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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 195 88 it is the complementary color RGB 42 60 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 195 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 213 195 88: RGB 218 195 83, RGB 235 213 102, RGB 252 231 121, RGB 255 249 140 and RGB 255 255 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 195 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 213 195 88: RGB 213 195 88, RGB 196 177 69, RGB 179 159 50, RGB 162 141 31 and RGB 145 123 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 59 / 16

HEX #D5C358

RGB 213 195 88

HSL 51.36, 0.6%, 0.59%

LAB 78.39, -6.72, 54.91

 

Complementary color

CMYK 75 / 64 / 0 / 35

HEX #2A3CA7

RGB 42 60 167

HSL 231.36, 0.6%, 0.41%

LAB 30.67, 31.23, -59.49

 

CMYK 0 / 11 / 62 / 15

HEX #DAC353

RGB 218 195 83

HSL 49.78, 0.65%, 0.59%

LAB 78.79, -4.97, 57.71

 

CMYK 0 / 9 / 57 / 8

HEX #EBD566

RGB 235 213 102

HSL 50.08, 0.77%, 0.66%

LAB 85.1, -5.79, 56.67

 

CMYK 0 / 8 / 52 / 1

HEX #FCE779

RGB 252 231 121

HSL 50.38, 0.96%, 0.73%

LAB 91.34, -6.5, 55.54

 

CMYK 0 / 2 / 45 / 0

HEX #FFF98C

RGB 255 249 140

HSL 56.87, 1%, 0.77%

LAB 96.37, -12.57, 52.75

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 8 / 59 / 16

HEX #D5C358

RGB 213 195 88

HSL 51.36, 0.6%, 0.59%

LAB 78.39, -6.72, 54.91

 

CMYK 0 / 10 / 65 / 23

HEX #C4B145

RGB 196 177 69

HSL 51.02, 0.52%, 0.52%

LAB 71.97, -5.85, 55.88

 

CMYK 0 / 11 / 72 / 30

HEX #B39F32

RGB 179 159 50

HSL 50.7, 0.56%, 0.45%

LAB 65.44, -4.8, 56.53

 

CMYK 0 / 13 / 81 / 36

HEX #A28D1F

RGB 162 141 31

HSL 50.38, 0.68%, 0.38%

LAB 58.82, -3.53, 56.55

 

CMYK 0 / 15 / 92 / 43

HEX #917B0C

RGB 145 123 12

HSL 50.08, 0.85%, 0.31%

LAB 52.08, -1.97, 55.29

 

CMYK 0 / 8 / 59 / 16

HEX #D5C358

RGB 213 195 88

HSL 51.36, 0.6%, 0.59%

LAB 78.39, -6.72, 54.91

 

CMYK 1 / 0 / 59 / 16

HEX #D3D557

RGB 211 213 87

HSL 60.95, 0.6%, 0.59%

LAB 82.98, -16.71, 60.39

 

CMYK 11 / 0 / 59 / 16

HEX #BED557

RGB 190 213 87

HSL 70.95, 0.6%, 0.59%

LAB 81.41, -25.21, 58.22

 

CMYK 21 / 0 / 59 / 16

HEX #A9D557

RGB 169 213 87

HSL 80.95, 0.6%, 0.59%

LAB 80.02, -33.4, 56.28

 

CMYK 31 / 0 / 59 / 16

HEX #94D557

RGB 148 213 87

HSL 90.95, 0.6%, 0.59%

LAB 78.79, -41.14, 54.57

 

CMYK 0 / 8 / 59 / 16

HEX #D5C358

RGB 213 195 88

HSL 51.36, 0.6%, 0.59%

LAB 78.39, -6.72, 54.91

 

CMYK 0 / 11 / 56 / 96

HEX #090804

RGB 9 8 4

HSL 48, 0.38%, 0.03%

LAB 2.17, -0.29, 1.61

 

CMYK 0 / 8 / 58 / 76

HEX #3C3719

RGB 60 55 25

HSL 51.43, 0.41%, 0.17%

LAB 22.87, -2.73, 19.44

 

CMYK 0 / 8 / 59 / 56

HEX #6F662E

RGB 111 102 46

HSL 51.69, 0.41%, 0.31%

LAB 42.88, -4.37, 32.44

 

CMYK 0 / 9 / 59 / 36

HEX #A29443

RGB 162 148 67

HSL 51.16, 0.41%, 0.45%

LAB 61.02, -5.31, 43.89

 

CMYK 0 / 8 / 59 / 16

HEX #D5C358

RGB 213 195 88

HSL 51.36, 0.6%, 0.59%

LAB 78.39, -6.72, 54.91

 

CMYK 59 / 0 / 56 / 16

HEX #57D55D

RGB 87 213 93

HSL 122.86, 0.6%, 0.59%

LAB 76.32, -58.62, 48.36

 

CMYK 32 / 59 / 0 / 16

HEX #9057D5

RGB 144 87 213

HSL 267.14, 0.6%, 0.59%

LAB 48.95, 48.42, -56.36

 

CMYK 0 / 8 / 59 / 16

HEX #D5C358

RGB 213 195 88

HSL 51.36, 0.6%, 0.59%

LAB 78.39, -6.72, 54.91

 

CMYK 59 / 0 / 9 / 16

HEX #57D5C2

RGB 87 213 194

HSL 170.95, 0.6%, 0.59%

LAB 78.18, -39.33, -1.04

 

CMYK 9 / 59 / 0 / 16

HEX #C257D5

RGB 194 87 213

HSL 290.95, 0.6%, 0.59%

LAB 55.16, 60.52, -46.07

 

CMYK 0 / 8 / 59 / 16

HEX #D5C358

RGB 213 195 88

HSL 51.36, 0.6%, 0.59%

LAB 78.39, -6.72, 54.91

 

CMYK 59 / 0 / 56 / 16

HEX #57D55D

RGB 87 213 93

HSL 122.86, 0.6%, 0.59%

LAB 76.32, -58.62, 48.36

 

CMYK 59 / 50 / 0 / 16

HEX #576AD5

RGB 87 106 213

HSL 230.95, 0.6%, 0.59%

LAB 48.43, 24.99, -57.44

 

CMYK 0 / 59 / 3 / 16

HEX #D557CE

RGB 213 87 206

HSL 303.33, 0.6%, 0.59%

LAB 57.48, 64.08, -38.26

 

CMYK 0 / 8 / 59 / 16

HEX #D5C358

RGB 213 195 88

HSL 51.36, 0.6%, 0.59%

LAB 78.39, -6.72, 54.91

 

CMYK 59 / 0 / 38 / 16

HEX #57D583

RGB 87 213 131

HSL 140.95, 0.6%, 0.59%

LAB 76.83, -52.95, 30.37

 

CMYK 59 / 50 / 0 / 16

HEX #576AD5

RGB 87 106 213

HSL 230.95, 0.6%, 0.59%

LAB 48.43, 24.99, -57.44

 

CMYK 0 / 59 / 21 / 16

HEX #D557A9

RGB 213 87 169

HSL 320.95, 0.6%, 0.59%

LAB 55.91, 58.4, -19.41

 

Description

Color code: RGB 213 195 88 | qconv.com Color code: RGB 213 195 88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 195 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 195 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 59 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 59% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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