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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 136 187 it is the complementary color RGB 42 119 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 136 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 136 187 shade: RGB 218 136 182, RGB 235 154 201, RGB 252 172 220, RGB 255 190 239 and RGB 255 208 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 136 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 136 187 shade: RGB 213 136 187, RGB 196 118 168, RGB 179 100 149, RGB 162 82 130 and RGB 145 64 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 136 187 shade: RGB 213 134 186, RGB 213 134 165, RGB 213 134 144 and RGB 213 134 134

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 136 187 shade: RGB 213 134 186, RGB 213 134 207, RGB 197 134 213, RGB 176 134 213 and RGB 155 134 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 136 187 shade matches the following richer shades: RGB 213 134 186, RGB 226 121 190, RGB 239 108 195 and RGB 252 95 199

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 136 187 shade: RGB 213 134 186, RGB 199 147 182, RGB 186 161 178, RGB 173 174 173 and RGB 160 187 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 136 187 shade: RGB 197 134 213, RGB 213 134 207, RGB 213 134 186, RGB 213 134 166 and RGB 213 134 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 136 187 shade: RGB 191 73 151, RGB 202 104 169, RGB 213 134 186, RGB 223 165 204 and RGB 234 195 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 136 187 shade: RGB 213 136 187, RGB 213 176 134 and RGB 134 213 207

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 136 187 shade: RGB 213 136 187, RGB 186 213 134 and RGB 134 186 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 136 187 shade: RGB 213 136 187, RGB 213 176 134, RGB 134 213 160 and RGB 134 171 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 136 187 shade: RGB 213 136 187, RGB 213 200 134, RGB 134 213 160 and RGB 134 147 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 12 / 16

HEX #D588BB

RGB 213 136 187

HSL 320.26, 0.48%, 0.68%

LAB 66.01, 36.81, -14.38

 

Complementary color

CMYK 65 / 0 / 43 / 53

HEX #2A7744

RGB 42 119 68

HSL 140.26, 0.48%, 0.32%

LAB 44.38, -35.84, 21.26

 

CMYK 0 / 38 / 17 / 15

HEX #DA88B6

RGB 218 136 182

HSL 326.34, 0.53%, 0.69%

LAB 66.44, 37.69, -10.87

 

CMYK 0 / 34 / 14 / 8

HEX #EB9AC9

RGB 235 154 201

HSL 325.19, 0.67%, 0.76%

LAB 72.89, 36.93, -11.6

 

CMYK 0 / 32 / 13 / 1

HEX #FCACDC

RGB 252 172 220

HSL 324, 0.93%, 0.83%

LAB 79.25, 36.22, -12.26

 

CMYK 0 / 25 / 6 / 0

HEX #FFBEEF

RGB 255 190 239

HSL 314.77, 1%, 0.87%

LAB 84.13, 30.92, -15.13

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 0 / 36 / 12 / 16

HEX #D588BB

RGB 213 136 187

HSL 320.26, 0.48%, 0.68%

LAB 66.01, 36.81, -14.38

 

CMYK 0 / 40 / 14 / 23

HEX #C476A8

RGB 196 118 168

HSL 321.54, 0.4%, 0.62%

LAB 59.45, 37.58, -13.68

 

CMYK 0 / 44 / 17 / 30

HEX #B36495

RGB 179 100 149

HSL 322.78, 0.34%, 0.55%

LAB 52.8, 38.37, -12.88

 

CMYK 0 / 49 / 20 / 36

HEX #A25282

RGB 162 82 130

HSL 324, 0.33%, 0.48%

LAB 46.08, 39.16, -11.94

 

CMYK 0 / 56 / 23 / 43

HEX #91406F

RGB 145 64 111

HSL 325.19, 0.39%, 0.41%

LAB 39.3, 39.88, -10.78

 

CMYK 0 / 37 / 13 / 16

HEX #D586BA

RGB 213 134 186

HSL 320.51, 0.48%, 0.68%

LAB 65.55, 37.71, -14.52

 

CMYK 0 / 37 / 23 / 16

HEX #D586A5

RGB 213 134 165

HSL 336.46, 0.48%, 0.68%

LAB 64.89, 34.43, -3.64

 

CMYK 0 / 37 / 32 / 16

HEX #D58690

RGB 213 134 144

HSL 352.41, 0.48%, 0.68%

LAB 64.33, 31.54, 7.45

 

CMYK 0 / 37 / 37 / 16

HEX #D58686

RGB 213 134 134

HSL 0, 0.48%, 0.68%

LAB 64.09, 30.3, 12.78

 

CMYK 0 / 37 / 13 / 16

HEX #D586BA

RGB 213 134 186

HSL 320.51, 0.48%, 0.68%

LAB 65.55, 37.71, -14.52

 

CMYK 0 / 37 / 3 / 16

HEX #D586CF

RGB 213 134 207

HSL 304.56, 0.48%, 0.68%

LAB 66.29, 41.32, -25.16

 

CMYK 8 / 37 / 0 / 16

HEX #C586D5

RGB 197 134 213

HSL 287.85, 0.48%, 0.68%

LAB 64.74, 37.47, -31.04

 

CMYK 17 / 37 / 0 / 16

HEX #B086D5

RGB 176 134 213

HSL 271.9, 0.48%, 0.68%

LAB 62.58, 31.06, -34.57

 

CMYK 27 / 37 / 0 / 16

HEX #9B86D5

RGB 155 134 213

HSL 255.95, 0.48%, 0.68%

LAB 60.62, 24.84, -37.76

 

CMYK 0 / 37 / 13 / 16

HEX #D586BA

RGB 213 134 186

HSL 320.51, 0.48%, 0.68%

LAB 65.55, 37.71, -14.52

 

CMYK 0 / 46 / 16 / 11

HEX #E279BE

RGB 226 121 190

HSL 320.57, 0.64%, 0.68%

LAB 64.61, 49.3, -18.03

 

CMYK 0 / 55 / 18 / 6

HEX #EF6CC3

RGB 239 108 195

HSL 320.15, 0.8%, 0.68%

LAB 64.17, 60.22, -21.36

 

CMYK 0 / 62 / 21 / 1

HEX #FC5FC7

RGB 252 95 199

HSL 320.25, 0.96%, 0.68%

LAB 64.16, 69.97, -23.47

 

CMYK 0 / 37 / 13 / 16

HEX #D586BA

RGB 213 134 186

HSL 320.51, 0.48%, 0.68%

LAB 65.55, 37.71, -14.52

 

CMYK 0 / 26 / 9 / 22

HEX #C793B6

RGB 199 147 182

HSL 319.62, 0.32%, 0.68%

LAB 66.81, 25.18, -10.53

 

CMYK 0 / 13 / 4 / 27

HEX #BAA1B2

RGB 186 161 178

HSL 319.2, 0.15%, 0.68%

LAB 68.85, 12.13, -5.4

 

CMYK 1 / 0 / 1 / 32

HEX #ADAEAD

RGB 173 174 173

HSL 120, 0.01%, 0.68%

LAB 70.99, -0.54, 0.38

 

CMYK 14 / 0 / 10 / 27

HEX #A0BBA9

RGB 160 187 169

HSL 140, 0.17%, 0.68%

LAB 73.47, -12.73, 6.04

 

CMYK 8 / 37 / 0 / 16

HEX #C586D5

RGB 197 134 213

HSL 287.85, 0.48%, 0.68%

LAB 64.74, 37.47, -31.04

 

CMYK 0 / 37 / 3 / 16

HEX #D586CF

RGB 213 134 207

HSL 304.56, 0.48%, 0.68%

LAB 66.29, 41.32, -25.16

 

CMYK 0 / 37 / 13 / 16

HEX #D586BA

RGB 213 134 186

HSL 320.51, 0.48%, 0.68%

LAB 65.55, 37.71, -14.52

 

CMYK 0 / 37 / 22 / 16

HEX #D586A6

RGB 213 134 166

HSL 335.7, 0.48%, 0.68%

LAB 64.92, 34.58, -4.16

 

CMYK 0 / 37 / 32 / 16

HEX #D58691

RGB 213 134 145

HSL 351.65, 0.48%, 0.68%

LAB 64.36, 31.67, 6.92

 

CMYK 0 / 62 / 21 / 25

HEX #BF4997

RGB 191 73 151

HSL 320.34, 0.48%, 0.52%

LAB 49.59, 55.65, -18.79

 

CMYK 0 / 49 / 16 / 21

HEX #CA68A9

RGB 202 104 169

HSL 320.2, 0.48%, 0.6%

LAB 57.39, 47, -17.31

 

CMYK 0 / 37 / 13 / 16

HEX #D586BA

RGB 213 134 186

HSL 320.51, 0.48%, 0.68%

LAB 65.55, 37.71, -14.52

 

CMYK 0 / 26 / 9 / 13

HEX #DFA5CC

RGB 223 165 204

HSL 319.66, 0.48%, 0.76%

LAB 74.16, 27.48, -11.47

 

CMYK 0 / 17 / 6 / 8

HEX #EAC3DD

RGB 234 195 221

HSL 320, 0.48%, 0.84%

LAB 82.78, 18.11, -7.74

 

CMYK 0 / 36 / 12 / 16

HEX #D588BB

RGB 213 136 187

HSL 320.26, 0.48%, 0.68%

LAB 66.01, 36.81, -14.38

 

CMYK 0 / 17 / 37 / 16

HEX #D5B086

RGB 213 176 134

HSL 31.9, 0.48%, 0.68%

LAB 74.14, 7.62, 26.55

 

CMYK 37 / 0 / 3 / 16

HEX #86D5CF

RGB 134 213 207

HSL 175.44, 0.48%, 0.68%

LAB 80.27, -25.58, -4.72

 

CMYK 0 / 36 / 12 / 16

HEX #D588BB

RGB 213 136 187

HSL 320.26, 0.48%, 0.68%

LAB 66.01, 36.81, -14.38

 

CMYK 13 / 0 / 37 / 16

HEX #BAD586

RGB 186 213 134

HSL 80.51, 0.48%, 0.68%

LAB 81.7, -22, 36.12

RGB 186 213 134

CMYK 37 / 13 / 0 / 16

HEX #86BAD5

RGB 134 186 213

HSL 200.51, 0.48%, 0.68%

LAB 72.89, -10.31, -19

RGB 134 186 213

CMYK 0 / 36 / 12 / 16

HEX #D588BB

RGB 213 136 187

HSL 320.26, 0.48%, 0.68%

LAB 66.01, 36.81, -14.38

 

CMYK 0 / 17 / 37 / 16

HEX #D5B086

RGB 213 176 134

HSL 31.9, 0.48%, 0.68%

LAB 74.14, 7.62, 26.55

 

CMYK 37 / 0 / 25 / 16

HEX #86D5A0

RGB 134 213 160

HSL 139.75, 0.48%, 0.68%

LAB 79.15, -35.54, 18.7

 

CMYK 37 / 20 / 0 / 16

HEX #86ABD5

RGB 134 171 213

HSL 211.9, 0.48%, 0.68%

LAB 68.75, -2.19, -25.3

 

CMYK 0 / 36 / 12 / 16

HEX #D588BB

RGB 213 136 187

HSL 320.26, 0.48%, 0.68%

LAB 66.01, 36.81, -14.38

 

CMYK 0 / 6 / 37 / 16

HEX #D5C886

RGB 213 200 134

HSL 50.13, 0.48%, 0.68%

LAB 80.28, -5.01, 34.67

 

CMYK 37 / 0 / 25 / 16

HEX #86D5A0

RGB 134 213 160

HSL 139.75, 0.48%, 0.68%

LAB 79.15, -35.54, 18.7

 

CMYK 37 / 31 / 0 / 16

HEX #8693D5

RGB 134 147 213

HSL 230.13, 0.48%, 0.68%

LAB 62.29, 11.38, -35.29

 

Description

Color code: RGB 213 136 187 | qconv.com Color code: RGB 213 136 187 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 136 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 136 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 12 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 12% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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