #D328D6

RGB 211 40 214

HSL 298.97, 0.69%, 0.5%

LAB 52.09, 80.47, -51.38

 

Description

Color code: RGB 214.9 128.2 42 | qconv.com Color code: RGB 214.9 128.2 42 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214.9 red, 128.2 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214.9 128.2 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 80 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 80% 16% C M Y K

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Provide designers and agencies with accurate color values.

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