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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 142 89 it is the complementary color RGB 42 113 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 142 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 142 89 shade: RGB 218 142 84, RGB 235 160 103, RGB 252 178 122, RGB 255 196 141 and RGB 255 214 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 142 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 142 89 shade: RGB 213 142 89, RGB 196 124 70, RGB 179 106 51, RGB 162 88 32 and RGB 145 70 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 142 89 shade: RGB 213 141 87, RGB 213 107 87 and RGB 213 87 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 142 89 shade: RGB 213 141 87, RGB 213 175 87, RGB 213 209 87, RGB 183 213 87 and RGB 149 213 87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 142 89 shade matches the following richer shades: RGB 213 141 87, RGB 230 138 70 and RGB 247 136 53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 142 89 shade: RGB 213 141 87, RGB 196 143 104, RGB 179 146 121, RGB 162 148 138 and RGB 145 151 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 142 89 shade: RGB 213 87 102, RGB 213 106 87, RGB 213 139 87, RGB 213 173 87 and RGB 213 206 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 142 89 shade: RGB 174 99 43, RGB 204 118 54, RGB 213 141 87, RGB 221 163 120 and RGB 229 186 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 142 89 shade: RGB 213 142 89, RGB 135 213 87 and RGB 89 87 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 142 89 shade: RGB 213 142 89, RGB 87 213 139 and RGB 139 87 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 142 89 shade: RGB 213 142 89, RGB 135 213 87, RGB 87 160 213 and RGB 165 87 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 142 89 shade: RGB 213 142 89, RGB 98 213 87, RGB 87 160 213 and RGB 202 87 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 58 / 16

HEX #D58E59

RGB 213 142 89

HSL 25.65, 0.6%, 0.59%

LAB 65.13, 21.58, 38.93

 

Complementary color

CMYK 75 / 32 / 0 / 35

HEX #2A71A6

RGB 42 113 166

HSL 205.65, 0.6%, 0.41%

LAB 45.71, -3.56, -34.73

 

CMYK 0 / 35 / 61 / 15

HEX #DA8E54

RGB 218 142 84

HSL 25.97, 0.64%, 0.59%

LAB 65.66, 23.28, 42.31

 

CMYK 0 / 32 / 56 / 8

HEX #EBA067

RGB 235 160 103

HSL 25.91, 0.77%, 0.66%

LAB 72.08, 22.01, 40.73

 

CMYK 0 / 29 / 52 / 1

HEX #FCB27A

RGB 252 178 122

HSL 25.85, 0.96%, 0.73%

LAB 78.43, 20.9, 39.23

 

CMYK 0 / 23 / 45 / 0

HEX #FFC48D

RGB 255 196 141

HSL 28.95, 1%, 0.78%

LAB 83.26, 14.42, 35.69

 

CMYK 0 / 16 / 37 / 0

HEX #FFD6A0

RGB 255 214 160

HSL 34.11, 1%, 0.81%

LAB 87.92, 7.1, 32.02

 

CMYK 0 / 33 / 58 / 16

HEX #D58E59

RGB 213 142 89

HSL 25.65, 0.6%, 0.59%

LAB 65.13, 21.58, 38.93

 

CMYK 0 / 37 / 64 / 23

HEX #C47C46

RGB 196 124 70

HSL 25.71, 0.52%, 0.52%

LAB 58.6, 22.93, 40.57

 

CMYK 0 / 41 / 72 / 30

HEX #B36A33

RGB 179 106 51

HSL 25.78, 0.56%, 0.45%

LAB 51.98, 24.49, 42.25

 

CMYK 0 / 46 / 80 / 36

HEX #A25820

RGB 162 88 32

HSL 25.85, 0.67%, 0.38%

LAB 45.31, 26.28, 43.77

 

CMYK 0 / 52 / 91 / 43

HEX #91460D

RGB 145 70 13

HSL 25.91, 0.84%, 0.31%

LAB 38.6, 28.33, 44.56

 

CMYK 0 / 34 / 59 / 16

HEX #D58D57

RGB 213 141 87

HSL 25.71, 0.6%, 0.59%

LAB 64.87, 21.97, 39.66

 

CMYK 0 / 50 / 59 / 16

HEX #D56B57

RGB 213 107 87

HSL 9.52, 0.6%, 0.59%

LAB 57.41, 39.94, 30.43

 

CMYK 0 / 59 / 59 / 16

HEX #D55757

RGB 213 87 87

HSL 0, 0.6%, 0.59%

LAB 53.65, 49.65, 25.61

 

CMYK 0 / 34 / 59 / 16

HEX #D58D57

RGB 213 141 87

HSL 25.71, 0.6%, 0.59%

LAB 64.87, 21.97, 39.66

 

CMYK 0 / 18 / 59 / 16

HEX #D5AF57

RGB 213 175 87

HSL 41.9, 0.6%, 0.59%

LAB 73.22, 3.67, 49.5

 

CMYK 0 / 2 / 59 / 16

HEX #D5D157

RGB 213 209 87

HSL 58.1, 0.6%, 0.59%

LAB 82.07, -13.9, 59.44

 

CMYK 14 / 0 / 59 / 16

HEX #B7D557

RGB 183 213 87

HSL 74.29, 0.6%, 0.59%

LAB 80.93, -27.98, 57.55

 

CMYK 30 / 0 / 59 / 16

HEX #95D557

RGB 149 213 87

HSL 90.48, 0.6%, 0.59%

LAB 78.85, -40.78, 54.65

 

CMYK 0 / 34 / 59 / 16

HEX #D58D57

RGB 213 141 87

HSL 25.71, 0.6%, 0.59%

LAB 64.87, 21.97, 39.66

 

CMYK 0 / 40 / 70 / 10

HEX #E68A46

RGB 230 138 70

HSL 25.5, 0.76%, 0.59%

LAB 66.09, 29.48, 50.18

 

CMYK 0 / 45 / 79 / 3

HEX #F78835

RGB 247 136 53

HSL 25.67, 0.92%, 0.59%

LAB 67.75, 36.62, 60.24

 

CMYK 0 / 34 / 59 / 16

HEX #D58D57

RGB 213 141 87

HSL 25.71, 0.6%, 0.59%

LAB 64.87, 21.97, 39.66

 

CMYK 0 / 27 / 47 / 23

HEX #C48F68

RGB 196 143 104

HSL 25.43, 0.44%, 0.59%

LAB 63.66, 15.33, 28.6

 

CMYK 0 / 18 / 32 / 30

HEX #B39279

RGB 179 146 121

HSL 25.86, 0.28%, 0.59%

LAB 62.95, 8.71, 17.92

 

CMYK 0 / 9 / 15 / 36

HEX #A2948A

RGB 162 148 138

HSL 25, 0.11%, 0.59%

LAB 62.25, 3.44, 7.15

 

CMYK 6 / 3 / 0 / 39

HEX #91979B

RGB 145 151 155

HSL 204, 0.05%, 0.59%

LAB 62.1, -1.35, -2.86

 

CMYK 0 / 59 / 52 / 16

HEX #D55766

RGB 213 87 102

HSL 352.86, 0.6%, 0.59%

LAB 53.94, 50.81, 17.19

 

CMYK 0 / 50 / 59 / 16

HEX #D56A57

RGB 213 106 87

HSL 9.05, 0.6%, 0.59%

LAB 57.21, 40.45, 30.18

 

CMYK 0 / 35 / 59 / 16

HEX #D58B57

RGB 213 139 87

HSL 24.76, 0.6%, 0.59%

LAB 64.4, 23.05, 39.09

 

CMYK 0 / 19 / 59 / 16

HEX #D5AD57

RGB 213 173 87

HSL 40.95, 0.6%, 0.59%

LAB 72.71, 4.73, 48.91

 

CMYK 0 / 3 / 59 / 16

HEX #D5CE57

RGB 213 206 87

HSL 56.67, 0.6%, 0.59%

LAB 81.28, -12.39, 58.57

 

CMYK 0 / 43 / 75 / 32

HEX #AE632B

RGB 174 99 43

HSL 25.65, 0.6%, 0.43%

LAB 49.61, 25.81, 43.47

 

CMYK 0 / 42 / 74 / 20

HEX #CC7636

RGB 204 118 54

HSL 25.6, 0.6%, 0.51%

LAB 58.09, 28.63, 48.28

 

CMYK 0 / 34 / 59 / 16

HEX #D58D57

RGB 213 141 87

HSL 25.71, 0.6%, 0.59%

LAB 64.87, 21.97, 39.66

 

CMYK 0 / 26 / 46 / 13

HEX #DDA378

RGB 221 163 120

HSL 25.54, 0.6%, 0.67%

LAB 71.5, 16.27, 30.71

 

CMYK 0 / 19 / 33 / 10

HEX #E5BA99

RGB 229 186 153

HSL 26.05, 0.59%, 0.75%

LAB 78.51, 10.87, 22.57

 

CMYK 0 / 33 / 58 / 16

HEX #D58E59

RGB 213 142 89

HSL 25.65, 0.6%, 0.59%

LAB 65.13, 21.58, 38.93

 

CMYK 37 / 0 / 59 / 16

HEX #87D557

RGB 135 213 87

HSL 97.14, 0.6%, 0.59%

LAB 78.13, -45.62, 53.63

 

CMYK 58 / 59 / 0 / 16

HEX #5957D5

RGB 89 87 213

HSL 240.95, 0.6%, 0.59%

LAB 43.86, 37.05, -64.82

 

CMYK 0 / 33 / 58 / 16

HEX #D58E59

RGB 213 142 89

HSL 25.65, 0.6%, 0.59%

LAB 65.13, 21.58, 38.93

 

CMYK 59 / 0 / 35 / 16

HEX #57D58B

RGB 87 213 139

HSL 144.76, 0.6%, 0.59%

LAB 76.97, -51.5, 26.42

 

CMYK 35 / 59 / 0 / 16

HEX #8B57D5

RGB 139 87 213

HSL 264.76, 0.6%, 0.59%

LAB 48.4, 47.27, -57.27

 

CMYK 0 / 33 / 58 / 16

HEX #D58E59

RGB 213 142 89

HSL 25.65, 0.6%, 0.59%

LAB 65.13, 21.58, 38.93

 

CMYK 37 / 0 / 59 / 16

HEX #87D557

RGB 135 213 87

HSL 97.14, 0.6%, 0.59%

LAB 78.13, -45.62, 53.63

 

CMYK 59 / 25 / 0 / 16

HEX #57A0D5

RGB 87 160 213

HSL 205.24, 0.6%, 0.59%

LAB 63.32, -7.19, -33.88

 

CMYK 23 / 59 / 0 / 16

HEX #A557D5

RGB 165 87 213

HSL 277.14, 0.6%, 0.59%

LAB 51.4, 53.4, -52.28

 

CMYK 0 / 33 / 58 / 16

HEX #D58E59

RGB 213 142 89

HSL 25.65, 0.6%, 0.59%

LAB 65.13, 21.58, 38.93

 

CMYK 54 / 0 / 59 / 16

HEX #62D557

RGB 98 213 87

HSL 114.76, 0.6%, 0.59%

LAB 76.6, -56.64, 51.49

 

CMYK 59 / 25 / 0 / 16

HEX #57A0D5

RGB 87 160 213

HSL 205.24, 0.6%, 0.59%

LAB 63.32, -7.19, -33.88

 

CMYK 5 / 59 / 0 / 16

HEX #CA57D5

RGB 202 87 213

HSL 294.76, 0.6%, 0.59%

LAB 56.26, 62.51, -44.26

 

Description

Color code: RGB 213 142 89 | qconv.com Color code: RGB 213 142 89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 142 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 142 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 58 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 58% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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