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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 201 193 it is the complementary color RGB 42 54 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 201 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 213 201 193: RGB 218 201 188, RGB 235 219 207, RGB 252 237 226, RGB 255 255 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 201 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 213 201 193: RGB 213 201 193, RGB 196 183 174, RGB 179 165 155, RGB 162 147 136 and RGB 145 129 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 9 / 16

HEX #D5C9C1

RGB 213 201 193

HSL 24, 0.19%, 0.8%

LAB 81.71, 2.81, 5.48

 

Complementary color

CMYK 32 / 13 / 0 / 76

HEX #2A363E

RGB 42 54 62

HSL 204, 0.19%, 0.2%

LAB 21.87, -2.72, -6.63

 

CMYK 0 / 8 / 14 / 15

HEX #DAC9BC

RGB 218 201 188

HSL 26, 0.29%, 0.8%

LAB 82.01, 3.79, 8.63

 

CMYK 0 / 7 / 12 / 8

HEX #EBDBCF

RGB 235 219 207

HSL 25.71, 0.41%, 0.87%

LAB 88.37, 3.51, 7.86

 

CMYK 0 / 6 / 10 / 1

HEX #FCEDE2

RGB 252 237 226

HSL 25.38, 0.81%, 0.94%

LAB 94.63, 3.25, 7.13

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF5

RGB 255 255 245

HSL 60, 1%, 0.98%

LAB 99.76, -1.71, 4.76

 

CMYK 0 / 6 / 9 / 16

HEX #D5C9C1

RGB 213 201 193

HSL 24, 0.19%, 0.8%

LAB 81.71, 2.81, 5.48

 

CMYK 0 / 7 / 11 / 23

HEX #C4B7AE

RGB 196 183 174

HSL 24.55, 0.16%, 0.73%

LAB 75.24, 3.06, 6.22

 

CMYK 0 / 8 / 13 / 30

HEX #B3A59B

RGB 179 165 155

HSL 25, 0.14%, 0.65%

LAB 68.65, 3.35, 7

 

CMYK 0 / 9 / 16 / 36

HEX #A29388

RGB 162 147 136

HSL 25.38, 0.12%, 0.58%

LAB 61.93, 3.66, 7.83

 

CMYK 0 / 11 / 19 / 43

HEX #918175

RGB 145 129 117

HSL 25.71, 0.11%, 0.51%

LAB 55.08, 4.02, 8.72

 

CMYK 0 / 6 / 9 / 16

HEX #D5C9C1

RGB 213 201 193

HSL 24, 0.19%, 0.8%

LAB 81.71, 2.81, 5.48

 

CMYK 0 / 4 / 9 / 16

HEX #D5CDC2

RGB 213 205 194

HSL 34.74, 0.18%, 0.8%

LAB 82.76, 0.87, 6.45

 

CMYK 0 / 2 / 9 / 16

HEX #D5D0C2

RGB 213 208 194

HSL 44.21, 0.18%, 0.8%

LAB 83.52, -0.69, 7.55

 

CMYK 0 / 1 / 9 / 16

HEX #D5D3C2

RGB 213 211 194

HSL 53.68, 0.18%, 0.8%

LAB 84.29, -2.25, 8.65

 

CMYK 0 / 0 / 9 / 16

HEX #D4D5C2

RGB 212 213 194

HSL 63.16, 0.18%, 0.8%

LAB 84.73, -3.64, 9.27

 

CMYK 0 / 6 / 9 / 16

HEX #D5C9C1

RGB 213 201 193

HSL 24, 0.19%, 0.8%

LAB 81.71, 2.81, 5.48

 

CMYK 0 / 11 / 11 / 96

HEX #090808

RGB 9 8 8

HSL 0, 0.06%, 0.03%

LAB 2.25, 0.26, 0.09

 

CMYK 0 / 5 / 10 / 76

HEX #3C3936

RGB 60 57 54

HSL 30, 0.05%, 0.22%

LAB 24.17, 0.65, 2.33

 

CMYK 0 / 5 / 9 / 56

HEX #6F6965

RGB 111 105 101

HSL 24, 0.05%, 0.42%

LAB 44.83, 1.57, 3.08

 

CMYK 0 / 6 / 9 / 36

HEX #A29993

RGB 162 153 147

HSL 24, 0.07%, 0.61%

LAB 63.81, 2.21, 4.32

 

CMYK 0 / 6 / 9 / 16

HEX #D5C9C1

RGB 213 201 193

HSL 24, 0.19%, 0.8%

LAB 81.71, 2.81, 5.48

 

CMYK 5 / 0 / 9 / 16

HEX #CAD5C2

RGB 202 213 194

HSL 94.74, 0.18%, 0.8%

LAB 83.99, -7.15, 8.11

 

CMYK 9 / 9 / 0 / 16

HEX #C2C2D5

RGB 194 194 213

HSL 240, 0.18%, 0.8%

LAB 78.96, 3.66, -9.48

 

CMYK 0 / 6 / 9 / 16

HEX #D5C9C1

RGB 213 201 193

HSL 24, 0.19%, 0.8%

LAB 81.71, 2.81, 5.48

 

CMYK 9 / 0 / 5 / 16

HEX #C2D5CA

RGB 194 213 202

HSL 145.26, 0.18%, 0.8%

LAB 83.61, -8.45, 3.25

 

CMYK 5 / 9 / 0 / 16

HEX #CAC2D5

RGB 202 194 213

HSL 265.26, 0.18%, 0.8%

LAB 79.58, 6.32, -8.49

 

CMYK 0 / 6 / 9 / 16

HEX #D5C9C1

RGB 213 201 193

HSL 24, 0.19%, 0.8%

LAB 81.71, 2.81, 5.48

 

CMYK 5 / 0 / 9 / 16

HEX #CAD5C2

RGB 202 213 194

HSL 94.74, 0.18%, 0.8%

LAB 83.99, -7.15, 8.11

 

CMYK 9 / 4 / 0 / 16

HEX #C2CDD5

RGB 194 205 213

HSL 205.26, 0.18%, 0.8%

LAB 81.8, -2.18, -5.26

 

CMYK 4 / 9 / 0 / 16

HEX #CDC2D5

RGB 205 194 213

HSL 274.74, 0.18%, 0.8%

LAB 79.82, 7.33, -8.1

 

CMYK 0 / 6 / 9 / 16

HEX #D5C9C1

RGB 213 201 193

HSL 24, 0.19%, 0.8%

LAB 81.71, 2.81, 5.48

 

CMYK 8 / 0 / 9 / 16

HEX #C4D5C2

RGB 196 213 194

HSL 113.68, 0.18%, 0.8%

LAB 83.56, -9.22, 7.43

 

CMYK 9 / 4 / 0 / 16

HEX #C2CDD5

RGB 194 205 213

HSL 205.26, 0.18%, 0.8%

LAB 81.8, -2.18, -5.26

 

CMYK 1 / 9 / 0 / 16

HEX #D3C2D5

RGB 211 194 213

HSL 293.68, 0.18%, 0.8%

LAB 80.31, 9.36, -7.32

 

Description

Color code: RGB 213 201 193 | qconv.com Color code: RGB 213 201 193 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 201 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 201 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 9 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 9% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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