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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 23 158 it is the complementary color RGB 42 232 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 23 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 23 158 shade: RGB 218 23 153, RGB 235 41 172, RGB 252 59 191, RGB 255 77 210 and RGB 255 95 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 23 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 23 158 shade: RGB 213 23 158, RGB 196 5 139, RGB 179 0 120, RGB 162 0 101 and RGB 145 0 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 23 158 shade: RGB 212 22 157, RGB 212 22 106, RGB 212 22 55 and RGB 212 22 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 23 158 shade: RGB 212 22 157, RGB 212 22 209, RGB 165 22 212, RGB 114 22 212 and RGB 62 22 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 23 158 shade matches the following richer shades: RGB 212 22 157 and RGB 231 3 165

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 23 158 shade: RGB 212 22 157, RGB 193 41 149, RGB 174 60 141, RGB 155 79 133 and RGB 136 98 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 23 158 shade: RGB 165 22 212, RGB 212 22 209, RGB 212 22 158, RGB 212 22 108 and RGB 212 22 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 23 158 shade: RGB 138 14 102, RGB 175 18 130, RGB 212 22 157, RGB 233 43 178 and RGB 237 80 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 23 158 shade: RGB 213 23 158, RGB 212 114 22 and RGB 22 212 190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 23 158 shade: RGB 213 23 158, RGB 158 212 22 and RGB 22 158 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 23 158 shade: RGB 213 23 158, RGB 212 114 22, RGB 22 212 76 and RGB 22 120 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 23 158 shade: RGB 213 23 158, RGB 212 171 22, RGB 22 212 76 and RGB 22 63 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 26 / 16

HEX #D5179E

RGB 213 23 158

HSL 317.37, 0.81%, 0.46%

LAB 48.55, 76.44, -24.25

 

Complementary color

CMYK 82 / 0 / 58 / 9

HEX #2AE861

RGB 42 232 97

HSL 137.37, 0.81%, 0.54%

LAB 81.33, -71.8, 52.21

 

CMYK 0 / 89 / 30 / 15

HEX #DA1799

RGB 218 23 153

HSL 320, 0.81%, 0.47%

LAB 49.27, 76.92, -20.06

 

CMYK 0 / 83 / 27 / 8

HEX #EB29AC

RGB 235 41 172

HSL 319.48, 0.83%, 0.54%

LAB 54.27, 79.47, -23.37

 

CMYK 0 / 77 / 24 / 1

HEX #FC3BBF

RGB 252 59 191

HSL 318.96, 0.97%, 0.61%

LAB 59.51, 81.12, -26.06

 

CMYK 0 / 70 / 18 / 0

HEX #FF4DD2

RGB 255 77 210

HSL 315.17, 1%, 0.65%

LAB 62.69, 78.79, -31.92

 

CMYK 0 / 63 / 10 / 0

HEX #FF5FE5

RGB 255 95 229

HSL 309.75, 1%, 0.69%

LAB 65.83, 74.96, -37.7

 

CMYK 0 / 89 / 26 / 16

HEX #D5179E

RGB 213 23 158

HSL 317.37, 0.81%, 0.46%

LAB 48.55, 76.44, -24.25

 

CMYK 0 / 97 / 29 / 23

HEX #C4058B

RGB 196 5 139

HSL 317.91, 0.95%, 0.39%

LAB 43.81, 72.81, -20.35

 

CMYK 0 / 100 / 33 / 30

HEX #B30078

RGB 179 0 120

HSL 319.78, 1%, 0.35%

LAB 39.48, 67.77, -15.56

 

CMYK 0 / 100 / 38 / 36

HEX #A20065

RGB 162 0 101

HSL 322.59, 1%, 0.32%

LAB 35.24, 62.2, -10.3

 

CMYK 0 / 100 / 43 / 43

HEX #910052

RGB 145 0 82

HSL 326.07, 1%, 0.28%

LAB 30.95, 56.57, -4.76

 

CMYK 0 / 90 / 26 / 17

HEX #D4169D

RGB 212 22 157

HSL 317.37, 0.81%, 0.46%

LAB 48.27, 76.26, -24.1

 

CMYK 0 / 90 / 50 / 17

HEX #D4166A

RGB 212 22 106

HSL 333.47, 0.81%, 0.46%

LAB 46.46, 71.36, 4.25

 

CMYK 0 / 90 / 74 / 17

HEX #D41637

RGB 212 22 55

HSL 349.58, 0.81%, 0.46%

LAB 45.42, 68.44, 34.29

 

CMYK 0 / 90 / 90 / 17

HEX #D41616

RGB 212 22 22

HSL 0, 0.81%, 0.46%

LAB 45.12, 67.58, 51.5

 

CMYK 0 / 90 / 26 / 17

HEX #D4169D

RGB 212 22 157

HSL 317.37, 0.81%, 0.46%

LAB 48.27, 76.26, -24.1

 

CMYK 0 / 90 / 1 / 17

HEX #D416D1

RGB 212 22 209

HSL 300.95, 0.81%, 0.46%

LAB 50.89, 83.06, -50.42

 

CMYK 22 / 90 / 0 / 17

HEX #A516D4

RGB 165 22 212

HSL 285.16, 0.81%, 0.46%

LAB 43.25, 76.06, -64.85

 

CMYK 46 / 90 / 0 / 17

HEX #7216D4

RGB 114 22 212

HSL 269.05, 0.81%, 0.46%

LAB 35.8, 69.64, -77.35

 

CMYK 71 / 90 / 0 / 17

HEX #3E16D4

RGB 62 22 212

HSL 252.63, 0.81%, 0.46%

LAB 30.28, 65.55, -86.65

 

CMYK 0 / 90 / 26 / 17

HEX #D4169D

RGB 212 22 157

HSL 317.37, 0.81%, 0.46%

LAB 48.27, 76.26, -24.1

 

CMYK 0 / 99 / 29 / 9

HEX #E703A5

RGB 231 3 165

HSL 317.37, 0.97%, 0.46%

LAB 51.58, 82.72, -23.45

 

CMYK 0 / 90 / 26 / 17

HEX #D4169D

RGB 212 22 157

HSL 317.37, 0.81%, 0.46%

LAB 48.27, 76.26, -24.1

 

CMYK 0 / 79 / 23 / 24

HEX #C12995

RGB 193 41 149

HSL 317.37, 0.65%, 0.46%

LAB 45.76, 67.31, -23.45

 

CMYK 0 / 66 / 19 / 32

HEX #AE3C8D

RGB 174 60 141

HSL 317.37, 0.49%, 0.46%

LAB 44.45, 54.93, -20.91

 

CMYK 0 / 49 / 14 / 39

HEX #9B4F85

RGB 155 79 133

HSL 317.37, 0.32%, 0.46%

LAB 44.59, 38.9, -16.1

 

CMYK 0 / 28 / 8 / 47

HEX #88627D

RGB 136 98 125

HSL 317.37, 0.16%, 0.46%

LAB 46.24, 20.01, -9.01

 

CMYK 22 / 90 / 0 / 17

HEX #A516D4

RGB 165 22 212

HSL 285.16, 0.81%, 0.46%

LAB 43.25, 76.06, -64.85

 

CMYK 0 / 90 / 1 / 17

HEX #D416D1

RGB 212 22 209

HSL 300.95, 0.81%, 0.46%

LAB 50.89, 83.06, -50.42

 

CMYK 0 / 90 / 25 / 17

HEX #D4169E

RGB 212 22 158

HSL 317.05, 0.81%, 0.46%

LAB 48.31, 76.38, -24.63

 

CMYK 0 / 90 / 49 / 17

HEX #D4166C

RGB 212 22 108

HSL 332.84, 0.81%, 0.46%

LAB 46.52, 71.51, 3.09

 

CMYK 0 / 90 / 73 / 17

HEX #D41639

RGB 212 22 57

HSL 348.95, 0.81%, 0.46%

LAB 45.45, 68.52, 33.13

 

CMYK 0 / 90 / 26 / 46

HEX #8A0E66

RGB 138 14 102

HSL 317.42, 0.82%, 0.3%

LAB 31.06, 55.02, -17.78

 

CMYK 0 / 90 / 26 / 31

HEX #AF1282

RGB 175 18 130

HSL 317.2, 0.81%, 0.38%

LAB 39.85, 65.93, -21.28

 

CMYK 0 / 90 / 26 / 17

HEX #D4169D

RGB 212 22 157

HSL 317.37, 0.81%, 0.46%

LAB 48.27, 76.26, -24.1

 

CMYK 0 / 82 / 24 / 9

HEX #E92BB2

RGB 233 43 178

HSL 317.37, 0.81%, 0.54%

LAB 54.31, 79.3, -26.84

 

CMYK 0 / 66 / 19 / 7

HEX #ED50BF

RGB 237 80 191

HSL 317.58, 0.81%, 0.62%

LAB 59.44, 70.78, -26.38

 

CMYK 0 / 89 / 26 / 16

HEX #D5179E

RGB 213 23 158

HSL 317.37, 0.81%, 0.46%

LAB 48.55, 76.44, -24.25

 

CMYK 0 / 46 / 90 / 17

HEX #D47216

RGB 212 114 22

HSL 29.05, 0.81%, 0.46%

LAB 58.12, 33.04, 61.09

 

CMYK 90 / 0 / 10 / 17

HEX #16D4BE

RGB 22 212 190

HSL 173.05, 0.81%, 0.46%

LAB 76.66, -47.39, -1.24

 

CMYK 0 / 89 / 26 / 16

HEX #D5179E

RGB 213 23 158

HSL 317.37, 0.81%, 0.46%

LAB 48.55, 76.44, -24.25

 

CMYK 25 / 0 / 90 / 17

HEX #9ED416

RGB 158 212 22

HSL 77.05, 0.81%, 0.46%

LAB 78.7, -40.54, 75.3

 

CMYK 90 / 25 / 0 / 17

HEX #169ED4

RGB 22 158 212

HSL 197.05, 0.81%, 0.46%

LAB 61.11, -14.43, -36.88

 

CMYK 0 / 89 / 26 / 16

HEX #D5179E

RGB 213 23 158

HSL 317.37, 0.81%, 0.46%

LAB 48.55, 76.44, -24.25

 

CMYK 0 / 46 / 90 / 17

HEX #D47216

RGB 212 114 22

HSL 29.05, 0.81%, 0.46%

LAB 58.12, 33.04, 61.09

 

CMYK 90 / 0 / 64 / 17

HEX #16D44C

RGB 22 212 76

HSL 137.05, 0.81%, 0.46%

LAB 74.69, -69.76, 53.68

 

CMYK 90 / 43 / 0 / 17

HEX #1678D4

RGB 22 120 212

HSL 209.05, 0.81%, 0.46%

LAB 49.93, 7.83, -54.59

 

CMYK 0 / 89 / 26 / 16

HEX #D5179E

RGB 213 23 158

HSL 317.37, 0.81%, 0.46%

LAB 48.55, 76.44, -24.25

 

CMYK 0 / 19 / 90 / 17

HEX #D4AB16

RGB 212 171 22

HSL 47.05, 0.81%, 0.46%

LAB 71.68, 2.49, 71.48

 

CMYK 90 / 0 / 64 / 17

HEX #16D44C

RGB 22 212 76

HSL 137.05, 0.81%, 0.46%

LAB 74.69, -69.76, 53.68

 

CMYK 90 / 70 / 0 / 17

HEX #163FD4

RGB 22 63 212

HSL 227.05, 0.81%, 0.46%

LAB 34.96, 44.35, -78.96

 

Description

Color code: RGB 213 23 158 | qconv.com Color code: RGB 213 23 158 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 23 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 23 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 26 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 26% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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