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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 178 57 it is the complementary color RGB 42 77 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 178 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 178 57 shade: RGB 218 178 52, RGB 235 196 71, RGB 252 214 90, RGB 255 232 109 and RGB 255 250 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 178 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 178 57 shade: RGB 213 178 57, RGB 196 160 38, RGB 179 142 19, RGB 162 124 0 and RGB 145 106 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 178 57 shade: RGB 213 178 57, RGB 213 136 57, RGB 213 94 57 and RGB 213 57 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 178 57 shade: RGB 213 178 57, RGB 206 213 57, RGB 164 213 57, RGB 122 213 57 and RGB 80 213 57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 178 57 shade matches the following richer shades: RGB 213 178 57, RGB 232 189 38 and RGB 252 199 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 178 57 shade: RGB 213 178 57, RGB 194 167 77, RGB 174 157 96, RGB 155 146 115 and RGB 135 135 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 178 57 shade: RGB 213 94 57, RGB 213 135 57, RGB 213 177 57, RGB 208 213 57 and RGB 166 213 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 178 57 shade: RGB 155 128 33, RGB 189 156 40, RGB 213 178 57, RGB 220 191 91 and RGB 227 205 125

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 178 57 shade: RGB 213 178 57, RGB 62 213 57 and RGB 114 57 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 178 57 shade: RGB 213 178 57, RGB 57 213 177 and RGB 177 57 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 178 57 shade: RGB 213 178 57, RGB 62 213 57, RGB 57 94 213 and RGB 208 57 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 178 57 shade: RGB 213 178 57, RGB 57 213 99, RGB 57 94 213 and RGB 213 57 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 73 / 16

HEX #D5B239

RGB 213 178 57

HSL 46.54, 0.65%, 0.53%

LAB 73.73, 0.32, 63.05

 

Complementary color

CMYK 79 / 61 / 0 / 22

HEX #2A4DC6

RGB 42 77 198

HSL 226.54, 0.65%, 0.47%

LAB 37.62, 31.68, -66.45

 

CMYK 0 / 18 / 76 / 15

HEX #DAB234

RGB 218 178 52

HSL 45.54, 0.69%, 0.53%

LAB 74.19, 2.27, 65.49

 

CMYK 0 / 17 / 70 / 8

HEX #EBC447

RGB 235 196 71

HSL 45.73, 0.8%, 0.6%

LAB 80.51, 1, 65.05

 

CMYK 0 / 15 / 64 / 1

HEX #FCD65A

RGB 252 214 90

HSL 45.93, 0.96%, 0.67%

LAB 86.76, -0.1, 64.23

 

CMYK 0 / 9 / 57 / 0

HEX #FFE86D

RGB 255 232 109

HSL 50.55, 1%, 0.71%

LAB 91.72, -6.71, 61.51

 

CMYK 0 / 2 / 50 / 0

HEX #FFFA80

RGB 255 250 128

HSL 57.64, 1%, 0.75%

LAB 96.49, -14.11, 58.47

 

CMYK 0 / 16 / 73 / 16

HEX #D5B239

RGB 213 178 57

HSL 46.54, 0.65%, 0.53%

LAB 73.73, 0.32, 63.05

 

CMYK 0 / 18 / 81 / 23

HEX #C4A026

RGB 196 160 38

HSL 46.33, 0.68%, 0.46%

LAB 67.29, 1.7, 63.11

 

CMYK 0 / 21 / 89 / 30

HEX #B38E13

RGB 179 142 19

HSL 46.13, 0.81%, 0.39%

LAB 60.76, 3.33, 62.12

 

CMYK 0 / 23 / 100 / 36

HEX #A27C00

RGB 162 124 0

HSL 45.93, 1%, 0.32%

LAB 54.13, 5.21, 59.84

 

CMYK 0 / 27 / 100 / 43

HEX #916A00

RGB 145 106 0

HSL 43.86, 1%, 0.28%

LAB 47.4, 7.49, 54.31

 

CMYK 0 / 16 / 73 / 16

HEX #D5B239

RGB 213 178 57

HSL 46.54, 0.65%, 0.53%

LAB 73.73, 0.32, 63.05

 

CMYK 0 / 36 / 73 / 16

HEX #D58839

RGB 213 136 57

HSL 30.38, 0.65%, 0.53%

LAB 63.38, 22.85, 52.73

 

CMYK 0 / 56 / 73 / 16

HEX #D55E39

RGB 213 94 57

HSL 14.23, 0.65%, 0.53%

LAB 54.5, 44.62, 43.35

 

CMYK 0 / 73 / 73 / 16

HEX #D53939

RGB 213 57 57

HSL 0, 0.65%, 0.53%

LAB 48.72, 60.11, 36.94

 

CMYK 0 / 16 / 73 / 16

HEX #D5B239

RGB 213 178 57

HSL 46.54, 0.65%, 0.53%

LAB 73.73, 0.32, 63.05

 

CMYK 3 / 0 / 73 / 16

HEX #CED539

RGB 206 213 57

HSL 62.69, 0.65%, 0.53%

LAB 82.38, -20.47, 71.11

 

CMYK 23 / 0 / 73 / 16

HEX #A4D539

RGB 164 213 57

HSL 78.85, 0.65%, 0.53%

LAB 79.49, -37.38, 67.33

 

CMYK 43 / 0 / 73 / 16

HEX #7AD539

RGB 122 213 57

HSL 95, 0.65%, 0.53%

LAB 77.29, -52.28, 64.44

 

CMYK 62 / 0 / 73 / 16

HEX #50D539

RGB 80 213 57

HSL 111.15, 0.65%, 0.53%

LAB 75.82, -63.7, 62.48

 

CMYK 0 / 16 / 73 / 16

HEX #D5B239

RGB 213 178 57

HSL 46.54, 0.65%, 0.53%

LAB 73.73, 0.32, 63.05

 

CMYK 0 / 19 / 84 / 9

HEX #E8BD26

RGB 232 189 38

HSL 46.7, 0.81%, 0.53%

LAB 78.28, 2.1, 73.96

 

CMYK 0 / 21 / 93 / 1

HEX #FCC712

RGB 252 199 18

HSL 46.41, 0.98%, 0.53%

LAB 82.69, 5.13, 82.2

 

CMYK 0 / 16 / 73 / 16

HEX #D5B239

RGB 213 178 57

HSL 46.54, 0.65%, 0.53%

LAB 73.73, 0.32, 63.05

 

CMYK 0 / 14 / 60 / 24

HEX #C2A74D

RGB 194 167 77

HSL 46.15, 0.49%, 0.53%

LAB 69.21, -0.89, 49.2

 

CMYK 0 / 10 / 45 / 32

HEX #AE9D60

RGB 174 157 96

HSL 46.92, 0.33%, 0.53%

LAB 64.93, -2.36, 34.09

 

CMYK 0 / 6 / 26 / 39

HEX #9B9273

RGB 155 146 115

HSL 46.5, 0.17%, 0.53%

LAB 60.57, -1.81, 17.67

 

CMYK 0 / 0 / 0 / 47

HEX #878787

RGB 135 135 135

HSL 0, 0%, 0.53%

LAB 56.32, 0, -0.01

 

CMYK 0 / 56 / 73 / 16

HEX #D55E39

RGB 213 94 57

HSL 14.23, 0.65%, 0.53%

LAB 54.5, 44.62, 43.35

 

CMYK 0 / 37 / 73 / 16

HEX #D58739

RGB 213 135 57

HSL 30, 0.65%, 0.53%

LAB 63.15, 23.39, 52.49

 

CMYK 0 / 17 / 73 / 16

HEX #D5B139

RGB 213 177 57

HSL 46.15, 0.65%, 0.53%

LAB 73.47, 0.85, 62.8

 

CMYK 2 / 0 / 73 / 16

HEX #D0D539

RGB 208 213 57

HSL 61.92, 0.65%, 0.53%

LAB 82.54, -19.64, 71.31

 

CMYK 22 / 0 / 73 / 16

HEX #A6D539

RGB 166 213 57

HSL 78.08, 0.65%, 0.53%

LAB 79.61, -36.61, 67.49

 

CMYK 0 / 17 / 79 / 39

HEX #9B8021

RGB 155 128 33

HSL 46.72, 0.65%, 0.37%

LAB 54.57, 0.52, 51.76

 

CMYK 0 / 17 / 79 / 26

HEX #BD9C28

RGB 189 156 40

HSL 46.71, 0.65%, 0.45%

LAB 65.55, 0.81, 60.63

 

CMYK 0 / 16 / 73 / 16

HEX #D5B239

RGB 213 178 57

HSL 46.54, 0.65%, 0.53%

LAB 73.73, 0.32, 63.05

 

CMYK 0 / 13 / 59 / 14

HEX #DCBF5B

RGB 220 191 91

HSL 46.51, 0.65%, 0.61%

LAB 78.01, -1.5, 53.28

 

CMYK 0 / 10 / 45 / 11

HEX #E3CD7D

RGB 227 205 125

HSL 47.06, 0.65%, 0.69%

LAB 82.63, -2.97, 42.49

 

CMYK 0 / 16 / 73 / 16

HEX #D5B239

RGB 213 178 57

HSL 46.54, 0.65%, 0.53%

LAB 73.73, 0.32, 63.05

 

CMYK 71 / 0 / 73 / 16

HEX #3ED539

RGB 62 213 57

HSL 118.08, 0.65%, 0.53%

LAB 75.39, -67.22, 61.92

 

CMYK 46 / 73 / 0 / 16

HEX #7239D5

RGB 114 57 213

HSL 261.92, 0.65%, 0.53%

LAB 40.09, 57.64, -70.87

 

CMYK 0 / 16 / 73 / 16

HEX #D5B239

RGB 213 178 57

HSL 46.54, 0.65%, 0.53%

LAB 73.73, 0.32, 63.05

 

CMYK 73 / 0 / 17 / 16

HEX #39D5B1

RGB 57 213 177

HSL 166.15, 0.65%, 0.53%

LAB 77.06, -48.23, 6.36

 

CMYK 17 / 73 / 0 / 16

HEX #B139D5

RGB 177 57 213

HSL 286.15, 0.65%, 0.53%

LAB 48.36, 68.99, -57.08

 

CMYK 0 / 16 / 73 / 16

HEX #D5B239

RGB 213 178 57

HSL 46.54, 0.65%, 0.53%

LAB 73.73, 0.32, 63.05

 

CMYK 71 / 0 / 73 / 16

HEX #3ED539

RGB 62 213 57

HSL 118.08, 0.65%, 0.53%

LAB 75.39, -67.22, 61.92

 

CMYK 73 / 56 / 0 / 16

HEX #395ED5

RGB 57 94 213

HSL 225.77, 0.65%, 0.53%

LAB 43.77, 27.9, -65.06

 

CMYK 2 / 73 / 0 / 16

HEX #D039D5

RGB 208 57 213

HSL 298.08, 0.65%, 0.53%

LAB 53.1, 75.23, -49.22

 

CMYK 0 / 16 / 73 / 16

HEX #D5B239

RGB 213 178 57

HSL 46.54, 0.65%, 0.53%

LAB 73.73, 0.32, 63.05

 

CMYK 73 / 0 / 54 / 16

HEX #39D563

RGB 57 213 99

HSL 136.15, 0.65%, 0.53%

LAB 75.67, -63.51, 44.62

 

CMYK 73 / 56 / 0 / 16

HEX #395ED5

RGB 57 94 213

HSL 225.77, 0.65%, 0.53%

LAB 43.77, 27.9, -65.06

 

CMYK 0 / 73 / 19 / 16

HEX #D539AC

RGB 213 57 172

HSL 315.77, 0.65%, 0.53%

LAB 51.89, 70.28, -27.34

 

Description

Color code: RGB 213 178 57 | qconv.com Color code: RGB 213 178 57 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 178 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 178 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 73 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 73% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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