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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 201 72 it is the complementary color RGB 42 54 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 201 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 201 72 shade: RGB 218 201 67, RGB 235 219 86, RGB 252 237 105, RGB 255 255 124 and RGB 255 255 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 201 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 201 72 shade: RGB 213 201 72, RGB 196 183 53, RGB 179 165 34, RGB 162 147 15 and RGB 145 129 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 201 72 shade: RGB 213 201 72, RGB 213 163 72, RGB 213 125 72, RGB 213 87 72 and RGB 213 72 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 201 72 shade: RGB 213 201 72, RGB 187 213 72, RGB 149 213 72, RGB 111 213 72 and RGB 73 213 72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 201 72 shade matches the following richer shades: RGB 213 201 72, RGB 231 216 53 and RGB 249 231 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 201 72 shade: RGB 213 201 72, RGB 195 186 90, RGB 177 171 108, RGB 159 156 126 and RGB 140 141 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 201 72 shade: RGB 213 123 72, RGB 213 161 72, RGB 213 199 72, RGB 189 213 72 and RGB 152 213 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 201 72 shade: RGB 165 154 37, RGB 199 186 45, RGB 213 201 72, RGB 221 211 105 and RGB 228 221 139

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 201 72 shade: RGB 213 201 72, RGB 72 213 86 and RGB 142 72 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 201 72 shade: RGB 213 201 72, RGB 72 213 199 and RGB 199 72 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 201 72 shade: RGB 213 201 72, RGB 72 213 86, RGB 72 86 213 and RGB 213 72 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 201 72 shade: RGB 213 201 72, RGB 72 213 128, RGB 72 86 213 and RGB 213 72 156

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 66 / 16

HEX #D5C948

RGB 213 201 72

HSL 54.89, 0.63%, 0.56%

LAB 79.83, -10.81, 63.32

 

Complementary color

CMYK 77 / 70 / 0 / 28

HEX #2A36B7

RGB 42 54 183

HSL 234.89, 0.63%, 0.44%

LAB 30.76, 40.79, -68.9

 

CMYK 0 / 8 / 69 / 15

HEX #DAC943

RGB 218 201 67

HSL 53.25, 0.67%, 0.56%

LAB 80.23, -8.97, 65.81

 

CMYK 0 / 7 / 63 / 8

HEX #EBDB56

RGB 235 219 86

HSL 53.56, 0.79%, 0.63%

LAB 86.5, -9.89, 65.18

 

CMYK 0 / 6 / 58 / 1

HEX #FCED69

RGB 252 237 105

HSL 53.88, 0.96%, 0.7%

LAB 92.7, -10.68, 64.29

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7C

RGB 255 255 124

HSL 60, 1%, 0.74%

LAB 97.73, -16.86, 61.73

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 0 / 6 / 66 / 16

HEX #D5C948

RGB 213 201 72

HSL 54.89, 0.63%, 0.56%

LAB 79.83, -10.81, 63.32

 

CMYK 0 / 7 / 73 / 23

HEX #C4B735

RGB 196 183 53

HSL 54.55, 0.57%, 0.49%

LAB 73.45, -9.82, 63.72

 

CMYK 0 / 8 / 81 / 30

HEX #B3A522

RGB 179 165 34

HSL 54.21, 0.68%, 0.42%

LAB 66.98, -8.64, 63.43

 

CMYK 0 / 9 / 91 / 36

HEX #A2930F

RGB 162 147 15

HSL 53.88, 0.83%, 0.35%

LAB 60.41, -7.22, 61.94

 

CMYK 0 / 11 / 100 / 43

HEX #918100

RGB 145 129 0

HSL 53.38, 1%, 0.28%

LAB 53.73, -5.52, 58.74

 

CMYK 0 / 6 / 66 / 16

HEX #D5C948

RGB 213 201 72

HSL 54.89, 0.63%, 0.56%

LAB 79.83, -10.81, 63.32

 

CMYK 0 / 23 / 66 / 16

HEX #D5A348

RGB 213 163 72

HSL 38.72, 0.63%, 0.56%

LAB 70.04, 9.08, 52.97

 

CMYK 0 / 41 / 66 / 16

HEX #D57D48

RGB 213 125 72

HSL 22.55, 0.63%, 0.56%

LAB 61.03, 29.55, 42.91

 

CMYK 0 / 59 / 66 / 16

HEX #D55748

RGB 213 87 72

HSL 6.38, 0.63%, 0.56%

LAB 53.42, 48.69, 33.94

 

CMYK 0 / 66 / 66 / 16

HEX #D54848

RGB 213 72 72

HSL 0, 0.63%, 0.56%

LAB 50.98, 55.21, 30.96

 

CMYK 0 / 6 / 66 / 16

HEX #D5C948

RGB 213 201 72

HSL 54.89, 0.63%, 0.56%

LAB 79.83, -10.81, 63.32

 

CMYK 12 / 0 / 66 / 16

HEX #BBD548

RGB 187 213 72

HSL 71.06, 0.63%, 0.56%

LAB 81.08, -27.45, 63.98

 

CMYK 30 / 0 / 66 / 16

HEX #95D548

RGB 149 213 72

HSL 87.23, 0.63%, 0.56%

LAB 78.72, -42.02, 60.78

 

CMYK 48 / 0 / 66 / 16

HEX #6FD548

RGB 111 213 72

HSL 103.4, 0.63%, 0.56%

LAB 76.94, -54.53, 58.35

 

CMYK 66 / 0 / 66 / 16

HEX #49D548

RGB 73 213 72

HSL 119.57, 0.63%, 0.56%

LAB 75.74, -63.9, 56.71

 

CMYK 0 / 6 / 66 / 16

HEX #D5C948

RGB 213 201 72

HSL 54.89, 0.63%, 0.56%

LAB 79.83, -10.81, 63.32

 

CMYK 0 / 6 / 77 / 9

HEX #E7D835

RGB 231 216 53

HSL 54.94, 0.79%, 0.56%

LAB 85.18, -11.64, 75.68

 

CMYK 0 / 7 / 86 / 2

HEX #F9E723

RGB 249 231 35

HSL 54.95, 0.95%, 0.56%

LAB 90.51, -12.03, 85.28

 

CMYK 0 / 6 / 66 / 16

HEX #D5C948

RGB 213 201 72

HSL 54.89, 0.63%, 0.56%

LAB 79.83, -10.81, 63.32

 

CMYK 0 / 5 / 54 / 24

HEX #C3BA5A

RGB 195 186 90

HSL 54.86, 0.47%, 0.56%

LAB 74.48, -9.44, 49.11

 

CMYK 0 / 3 / 39 / 31

HEX #B1AB6C

RGB 177 171 108

HSL 54.78, 0.31%, 0.56%

LAB 69.15, -7.29, 33.21

 

CMYK 0 / 2 / 21 / 38

HEX #9F9C7E

RGB 159 156 126

HSL 54.55, 0.15%, 0.56%

LAB 63.88, -4.06, 16.14

 

CMYK 3 / 2 / 0 / 44

HEX #8C8D90

RGB 140 141 144

HSL 225, 0.02%, 0.56%

LAB 58.64, 0.23, -1.73

 

CMYK 0 / 42 / 66 / 16

HEX #D57B48

RGB 213 123 72

HSL 21.7, 0.63%, 0.56%

LAB 60.59, 30.62, 42.4

 

CMYK 0 / 24 / 66 / 16

HEX #D5A148

RGB 213 161 72

HSL 37.87, 0.63%, 0.56%

LAB 69.54, 10.16, 52.43

 

CMYK 0 / 7 / 66 / 16

HEX #D5C748

RGB 213 199 72

HSL 54.04, 0.63%, 0.56%

LAB 79.31, -9.79, 62.77

 

CMYK 11 / 0 / 66 / 16

HEX #BDD548

RGB 189 213 72

HSL 70.21, 0.63%, 0.56%

LAB 81.22, -26.64, 64.16

 

CMYK 29 / 0 / 66 / 16

HEX #98D548

RGB 152 213 72

HSL 85.96, 0.63%, 0.56%

LAB 78.89, -40.93, 61

 

CMYK 0 / 7 / 78 / 35

HEX #A59A25

RGB 165 154 37

HSL 54.84, 0.63%, 0.4%

LAB 62.71, -8.96, 58.21

 

CMYK 0 / 7 / 77 / 22

HEX #C7BA2D

RGB 199 186 45

HSL 54.94, 0.63%, 0.48%

LAB 74.48, -10.4, 67.45

 

CMYK 0 / 6 / 66 / 16

HEX #D5C948

RGB 213 201 72

HSL 54.89, 0.63%, 0.56%

LAB 79.83, -10.81, 63.32

 

CMYK 0 / 5 / 52 / 13

HEX #DDD369

RGB 221 211 105

HSL 54.83, 0.63%, 0.64%

LAB 83.43, -10.26, 53.04

 

CMYK 0 / 3 / 39 / 11

HEX #E4DD8B

RGB 228 221 139

HSL 55.28, 0.62%, 0.72%

LAB 87.03, -9.28, 41.09

 

CMYK 0 / 6 / 66 / 16

HEX #D5C948

RGB 213 201 72

HSL 54.89, 0.63%, 0.56%

LAB 79.83, -10.81, 63.32

 

CMYK 66 / 0 / 60 / 16

HEX #48D556

RGB 72 213 86

HSL 125.96, 0.63%, 0.56%

LAB 75.85, -62.62, 50.87

 

CMYK 33 / 66 / 0 / 16

HEX #8E48D5

RGB 142 72 213

HSL 269.79, 0.63%, 0.56%

LAB 45.89, 55.63, -61.29

 

CMYK 0 / 6 / 66 / 16

HEX #D5C948

RGB 213 201 72

HSL 54.89, 0.63%, 0.56%

LAB 79.83, -10.81, 63.32

 

CMYK 66 / 0 / 7 / 16

HEX #48D5C7

RGB 72 213 199

HSL 174.04, 0.63%, 0.56%

LAB 77.93, -40.52, -4.13

 

CMYK 7 / 66 / 0 / 16

HEX #C748D5

RGB 199 72 213

HSL 294.04, 0.63%, 0.56%

LAB 53.58, 68.05, -48.54

 

CMYK 0 / 6 / 66 / 16

HEX #D5C948

RGB 213 201 72

HSL 54.89, 0.63%, 0.56%

LAB 79.83, -10.81, 63.32

 

CMYK 66 / 0 / 60 / 16

HEX #48D556

RGB 72 213 86

HSL 125.96, 0.63%, 0.56%

LAB 75.85, -62.62, 50.87

 

CMYK 66 / 60 / 0 / 16

HEX #4856D5

RGB 72 86 213

HSL 234.04, 0.63%, 0.56%

LAB 42.52, 34.96, -67.06

 

CMYK 0 / 66 / 7 / 16

HEX #D548C7

RGB 213 72 199

HSL 305.96, 0.63%, 0.56%

LAB 54.97, 68.98, -38.2

 

CMYK 0 / 6 / 66 / 16

HEX #D5C948

RGB 213 201 72

HSL 54.89, 0.63%, 0.56%

LAB 79.83, -10.81, 63.32

 

CMYK 66 / 0 / 40 / 16

HEX #48D580

RGB 72 213 128

HSL 143.83, 0.63%, 0.56%

LAB 76.39, -56.43, 31.25

 

CMYK 66 / 60 / 0 / 16

HEX #4856D5

RGB 72 86 213

HSL 234.04, 0.63%, 0.56%

LAB 42.52, 34.96, -67.06

 

CMYK 0 / 66 / 27 / 16

HEX #D5489C

RGB 213 72 156

HSL 324.26, 0.63%, 0.56%

LAB 53.15, 62.91, -16.01

 

Description

Color code: RGB 213 201 72 | qconv.com Color code: RGB 213 201 72 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 201 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 201 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 66 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 66% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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