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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 8 100 it is the complementary color RGB 42 247 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 8 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 8 100 shade: RGB 218 8 95, RGB 235 26 114, RGB 252 44 133, RGB 255 62 152 and RGB 255 80 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 8 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 8 100 shade: RGB 213 8 100, RGB 196 0 81, RGB 179 0 62, RGB 162 0 43 and RGB 145 0 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 8 100 shade: RGB 211 7 99, RGB 211 7 44 and RGB 211 7 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 8 100 shade: RGB 211 7 99, RGB 211 7 154, RGB 211 7 209, RGB 159 7 211 and RGB 104 7 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 8 100 shade matches the following richer shades: RGB 211 7 99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 8 100 shade: RGB 211 7 99, RGB 193 25 101, RGB 176 43 102, RGB 158 60 104 and RGB 140 78 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 8 100 shade: RGB 211 7 208, RGB 211 7 153, RGB 211 7 99, RGB 211 7 45 and RGB 211 24 7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 8 100 shade: RGB 131 4 61, RGB 171 6 80, RGB 211 7 99, RGB 246 14 118 and RGB 247 54 141

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 8 100 shade: RGB 213 8 100, RGB 211 160 7 and RGB 7 181 211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 8 100 shade: RGB 213 8 100, RGB 99 211 7 and RGB 7 99 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 8 100 shade: RGB 213 8 100, RGB 211 160 7, RGB 7 211 119 and RGB 7 58 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 8 100 shade: RGB 213 8 100, RGB 201 211 7, RGB 7 211 119 and RGB 17 7 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 53 / 16

HEX #D50864

RGB 213 8 100

HSL 333.07, 0.93%, 0.43%

LAB 45.96, 72.71, 7.28

 

Complementary color

CMYK 83 / 0 / 37 / 3

HEX #2AF79B

RGB 42 247 155

HSL 153.07, 0.93%, 0.57%

LAB 86.69, -67.53, 31.14

 

CMYK 0 / 96 / 56 / 15

HEX #DA085F

RGB 218 8 95

HSL 335.14, 0.93%, 0.44%

LAB 46.85, 73.51, 11.79

 

CMYK 0 / 89 / 51 / 8

HEX #EB1A72

RGB 235 26 114

HSL 334.74, 0.84%, 0.51%

LAB 51.4, 76.75, 7.01

 

CMYK 0 / 83 / 47 / 1

HEX #FC2C85

RGB 252 44 133

HSL 334.33, 0.97%, 0.58%

LAB 56.28, 78.96, 3.02

 

CMYK 0 / 76 / 40 / 0

HEX #FF3E98

RGB 255 62 152

HSL 332.02, 1%, 0.62%

LAB 58.95, 76.85, -4.23

 

CMYK 0 / 69 / 33 / 0

HEX #FF50AB

RGB 255 80 171

HSL 328.8, 1%, 0.66%

LAB 61.6, 73.03, -11.32

 

CMYK 0 / 96 / 53 / 16

HEX #D50864

RGB 213 8 100

HSL 333.07, 0.93%, 0.43%

LAB 45.96, 72.71, 7.28

 

CMYK 0 / 100 / 59 / 23

HEX #C40051

RGB 196 0 81

HSL 335.2, 1%, 0.38%

LAB 41.74, 68.26, 12.79

 

CMYK 0 / 100 / 65 / 30

HEX #B3003E

RGB 179 0 62

HSL 339.22, 1%, 0.35%

LAB 37.72, 63.15, 18.92

 

CMYK 0 / 100 / 73 / 36

HEX #A2002B

RGB 162 0 43

HSL 344.07, 1%, 0.32%

LAB 33.68, 58.06, 25.29

 

CMYK 0 / 100 / 83 / 43

HEX #910018

RGB 145 0 24

HSL 350.07, 1%, 0.28%

LAB 29.63, 53.06, 31.65

 

CMYK 0 / 97 / 53 / 17

HEX #D30763

RGB 211 7 99

HSL 332.94, 0.94%, 0.43%

LAB 45.5, 72.27, 7.19

 

CMYK 0 / 97 / 79 / 17

HEX #D3072C

RGB 211 7 44

HSL 349.12, 0.94%, 0.43%

LAB 44.49, 69.53, 39.66

 

CMYK 0 / 97 / 97 / 17

HEX #D30707

RGB 211 7 7

HSL 0, 0.94%, 0.43%

LAB 44.26, 68.87, 56.11

 

CMYK 0 / 97 / 53 / 17

HEX #D30763

RGB 211 7 99

HSL 332.94, 0.94%, 0.43%

LAB 45.5, 72.27, 7.19

 

CMYK 0 / 97 / 27 / 17

HEX #D3079A

RGB 211 7 154

HSL 316.76, 0.94%, 0.43%

LAB 47.41, 77.3, -23.64

 

CMYK 0 / 97 / 1 / 17

HEX #D307D1

RGB 211 7 209

HSL 300.59, 0.94%, 0.43%

LAB 50.22, 84.35, -51.49

 

CMYK 25 / 97 / 0 / 17

HEX #9F07D3

RGB 159 7 211

HSL 284.71, 0.94%, 0.43%

LAB 41.57, 76.96, -67.05

 

CMYK 51 / 97 / 0 / 17

HEX #6807D3

RGB 104 7 211

HSL 268.53, 0.94%, 0.43%

LAB 33.56, 71.06, -80.51

 

CMYK 0 / 97 / 53 / 17

HEX #D30763

RGB 211 7 99

HSL 332.94, 0.94%, 0.43%

LAB 45.5, 72.27, 7.19

 

CMYK 0 / 97 / 53 / 17

HEX #D30763

RGB 211 7 99

HSL 332.94, 0.94%, 0.43%

LAB 45.5, 72.27, 7.19

 

CMYK 0 / 87 / 48 / 24

HEX #C11965

RGB 193 25 101

HSL 332.86, 0.77%, 0.43%

LAB 42.72, 65.92, 1.48

 

CMYK 0 / 76 / 42 / 31

HEX #B02B66

RGB 176 43 102

HSL 333.38, 0.61%, 0.43%

LAB 41.08, 57.02, -1.93

 

CMYK 0 / 62 / 34 / 38

HEX #9E3C68

RGB 158 60 104

HSL 333.06, 0.45%, 0.43%

LAB 40.41, 45.12, -4.54

 

CMYK 0 / 44 / 24 / 45

HEX #8C4E6A

RGB 140 78 106

HSL 332.9, 0.28%, 0.43%

LAB 41.32, 29.82, -4.73

 

CMYK 0 / 97 / 1 / 17

HEX #D307D0

RGB 211 7 208

HSL 300.88, 0.94%, 0.43%

LAB 50.16, 84.21, -51.01

 

CMYK 0 / 97 / 27 / 17

HEX #D30799

RGB 211 7 153

HSL 317.06, 0.94%, 0.43%

LAB 47.37, 77.18, -23.11

 

CMYK 0 / 97 / 53 / 17

HEX #D30763

RGB 211 7 99

HSL 332.94, 0.94%, 0.43%

LAB 45.5, 72.27, 7.19

 

CMYK 0 / 97 / 79 / 17

HEX #D3072D

RGB 211 7 45

HSL 348.82, 0.94%, 0.43%

LAB 44.5, 69.56, 39.09

 

CMYK 0 / 89 / 97 / 17

HEX #D31807

RGB 211 24 7

HSL 5, 0.94%, 0.43%

LAB 44.97, 66.83, 56.46

 

CMYK 0 / 97 / 53 / 49

HEX #83043D

RGB 131 4 61

HSL 333.07, 0.94%, 0.26%

LAB 27.43, 50.75, 3.8

 

CMYK 0 / 96 / 53 / 33

HEX #AB0650

RGB 171 6 80

HSL 333.09, 0.93%, 0.35%

LAB 36.68, 61.68, 5.58

 

CMYK 0 / 97 / 53 / 17

HEX #D30763

RGB 211 7 99

HSL 332.94, 0.94%, 0.43%

LAB 45.5, 72.27, 7.19

 

CMYK 0 / 94 / 52 / 4

HEX #F60E76

RGB 246 14 118

HSL 333.1, 0.93%, 0.51%

LAB 53.18, 80.91, 7.42

 

CMYK 0 / 78 / 43 / 3

HEX #F7368D

RGB 247 54 141

HSL 332.95, 0.92%, 0.59%

LAB 56.42, 76.04, -1.64

 

CMYK 0 / 96 / 53 / 16

HEX #D50864

RGB 213 8 100

HSL 333.07, 0.93%, 0.43%

LAB 45.96, 72.71, 7.28

 

CMYK 0 / 24 / 97 / 17

HEX #D3A007

RGB 211 160 7

HSL 45, 0.94%, 0.43%

LAB 68.76, 7.72, 71.53

 

CMYK 97 / 14 / 0 / 17

HEX #07B5D3

RGB 7 181 211

HSL 188.82, 0.94%, 0.43%

LAB 67.87, -27.36, -25.87

 

CMYK 0 / 96 / 53 / 16

HEX #D50864

RGB 213 8 100

HSL 333.07, 0.93%, 0.43%

LAB 45.96, 72.71, 7.28

 

CMYK 53 / 0 / 97 / 17

HEX #63D307

RGB 99 211 7

HSL 92.94, 0.94%, 0.43%

LAB 75.61, -60.3, 73.46

 

CMYK 97 / 53 / 0 / 17

HEX #0763D3

RGB 7 99 211

HSL 212.94, 0.94%, 0.43%

LAB 43.76, 20.25, -63.98

 

CMYK 0 / 96 / 53 / 16

HEX #D50864

RGB 213 8 100

HSL 333.07, 0.93%, 0.43%

LAB 45.96, 72.71, 7.28

 

CMYK 0 / 24 / 97 / 17

HEX #D3A007

RGB 211 160 7

HSL 45, 0.94%, 0.43%

LAB 68.76, 7.72, 71.53

 

CMYK 97 / 0 / 44 / 17

HEX #07D377

RGB 7 211 119

HSL 152.94, 0.94%, 0.43%

LAB 74.8, -63.88, 33.6

 

CMYK 97 / 73 / 0 / 17

HEX #073AD3

RGB 7 58 211

HSL 225, 0.94%, 0.43%

LAB 33.51, 46.56, -80.79

 

CMYK 0 / 96 / 53 / 16

HEX #D50864

RGB 213 8 100

HSL 333.07, 0.93%, 0.43%

LAB 45.96, 72.71, 7.28

 

CMYK 5 / 0 / 97 / 17

HEX #C9D307

RGB 201 211 7

HSL 62.94, 0.94%, 0.43%

LAB 81.3, -22.85, 80.34

 

CMYK 97 / 0 / 44 / 17

HEX #07D377

RGB 7 211 119

HSL 152.94, 0.94%, 0.43%

LAB 74.8, -63.88, 33.6

 

CMYK 92 / 97 / 0 / 17

HEX #1107D3

RGB 17 7 211

HSL 242.94, 0.94%, 0.43%

LAB 26.66, 67.4, -92.17

 

Description

Color code: RGB 213 8 100 | qconv.com Color code: RGB 213 8 100 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 8 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 8 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 53 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 53% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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