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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 180.8 205.4 it is the complementary color RGB 42 74.2 49.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 180.8 205.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 180.8 205.4 shade: RGB 218 180.8 200.4, RGB 235 198.8 219.4, RGB 252 216.8 238.4, RGB 255 234.8 255 and RGB 255 252.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 180.8 205.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 180.8 205.4 shade: RGB 213 180.8 205.4, RGB 196 162.8 186.4, RGB 179 144.8 167.4, RGB 162 126.8 148.4 and RGB 145 108.8 129.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 180.8 205.4 shade: RGB 213 180 205, RGB 213 180 196, RGB 213 180 187 and RGB 213 180 180

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 180.8 205.4 shade: RGB 213 180 205, RGB 212 180 213, RGB 203 180 213, RGB 194 180 213 and RGB 185 180 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 180.8 205.4 shade matches the following richer shades: RGB 213 180 205, RGB 222 170 210, RGB 232 161 215, RGB 241 151 220 and RGB 251 142 225

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 180.8 205.4 shade: RGB 213 180 205, RGB 203 189 200, RGB 194 199 195, RGB 184 208 190 and RGB 175 218 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 180.8 205.4 shade: RGB 203 180 213, RGB 212 180 213, RGB 213 180 205, RGB 213 180 196 and RGB 213 180 188

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 180.8 205.4 shade: RGB 183 127 170, RGB 198 154 187, RGB 213 180 205, RGB 228 206 223 and RGB 242 233 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 180.8 205.4 shade: RGB 213 180.8 205.4, RGB 213 194 180 and RGB 180 213 207

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 180.8 205.4 shade: RGB 213 180.8 205.4, RGB 205 213 180 and RGB 180 205 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 180.8 205.4 shade: RGB 213 180.8 205.4, RGB 213 194 180, RGB 180 213 188 and RGB 180 199 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 180.8 205.4 shade: RGB 213 180.8 205.4, RGB 213 204 180, RGB 180 213 188 and RGB 180 189 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 4 / 16

HEX #D5B4CD

RGB 213 180.8 205.4

HSL 314.16, 0.28%, 0.77%

LAB 77, 15.75, -8.1

 

Complementary color

CMYK 43 / 0 / 33 / 71

HEX #2A4A31

RGB 42 74.2 49.6

HSL 134.16, 0.28%, 0.23%

LAB 28.49, -18.1, 11.06

 

CMYK 0 / 17 / 8 / 15

HEX #DAB4C8

RGB 218 180.8 200.4

HSL 328.39, 0.33%, 0.78%

LAB 77.32, 16.61, -4.87

 

CMYK 0 / 15 / 7 / 8

HEX #EBC6DB

RGB 235 198.8 219.4

HSL 325.86, 0.48%, 0.85%

LAB 83.73, 16.16, -5.46

 

CMYK 0 / 14 / 5 / 1

HEX #FCD8EE

RGB 252 216.8 238.4

HSL 323.18, 0.85%, 0.92%

LAB 90.05, 15.75, -6.03

 

CMYK 0 / 8 / 0 / 0

HEX #FFEAFF

RGB 255 234.8 255

HSL 300, 1%, 0.96%

LAB 95.07, 10.31, -7.26

 

CMYK 0 / 1 / 0 / 0

HEX #FFFCFF

RGB 255 252.8 255

HSL 300, 1%, 1%

LAB 99.46, 1.12, -0.8

 

CMYK 0 / 15 / 4 / 16

HEX #D5B4CD

RGB 213 180.8 205.4

HSL 314.16, 0.28%, 0.77%

LAB 77, 15.75, -8.1

 

CMYK 0 / 17 / 5 / 23

HEX #C4A2BA

RGB 196 162.8 186.4

HSL 317.35, 0.22%, 0.7%

LAB 70.47, 16.21, -7.56

 

CMYK 0 / 19 / 6 / 30

HEX #B390A7

RGB 179 144.8 167.4

HSL 320.35, 0.18%, 0.63%

LAB 63.82, 16.7, -6.99

 

CMYK 0 / 22 / 8 / 36

HEX #A27E94

RGB 162 126.8 148.4

HSL 323.18, 0.16%, 0.57%

LAB 57.04, 17.25, -6.4

 

CMYK 0 / 25 / 11 / 43

HEX #916C81

RGB 145 108.8 129.4

HSL 325.86, 0.14%, 0.5%

LAB 50.11, 17.86, -5.76

 

CMYK 0 / 15 / 4 / 16

HEX #D5B4CD

RGB 213 180 205

HSL 314.55, 0.28%, 0.77%

LAB 76.8, 16.11, -8.19

 

CMYK 0 / 15 / 8 / 16

HEX #D5B4C4

RGB 213 180 196

HSL 330.91, 0.28%, 0.77%

LAB 76.54, 14.53, -3.68

 

CMYK 0 / 15 / 12 / 16

HEX #D5B4BB

RGB 213 180 187

HSL 347.27, 0.28%, 0.77%

LAB 76.3, 13, 0.87

 

CMYK 0 / 15 / 15 / 16

HEX #D5B4B4

RGB 213 180 180

HSL 0, 0.28%, 0.77%

LAB 76.12, 11.87, 4.42

 

CMYK 0 / 15 / 4 / 16

HEX #D5B4CD

RGB 213 180 205

HSL 314.55, 0.28%, 0.77%

LAB 76.8, 16.11, -8.19

 

CMYK 0 / 15 / 0 / 16

HEX #D4B4D5

RGB 212 180 213

HSL 298.18, 0.28%, 0.77%

LAB 76.95, 17.24, -12.32

 

CMYK 5 / 15 / 0 / 16

HEX #CBB4D5

RGB 203 180 213

HSL 281.82, 0.28%, 0.77%

LAB 76.16, 14.21, -13.59

 

CMYK 9 / 15 / 0 / 16

HEX #C2B4D5

RGB 194 180 213

HSL 265.45, 0.28%, 0.77%

LAB 75.4, 11.22, -14.8

 

CMYK 13 / 15 / 0 / 16

HEX #B9B4D5

RGB 185 180 213

HSL 249.09, 0.28%, 0.77%

LAB 74.67, 8.27, -15.97

 

CMYK 0 / 15 / 4 / 16

HEX #D5B4CD

RGB 213 180 205

HSL 314.55, 0.28%, 0.77%

LAB 76.8, 16.11, -8.19

 

CMYK 0 / 23 / 5 / 13

HEX #DEAAD2

RGB 222 170 210

HSL 313.85, 0.44%, 0.77%

LAB 75.41, 25.49, -12.9

 

CMYK 0 / 31 / 7 / 9

HEX #E8A1D7

RGB 232 161 215

HSL 314.37, 0.61%, 0.77%

LAB 74.54, 34.54, -16.83

 

CMYK 0 / 37 / 9 / 5

HEX #F197DC

RGB 241 151 220

HSL 314, 0.76%, 0.77%

LAB 73.55, 43.56, -20.98

 

CMYK 0 / 43 / 10 / 2

HEX #FB8EE1

RGB 251 142 225

HSL 314.31, 0.93%, 0.77%

LAB 73.08, 52.08, -24.33

 

CMYK 0 / 15 / 4 / 16

HEX #D5B4CD

RGB 213 180 205

HSL 314.55, 0.28%, 0.77%

LAB 76.8, 16.11, -8.19

 

CMYK 0 / 7 / 1 / 20

HEX #CBBDC8

RGB 203 189 200

HSL 312.86, 0.12%, 0.77%

LAB 78.03, 6.89, -3.76

 

CMYK 3 / 0 / 2 / 22

HEX #C2C7C3

RGB 194 199 195

HSL 132, 0.04%, 0.77%

LAB 79.76, -2.45, 1.39

 

CMYK 12 / 0 / 9 / 18

HEX #B8D0BE

RGB 184 208 190

HSL 135, 0.2%, 0.77%

LAB 81.3, -11.47, 6.21

 

CMYK 20 / 0 / 15 / 15

HEX #AFDAB9

RGB 175 218 185

HSL 133.95, 0.37%, 0.77%

LAB 83.32, -20.44, 11.67

 

CMYK 5 / 15 / 0 / 16

HEX #CBB4D5

RGB 203 180 213

HSL 281.82, 0.28%, 0.77%

LAB 76.16, 14.21, -13.59

 

CMYK 0 / 15 / 0 / 16

HEX #D4B4D5

RGB 212 180 213

HSL 298.18, 0.28%, 0.77%

LAB 76.95, 17.24, -12.32

 

CMYK 0 / 15 / 4 / 16

HEX #D5B4CD

RGB 213 180 205

HSL 314.55, 0.28%, 0.77%

LAB 76.8, 16.11, -8.19

 

CMYK 0 / 15 / 8 / 16

HEX #D5B4C4

RGB 213 180 196

HSL 330.91, 0.28%, 0.77%

LAB 76.54, 14.53, -3.68

 

CMYK 0 / 15 / 12 / 16

HEX #D5B4BC

RGB 213 180 188

HSL 345.45, 0.28%, 0.77%

LAB 76.33, 13.17, 0.36

 

CMYK 0 / 31 / 7 / 28

HEX #B77FAA

RGB 183 127 170

HSL 313.93, 0.28%, 0.61%

LAB 60.02, 28.55, -14.11

 

CMYK 0 / 22 / 6 / 22

HEX #C69ABB

RGB 198 154 187

HSL 315, 0.28%, 0.69%

LAB 68.54, 21.86, -10.75

 

CMYK 0 / 15 / 4 / 16

HEX #D5B4CD

RGB 213 180 205

HSL 314.55, 0.28%, 0.77%

LAB 76.8, 16.11, -8.19

 

CMYK 0 / 10 / 2 / 11

HEX #E4CEDF

RGB 228 206 223

HSL 313.64, 0.29%, 0.85%

LAB 84.98, 10.59, -5.61

 

CMYK 0 / 4 / 1 / 5

HEX #F2E9F0

RGB 242 233 240

HSL 313.33, 0.26%, 0.93%

LAB 93.21, 4.26, -2.31

 

CMYK 0 / 15 / 4 / 16

HEX #D5B4CD

RGB 213 180.8 205.4

HSL 314.16, 0.28%, 0.77%

LAB 77, 15.75, -8.1

 

CMYK 0 / 9 / 15 / 16

HEX #D5C2B4

RGB 213 194 180

HSL 25.45, 0.28%, 0.77%

LAB 79.63, 4.39, 9.46

 

CMYK 15 / 0 / 3 / 16

HEX #B4D5CF

RGB 180 213 207

HSL 169.09, 0.28%, 0.77%

LAB 82.81, -12.08, -0.7

 

CMYK 0 / 15 / 4 / 16

HEX #D5B4CD

RGB 213 180.8 205.4

HSL 314.16, 0.28%, 0.77%

LAB 77, 15.75, -8.1

 

CMYK 4 / 0 / 15 / 16

HEX #CDD5B4

RGB 205 213 180

HSL 74.55, 0.28%, 0.77%

LAB 83.89, -8.42, 15.41

 

CMYK 15 / 4 / 0 / 16

HEX #B4CDD5

RGB 180 205 213

HSL 194.55, 0.28%, 0.77%

LAB 80.83, -6.71, -6.81

 

CMYK 0 / 15 / 4 / 16

HEX #D5B4CD

RGB 213 180.8 205.4

HSL 314.16, 0.28%, 0.77%

LAB 77, 15.75, -8.1

 

CMYK 0 / 9 / 15 / 16

HEX #D5C2B4

RGB 213 194 180

HSL 25.45, 0.28%, 0.77%

LAB 79.63, 4.39, 9.46

 

CMYK 15 / 0 / 12 / 16

HEX #B4D5BC

RGB 180 213 188

HSL 134.55, 0.28%, 0.77%

LAB 82.34, -15.73, 8.72

 

CMYK 15 / 7 / 0 / 16

HEX #B4C7D5

RGB 180 199 213

HSL 205.45, 0.28%, 0.77%

LAB 79.24, -3.56, -9.16

 

CMYK 0 / 15 / 4 / 16

HEX #D5B4CD

RGB 213 180.8 205.4

HSL 314.16, 0.28%, 0.77%

LAB 77, 15.75, -8.1

 

CMYK 0 / 4 / 15 / 16

HEX #D5CCB4

RGB 213 204 180

HSL 43.64, 0.28%, 0.77%

LAB 82.18, -0.86, 13.08

 

CMYK 15 / 0 / 12 / 16

HEX #B4D5BC

RGB 180 213 188

HSL 134.55, 0.28%, 0.77%

LAB 82.34, -15.73, 8.72

 

CMYK 15 / 11 / 0 / 16

HEX #B4BDD5

RGB 180 189 213

HSL 223.64, 0.28%, 0.77%

LAB 76.62, 1.78, -13.08

 

Description

Color code: RGB 213 180.8 205.4 | qconv.com Color code: RGB 213 180.8 205.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 180.8 green and 205.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 180.8 205.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 4 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 4% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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