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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 32 134 it is the complementary color RGB 42 223 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 32 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 32 134 shade: RGB 218 32 129, RGB 235 50 148, RGB 252 68 167, RGB 255 86 186 and RGB 255 104 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 32 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 32 134 shade: RGB 213 32 134, RGB 196 14 115, RGB 179 0 96, RGB 162 0 77 and RGB 145 0 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 32 134 shade: RGB 213 32 134, RGB 213 32 85, RGB 213 32 36 and RGB 213 32 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 32 134 shade: RGB 213 32 134, RGB 213 32 183, RGB 194 32 213, RGB 145 32 213 and RGB 97 32 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 32 134 shade matches the following richer shades: RGB 213 32 134 and RGB 233 12 136

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 32 134 shade: RGB 213 32 134, RGB 193 52 131, RGB 173 71 129, RGB 154 91 126 and RGB 134 111 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 32 134 shade: RGB 195 32 213, RGB 213 32 183, RGB 213 32 134, RGB 213 32 86 and RGB 213 32 38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 32 134 shade: RGB 141 21 89, RGB 177 26 111, RGB 213 32 134, RGB 226 60 154 and RGB 231 96 172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 32 134 shade: RGB 213 32 134, RGB 213 147 32 and RGB 32 207 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 32 134 shade: RGB 213 32 134, RGB 134 213 32 and RGB 32 134 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 32 134 shade: RGB 213 32 134, RGB 213 147 32, RGB 32 213 110 and RGB 32 98 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 32 134 shade: RGB 213 32 134, RGB 213 201 32, RGB 32 213 110 and RGB 32 44 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 37 / 16

HEX #D52086

RGB 213 32 134

HSL 326.19, 0.74%, 0.48%

LAB 48.13, 72.33, -10.43

 

Complementary color

CMYK 81 / 0 / 46 / 13

HEX #2ADF79

RGB 42 223 121

HSL 146.19, 0.74%, 0.52%

LAB 78.84, -65.38, 37.84

 

CMYK 0 / 85 / 41 / 15

HEX #DA2081

RGB 218 32 129

HSL 328.71, 0.74%, 0.49%

LAB 48.91, 73.01, -6.13

 

CMYK 0 / 79 / 37 / 8

HEX #EB3294

RGB 235 50 148

HSL 328.22, 0.82%, 0.56%

LAB 54.11, 74.8, -9.45

 

CMYK 0 / 73 / 34 / 1

HEX #FC44A7

RGB 252 68 167

HSL 327.72, 0.97%, 0.63%

LAB 59.54, 75.81, -12.15

 

CMYK 0 / 66 / 27 / 0

HEX #FF56BA

RGB 255 86 186

HSL 324.5, 1%, 0.67%

LAB 62.89, 72.59, -17.98

 

CMYK 0 / 59 / 20 / 0

HEX #FF68CD

RGB 255 104 205

HSL 319.87, 1%, 0.7%

LAB 66.19, 67.9, -23.72

 

CMYK 0 / 85 / 37 / 16

HEX #D52086

RGB 213 32 134

HSL 326.19, 0.74%, 0.48%

LAB 48.13, 72.33, -10.43

 

CMYK 0 / 93 / 41 / 23

HEX #C40E73

RGB 196 14 115

HSL 326.7, 0.87%, 0.41%

LAB 43.19, 69.5, -6.5

 

CMYK 0 / 100 / 46 / 30

HEX #B30060

RGB 179 0 96

HSL 327.82, 1%, 0.35%

LAB 38.6, 65.49, -1.72

 

CMYK 0 / 100 / 52 / 36

HEX #A2004D

RGB 162 0 77

HSL 331.48, 1%, 0.32%

LAB 34.43, 60.07, 4.06

 

CMYK 0 / 100 / 60 / 43

HEX #91003A

RGB 145 0 58

HSL 336, 1%, 0.28%

LAB 30.22, 54.65, 10.19

 

CMYK 0 / 85 / 37 / 16

HEX #D52086

RGB 213 32 134

HSL 326.19, 0.74%, 0.48%

LAB 48.13, 72.33, -10.43

 

CMYK 0 / 85 / 60 / 16

HEX #D52055

RGB 213 32 85

HSL 342.43, 0.74%, 0.48%

LAB 46.76, 68.39, 17.69

 

CMYK 0 / 85 / 83 / 16

HEX #D52024

RGB 213 32 36

HSL 358.67, 0.74%, 0.48%

LAB 46.05, 66.32, 45.7

 

CMYK 0 / 85 / 85 / 16

HEX #D52020

RGB 213 32 32

HSL 0, 0.74%, 0.48%

LAB 46.02, 66.23, 47.69

 

CMYK 0 / 85 / 37 / 16

HEX #D52086

RGB 213 32 134

HSL 326.19, 0.74%, 0.48%

LAB 48.13, 72.33, -10.43

 

CMYK 0 / 85 / 14 / 16

HEX #D520B7

RGB 213 32 183

HSL 309.94, 0.74%, 0.48%

LAB 50.21, 78.04, -36.41

 

CMYK 9 / 85 / 0 / 16

HEX #C220D5

RGB 194 32 213

HSL 293.7, 0.74%, 0.48%

LAB 48.64, 78.97, -56.48

 

CMYK 32 / 85 / 0 / 16

HEX #9120D5

RGB 145 32 213

HSL 277.46, 0.74%, 0.48%

LAB 40.99, 71.28, -69.25

 

CMYK 54 / 85 / 0 / 16

HEX #6120D5

RGB 97 32 213

HSL 261.55, 0.74%, 0.48%

LAB 34.76, 65.42, -79.71

 

CMYK 0 / 85 / 37 / 16

HEX #D52086

RGB 213 32 134

HSL 326.19, 0.74%, 0.48%

LAB 48.13, 72.33, -10.43

 

CMYK 0 / 95 / 42 / 9

HEX #E90C88

RGB 233 12 136

HSL 326.33, 0.9%, 0.48%

LAB 51.11, 79.65, -6.79

 

CMYK 0 / 85 / 37 / 16

HEX #D52086

RGB 213 32 134

HSL 326.19, 0.74%, 0.48%

LAB 48.13, 72.33, -10.43

 

CMYK 0 / 73 / 32 / 24

HEX #C13483

RGB 193 52 131

HSL 326.38, 0.58%, 0.48%

LAB 46.22, 61.77, -11.85

 

CMYK 0 / 59 / 25 / 32

HEX #AD4781

RGB 173 71 129

HSL 325.88, 0.42%, 0.48%

LAB 45.6, 48.07, -11.9

 

CMYK 0 / 41 / 18 / 40

HEX #9A5B7E

RGB 154 91 126

HSL 326.67, 0.26%, 0.48%

LAB 46.79, 30.83, -8.57

 

CMYK 0 / 17 / 7 / 47

HEX #866F7C

RGB 134 111 124

HSL 326.09, 0.09%, 0.48%

LAB 49.37, 11.39, -3.79

 

CMYK 8 / 85 / 0 / 16

HEX #C320D5

RGB 195 32 213

HSL 294.03, 0.74%, 0.48%

LAB 48.81, 79.14, -56.2

 

CMYK 0 / 85 / 14 / 16

HEX #D520B7

RGB 213 32 183

HSL 309.94, 0.74%, 0.48%

LAB 50.21, 78.04, -36.41

 

CMYK 0 / 85 / 37 / 16

HEX #D52086

RGB 213 32 134

HSL 326.19, 0.74%, 0.48%

LAB 48.13, 72.33, -10.43

 

CMYK 0 / 85 / 60 / 16

HEX #D52056

RGB 213 32 86

HSL 342.1, 0.74%, 0.48%

LAB 46.78, 68.46, 17.11

 

CMYK 0 / 85 / 82 / 16

HEX #D52026

RGB 213 32 38

HSL 358.01, 0.74%, 0.48%

LAB 46.07, 66.37, 44.67

 

CMYK 0 / 85 / 37 / 45

HEX #8D1559

RGB 141 21 89

HSL 326, 0.74%, 0.32%

LAB 31.62, 52.7, -8.42

 

CMYK 0 / 85 / 37 / 31

HEX #B11A6F

RGB 177 26 111

HSL 326.23, 0.74%, 0.4%

LAB 39.97, 62.78, -9.22

 

CMYK 0 / 85 / 37 / 16

HEX #D52086

RGB 213 32 134

HSL 326.19, 0.74%, 0.48%

LAB 48.13, 72.33, -10.43

 

CMYK 0 / 73 / 32 / 11

HEX #E23C9A

RGB 226 60 154

HSL 326.02, 0.74%, 0.56%

LAB 53.74, 70.33, -13.72

 

CMYK 0 / 58 / 26 / 9

HEX #E760AC

RGB 231 96 172

HSL 326.22, 0.74%, 0.64%

LAB 60.19, 60.09, -14.4

 

CMYK 0 / 85 / 37 / 16

HEX #D52086

RGB 213 32 134

HSL 326.19, 0.74%, 0.48%

LAB 48.13, 72.33, -10.43

 

CMYK 0 / 31 / 85 / 16

HEX #D59320

RGB 213 147 32

HSL 38.12, 0.74%, 0.48%

LAB 65.84, 16.02, 64.43

 

CMYK 85 / 3 / 0 / 16

HEX #20CFD5

RGB 32 207 213

HSL 181.99, 0.74%, 0.48%

LAB 75.91, -38.05, -14.73

 

CMYK 0 / 85 / 37 / 16

HEX #D52086

RGB 213 32 134

HSL 326.19, 0.74%, 0.48%

LAB 48.13, 72.33, -10.43

 

CMYK 37 / 0 / 85 / 16

HEX #86D520

RGB 134 213 32

HSL 86.19, 0.74%, 0.48%

LAB 77.73, -49.48, 72.09

 

CMYK 85 / 37 / 0 / 16

HEX #2086D5

RGB 32 134 213

HSL 206.19, 0.74%, 0.48%

LAB 54.2, 0.32, -48.33

 

CMYK 0 / 85 / 37 / 16

HEX #D52086

RGB 213 32 134

HSL 326.19, 0.74%, 0.48%

LAB 48.13, 72.33, -10.43

 

CMYK 0 / 31 / 85 / 16

HEX #D59320

RGB 213 147 32

HSL 38.12, 0.74%, 0.48%

LAB 65.84, 16.02, 64.43

 

CMYK 85 / 0 / 48 / 16

HEX #20D56E

RGB 32 213 110

HSL 145.86, 0.74%, 0.48%

LAB 75.46, -64.73, 38.97

 

CMYK 85 / 54 / 0 / 16

HEX #2062D5

RGB 32 98 213

HSL 218.12, 0.74%, 0.48%

LAB 44.01, 22.89, -64.7

 

CMYK 0 / 85 / 37 / 16

HEX #D52086

RGB 213 32 134

HSL 326.19, 0.74%, 0.48%

LAB 48.13, 72.33, -10.43

 

CMYK 0 / 6 / 85 / 16

HEX #D5C920

RGB 213 201 32

HSL 56.02, 0.74%, 0.48%

LAB 79.63, -12.4, 75.8

 

CMYK 85 / 0 / 48 / 16

HEX #20D56E

RGB 32 213 110

HSL 145.86, 0.74%, 0.48%

LAB 75.46, -64.73, 38.97

 

CMYK 85 / 79 / 0 / 16

HEX #202CD5

RGB 32 44 213

HSL 236.02, 0.74%, 0.48%

LAB 31.61, 55.72, -85.08

 

Description

Color code: RGB 213 32 134 | qconv.com Color code: RGB 213 32 134 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 32 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 32 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 37 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 37% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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