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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 218 52 it is the complementary color RGB 42 37 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 218 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 213 218 52: RGB 218 218 47, RGB 235 236 66, RGB 252 254 85, RGB 255 255 104 and RGB 255 255 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 218 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 213 218 52: RGB 213 218 52, RGB 196 200 33, RGB 179 182 14, RGB 162 164 0 and RGB 145 146 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 76 / 15

HEX #D5DA34

RGB 213 218 52

HSL 61.81, 0.69%, 0.53%

LAB 84.24, -20.2, 74.59

 

Complementary color

CMYK 79 / 82 / 0 / 20

HEX #2A25CB

RGB 42 37 203

HSL 241.81, 0.69%, 0.47%

LAB 29.73, 56.44, -82.37

 

CMYK 0 / 0 / 78 / 15

HEX #DADA2F

RGB 218 218 47

HSL 60, 0.7%, 0.52%

LAB 84.61, -18.3, 76.5

 

CMYK 0 / 0 / 72 / 7

HEX #EBEC42

RGB 235 236 66

HSL 60.35, 0.82%, 0.59%

LAB 90.8, -19.29, 76.91

 

CMYK 1 / 0 / 67 / 0

HEX #FCFE55

RGB 252 254 85

HSL 60.71, 0.99%, 0.66%

LAB 96.92, -20.14, 76.74

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF68

RGB 255 255 104

HSL 60, 1%, 0.7%

LAB 97.54, -18.31, 70.1

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7B

RGB 255 255 123

HSL 60, 1%, 0.74%

LAB 97.72, -16.94, 62.16

 

CMYK 2 / 0 / 76 / 15

HEX #D5DA34

RGB 213 218 52

HSL 61.81, 0.69%, 0.53%

LAB 84.24, -20.2, 74.59

 

CMYK 2 / 0 / 84 / 22

HEX #C4C821

RGB 196 200 33

HSL 61.44, 0.72%, 0.46%

LAB 77.97, -19.14, 73.63

 

CMYK 2 / 0 / 92 / 29

HEX #B3B60E

RGB 179 182 14

HSL 61.07, 0.86%, 0.38%

LAB 71.6, -17.87, 71.44

 

CMYK 1 / 0 / 100 / 36

HEX #A2A400

RGB 162 164 0

HSL 60.73, 1%, 0.32%

LAB 65.15, -16.38, 67.71

 

CMYK 1 / 0 / 100 / 43

HEX #919200

RGB 145 146 0

HSL 60.41, 1%, 0.29%

LAB 58.58, -14.68, 62.25

 

CMYK 2 / 0 / 76 / 15

HEX #D5DA34

RGB 213 218 52

HSL 61.81, 0.69%, 0.53%

LAB 84.24, -20.2, 74.59

 

CMYK 14 / 0 / 76 / 15

HEX #BBD934

RGB 187 217 52

HSL 70.91, 0.68%, 0.53%

LAB 82.08, -30.39, 71.91

 

CMYK 27 / 0 / 76 / 15

HEX #9FD934

RGB 159 217 52

HSL 81.09, 0.68%, 0.53%

LAB 80.32, -41.31, 69.63

 

CMYK 39 / 0 / 76 / 15

HEX #84D934

RGB 132 217 52

HSL 90.91, 0.68%, 0.53%

LAB 78.91, -50.91, 67.81

 

CMYK 52 / 0 / 76 / 15

HEX #68D934

RGB 104 217 52

HSL 101.09, 0.68%, 0.53%

LAB 77.77, -59.47, 66.31

 

CMYK 2 / 0 / 76 / 15

HEX #D5DA34

RGB 213 218 52

HSL 61.81, 0.69%, 0.53%

LAB 84.24, -20.2, 74.59

 

CMYK 0 / 0 / 79 / 95

HEX #0E0E03

RGB 14 14 3

HSL 60, 0.65%, 0.03%

LAB 3.74, -1.59, 4.34

 

CMYK 2 / 0 / 75 / 75

HEX #404110

RGB 64 65 16

HSL 61.22, 0.6%, 0.16%

LAB 26.47, -7.74, 28.45

 

CMYK 3 / 0 / 76 / 55

HEX #71741C

RGB 113 116 28

HSL 62.05, 0.61%, 0.28%

LAB 47.09, -12.57, 45.15

 

CMYK 2 / 0 / 76 / 35

HEX #A3A728

RGB 163 167 40

HSL 61.89, 0.61%, 0.41%

LAB 66.2, -16.5, 60.36

 

CMYK 2 / 0 / 76 / 15

HEX #D5DA34

RGB 213 218 52

HSL 61.81, 0.69%, 0.53%

LAB 84.24, -20.2, 74.59

 

CMYK 76 / 0 / 59 / 15

HEX #34D958

RGB 52 217 88

HSL 133.09, 0.68%, 0.53%

LAB 76.72, -66.98, 50.88

 

CMYK 29 / 76 / 0 / 15

HEX #9A34D9

RGB 154 52 217

HSL 277.09, 0.68%, 0.53%

LAB 44.71, 67.32, -65.43

 

CMYK 2 / 0 / 76 / 15

HEX #D5DA34

RGB 213 218 52

HSL 61.81, 0.69%, 0.53%

LAB 84.24, -20.2, 74.59

 

CMYK 76 / 1 / 0 / 15

HEX #34D7D9

RGB 52 215 217

HSL 180.73, 0.68%, 0.53%

LAB 78.66, -38.9, -12.73

 

CMYK 0 / 76 / 1 / 15

HEX #D934D7

RGB 217 52 215

HSL 300.73, 0.68%, 0.53%

LAB 54.15, 78.81, -48.61

 

CMYK 2 / 0 / 76 / 15

HEX #D5DA34

RGB 213 218 52

HSL 61.81, 0.69%, 0.53%

LAB 84.24, -20.2, 74.59

 

CMYK 76 / 0 / 59 / 15

HEX #34D958

RGB 52 217 88

HSL 133.09, 0.68%, 0.53%

LAB 76.72, -66.98, 50.88

 

CMYK 75 / 76 / 0 / 15

HEX #3734D9

RGB 55 52 217

HSL 241.09, 0.68%, 0.53%

LAB 34.56, 54.25, -82.47

 

CMYK 0 / 76 / 16 / 15

HEX #D934B6

RGB 217 52 182

HSL 312.73, 0.68%, 0.53%

LAB 52.49, 74.04, -32.21

 

CMYK 2 / 0 / 76 / 15

HEX #D5DA34

RGB 213 218 52

HSL 61.81, 0.69%, 0.53%

LAB 84.24, -20.2, 74.59

 

CMYK 76 / 0 / 37 / 15

HEX #34D989

RGB 52 217 137

HSL 150.91, 0.68%, 0.53%

LAB 77.38, -59.26, 27.87

 

CMYK 75 / 76 / 0 / 15

HEX #3734D9

RGB 55 52 217

HSL 241.09, 0.68%, 0.53%

LAB 34.56, 54.25, -82.47

 

CMYK 0 / 76 / 39 / 15

HEX #D93484

RGB 217 52 132

HSL 330.91, 0.68%, 0.53%

LAB 50.54, 68.16, -5.55

 

Description

Color code: RGB 213 218 52 | qconv.com Color code: RGB 213 218 52 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 218 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 218 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 76 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 76% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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