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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 103 72 it is the complementary color RGB 42 152 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 103 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 103 72 shade: RGB 218 103 67, RGB 235 121 86, RGB 252 139 105, RGB 255 157 124 and RGB 255 175 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 103 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 103 72 shade: RGB 213 103 72, RGB 196 85 53, RGB 179 67 34, RGB 162 49 15 and RGB 145 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 103 72 shade: RGB 213 103 72 and RGB 213 72 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 103 72 shade: RGB 213 103 72, RGB 213 141 72, RGB 213 179 72, RGB 209 213 72 and RGB 171 213 72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 103 72 shade matches the following richer shades: RGB 213 103 72, RGB 232 93 54 and RGB 250 83 36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 103 72 shade: RGB 213 103 72, RGB 195 113 90, RGB 177 124 108, RGB 159 134 127 and RGB 141 144 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 103 72 shade: RGB 213 72 117, RGB 213 72 79, RGB 213 103 72, RGB 213 140 72 and RGB 213 178 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 103 72 shade: RGB 166 66 38, RGB 199 79 45, RGB 213 103 72, RGB 221 131 106 and RGB 229 159 139

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 103 72 shade: RGB 213 103 72, RGB 155 213 72 and RGB 72 98 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 103 72 shade: RGB 213 103 72, RGB 72 213 103 and RGB 103 72 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 103 72 shade: RGB 213 103 72, RGB 155 213 72, RGB 72 183 213 and RGB 131 72 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 103 72 shade: RGB 213 103 72, RGB 112 213 72, RGB 72 183 213 and RGB 173 72 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 66 / 16

HEX #D56748

RGB 213 103 72

HSL 13.19, 0.63%, 0.56%

LAB 56.4, 40.97, 37.51

 

Complementary color

CMYK 77 / 17 / 0 / 28

HEX #2A98B7

RGB 42 152 183

HSL 193.19, 0.63%, 0.44%

LAB 58.38, -19.65, -24.8

 

CMYK 0 / 53 / 69 / 15

HEX #DA6743

RGB 218 103 67

HSL 14.3, 0.67%, 0.56%

LAB 57.09, 42.59, 41.19

 

CMYK 0 / 49 / 63 / 8

HEX #EB7956

RGB 235 121 86

HSL 14.09, 0.79%, 0.63%

LAB 63.35, 41.15, 39.02

 

CMYK 0 / 45 / 58 / 1

HEX #FC8B69

RGB 252 139 105

HSL 13.88, 0.96%, 0.7%

LAB 69.6, 39.79, 37.04

 

CMYK 0 / 38 / 51 / 0

HEX #FF9D7C

RGB 255 157 124

HSL 15.11, 1%, 0.74%

LAB 74.08, 33.21, 32.67

 

CMYK 0 / 31 / 44 / 0

HEX #FFAF8F

RGB 255 175 143

HSL 17.14, 1%, 0.78%

LAB 78.41, 25.61, 28.22

 

CMYK 0 / 52 / 66 / 16

HEX #D56748

RGB 213 103 72

HSL 13.19, 0.63%, 0.56%

LAB 56.4, 40.97, 37.51

 

CMYK 0 / 57 / 73 / 23

HEX #C45535

RGB 196 85 53

HSL 13.43, 0.57%, 0.49%

LAB 50.08, 42.43, 39.86

 

CMYK 0 / 63 / 81 / 30

HEX #B34322

RGB 179 67 34

HSL 13.66, 0.68%, 0.42%

LAB 43.82, 43.88, 42.33

 

CMYK 0 / 70 / 91 / 36

HEX #A2310F

RGB 162 49 15

HSL 13.88, 0.83%, 0.35%

LAB 37.68, 45.16, 44.43

 

CMYK 0 / 79 / 100 / 43

HEX #911F00

RGB 145 31 0

HSL 12.83, 1%, 0.28%

LAB 31.81, 45.93, 44.69

 

CMYK 0 / 52 / 66 / 16

HEX #D56748

RGB 213 103 72

HSL 13.19, 0.63%, 0.56%

LAB 56.4, 40.97, 37.51

 

CMYK 0 / 66 / 66 / 16

HEX #D54848

RGB 213 72 72

HSL 0, 0.63%, 0.56%

LAB 50.98, 55.21, 30.96

 

CMYK 0 / 52 / 66 / 16

HEX #D56748

RGB 213 103 72

HSL 13.19, 0.63%, 0.56%

LAB 56.4, 40.97, 37.51

 

CMYK 0 / 34 / 66 / 16

HEX #D58D48

RGB 213 141 72

HSL 29.36, 0.63%, 0.56%

LAB 64.69, 20.96, 47.07

 

CMYK 0 / 16 / 66 / 16

HEX #D5B348

RGB 213 179 72

HSL 45.53, 0.63%, 0.56%

LAB 74.1, 0.57, 57.32

 

CMYK 2 / 0 / 66 / 16

HEX #D1D548

RGB 209 213 72

HSL 61.7, 0.63%, 0.56%

LAB 82.71, -18.47, 66.16

 

CMYK 20 / 0 / 66 / 16

HEX #ABD548

RGB 171 213 72

HSL 77.87, 0.63%, 0.56%

LAB 80.02, -33.77, 62.54

 

CMYK 0 / 52 / 66 / 16

HEX #D56748

RGB 213 103 72

HSL 13.19, 0.63%, 0.56%

LAB 56.4, 40.97, 37.51

 

CMYK 0 / 60 / 77 / 9

HEX #E85D36

RGB 232 93 54

HSL 13.15, 0.79%, 0.56%

LAB 57.32, 51.86, 48.78

 

CMYK 0 / 67 / 86 / 2

HEX #FA5324

RGB 250 83 36

HSL 13.18, 0.96%, 0.56%

LAB 58.64, 61.63, 59.27

 

CMYK 0 / 52 / 66 / 16

HEX #D56748

RGB 213 103 72

HSL 13.19, 0.63%, 0.56%

LAB 56.4, 40.97, 37.51

 

CMYK 0 / 42 / 54 / 24

HEX #C3715A

RGB 195 113 90

HSL 13.14, 0.47%, 0.56%

LAB 56.24, 30.03, 26.73

 

CMYK 0 / 30 / 39 / 31

HEX #B17C6C

RGB 177 124 108

HSL 13.91, 0.31%, 0.56%

LAB 56.92, 18.55, 16.98

 

CMYK 0 / 16 / 20 / 38

HEX #9F867F

RGB 159 134 127

HSL 13.13, 0.14%, 0.56%

LAB 57.99, 8.34, 7.29

 

CMYK 3 / 1 / 0 / 43

HEX #8D9091

RGB 141 144 145

HSL 195, 0.02%, 0.56%

LAB 59.57, -0.89, -0.92

 

CMYK 0 / 66 / 45 / 16

HEX #D54875

RGB 213 72 117

HSL 340.85, 0.63%, 0.56%

LAB 51.91, 58.59, 5.39

 

CMYK 0 / 66 / 63 / 16

HEX #D5484F

RGB 213 72 79

HSL 357.02, 0.63%, 0.56%

LAB 51.09, 55.62, 27

 

CMYK 0 / 52 / 66 / 16

HEX #D56748

RGB 213 103 72

HSL 13.19, 0.63%, 0.56%

LAB 56.4, 40.97, 37.51

 

CMYK 0 / 34 / 66 / 16

HEX #D58C48

RGB 213 140 72

HSL 28.94, 0.63%, 0.56%

LAB 64.46, 21.5, 46.81

 

CMYK 0 / 16 / 66 / 16

HEX #D5B248

RGB 213 178 72

HSL 45.11, 0.63%, 0.56%

LAB 73.84, 1.1, 57.05

 

CMYK 0 / 60 / 77 / 35

HEX #A64226

RGB 166 66 38

HSL 13.13, 0.63%, 0.4%

LAB 41.44, 39.66, 37.14

 

CMYK 0 / 60 / 77 / 22

HEX #C74F2D

RGB 199 79 45

HSL 13.25, 0.63%, 0.48%

LAB 49.4, 46.05, 43.47

 

CMYK 0 / 52 / 66 / 16

HEX #D56748

RGB 213 103 72

HSL 13.19, 0.63%, 0.56%

LAB 56.4, 40.97, 37.51

 

CMYK 0 / 41 / 52 / 13

HEX #DD836A

RGB 221 131 106

HSL 13.04, 0.63%, 0.64%

LAB 63.87, 32.08, 28.35

 

CMYK 0 / 31 / 39 / 10

HEX #E59F8B

RGB 229 159 139

HSL 13.33, 0.63%, 0.72%

LAB 71.77, 23.61, 20.92

 

CMYK 0 / 52 / 66 / 16

HEX #D56748

RGB 213 103 72

HSL 13.19, 0.63%, 0.56%

LAB 56.4, 40.97, 37.51

 

CMYK 27 / 0 / 66 / 16

HEX #9BD548

RGB 155 213 72

HSL 84.68, 0.63%, 0.56%

LAB 79.06, -39.83, 61.23

 

CMYK 66 / 54 / 0 / 16

HEX #4862D5

RGB 72 98 213

HSL 228.94, 0.63%, 0.56%

LAB 45.52, 27.44, -62.18

 

CMYK 0 / 52 / 66 / 16

HEX #D56748

RGB 213 103 72

HSL 13.19, 0.63%, 0.56%

LAB 56.4, 40.97, 37.51

 

CMYK 66 / 0 / 52 / 16

HEX #48D567

RGB 72 213 103

HSL 133.19, 0.63%, 0.56%

LAB 76.04, -60.43, 43.22

 

CMYK 52 / 66 / 0 / 16

HEX #6748D5

RGB 103 72 213

HSL 253.19, 0.63%, 0.56%

LAB 41.72, 48.19, -68.25

 

CMYK 0 / 52 / 66 / 16

HEX #D56748

RGB 213 103 72

HSL 13.19, 0.63%, 0.56%

LAB 56.4, 40.97, 37.51

 

CMYK 27 / 0 / 66 / 16

HEX #9BD548

RGB 155 213 72

HSL 84.68, 0.63%, 0.56%

LAB 79.06, -39.83, 61.23

 

CMYK 66 / 14 / 0 / 16

HEX #48B7D5

RGB 72 183 213

HSL 192.77, 0.63%, 0.56%

LAB 69.5, -22.11, -24.38

 

CMYK 38 / 66 / 0 / 16

HEX #8348D5

RGB 131 72 213

HSL 265.11, 0.63%, 0.56%

LAB 44.61, 53.41, -63.43

 

CMYK 0 / 52 / 66 / 16

HEX #D56748

RGB 213 103 72

HSL 13.19, 0.63%, 0.56%

LAB 56.4, 40.97, 37.51

 

CMYK 47 / 0 / 66 / 16

HEX #70D548

RGB 112 213 72

HSL 102.98, 0.63%, 0.56%

LAB 76.98, -54.23, 58.41

 

CMYK 66 / 14 / 0 / 16

HEX #48B7D5

RGB 72 183 213

HSL 192.77, 0.63%, 0.56%

LAB 69.5, -22.11, -24.38

 

CMYK 19 / 66 / 0 / 16

HEX #AD48D5

RGB 173 72 213

HSL 282.98, 0.63%, 0.56%

LAB 49.89, 62.25, -54.65

 

Description

Color code: RGB 213 103 72 | qconv.com Color code: RGB 213 103 72 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 103 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 103 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 66 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 66% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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