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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 160 174 it is the complementary color RGB 42 95 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 160 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 160 174 shade: RGB 218 160 169, RGB 235 178 188, RGB 252 196 207, RGB 255 214 226 and RGB 255 232 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 160 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 160 174 shade: RGB 213 160 174, RGB 196 142 155, RGB 179 124 136, RGB 162 106 117 and RGB 145 88 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 160 174 shade: RGB 213 159 173 and RGB 213 159 159

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 160 174 shade: RGB 213 159 173, RGB 213 159 188, RGB 213 159 202, RGB 209 159 213 and RGB 195 159 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 160 174 shade matches the following richer shades: RGB 213 159 173, RGB 224 148 168, RGB 235 137 163 and RGB 246 126 158

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 160 174 shade: RGB 213 159 173, RGB 202 170 179, RGB 191 182 184, RGB 180 193 189 and RGB 168 204 195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 160 174 shade: RGB 213 159 202, RGB 213 159 188, RGB 213 159 174, RGB 213 159 159 and RGB 213 174 159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 160 174 shade: RGB 188 102 125, RGB 200 131 149, RGB 213 159 173, RGB 226 188 198 and RGB 238 217 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 160 174 shade: RGB 213 160 174, RGB 213 209 159 and RGB 159 195 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 160 174 shade: RGB 213 160 174, RGB 174 213 159 and RGB 159 174 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 160 174 shade: RGB 213 160 174, RGB 213 209 159, RGB 159 213 199 and RGB 159 163 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 160 174 shade: RGB 213 160 174, RGB 200 213 159, RGB 159 213 199 and RGB 172 159 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 18 / 16

HEX #D5A0AE

RGB 213 160 174

HSL 344.15, 0.39%, 0.73%

LAB 71.11, 21.74, 0.43

 

Complementary color

CMYK 56 / 0 / 15 / 63

HEX #2A5F51

RGB 42 95 81

HSL 164.15, 0.39%, 0.27%

LAB 36.5, -21.49, 2.66

 

CMYK 0 / 27 / 22 / 15

HEX #DAA0A9

RGB 218 160 169

HSL 350.69, 0.44%, 0.74%

LAB 71.49, 22.82, 3.83

 

CMYK 0 / 24 / 20 / 8

HEX #EBB2BC

RGB 235 178 188

HSL 349.47, 0.59%, 0.81%

LAB 77.95, 22.17, 2.99

 

CMYK 0 / 22 / 18 / 1

HEX #FCC4CF

RGB 252 196 207

HSL 348.21, 0.9%, 0.88%

LAB 84.32, 21.58, 2.21

 

CMYK 0 / 16 / 11 / 0

HEX #FFD6E2

RGB 255 214 226

HSL 342.44, 1%, 0.92%

LAB 89.32, 16.17, -0.55

 

CMYK 0 / 9 / 4 / 0

HEX #FFE8F5

RGB 255 232 245

HSL 326.09, 1%, 0.95%

LAB 94.13, 10, -3.45

 

CMYK 0 / 25 / 18 / 16

HEX #D5A0AE

RGB 213 160 174

HSL 344.15, 0.39%, 0.73%

LAB 71.11, 21.74, 0.43

 

CMYK 0 / 28 / 21 / 23

HEX #C48E9B

RGB 196 142 155

HSL 345.56, 0.31%, 0.66%

LAB 64.52, 22.4, 1.25

 

CMYK 0 / 31 / 24 / 30

HEX #B37C88

RGB 179 124 136

HSL 346.91, 0.27%, 0.59%

LAB 57.82, 23.14, 2.14

 

CMYK 0 / 35 / 28 / 36

HEX #A26A75

RGB 162 106 117

HSL 348.21, 0.23%, 0.53%

LAB 51.01, 23.95, 3.13

 

CMYK 0 / 39 / 32 / 43

HEX #915862

RGB 145 88 98

HSL 349.47, 0.24%, 0.46%

LAB 44.06, 24.86, 4.27

 

CMYK 0 / 25 / 19 / 16

HEX #D59FAD

RGB 213 159 173

HSL 344.44, 0.39%, 0.73%

LAB 70.84, 22.13, 0.6

 

CMYK 0 / 25 / 25 / 16

HEX #D59F9F

RGB 213 159 159

HSL 0, 0.39%, 0.73%

LAB 70.49, 20.05, 7.85

 

CMYK 0 / 25 / 19 / 16

HEX #D59FAD

RGB 213 159 173

HSL 344.44, 0.39%, 0.73%

LAB 70.84, 22.13, 0.6

 

CMYK 0 / 25 / 12 / 16

HEX #D59FBC

RGB 213 159 188

HSL 327.78, 0.39%, 0.73%

LAB 71.26, 24.55, -7.08

 

CMYK 0 / 25 / 5 / 16

HEX #D59FCA

RGB 213 159 202

HSL 312.22, 0.39%, 0.73%

LAB 71.7, 26.97, -14.17

 

CMYK 2 / 25 / 0 / 16

HEX #D19FD5

RGB 209 159 213

HSL 295.56, 0.39%, 0.73%

LAB 71.66, 27.66, -20.32

 

CMYK 8 / 25 / 0 / 16

HEX #C39FD5

RGB 195 159 213

HSL 280, 0.39%, 0.73%

LAB 70.32, 23.09, -22.49

 

CMYK 0 / 25 / 19 / 16

HEX #D59FAD

RGB 213 159 173

HSL 344.44, 0.39%, 0.73%

LAB 70.84, 22.13, 0.6

 

CMYK 0 / 34 / 25 / 12

HEX #E094A8

RGB 224 148 168

HSL 344.21, 0.55%, 0.73%

LAB 69.37, 31.32, 1.38

 

CMYK 0 / 42 / 31 / 8

HEX #EB89A3

RGB 235 137 163

HSL 344.08, 0.71%, 0.73%

LAB 68.17, 40.35, 2.6

 

CMYK 0 / 49 / 36 / 4

HEX #F67E9E

RGB 246 126 158

HSL 344, 0.87%, 0.73%

LAB 67.26, 49.09, 4.29

 

CMYK 0 / 25 / 19 / 16

HEX #D59FAD

RGB 213 159 173

HSL 344.44, 0.39%, 0.73%

LAB 70.84, 22.13, 0.6

 

CMYK 0 / 16 / 11 / 21

HEX #CAAAB3

RGB 202 170 179

HSL 343.13, 0.23%, 0.73%

LAB 72.6, 13.11, -0.27

 

CMYK 0 / 5 / 4 / 25

HEX #BFB6B8

RGB 191 182 184

HSL 346.67, 0.07%, 0.73%

LAB 74.82, 3.54, 0.12

 

CMYK 7 / 0 / 2 / 24

HEX #B4C1BD

RGB 180 193 189

HSL 161.54, 0.09%, 0.73%

LAB 76.99, -5.22, 0.47

 

CMYK 18 / 0 / 4 / 20

HEX #A8CCC3

RGB 168 204 195

HSL 165, 0.26%, 0.73%

LAB 79.3, -13.74, 0.5

 

CMYK 0 / 25 / 5 / 16

HEX #D59FCA

RGB 213 159 202

HSL 312.22, 0.39%, 0.73%

LAB 71.7, 26.97, -14.17

 

CMYK 0 / 25 / 12 / 16

HEX #D59FBC

RGB 213 159 188

HSL 327.78, 0.39%, 0.73%

LAB 71.26, 24.55, -7.08

 

CMYK 0 / 25 / 18 / 16

HEX #D59FAE

RGB 213 159 174

HSL 343.33, 0.39%, 0.73%

LAB 70.87, 22.29, 0.09

 

CMYK 0 / 25 / 25 / 16

HEX #D59F9F

RGB 213 159 159

HSL 0, 0.39%, 0.73%

LAB 70.49, 20.05, 7.85

 

CMYK 0 / 18 / 25 / 16

HEX #D5AE9F

RGB 213 174 159

HSL 16.67, 0.39%, 0.73%

LAB 74.14, 11.93, 13.03

 

CMYK 0 / 46 / 34 / 26

HEX #BC667D

RGB 188 102 125

HSL 343.95, 0.39%, 0.57%

LAB 53.68, 37, 2.7

 

CMYK 0 / 35 / 26 / 22

HEX #C88395

RGB 200 131 149

HSL 344.35, 0.39%, 0.65%

LAB 62.24, 29.03, 1.39

 

CMYK 0 / 25 / 19 / 16

HEX #D59FAD

RGB 213 159 173

HSL 344.44, 0.39%, 0.73%

LAB 70.84, 22.13, 0.6

 

CMYK 0 / 17 / 12 / 11

HEX #E2BCC6

RGB 226 188 198

HSL 344.21, 0.4%, 0.81%

LAB 79.73, 15.17, 0.06

 

CMYK 0 / 9 / 7 / 7

HEX #EED9DE

RGB 238 217 222

HSL 345.71, 0.38%, 0.89%

LAB 88.48, 8.07, 0.16

 

CMYK 0 / 25 / 18 / 16

HEX #D5A0AE

RGB 213 160 174

HSL 344.15, 0.39%, 0.73%

LAB 71.11, 21.74, 0.43

 

CMYK 0 / 2 / 25 / 16

HEX #D5D19F

RGB 213 209 159

HSL 55.56, 0.39%, 0.73%

LAB 83.05, -6.52, 25.37

 

CMYK 25 / 8 / 0 / 16

HEX #9FC3D5

RGB 159 195 213

HSL 200, 0.39%, 0.73%

LAB 76.8, -7.95, -12.95

 

CMYK 0 / 25 / 18 / 16

HEX #D5A0AE

RGB 213 160 174

HSL 344.15, 0.39%, 0.73%

LAB 71.11, 21.74, 0.43

 

CMYK 18 / 0 / 25 / 16

HEX #AED59F

RGB 174 213 159

HSL 103.33, 0.39%, 0.73%

LAB 81.34, -22.77, 22.59

 

CMYK 25 / 18 / 0 / 16

HEX #9FAED5

RGB 159 174 213

HSL 223.33, 0.39%, 0.73%

LAB 71.18, 3.38, -21.45

 

CMYK 0 / 25 / 18 / 16

HEX #D5A0AE

RGB 213 160 174

HSL 344.15, 0.39%, 0.73%

LAB 71.11, 21.74, 0.43

 

CMYK 0 / 2 / 25 / 16

HEX #D5D19F

RGB 213 209 159

HSL 55.56, 0.39%, 0.73%

LAB 83.05, -6.52, 25.37

 

CMYK 25 / 0 / 7 / 16

HEX #9FD5C7

RGB 159 213 199

HSL 164.44, 0.39%, 0.73%

LAB 81.34, -20.28, 1.27

 

CMYK 25 / 23 / 0 / 16

HEX #9FA3D5

RGB 159 163 213

HSL 235.56, 0.39%, 0.73%

LAB 68.29, 9.5, -25.86

 

CMYK 0 / 25 / 18 / 16

HEX #D5A0AE

RGB 213 160 174

HSL 344.15, 0.39%, 0.73%

LAB 71.11, 21.74, 0.43

 

CMYK 6 / 0 / 25 / 16

HEX #C8D59F

RGB 200 213 159

HSL 74.44, 0.39%, 0.73%

LAB 83.11, -13.41, 25.29

 

CMYK 25 / 0 / 7 / 16

HEX #9FD5C7

RGB 159 213 199

HSL 164.44, 0.39%, 0.73%

LAB 81.34, -20.28, 1.27

 

CMYK 19 / 25 / 0 / 16

HEX #AC9FD5

RGB 172 159 213

HSL 254.44, 0.39%, 0.73%

LAB 68.29, 15.75, -25.77

 

Description

Color code: RGB 213 160 174 | qconv.com Color code: RGB 213 160 174 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 160 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 160 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 18 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 18% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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