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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 103 6 it is the complementary color RGB 42 152 249. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 103 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 103 6 shade: RGB 218 103 1, RGB 235 121 20, RGB 252 139 39, RGB 255 157 58 and RGB 255 175 77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 103 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 103 6 shade: RGB 213 103 6, RGB 196 85 0, RGB 179 67 0, RGB 162 49 0 and RGB 145 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 103 6 shade: RGB 213 103 5, RGB 213 46 5 and RGB 213 5 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 103 6 shade: RGB 213 103 5, RGB 213 159 5, RGB 212 213 5, RGB 155 213 5 and RGB 99 213 5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 103 6 shade matches the following richer shades: RGB 213 103 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 103 6 shade: RGB 213 103 5, RGB 196 104 23, RGB 178 105 40, RGB 160 106 58 and RGB 142 107 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 103 6 shade: RGB 213 5 19, RGB 213 47 5, RGB 213 102 5, RGB 213 158 5 and RGB 213 213 5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 103 6 shade: RGB 133 64 3, RGB 173 83 4, RGB 213 103 5, RGB 248 122 11 and RGB 249 144 52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 103 6 shade: RGB 213 103 6, RGB 74 213 5 and RGB 19 5 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 103 6 shade: RGB 213 103 6, RGB 5 213 102 and RGB 102 5 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 103 6 shade: RGB 213 103 6, RGB 74 213 5, RGB 5 116 213 and RGB 144 5 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 103 6 shade: RGB 213 103 6, RGB 12 213 5, RGB 5 116 213 and RGB 206 5 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 97 / 16

HEX #D56706

RGB 213 103 6

HSL 28.12, 0.95%, 0.43%

LAB 55.95, 38.89, 63.15

 

Complementary color

CMYK 83 / 39 / 0 / 2

HEX #2A98F9

RGB 42 152 249

HSL 208.12, 0.95%, 0.57%

LAB 61.47, 3.77, -56.75

 

CMYK 0 / 53 / 100 / 15

HEX #DA6701

RGB 218 103 1

HSL 28.2, 0.99%, 0.43%

LAB 56.69, 40.81, 64.93

 

CMYK 0 / 49 / 91 / 8

HEX #EB7914

RGB 235 121 20

HSL 28.19, 0.84%, 0.5%

LAB 62.83, 38.68, 66.53

 

CMYK 0 / 45 / 85 / 1

HEX #FC8B27

RGB 252 139 39

HSL 28.17, 0.97%, 0.57%

LAB 68.97, 36.67, 66.83

 

CMYK 0 / 38 / 77 / 0

HEX #FF9D3A

RGB 255 157 58

HSL 30.15, 1%, 0.61%

LAB 73.34, 29.2, 63.88

 

CMYK 0 / 31 / 70 / 0

HEX #FFAF4D

RGB 255 175 77

HSL 33.03, 1%, 0.65%

LAB 77.55, 20.63, 60.13

 

CMYK 0 / 52 / 97 / 16

HEX #D56706

RGB 213 103 6

HSL 28.12, 0.95%, 0.43%

LAB 55.95, 38.89, 63.15

 

CMYK 0 / 57 / 100 / 23

HEX #C45500

RGB 196 85 0

HSL 26.02, 1%, 0.38%

LAB 49.78, 41.11, 59.37

 

CMYK 0 / 63 / 100 / 30

HEX #B34300

RGB 179 67 0

HSL 22.46, 1%, 0.35%

LAB 43.65, 43.21, 54.49

 

CMYK 0 / 70 / 100 / 36

HEX #A23100

RGB 162 49 0

HSL 18.15, 1%, 0.32%

LAB 37.62, 44.94, 49.7

 

CMYK 0 / 79 / 100 / 43

HEX #911F00

RGB 145 31 0

HSL 12.83, 1%, 0.28%

LAB 31.81, 45.93, 44.69

 

CMYK 0 / 52 / 98 / 16

HEX #D56705

RGB 213 103 5

HSL 28.27, 0.95%, 0.43%

LAB 55.94, 38.88, 63.33

 

CMYK 0 / 78 / 98 / 16

HEX #D52E05

RGB 213 46 5

HSL 11.83, 0.95%, 0.43%

LAB 47.12, 62.38, 58.32

 

CMYK 0 / 98 / 98 / 16

HEX #D50505

RGB 213 5 5

HSL 0, 0.95%, 0.43%

LAB 44.61, 69.53, 57.13

 

CMYK 0 / 52 / 98 / 16

HEX #D56705

RGB 213 103 5

HSL 28.27, 0.95%, 0.43%

LAB 55.94, 38.88, 63.33

 

CMYK 0 / 25 / 98 / 16

HEX #D59F05

RGB 213 159 5

HSL 44.42, 0.95%, 0.43%

LAB 68.72, 9.11, 71.86

 

CMYK 0 / 0 / 98 / 16

HEX #D4D505

RGB 212 213 5

HSL 60.29, 0.95%, 0.43%

LAB 82.7, -19.2, 81.94

 

CMYK 27 / 0 / 98 / 16

HEX #9BD505

RGB 155 213 5

HSL 76.73, 0.95%, 0.43%

LAB 78.79, -42.39, 77.26

 

CMYK 54 / 0 / 98 / 16

HEX #63D505

RGB 99 213 5

HSL 92.88, 0.95%, 0.43%

LAB 76.22, -61.04, 74.15

 

CMYK 0 / 52 / 98 / 16

HEX #D56705

RGB 213 103 5

HSL 28.27, 0.95%, 0.43%

LAB 55.94, 38.88, 63.33

 

CMYK 0 / 52 / 98 / 16

HEX #D56705

RGB 213 103 5

HSL 28.27, 0.95%, 0.43%

LAB 55.94, 38.88, 63.33

 

CMYK 0 / 47 / 88 / 23

HEX #C46817

RGB 196 104 23

HSL 28.09, 0.79%, 0.43%

LAB 53.71, 31.72, 56.41

 

CMYK 0 / 41 / 78 / 30

HEX #B26928

RGB 178 105 40

HSL 28.26, 0.63%, 0.43%

LAB 51.52, 24.09, 46.96

 

CMYK 0 / 34 / 64 / 37

HEX #A06A3A

RGB 160 106 58

HSL 28.24, 0.47%, 0.43%

LAB 49.6, 16.67, 35.27

 

CMYK 0 / 25 / 46 / 44

HEX #8E6B4C

RGB 142 107 76

HSL 28.18, 0.3%, 0.43%

LAB 47.99, 9.8, 22.75

 

CMYK 0 / 98 / 91 / 16

HEX #D50513

RGB 213 5 19

HSL 355.96, 0.95%, 0.43%

LAB 44.66, 69.67, 52.52

 

CMYK 0 / 78 / 98 / 16

HEX #D52F05

RGB 213 47 5

HSL 12.12, 0.95%, 0.43%

LAB 47.22, 62.09, 58.37

 

CMYK 0 / 52 / 98 / 16

HEX #D56605

RGB 213 102 5

HSL 27.98, 0.95%, 0.43%

LAB 55.75, 39.38, 63.21

 

CMYK 0 / 26 / 98 / 16

HEX #D59E05

RGB 213 158 5

HSL 44.13, 0.95%, 0.43%

LAB 68.47, 9.65, 71.69

 

CMYK 0 / 0 / 98 / 16

HEX #D5D505

RGB 213 213 5

HSL 60, 0.95%, 0.43%

LAB 82.78, -18.77, 82.04

 

CMYK 0 / 52 / 98 / 48

HEX #854003

RGB 133 64 3

HSL 28.15, 0.96%, 0.27%

LAB 35.32, 26.25, 44.6

 

CMYK 0 / 52 / 98 / 32

HEX #AD5304

RGB 173 83 4

HSL 28.05, 0.95%, 0.35%

LAB 45.74, 32.98, 54.1

 

CMYK 0 / 52 / 98 / 16

HEX #D56705

RGB 213 103 5

HSL 28.27, 0.95%, 0.43%

LAB 55.94, 38.88, 63.33

 

CMYK 0 / 51 / 96 / 3

HEX #F87A0B

RGB 248 122 11

HSL 28.1, 0.94%, 0.51%

LAB 64.88, 43.16, 70.56

 

CMYK 0 / 42 / 79 / 2

HEX #F99034

RGB 249 144 52

HSL 28.02, 0.94%, 0.59%

LAB 69.71, 33.28, 62.57

 

CMYK 0 / 52 / 97 / 16

HEX #D56706

RGB 213 103 6

HSL 28.12, 0.95%, 0.43%

LAB 55.95, 38.89, 63.15

 

CMYK 65 / 0 / 98 / 16

HEX #4AD505

RGB 74 213 5

HSL 100.1, 0.95%, 0.43%

LAB 75.49, -67.1, 73.25

 

CMYK 91 / 98 / 0 / 16

HEX #1305D5

RGB 19 5 213

HSL 244.04, 0.95%, 0.43%

LAB 26.88, 68.31, -92.97

 

CMYK 0 / 52 / 97 / 16

HEX #D56706

RGB 213 103 6

HSL 28.12, 0.95%, 0.43%

LAB 55.95, 38.89, 63.15

 

CMYK 98 / 0 / 52 / 16

HEX #05D566

RGB 5 213 102

HSL 147.98, 0.95%, 0.43%

LAB 75.19, -67.42, 42.48

 

CMYK 52 / 98 / 0 / 16

HEX #6605D5

RGB 102 5 213

HSL 267.98, 0.95%, 0.43%

LAB 33.43, 71.63, -81.89

 

CMYK 0 / 52 / 97 / 16

HEX #D56706

RGB 213 103 6

HSL 28.12, 0.95%, 0.43%

LAB 55.95, 38.89, 63.15

 

CMYK 65 / 0 / 98 / 16

HEX #4AD505

RGB 74 213 5

HSL 100.1, 0.95%, 0.43%

LAB 75.49, -67.1, 73.25

 

CMYK 98 / 46 / 0 / 16

HEX #0574D5

RGB 5 116 213

HSL 207.98, 0.95%, 0.43%

LAB 48.67, 10.07, -57.19

 

CMYK 32 / 98 / 0 / 16

HEX #9005D5

RGB 144 5 213

HSL 280.1, 0.95%, 0.43%

LAB 39.31, 75.7, -71.99

 

CMYK 0 / 52 / 97 / 16

HEX #D56706

RGB 213 103 6

HSL 28.12, 0.95%, 0.43%

LAB 55.95, 38.89, 63.15

 

CMYK 94 / 0 / 98 / 16

HEX #0CD505

RGB 12 213 5

HSL 117.98, 0.95%, 0.43%

LAB 74.62, -74.7, 72.19

 

CMYK 98 / 46 / 0 / 16

HEX #0574D5

RGB 5 116 213

HSL 207.98, 0.95%, 0.43%

LAB 48.67, 10.07, -57.19

 

CMYK 3 / 98 / 0 / 16

HEX #CE05D5

RGB 206 5 213

HSL 297.98, 0.95%, 0.43%

LAB 49.54, 84.29, -54.93

 

Description

Color code: RGB 213 103 6 | qconv.com Color code: RGB 213 103 6 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 103 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 103 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 97 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 97% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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