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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 198 8 it is the complementary color RGB 42 57 247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 198 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 198 8 shade: RGB 218 198 3, RGB 235 216 22, RGB 252 234 41, RGB 255 252 60 and RGB 255 255 79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 198 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 198 8 shade: RGB 213 198 8, RGB 196 180 0, RGB 179 162 0, RGB 162 144 0 and RGB 145 126 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 198 8 shade: RGB 212 197 8, RGB 212 142 8, RGB 212 87 8, RGB 212 32 8 and RGB 212 8 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 198 8 shade: RGB 212 197 8, RGB 172 212 8, RGB 117 212 8, RGB 62 212 8 and RGB 8 212 9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 198 8 shade matches the following richer shades: RGB 212 197 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 198 8 shade: RGB 212 197 8, RGB 194 182 25, RGB 176 166 43, RGB 158 151 61 and RGB 141 136 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 198 8 shade: RGB 212 86 8, RGB 212 140 8, RGB 212 195 8, RGB 174 212 8 and RGB 120 212 8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 198 8 shade: RGB 132 123 5, RGB 172 160 6, RGB 212 197 8, RGB 246 229 14 and RGB 248 234 54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 198 8 shade: RGB 213 198 8, RGB 8 212 31 and RGB 113 8 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 198 8 shade: RGB 213 198 8, RGB 8 212 195 and RGB 195 8 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 198 8 shade: RGB 213 198 8, RGB 8 212 31, RGB 8 25 212 and RGB 212 8 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 198 8 shade: RGB 213 198 8, RGB 8 212 93, RGB 8 25 212 and RGB 212 8 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 96 / 16

HEX #D5C608

RGB 213 198 8

HSL 55.61, 0.93%, 0.43%

LAB 78.78, -11.26, 78.8

 

Complementary color

CMYK 83 / 77 / 0 / 3

HEX #2A39F7

RGB 42 57 247

HSL 235.61, 0.93%, 0.57%

LAB 38.08, 60.3, -93.71

 

CMYK 0 / 9 / 99 / 15

HEX #DAC603

RGB 218 198 3

HSL 54.42, 0.97%, 0.43%

LAB 79.21, -9.15, 79.8

 

CMYK 0 / 8 / 91 / 8

HEX #EBD816

RGB 235 216 22

HSL 54.65, 0.84%, 0.5%

LAB 85.42, -10.72, 83

 

CMYK 0 / 7 / 84 / 1

HEX #FCEA29

RGB 252 234 41

HSL 54.88, 0.97%, 0.57%

LAB 91.55, -12.12, 84.98

 

CMYK 0 / 1 / 76 / 0

HEX #FFFC3C

RGB 255 252 60

HSL 59.08, 1%, 0.62%

LAB 96.5, -19.05, 84.54

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4F

RGB 255 255 79

HSL 60, 1%, 0.65%

LAB 97.37, -19.71, 79.39

 

CMYK 0 / 7 / 96 / 16

HEX #D5C608

RGB 213 198 8

HSL 55.61, 0.93%, 0.43%

LAB 78.78, -11.26, 78.8

 

CMYK 0 / 8 / 100 / 23

HEX #C4B400

RGB 196 180 0

HSL 55.1, 1%, 0.38%

LAB 72.48, -9.56, 74.36

 

CMYK 0 / 9 / 100 / 30

HEX #B3A200

RGB 179 162 0

HSL 54.3, 1%, 0.35%

LAB 66.08, -7.73, 69.06

 

CMYK 0 / 11 / 100 / 36

HEX #A29000

RGB 162 144 0

HSL 53.33, 1%, 0.32%

LAB 59.55, -5.83, 63.65

 

CMYK 0 / 13 / 100 / 43

HEX #917E00

RGB 145 126 0

HSL 52.14, 1%, 0.28%

LAB 52.89, -3.86, 58.14

 

CMYK 0 / 7 / 96 / 17

HEX #D4C508

RGB 212 197 8

HSL 55.59, 0.93%, 0.43%

LAB 78.43, -11.19, 78.5

 

CMYK 0 / 33 / 96 / 17

HEX #D48E08

RGB 212 142 8

HSL 39.41, 0.93%, 0.43%

LAB 64.45, 17.87, 68.42

 

CMYK 0 / 59 / 96 / 17

HEX #D45708

RGB 212 87 8

HSL 23.24, 0.93%, 0.43%

LAB 52.76, 46.3, 60.69

 

CMYK 0 / 85 / 96 / 17

HEX #D42008

RGB 212 32 8

HSL 7.06, 0.93%, 0.43%

LAB 45.7, 65.6, 56.65

 

CMYK 0 / 96 / 96 / 17

HEX #D40808

RGB 212 8 8

HSL 0, 0.93%, 0.43%

LAB 44.5, 69.04, 56.05

 

CMYK 0 / 7 / 96 / 17

HEX #D4C508

RGB 212 197 8

HSL 55.59, 0.93%, 0.43%

LAB 78.43, -11.19, 78.5

 

CMYK 19 / 0 / 96 / 17

HEX #ACD408

RGB 172 212 8

HSL 71.76, 0.93%, 0.43%

LAB 79.54, -35.26, 78.01

 

CMYK 45 / 0 / 96 / 17

HEX #75D408

RGB 117 212 8

HSL 87.94, 0.93%, 0.43%

LAB 76.61, -55.29, 74.46

 

CMYK 71 / 0 / 96 / 17

HEX #3ED408

RGB 62 212 8

HSL 104.12, 0.93%, 0.43%

LAB 74.91, -69.04, 72.37

 

CMYK 96 / 0 / 96 / 17

HEX #08D409

RGB 8 212 9

HSL 120.29, 0.93%, 0.43%

LAB 74.29, -74.51, 71.52

 

CMYK 0 / 7 / 96 / 17

HEX #D4C508

RGB 212 197 8

HSL 55.59, 0.93%, 0.43%

LAB 78.43, -11.19, 78.5

 

CMYK 0 / 7 / 96 / 17

HEX #D4C508

RGB 212 197 8

HSL 55.59, 0.93%, 0.43%

LAB 78.43, -11.19, 78.5

 

CMYK 0 / 6 / 87 / 24

HEX #C2B619

RGB 194 182 25

HSL 55.74, 0.77%, 0.43%

LAB 72.89, -11.12, 71.12

 

CMYK 0 / 6 / 76 / 31

HEX #B0A62B

RGB 176 166 43

HSL 55.49, 0.61%, 0.43%

LAB 67.03, -10.15, 60.53

 

CMYK 0 / 4 / 61 / 38

HEX #9E973D

RGB 158 151 61

HSL 55.67, 0.44%, 0.43%

LAB 61.43, -9.13, 47.08

 

CMYK 0 / 4 / 44 / 45

HEX #8D884F

RGB 141 136 79

HSL 55.16, 0.28%, 0.43%

LAB 55.92, -6.78, 31.2

 

CMYK 0 / 59 / 96 / 17

HEX #D45608

RGB 212 86 8

HSL 22.94, 0.93%, 0.43%

LAB 52.59, 46.77, 60.58

 

CMYK 0 / 34 / 96 / 17

HEX #D48C08

RGB 212 140 8

HSL 38.82, 0.93%, 0.43%

LAB 63.97, 18.95, 68.09

 

CMYK 0 / 8 / 96 / 17

HEX #D4C308

RGB 212 195 8

HSL 55, 0.93%, 0.43%

LAB 77.9, -10.17, 78.11

 

CMYK 18 / 0 / 96 / 17

HEX #AED408

RGB 174 212 8

HSL 71.18, 0.93%, 0.43%

LAB 79.67, -34.46, 78.17

 

CMYK 43 / 0 / 96 / 17

HEX #78D408

RGB 120 212 8

HSL 87.06, 0.93%, 0.43%

LAB 76.74, -54.33, 74.61

 

CMYK 0 / 7 / 96 / 48

HEX #847B05

RGB 132 123 5

HSL 55.75, 0.93%, 0.27%

LAB 50.78, -8.23, 55.07

 

CMYK 0 / 7 / 97 / 33

HEX #ACA006

RGB 172 160 6

HSL 55.66, 0.93%, 0.35%

LAB 64.9, -9.74, 67.11

 

CMYK 0 / 7 / 96 / 17

HEX #D4C508

RGB 212 197 8

HSL 55.59, 0.93%, 0.43%

LAB 78.43, -11.19, 78.5

 

CMYK 0 / 7 / 94 / 4

HEX #F6E50E

RGB 246 229 14

HSL 55.6, 0.93%, 0.51%

LAB 89.7, -12.62, 87.61

 

CMYK 0 / 6 / 78 / 3

HEX #F8EA36

RGB 248 234 54

HSL 55.67, 0.93%, 0.59%

LAB 91.27, -13.41, 81.36

 

CMYK 0 / 7 / 96 / 16

HEX #D5C608

RGB 213 198 8

HSL 55.61, 0.93%, 0.43%

LAB 78.78, -11.26, 78.8

 

CMYK 96 / 0 / 85 / 17

HEX #08D41F

RGB 8 212 31

HSL 126.76, 0.93%, 0.43%

LAB 74.34, -73.85, 68.14

 

CMYK 47 / 96 / 0 / 17

HEX #7108D4

RGB 113 8 212

HSL 270.88, 0.93%, 0.43%

LAB 34.88, 71.92, -78.87

 

CMYK 0 / 7 / 96 / 16

HEX #D5C608

RGB 213 198 8

HSL 55.61, 0.93%, 0.43%

LAB 78.78, -11.26, 78.8

 

CMYK 96 / 0 / 8 / 17

HEX #08D4C3

RGB 8 212 195

HSL 175, 0.93%, 0.43%

LAB 76.73, -46.52, -3.84

 

CMYK 8 / 96 / 0 / 17

HEX #C308D4

RGB 195 8 212

HSL 295, 0.93%, 0.43%

LAB 47.66, 82.18, -57.48

 

CMYK 0 / 7 / 96 / 16

HEX #D5C608

RGB 213 198 8

HSL 55.61, 0.93%, 0.43%

LAB 78.78, -11.26, 78.8

 

CMYK 96 / 0 / 85 / 17

HEX #08D41F

RGB 8 212 31

HSL 126.76, 0.93%, 0.43%

LAB 74.34, -73.85, 68.14

 

CMYK 96 / 88 / 0 / 17

HEX #0819D4

RGB 8 25 212

HSL 235, 0.93%, 0.43%

LAB 28.12, 62.97, -90.33

 

CMYK 0 / 96 / 11 / 17

HEX #D408BC

RGB 212 8 188

HSL 307.06, 0.93%, 0.43%

LAB 49.25, 81.55, -40.86

 

CMYK 0 / 7 / 96 / 16

HEX #D5C608

RGB 213 198 8

HSL 55.61, 0.93%, 0.43%

LAB 78.78, -11.26, 78.8

 

CMYK 96 / 0 / 56 / 17

HEX #08D45D

RGB 8 212 93

HSL 145, 0.93%, 0.43%

LAB 74.78, -68.31, 46.23

 

CMYK 96 / 88 / 0 / 17

HEX #0819D4

RGB 8 25 212

HSL 235, 0.93%, 0.43%

LAB 28.12, 62.97, -90.33

 

CMYK 0 / 96 / 40 / 17

HEX #D4087F

RGB 212 8 127

HSL 325, 0.93%, 0.43%

LAB 46.58, 74.68, -8.51

 

Description

Color code: RGB 213 198 8 | qconv.com Color code: RGB 213 198 8 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 198 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 198 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 96 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 96% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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