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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 53 62 it is the complementary color RGB 42 202 193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 53 62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 53 62 shade: RGB 218 53 57, RGB 235 71 76, RGB 252 89 95, RGB 255 107 114 and RGB 255 125 133

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 53 62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 53 62 shade: RGB 213 53 62, RGB 196 35 43, RGB 179 17 24, RGB 162 0 5 and RGB 145 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 53 62 shade: RGB 213 52 61 and RGB 213 52 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 53 62 shade: RGB 213 52 61, RGB 213 52 104, RGB 213 52 148, RGB 213 52 192 and RGB 192 52 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 53 62 shade matches the following richer shades: RGB 213 52 61, RGB 233 32 43 and RGB 253 12 26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 53 62 shade: RGB 213 52 61, RGB 194 72 78, RGB 174 91 96, RGB 154 111 114 and RGB 134 131 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 53 62 shade: RGB 213 52 149, RGB 213 52 106, RGB 213 52 63, RGB 213 84 52 and RGB 213 127 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 53 62 shade: RGB 152 31 38, RGB 186 38 46, RGB 213 52 61, RGB 220 86 94 and RGB 227 120 126

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 53 62 shade: RGB 213 53 62, RGB 192 213 52 and RGB 52 127 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 53 62 shade: RGB 213 53 62, RGB 63 213 52 and RGB 52 63 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 53 62 shade: RGB 213 53 62, RGB 192 213 52, RGB 52 213 203 and RGB 73 52 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 53 62 shade: RGB 213 53 62, RGB 143 213 52, RGB 52 213 203 and RGB 122 52 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 71 / 16

HEX #D5353E

RGB 213 53 62

HSL 356.63, 0.66%, 0.52%

LAB 48.31, 61.65, 33.58

 

Complementary color

CMYK 79 / 0 / 4 / 21

HEX #2ACAC1

RGB 42 202 193

HSL 176.63, 0.66%, 0.48%

LAB 73.92, -40.85, -6.88

 

CMYK 0 / 76 / 74 / 15

HEX #DA3539

RGB 218 53 57

HSL 358.55, 0.69%, 0.53%

LAB 49.19, 62.91, 37.72

 

CMYK 0 / 70 / 68 / 8

HEX #EB474C

RGB 235 71 76

HSL 358.17, 0.8%, 0.6%

LAB 54.75, 62.79, 34.15

 

CMYK 0 / 65 / 62 / 1

HEX #FC595F

RGB 252 89 95

HSL 357.79, 0.96%, 0.67%

LAB 60.49, 62.26, 31.06

 

CMYK 0 / 58 / 55 / 0

HEX #FF6B72

RGB 255 107 114

HSL 357.16, 1%, 0.71%

LAB 64.15, 56.88, 25.12

 

CMYK 0 / 51 / 48 / 0

HEX #FF7D85

RGB 255 125 133

HSL 356.31, 1%, 0.75%

LAB 67.74, 50.1, 19.25

 

CMYK 0 / 75 / 71 / 16

HEX #D5353E

RGB 213 53 62

HSL 356.63, 0.66%, 0.52%

LAB 48.31, 61.65, 33.58

 

CMYK 0 / 82 / 78 / 23

HEX #C4232B

RGB 196 35 43

HSL 357.02, 0.7%, 0.45%

LAB 42.93, 61.14, 37.64

 

CMYK 0 / 91 / 87 / 30

HEX #B31118

RGB 179 17 24

HSL 357.41, 0.83%, 0.38%

LAB 37.93, 59.66, 41.99

 

CMYK 0 / 100 / 97 / 36

HEX #A20005

RGB 162 0 5

HSL 358.15, 1%, 0.32%

LAB 33.33, 57.12, 45.43

 

CMYK 0 / 100 / 100 / 43

HEX #910000

RGB 145 0 0

HSL 0, 1%, 0.28%

LAB 29.46, 52.6, 42.98

 

CMYK 0 / 76 / 71 / 16

HEX #D5343D

RGB 213 52 61

HSL 356.65, 0.66%, 0.52%

LAB 48.18, 61.92, 34.01

 

CMYK 0 / 76 / 76 / 16

HEX #D53434

RGB 213 52 52

HSL 0, 0.66%, 0.52%

LAB 48.07, 61.55, 39.05

 

CMYK 0 / 76 / 71 / 16

HEX #D5343D

RGB 213 52 61

HSL 356.65, 0.66%, 0.52%

LAB 48.18, 61.92, 34.01

 

CMYK 0 / 76 / 51 / 16

HEX #D53468

RGB 213 52 104

HSL 340.62, 0.66%, 0.52%

LAB 49.01, 64.58, 9.13

 

CMYK 0 / 76 / 31 / 16

HEX #D53494

RGB 213 52 148

HSL 324.22, 0.66%, 0.52%

LAB 50.38, 68.86, -15.46

 

CMYK 0 / 76 / 10 / 16

HEX #D534C0

RGB 213 52 192

HSL 307.83, 0.66%, 0.52%

LAB 52.3, 74.56, -38.38

 

CMYK 10 / 76 / 0 / 16

HEX #C034D5

RGB 192 52 213

HSL 292.17, 0.66%, 0.52%

LAB 50.06, 73.57, -54.23

 

CMYK 0 / 76 / 71 / 16

HEX #D5343D

RGB 213 52 61

HSL 356.65, 0.66%, 0.52%

LAB 48.18, 61.92, 34.01

 

CMYK 0 / 86 / 82 / 9

HEX #E9202B

RGB 233 32 43

HSL 356.72, 0.82%, 0.52%

LAB 50.13, 71.8, 47.31

 

CMYK 0 / 95 / 90 / 1

HEX #FD0C1A

RGB 253 12 26

HSL 356.51, 0.98%, 0.52%

LAB 53.19, 79.02, 59.42

 

CMYK 0 / 76 / 71 / 16

HEX #D5343D

RGB 213 52 61

HSL 356.65, 0.66%, 0.52%

LAB 48.18, 61.92, 34.01

 

CMYK 0 / 63 / 60 / 24

HEX #C2484E

RGB 194 72 78

HSL 357.05, 0.5%, 0.52%

LAB 47.82, 49.24, 22.74

 

CMYK 0 / 48 / 45 / 32

HEX #AE5B60

RGB 174 91 96

HSL 356.39, 0.34%, 0.52%

LAB 48.67, 34.22, 12.56

 

CMYK 0 / 28 / 26 / 40

HEX #9A6F72

RGB 154 111 114

HSL 355.81, 0.18%, 0.52%

LAB 51.21, 17.5, 5.09

 

CMYK 0 / 2 / 2 / 47

HEX #868383

RGB 134 131 131

HSL 0, 0.01%, 0.52%

LAB 55.01, 1.12, 0.39

 

CMYK 0 / 76 / 30 / 16

HEX #D53495

RGB 213 52 149

HSL 323.85, 0.66%, 0.52%

LAB 50.42, 68.97, -16

 

CMYK 0 / 76 / 50 / 16

HEX #D5346A

RGB 213 52 106

HSL 339.88, 0.66%, 0.52%

LAB 49.06, 64.74, 7.98

 

CMYK 0 / 76 / 70 / 16

HEX #D5343F

RGB 213 52 63

HSL 355.9, 0.66%, 0.52%

LAB 48.21, 62.01, 32.87

 

CMYK 0 / 61 / 76 / 16

HEX #D55434

RGB 213 84 52

HSL 11.93, 0.66%, 0.52%

LAB 52.66, 49.09, 43.98

 

CMYK 0 / 40 / 76 / 16

HEX #D57F34

RGB 213 127 52

HSL 27.95, 0.66%, 0.52%

LAB 61.28, 27.47, 52.83

 

CMYK 0 / 80 / 75 / 40

HEX #981F26

RGB 152 31 38

HSL 356.53, 0.66%, 0.36%

LAB 33.55, 49.13, 27.76

 

CMYK 0 / 80 / 75 / 27

HEX #BA262E

RGB 186 38 46

HSL 356.76, 0.66%, 0.44%

LAB 41.25, 57.57, 33.49

 

CMYK 0 / 76 / 71 / 16

HEX #D5343D

RGB 213 52 61

HSL 356.65, 0.66%, 0.52%

LAB 48.18, 61.92, 34.01

 

CMYK 0 / 61 / 57 / 14

HEX #DC565E

RGB 220 86 94

HSL 356.42, 0.66%, 0.6%

LAB 54.74, 53, 23.16

 

CMYK 0 / 47 / 44 / 11

HEX #E3787E

RGB 227 120 126

HSL 356.64, 0.66%, 0.68%

LAB 62.74, 41.95, 15.69

 

CMYK 0 / 75 / 71 / 16

HEX #D5353E

RGB 213 53 62

HSL 356.63, 0.66%, 0.52%

LAB 48.31, 61.65, 33.58

 

CMYK 10 / 0 / 76 / 16

HEX #C0D534

RGB 192 213 52

HSL 67.83, 0.66%, 0.52%

LAB 81.32, -26.47, 71.33

 

CMYK 76 / 40 / 0 / 16

HEX #347FD5

RGB 52 127 213

HSL 212.05, 0.66%, 0.52%

LAB 52.63, 6.51, -50.79

 

CMYK 0 / 75 / 71 / 16

HEX #D5353E

RGB 213 53 62

HSL 356.63, 0.66%, 0.52%

LAB 48.31, 61.65, 33.58

 

CMYK 70 / 0 / 76 / 16

HEX #3FD534

RGB 63 213 52

HSL 115.9, 0.66%, 0.52%

LAB 75.38, -67.41, 63.6

 

CMYK 76 / 70 / 0 / 16

HEX #343FD5

RGB 52 63 213

HSL 235.9, 0.66%, 0.52%

LAB 36.16, 46.61, -77.53

 

CMYK 0 / 75 / 71 / 16

HEX #D5353E

RGB 213 53 62

HSL 356.63, 0.66%, 0.52%

LAB 48.31, 61.65, 33.58

 

CMYK 10 / 0 / 76 / 16

HEX #C0D534

RGB 192 213 52

HSL 67.83, 0.66%, 0.52%

LAB 81.32, -26.47, 71.33

 

CMYK 76 / 0 / 5 / 16

HEX #34D5CB

RGB 52 213 203

HSL 176.27, 0.66%, 0.52%

LAB 77.66, -41.96, -6.72

 

CMYK 66 / 76 / 0 / 16

HEX #4934D5

RGB 73 52 213

HSL 247.83, 0.66%, 0.52%

LAB 35.35, 54.64, -78.8

 

CMYK 0 / 75 / 71 / 16

HEX #D5353E

RGB 213 53 62

HSL 356.63, 0.66%, 0.52%

LAB 48.31, 61.65, 33.58

 

CMYK 33 / 0 / 76 / 16

HEX #8FD534

RGB 143 213 52

HSL 86.09, 0.66%, 0.52%

LAB 78.27, -45.45, 67.39

 

CMYK 76 / 0 / 5 / 16

HEX #34D5CB

RGB 52 213 203

HSL 176.27, 0.66%, 0.52%

LAB 77.66, -41.96, -6.72

 

CMYK 43 / 76 / 0 / 16

HEX #7A34D5

RGB 122 52 213

HSL 266.09, 0.66%, 0.52%

LAB 40.24, 61.11, -70.59

 

Description

Color code: RGB 213 53 62 | qconv.com Color code: RGB 213 53 62 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 53 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 53 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 71 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 71% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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