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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214.9 128.2 32 it is the complementary color RGB 40.1 126.8 223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214.9 128.2 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214.9 128.2 32 shade: RGB 219.9 128.2 27, RGB 236.9 146.2 46, RGB 253.9 164.2 65, RGB 255 182.2 84 and RGB 255 200.2 103

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214.9 128.2 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214.9 128.2 32 shade: RGB 214.9 128.2 32, RGB 197.9 110.2 13, RGB 180.9 92.2 0, RGB 163.9 74.2 0 and RGB 146.9 56.2 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214.9 128.2 32 shade: RGB 212 127 31, RGB 212 78 31 and RGB 212 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214.9 128.2 32 shade: RGB 212 127 31, RGB 212 175 31, RGB 201 212 31, RGB 152 212 31 and RGB 103 212 31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214.9 128.2 32 shade matches the following richer shades: RGB 212 127 31 and RGB 232 128 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214.9 128.2 32 shade: RGB 212 127 31, RGB 193 126 51, RGB 173 125 71, RGB 153 124 91 and RGB 133 122 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214.9 128.2 32 shade: RGB 212 31 34, RGB 212 77 31, RGB 212 125 31, RGB 212 173 31 and RGB 203 212 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214.9 128.2 32 shade: RGB 141 84 21, RGB 177 105 26, RGB 212 127 31, RGB 225 147 60 and RGB 231 167 96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214.9 128.2 32 shade: RGB 214.9 128.2 32, RGB 83 212 31 and RGB 52 31 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214.9 128.2 32 shade: RGB 214.9 128.2 32, RGB 31 212 125 and RGB 125 31 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214.9 128.2 32 shade: RGB 214.9 128.2 32, RGB 83 212 31, RGB 31 119 212 and RGB 161 31 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214.9 128.2 32 shade: RGB 214.9 128.2 32, RGB 31 212 34, RGB 31 119 212 and RGB 212 31 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 85 / 16

HEX #D68020

RGB 214.9 128.2 32

HSL 31.56, 0.74%, 0.48%

LAB 61.68, 26.95, 61.06

Complementary color

CMYK 82 / 43 / 0 / 13

HEX #287EDF

RGB 40.1 126.8 223

HSL 211.56, 0.74%, 0.52%

LAB 52.85, 9.12, -56.1

 

CMYK 0 / 42 / 88 / 14

HEX #DB801B

RGB 219.9 128.2 27

HSL 31.48, 0.78%, 0.48%

LAB 62.31, 28.93, 63.39

 

CMYK 0 / 38 / 81 / 7

HEX #EC922E

RGB 236.9 146.2 46

HSL 31.49, 0.84%, 0.55%

LAB 68.61, 27, 63.29

 

CMYK 0 / 35 / 74 / 0

HEX #FDA441

RGB 253.9 164.2 65

HSL 31.51, 0.99%, 0.63%

LAB 74.86, 25.27, 62.47

 

CMYK 0 / 29 / 67 / 0

HEX #FFB654

RGB 255 182.2 84

HSL 34.46, 1%, 0.66%

LAB 79.29, 17.24, 58.88

 

CMYK 0 / 21 / 60 / 0

HEX #FFC867

RGB 255 200.2 103

HSL 38.37, 1%, 0.7%

LAB 83.78, 9.05, 55.17

 

CMYK 0 / 40 / 85 / 16

HEX #D68020

RGB 214.9 128.2 32

HSL 31.56, 0.74%, 0.48%

LAB 61.68, 26.95, 61.06

 

CMYK 0 / 44 / 93 / 22

HEX #C56E0D

RGB 197.9 110.2 13

HSL 31.54, 0.88%, 0.41%

LAB 55.29, 29.04, 60.33

 

CMYK 0 / 49 / 100 / 29

HEX #B45C00

RGB 180.9 92.2 0

HSL 30.58, 1%, 0.35%

LAB 48.88, 31.35, 57.63

 

CMYK 0 / 55 / 100 / 36

HEX #A34A00

RGB 163.9 74.2 0

HSL 27.16, 1%, 0.32%

LAB 42.47, 33.78, 52.48

 

CMYK 0 / 62 / 100 / 42

HEX #923800

RGB 146.9 56.2 0

HSL 22.95, 1%, 0.29%

LAB 36.06, 36.07, 47.37

 

CMYK 0 / 40 / 85 / 17

HEX #D47F1F

RGB 212 127 31

HSL 31.82, 0.74%, 0.48%

LAB 61.02, 26.34, 60.69

 

CMYK 0 / 63 / 85 / 17

HEX #D44E1F

RGB 212 78 31

HSL 15.58, 0.74%, 0.48%

LAB 51.32, 50.73, 52.59

 

CMYK 0 / 85 / 85 / 17

HEX #D41F1F

RGB 212 31 31

HSL 0, 0.74%, 0.48%

LAB 45.74, 66.14, 47.86

 

CMYK 0 / 40 / 85 / 17

HEX #D47F1F

RGB 212 127 31

HSL 31.82, 0.74%, 0.48%

LAB 61.02, 26.34, 60.69

 

CMYK 0 / 17 / 85 / 17

HEX #D4AF1F

RGB 212 175 31

HSL 47.73, 0.74%, 0.48%

LAB 72.73, 0.57, 70.34

 

CMYK 5 / 0 / 85 / 17

HEX #C9D41F

RGB 201 212 31

HSL 63.65, 0.74%, 0.48%

LAB 81.62, -22.95, 77.25

 

CMYK 28 / 0 / 85 / 17

HEX #98D41F

RGB 152 212 31

HSL 79.89, 0.74%, 0.48%

LAB 78.38, -42.59, 73.23

 

CMYK 51 / 0 / 85 / 17

HEX #67D41F

RGB 103 212 31

HSL 96.13, 0.74%, 0.48%

LAB 76.11, -58.95, 70.38

 

CMYK 0 / 40 / 85 / 17

HEX #D47F1F

RGB 212 127 31

HSL 31.82, 0.74%, 0.48%

LAB 61.02, 26.34, 60.69

 

CMYK 0 / 45 / 95 / 9

HEX #E8800C

RGB 232 128 12

HSL 31.64, 0.9%, 0.48%

LAB 63.85, 33.8, 68.63

 

CMYK 0 / 40 / 85 / 17

HEX #D47F1F

RGB 212 127 31

HSL 31.82, 0.74%, 0.48%

LAB 61.02, 26.34, 60.69

 

CMYK 0 / 35 / 74 / 24

HEX #C17E33

RGB 193 126 51

HSL 31.69, 0.58%, 0.48%

LAB 58.51, 19.47, 49.65

 

CMYK 0 / 28 / 59 / 32

HEX #AD7D47

RGB 173 125 71

HSL 31.76, 0.42%, 0.48%

LAB 56.09, 12.59, 36.41

 

CMYK 0 / 19 / 41 / 40

HEX #997C5B

RGB 153 124 91

HSL 31.94, 0.25%, 0.48%

LAB 53.97, 6.5, 22.25

 

CMYK 0 / 8 / 17 / 48

HEX #857A6F

RGB 133 122 111

HSL 30, 0.09%, 0.48%

LAB 51.9, 2.24, 7.54

 

CMYK 0 / 85 / 84 / 17

HEX #D41F22

RGB 212 31 34

HSL 359.01, 0.74%, 0.48%

LAB 45.76, 66.21, 46.38

 

CMYK 0 / 64 / 85 / 17

HEX #D44D1F

RGB 212 77 31

HSL 15.25, 0.74%, 0.48%

LAB 51.16, 51.16, 52.45

 

CMYK 0 / 41 / 85 / 17

HEX #D47D1F

RGB 212 125 31

HSL 31.16, 0.74%, 0.48%

LAB 60.57, 27.41, 60.32

 

CMYK 0 / 18 / 85 / 17

HEX #D4AD1F

RGB 212 173 31

HSL 47.07, 0.74%, 0.48%

LAB 72.22, 1.62, 69.92

 

CMYK 4 / 0 / 85 / 17

HEX #CBD41F

RGB 203 212 31

HSL 62.98, 0.74%, 0.48%

LAB 81.77, -22.11, 77.44

 

CMYK 0 / 40 / 85 / 45

HEX #8D5415

RGB 141 84 21

HSL 31.5, 0.74%, 0.32%

LAB 41.31, 18.86, 43.65

 

CMYK 0 / 41 / 85 / 31

HEX #B1691A

RGB 177 105 26

HSL 31.39, 0.74%, 0.4%

LAB 51.3, 23.17, 52.35

 

CMYK 0 / 40 / 85 / 17

HEX #D47F1F

RGB 212 127 31

HSL 31.82, 0.74%, 0.48%

LAB 61.02, 26.34, 60.69

 

CMYK 0 / 35 / 73 / 12

HEX #E1933C

RGB 225 147 60

HSL 31.64, 0.73%, 0.56%

LAB 67.43, 22.14, 56

 

CMYK 0 / 28 / 58 / 9

HEX #E7A760

RGB 231 167 96

HSL 31.56, 0.74%, 0.64%

LAB 73.2, 16.12, 45.54

 

CMYK 0 / 40 / 85 / 16

HEX #D68020

RGB 214.9 128.2 32

HSL 31.56, 0.74%, 0.48%

LAB 61.68, 26.95, 61.06

 

CMYK 61 / 0 / 85 / 17

HEX #53D41F

RGB 83 212 31

HSL 102.76, 0.74%, 0.48%

LAB 75.47, -64.12, 69.57

 

CMYK 75 / 85 / 0 / 17

HEX #341FD4

RGB 52 31 212

HSL 246.96, 0.74%, 0.48%

LAB 30.55, 62.07, -86.22

 

CMYK 0 / 40 / 85 / 16

HEX #D68020

RGB 214.9 128.2 32

HSL 31.56, 0.74%, 0.48%

LAB 61.68, 26.95, 61.06

 

CMYK 85 / 0 / 41 / 17

HEX #1FD47D

RGB 31 212 125

HSL 151.16, 0.74%, 0.48%

LAB 75.36, -61.87, 31.31

 

CMYK 41 / 85 / 0 / 17

HEX #7D1FD4

RGB 125 31 212

HSL 271.16, 0.74%, 0.48%

LAB 38.01, 68.66, -73.66

 

CMYK 0 / 40 / 85 / 16

HEX #D68020

RGB 214.9 128.2 32

HSL 31.56, 0.74%, 0.48%

LAB 61.68, 26.95, 61.06

 

CMYK 61 / 0 / 85 / 17

HEX #53D41F

RGB 83 212 31

HSL 102.76, 0.74%, 0.48%

LAB 75.47, -64.12, 69.57

 

CMYK 85 / 44 / 0 / 17

HEX #1F77D4

RGB 31 119 212

HSL 210.83, 0.74%, 0.48%

LAB 49.78, 9.04, -54.81

 

CMYK 24 / 85 / 0 / 17

HEX #A11FD4

RGB 161 31 212

HSL 283.09, 0.74%, 0.48%

LAB 43.23, 73.68, -64.92

 

CMYK 0 / 40 / 85 / 16

HEX #D68020

RGB 214.9 128.2 32

HSL 31.56, 0.74%, 0.48%

LAB 61.68, 26.95, 61.06

 

CMYK 85 / 0 / 84 / 17

HEX #1FD422

RGB 31 212 34

HSL 120.99, 0.74%, 0.48%

LAB 74.5, -72.34, 67.67

 

CMYK 85 / 44 / 0 / 17

HEX #1F77D4

RGB 31 119 212

HSL 210.83, 0.74%, 0.48%

LAB 49.78, 9.04, -54.81

 

CMYK 0 / 85 / 1 / 17

HEX #D41FD1

RGB 212 31 209

HSL 300.99, 0.74%, 0.48%

LAB 51.36, 81.68, -49.67

 

Description

Color code: RGB 214.9 128.2 32 | qconv.com Color code: RGB 214.9 128.2 32 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214.9 red, 128.2 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214.9 128.2 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 85 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 85% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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