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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 189 237 it is the complementary color RGB 42 66 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 189 237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 189 237 shade: RGB 218 189 232, RGB 235 207 251, RGB 252 225 255, RGB 255 243 255 and RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 189 237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 189 237 shade: RGB 213 189 237, RGB 196 171 218, RGB 179 153 199, RGB 162 135 180 and RGB 145 117 161

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 189 237 shade: RGB 214 191 237, RGB 227 191 237, RGB 237 191 236, RGB 237 191 223 and RGB 237 191 211

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 189 237 shade: RGB 214 191 237, RGB 202 191 237 and RGB 191 191 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 189 237 shade matches the following richer shades: RGB 214 191 237, RGB 214 184 244 and RGB 214 178 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 189 237 shade: RGB 214 191 237, RGB 214 198 231, RGB 214 204 224, RGB 214 211 218 and RGB 214 217 211

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 189 237 shade: RGB 191 192 237, RGB 202 191 237, RGB 214 191 237, RGB 227 191 237 and RGB 237 191 236

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 189 237 shade: RGB 173 126 220, RGB 194 159 229, RGB 214 191 237, RGB 235 223 246 and RGB 255 255 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 189 237 shade: RGB 213 189 237, RGB 237 191 205 and RGB 191 237 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 189 237 shade: RGB 213 189 237, RGB 237 214 191 and RGB 191 237 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 189 237 shade: RGB 213 189 237, RGB 237 191 205, RGB 214 237 191 and RGB 191 237 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 189 237 shade: RGB 213 189 237, RGB 237 191 191, RGB 214 237 191 and RGB 191 237 237

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 20 / 0 / 7

HEX #D5BDED

RGB 213 189 237

HSL 270, 0.57%, 0.84%

LAB 79.99, 17.38, -20.69

 

Complementary color

CMYK 36 / 0 / 73 / 74

HEX #2A4212

RGB 42 66 18

HSL 90, 0.57%, 0.16%

LAB 25.05, -18.72, 25.43

 

CMYK 6 / 19 / 0 / 9

HEX #DABDE8

RGB 218 189 232

HSL 280.47, 0.48%, 0.83%

LAB 80.25, 18, -17.57

 

CMYK 6 / 18 / 0 / 2

HEX #EBCFFB

RGB 235 207 251

HSL 278.18, 0.85%, 0.9%

LAB 86.63, 17.58, -17.93

 

CMYK 1 / 12 / 0 / 0

HEX #FCE1FF

RGB 252 225 255

HSL 294, 1%, 0.94%

LAB 92.47, 14.4, -11.14

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 10 / 20 / 0 / 7

HEX #D5BDED

RGB 213 189 237

HSL 270, 0.57%, 0.84%

LAB 79.99, 17.38, -20.69

 

CMYK 10 / 22 / 0 / 15

HEX #C4ABDA

RGB 196 171 218

HSL 271.91, 0.39%, 0.76%

LAB 73.5, 17.82, -20.39

 

CMYK 10 / 23 / 0 / 22

HEX #B399C7

RGB 179 153 199

HSL 273.91, 0.29%, 0.69%

LAB 66.89, 18.3, -20.09

 

CMYK 10 / 25 / 0 / 29

HEX #A287B4

RGB 162 135 180

HSL 276, 0.23%, 0.62%

LAB 60.16, 18.83, -19.8

 

CMYK 10 / 27 / 0 / 37

HEX #9175A1

RGB 145 117 161

HSL 278.18, 0.19%, 0.55%

LAB 53.29, 19.41, -19.52

 

CMYK 10 / 19 / 0 / 7

HEX #D6BFED

RGB 214 191 237

HSL 270, 0.56%, 0.84%

LAB 80.56, 16.62, -19.82

 

CMYK 4 / 19 / 0 / 7

HEX #E3BFED

RGB 227 191 237

HSL 286.96, 0.56%, 0.84%

LAB 81.68, 20.83, -18.02

 

CMYK 0 / 19 / 0 / 7

HEX #EDBFEC

RGB 237 191 236

HSL 301.3, 0.56%, 0.84%

LAB 82.55, 23.92, -16.08

 

CMYK 0 / 19 / 6 / 7

HEX #EDBFDF

RGB 237 191 223

HSL 318.26, 0.56%, 0.84%

LAB 82.16, 21.61, -9.7

 

CMYK 0 / 19 / 11 / 7

HEX #EDBFD3

RGB 237 191 211

HSL 333.91, 0.56%, 0.84%

LAB 81.82, 19.58, -3.76

 

CMYK 10 / 19 / 0 / 7

HEX #D6BFED

RGB 214 191 237

HSL 270, 0.56%, 0.84%

LAB 80.56, 16.62, -19.82

 

CMYK 15 / 19 / 0 / 7

HEX #CABFED

RGB 202 191 237

HSL 254.35, 0.56%, 0.84%

LAB 79.58, 12.8, -21.4

 

CMYK 19 / 19 / 0 / 7

HEX #BFBFED

RGB 191 191 237

HSL 240, 0.56%, 0.84%

LAB 78.72, 9.37, -22.77

 

CMYK 10 / 19 / 0 / 7

HEX #D6BFED

RGB 214 191 237

HSL 270, 0.56%, 0.84%

LAB 80.56, 16.62, -19.82

 

CMYK 12 / 25 / 0 / 4

HEX #D6B8F4

RGB 214 184 244

HSL 270, 0.73%, 0.84%

LAB 79.1, 21.83, -25.79

 

CMYK 15 / 29 / 0 / 2

HEX #D6B2FB

RGB 214 178 251

HSL 269.59, 0.9%, 0.84%

LAB 77.94, 26.55, -31.34

 

CMYK 10 / 19 / 0 / 7

HEX #D6BFED

RGB 214 191 237

HSL 270, 0.56%, 0.84%

LAB 80.56, 16.62, -19.82

 

CMYK 7 / 14 / 0 / 9

HEX #D6C6E7

RGB 214 198 231

HSL 269.09, 0.41%, 0.84%

LAB 82.08, 11.67, -14.31

 

CMYK 4 / 9 / 0 / 12

HEX #D6CCE0

RGB 214 204 224

HSL 270, 0.24%, 0.84%

LAB 83.37, 7.12, -8.65

 

CMYK 2 / 3 / 0 / 15

HEX #D6D3DA

RGB 214 211 218

HSL 265.71, 0.09%, 0.84%

LAB 84.97, 2.3, -3.09

 

CMYK 1 / 0 / 3 / 15

HEX #D6D9D3

RGB 214 217 211

HSL 90, 0.07%, 0.84%

LAB 86.32, -2.09, 2.58

 

CMYK 19 / 19 / 0 / 7

HEX #BFC0ED

RGB 191 192 237

HSL 238.7, 0.56%, 0.84%

LAB 78.98, 8.83, -22.39

 

CMYK 15 / 19 / 0 / 7

HEX #CABFED

RGB 202 191 237

HSL 254.35, 0.56%, 0.84%

LAB 79.58, 12.8, -21.4

 

CMYK 10 / 19 / 0 / 7

HEX #D6BFED

RGB 214 191 237

HSL 270, 0.56%, 0.84%

LAB 80.56, 16.62, -19.82

 

CMYK 4 / 19 / 0 / 7

HEX #E3BFED

RGB 227 191 237

HSL 286.96, 0.56%, 0.84%

LAB 81.68, 20.83, -18.02

 

CMYK 0 / 19 / 0 / 7

HEX #EDBFEC

RGB 237 191 236

HSL 301.3, 0.56%, 0.84%

LAB 82.55, 23.92, -16.08

 

CMYK 21 / 43 / 0 / 14

HEX #AD7EDC

RGB 173 126 220

HSL 270, 0.57%, 0.68%

LAB 60.76, 36.23, -41.35

 

CMYK 15 / 31 / 0 / 10

HEX #C29FE5

RGB 194 159 229

HSL 270, 0.57%, 0.76%

LAB 70.82, 26.13, -30.52

 

CMYK 10 / 19 / 0 / 7

HEX #D6BFED

RGB 214 191 237

HSL 270, 0.56%, 0.84%

LAB 80.56, 16.62, -19.82

 

CMYK 4 / 9 / 0 / 4

HEX #EBDFF6

RGB 235 223 246

HSL 271.3, 0.56%, 0.92%

LAB 90.36, 8.22, -9.71

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 10 / 20 / 0 / 7

HEX #D5BDED

RGB 213 189 237

HSL 270, 0.57%, 0.84%

LAB 79.99, 17.38, -20.69

 

CMYK 0 / 19 / 14 / 7

HEX #EDBFCD

RGB 237 191 205

HSL 341.74, 0.56%, 0.84%

LAB 81.66, 18.6, -0.77

 

CMYK 19 / 0 / 17 / 7

HEX #BFEDC4

RGB 191 237 196

HSL 126.52, 0.56%, 0.84%

LAB 89.69, -22.54, 15.06

 

CMYK 10 / 20 / 0 / 7

HEX #D5BDED

RGB 213 189 237

HSL 270, 0.57%, 0.84%

LAB 79.99, 17.38, -20.69

 

CMYK 0 / 10 / 19 / 7

HEX #EDD6BF

RGB 237 214 191

HSL 30, 0.56%, 0.84%

LAB 86.93, 4.36, 14.25

 

CMYK 19 / 0 / 10 / 7

HEX #BFEDD6

RGB 191 237 214

HSL 150, 0.56%, 0.84%

LAB 90.09, -19.25, 6.27

 

CMYK 10 / 20 / 0 / 7

HEX #D5BDED

RGB 213 189 237

HSL 270, 0.57%, 0.84%

LAB 79.99, 17.38, -20.69

 

CMYK 0 / 19 / 14 / 7

HEX #EDBFCD

RGB 237 191 205

HSL 341.74, 0.56%, 0.84%

LAB 81.66, 18.6, -0.77

 

CMYK 10 / 0 / 19 / 7

HEX #D6EDBF

RGB 214 237 191

HSL 90, 0.56%, 0.84%

LAB 91.06, -15.57, 19.8

 

CMYK 19 / 0 / 5 / 7

HEX #BFEDE0

RGB 191 237 224

HSL 163.04, 0.56%, 0.84%

LAB 90.33, -17.31, 1.41

 

CMYK 10 / 20 / 0 / 7

HEX #D5BDED

RGB 213 189 237

HSL 270, 0.57%, 0.84%

LAB 79.99, 17.38, -20.69

 

CMYK 0 / 19 / 19 / 7

HEX #EDBFBF

RGB 237 191 191

HSL 0, 0.56%, 0.84%

LAB 81.31, 16.43, 6.24

 

CMYK 10 / 0 / 19 / 7

HEX #D6EDBF

RGB 214 237 191

HSL 90, 0.56%, 0.84%

LAB 91.06, -15.57, 19.8

 

CMYK 19 / 0 / 0 / 7

HEX #BFEDED

RGB 191 237 237

HSL 180, 0.56%, 0.84%

LAB 90.67, -14.67, -4.89

 

Description

Color code: RGB 213 189 237 | qconv.com Color code: RGB 213 189 237 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 189 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 189 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 20 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 20% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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