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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214.1 72.8 22 it is the complementary color RGB 40.9 182.2 233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214.1 72.8 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214.1 72.8 22 shade: RGB 219.1 72.8 17, RGB 236.1 90.8 36, RGB 253.1 108.8 55, RGB 255 126.8 74 and RGB 255 144.8 93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214.1 72.8 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214.1 72.8 22 shade: RGB 214.1 72.8 22, RGB 197.1 54.8 3, RGB 180.1 36.8 0, RGB 163.1 18.8 0 and RGB 146.1 0.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214.1 72.8 22 shade: RGB 212 72 22 and RGB 212 22 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214.1 72.8 22 shade: RGB 212 72 22, RGB 212 123 22, RGB 212 175 22, RGB 198 212 22 and RGB 147 212 22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214.1 72.8 22 shade matches the following richer shades: RGB 212 72 22 and RGB 231 63 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214.1 72.8 22 shade: RGB 212 72 22, RGB 193 81 41, RGB 174 90 60, RGB 155 99 79 and RGB 136 108 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214.1 72.8 22 shade: RGB 212 22 76, RGB 212 22 25, RGB 212 69 22, RGB 212 120 22 and RGB 212 171 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214.1 72.8 22 shade: RGB 137 47 14, RGB 174 59 18, RGB 212 72 22, RGB 232 93 43 and RGB 236 121 80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214.1 72.8 22 shade: RGB 214.1 72.8 22, RGB 126 212 22 and RGB 22 50 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214.1 72.8 22 shade: RGB 214.1 72.8 22, RGB 22 212 69 and RGB 69 22 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214.1 72.8 22 shade: RGB 214.1 72.8 22, RGB 126 212 22, RGB 22 164 212 and RGB 107 22 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214.1 72.8 22 shade: RGB 214.1 72.8 22, RGB 69 212 22, RGB 22 164 212 and RGB 164 22 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 90 / 16

HEX #D64816

RGB 214.1 72.8 22

HSL 15.87, 0.81%, 0.46%

LAB 50.81, 53.48, 55.8

 

Complementary color

CMYK 82 / 22 / 0 / 9

HEX #28B6E9

RGB 40.9 182.2 233

HSL 195.87, 0.81%, 0.54%

LAB 69.39, -18.83, -35.53

 

CMYK 0 / 67 / 92 / 14

HEX #DB4811

RGB 219.1 72.8 17

HSL 16.57, 0.86%, 0.46%

LAB 51.67, 55.1, 58.42

 

CMYK 0 / 62 / 85 / 7

HEX #EC5A24

RGB 236.1 90.8 36

HSL 16.43, 0.84%, 0.53%

LAB 57.49, 53.73, 57.36

 

CMYK 0 / 57 / 78 / 1

HEX #FD6C37

RGB 253.1 108.8 55

HSL 16.29, 0.98%, 0.6%

LAB 63.4, 52.24, 55.49

 

CMYK 0 / 50 / 71 / 0

HEX #FF7E4A

RGB 255 126.8 74

HSL 17.5, 1%, 0.65%

LAB 67.19, 45.16, 50.39

 

CMYK 0 / 43 / 64 / 0

HEX #FF905D

RGB 255 144.8 93

HSL 19.19, 1%, 0.68%

LAB 71.04, 37.19, 45.19

 

CMYK 0 / 66 / 90 / 16

HEX #D64816

RGB 214.1 72.8 22

HSL 15.87, 0.81%, 0.46%

LAB 50.81, 53.48, 55.8

 

CMYK 0 / 72 / 98 / 23

HEX #C53603

RGB 197.1 54.8 3

HSL 16.01, 0.97%, 0.39%

LAB 45.09, 54.58, 56.16

 

CMYK 0 / 80 / 100 / 29

HEX #B42400

RGB 180.1 36.8 0

HSL 12.26, 1%, 0.35%

LAB 39.62, 55.14, 52.66

 

CMYK 0 / 88 / 100 / 36

HEX #A31200

RGB 163.1 18.8 0

HSL 6.92, 1%, 0.32%

LAB 34.51, 54.59, 48.28

 

CMYK 0 / 99 / 100 / 43

HEX #920000

RGB 146.1 0.8 0

HSL 0.33, 1%, 0.29%

LAB 29.76, 52.77, 43.32

 

CMYK 0 / 66 / 90 / 17

HEX #D44816

RGB 212 72 22

HSL 15.79, 0.81%, 0.46%

LAB 50.32, 53.09, 55.28

 

CMYK 0 / 90 / 90 / 17

HEX #D41616

RGB 212 22 22

HSL 0, 0.81%, 0.46%

LAB 45.12, 67.58, 51.5

 

CMYK 0 / 66 / 90 / 17

HEX #D44816

RGB 212 72 22

HSL 15.79, 0.81%, 0.46%

LAB 50.32, 53.09, 55.28

 

CMYK 0 / 42 / 90 / 17

HEX #D47B16

RGB 212 123 22

HSL 31.89, 0.81%, 0.46%

LAB 60.09, 28.29, 62.58

 

CMYK 0 / 17 / 90 / 17

HEX #D4AF16

RGB 212 175 22

HSL 48.32, 0.81%, 0.46%

LAB 72.7, 0.38, 72.27

 

CMYK 7 / 0 / 90 / 17

HEX #C6D416

RGB 198 212 22

HSL 64.42, 0.81%, 0.46%

LAB 81.37, -24.39, 78.56

 

CMYK 31 / 0 / 90 / 17

HEX #93D416

RGB 147 212 22

HSL 80.53, 0.81%, 0.46%

LAB 78.08, -44.69, 74.53

 

CMYK 0 / 66 / 90 / 17

HEX #D44816

RGB 212 72 22

HSL 15.79, 0.81%, 0.46%

LAB 50.32, 53.09, 55.28

 

CMYK 0 / 73 / 99 / 9

HEX #E73F03

RGB 231 63 3

HSL 15.79, 0.97%, 0.46%

LAB 52.45, 62.46, 63.38

 

CMYK 0 / 66 / 90 / 17

HEX #D44816

RGB 212 72 22

HSL 15.79, 0.81%, 0.46%

LAB 50.32, 53.09, 55.28

 

CMYK 0 / 58 / 79 / 24

HEX #C15129

RGB 193 81 41

HSL 15.79, 0.65%, 0.46%

LAB 48.74, 42.74, 44.49

 

CMYK 0 / 48 / 66 / 32

HEX #AE5A3C

RGB 174 90 60

HSL 15.79, 0.49%, 0.46%

LAB 47.8, 31.66, 32.52

 

CMYK 0 / 36 / 49 / 39

HEX #9B634F

RGB 155 99 79

HSL 15.79, 0.32%, 0.46%

LAB 47.57, 20.34, 20.73

 

CMYK 0 / 21 / 28 / 47

HEX #886C62

RGB 136 108 98

HSL 15.79, 0.16%, 0.46%

LAB 48.06, 9.52, 9.81

 

CMYK 0 / 90 / 64 / 17

HEX #D4164C

RGB 212 22 76

HSL 342.95, 0.81%, 0.46%

LAB 45.76, 69.4, 21.9

 

CMYK 0 / 90 / 88 / 17

HEX #D41619

RGB 212 22 25

HSL 359.05, 0.81%, 0.46%

LAB 45.14, 67.63, 50.2

 

CMYK 0 / 67 / 90 / 17

HEX #D44516

RGB 212 69 22

HSL 14.84, 0.81%, 0.46%

LAB 49.87, 54.31, 54.94

 

CMYK 0 / 43 / 90 / 17

HEX #D47816

RGB 212 120 22

HSL 30.95, 0.81%, 0.46%

LAB 59.42, 29.88, 62.08

 

CMYK 0 / 19 / 90 / 17

HEX #D4AB16

RGB 212 171 22

HSL 47.05, 0.81%, 0.46%

LAB 71.68, 2.49, 71.48

 

CMYK 0 / 66 / 90 / 46

HEX #892F0E

RGB 137 47 14

HSL 16.1, 0.81%, 0.3%

LAB 32.66, 36.91, 38.92

 

CMYK 0 / 66 / 90 / 32

HEX #AE3B12

RGB 174 59 18

HSL 15.77, 0.81%, 0.38%

LAB 41.49, 45.23, 47.12

 

CMYK 0 / 66 / 90 / 17

HEX #D44816

RGB 212 72 22

HSL 15.79, 0.81%, 0.46%

LAB 50.32, 53.09, 55.28

 

CMYK 0 / 60 / 81 / 9

HEX #E85D2B

RGB 232 93 43

HSL 15.87, 0.8%, 0.54%

LAB 57.23, 51.49, 53.89

 

CMYK 0 / 49 / 66 / 7

HEX #EC7950

RGB 236 121 80

HSL 15.77, 0.8%, 0.62%

LAB 63.41, 41.17, 42.32

 

CMYK 0 / 66 / 90 / 16

HEX #D64816

RGB 214.1 72.8 22

HSL 15.87, 0.81%, 0.46%

LAB 50.81, 53.48, 55.8

 

CMYK 41 / 0 / 90 / 17

HEX #7ED416

RGB 126 212 22

HSL 87.16, 0.81%, 0.46%

LAB 77.03, -52.1, 73.23

 

CMYK 90 / 76 / 0 / 17

HEX #1632D4

RGB 22 50 212

HSL 231.16, 0.81%, 0.46%

LAB 32.27, 51.88, -83.41

 

CMYK 0 / 66 / 90 / 16

HEX #D64816

RGB 214.1 72.8 22

HSL 15.87, 0.81%, 0.46%

LAB 50.81, 53.48, 55.8

 

CMYK 90 / 0 / 67 / 17

HEX #16D445

RGB 22 212 69

HSL 134.84, 0.81%, 0.46%

LAB 74.63, -70.5, 56.48

 

CMYK 67 / 90 / 0 / 17

HEX #4516D4

RGB 69 22 212

HSL 254.84, 0.81%, 0.46%

LAB 30.86, 65.94, -85.68

 

CMYK 0 / 66 / 90 / 16

HEX #D64816

RGB 214.1 72.8 22

HSL 15.87, 0.81%, 0.46%

LAB 50.81, 53.48, 55.8

 

CMYK 41 / 0 / 90 / 17

HEX #7ED416

RGB 126 212 22

HSL 87.16, 0.81%, 0.46%

LAB 77.03, -52.1, 73.23

 

CMYK 90 / 23 / 0 / 17

HEX #16A4D4

RGB 22 164 212

HSL 195.16, 0.81%, 0.46%

LAB 62.91, -17.68, -34.08

 

CMYK 50 / 90 / 0 / 17

HEX #6B16D4

RGB 107 22 212

HSL 266.84, 0.81%, 0.46%

LAB 34.91, 68.93, -78.85

 

CMYK 0 / 66 / 90 / 16

HEX #D64816

RGB 214.1 72.8 22

HSL 15.87, 0.81%, 0.46%

LAB 50.81, 53.48, 55.8

 

CMYK 67 / 0 / 90 / 17

HEX #45D416

RGB 69 212 22

HSL 105.16, 0.81%, 0.46%

LAB 75.08, -67.43, 70.81

 

CMYK 90 / 23 / 0 / 17

HEX #16A4D4

RGB 22 164 212

HSL 195.16, 0.81%, 0.46%

LAB 62.91, -17.68, -34.08

 

CMYK 23 / 90 / 0 / 17

HEX #A416D4

RGB 164 22 212

HSL 284.84, 0.81%, 0.46%

LAB 43.09, 75.91, -65.12

 

Description

Color code: RGB 214.1 72.8 22 | qconv.com Color code: RGB 214.1 72.8 22 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214.1 red, 72.8 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214.1 72.8 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 90 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 90% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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