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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 103 229 it is the complementary color RGB 42 152 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 103 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 103 229 shade: RGB 218 103 224, RGB 235 121 243, RGB 252 139 255, RGB 255 157 255 and RGB 255 175 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 103 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 103 229 shade: RGB 213 103 229, RGB 196 85 210, RGB 179 67 191, RGB 162 49 172 and RGB 145 31 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 103 229 shade: RGB 213 102 229, RGB 229 102 211, RGB 229 102 177, RGB 229 102 143 and RGB 229 102 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 103 229 shade: RGB 213 102 229, RGB 179 102 229, RGB 145 102 229, RGB 110 102 229 and RGB 102 102 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 103 229 shade matches the following richer shades: RGB 213 102 229 and RGB 224 88 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 103 229 shade: RGB 213 102 229, RGB 202 117 215, RGB 191 131 200, RGB 181 146 186 and RGB 170 160 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 103 229 shade: RGB 145 102 229, RGB 178 102 229, RGB 212 102 229, RGB 229 102 212 and RGB 229 102 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 103 229 shade: RGB 190 36 213, RGB 203 67 223, RGB 213 102 229, RGB 223 138 235 and RGB 232 173 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 103 229 shade: RGB 213 103 229, RGB 229 111 102 and RGB 102 229 162

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 103 229 shade: RGB 213 103 229, RGB 229 212 102 and RGB 102 229 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 103 229 shade: RGB 213 103 229, RGB 229 111 102, RGB 119 229 102 and RGB 102 221 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 103 229 shade: RGB 213 103 229, RGB 229 149 102, RGB 119 229 102 and RGB 102 183 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 55 / 0 / 10

HEX #D567E5

RGB 213 103 229

HSL 292.38, 0.71%, 0.65%

LAB 61.22, 60.93, -45.33

 

Complementary color

CMYK 72 / 0 / 83 / 40

HEX #2A981A

RGB 42 152 26

HSL 112.38, 0.71%, 0.35%

LAB 55.1, -53.07, 52.08

 

CMYK 3 / 54 / 0 / 12

HEX #DA67E0

RGB 218 103 224

HSL 297.02, 0.66%, 0.64%

LAB 61.64, 61.33, -41.83

 

CMYK 3 / 50 / 0 / 5

HEX #EB79F3

RGB 235 121 243

HSL 296.07, 0.84%, 0.71%

LAB 67.88, 60.78, -42.43

 

CMYK 1 / 45 / 0 / 0

HEX #FC8BFF

RGB 252 139 255

HSL 298.45, 1%, 0.77%

LAB 73.79, 58.9, -39.6

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 7 / 55 / 0 / 10

HEX #D567E5

RGB 213 103 229

HSL 292.38, 0.71%, 0.65%

LAB 61.22, 60.93, -45.33

 

CMYK 7 / 60 / 0 / 18

HEX #C455D2

RGB 196 85 210

HSL 293.28, 0.58%, 0.58%

LAB 54.95, 61.36, -44.68

 

CMYK 6 / 65 / 0 / 25

HEX #B343BF

RGB 179 67 191

HSL 294.19, 0.49%, 0.51%

LAB 48.71, 61.52, -43.81

 

CMYK 6 / 72 / 0 / 33

HEX #A231AC

RGB 162 49 172

HSL 295.12, 0.56%, 0.43%

LAB 42.55, 61.22, -42.63

 

CMYK 5 / 80 / 0 / 40

HEX #911F99

RGB 145 31 153

HSL 296.07, 0.66%, 0.36%

LAB 36.55, 60.16, -40.94

 

CMYK 7 / 55 / 0 / 10

HEX #D566E5

RGB 213 102 229

HSL 292.44, 0.71%, 0.65%

LAB 61.05, 61.4, -45.6

 

CMYK 0 / 55 / 8 / 10

HEX #E566D3

RGB 229 102 211

HSL 308.5, 0.71%, 0.65%

LAB 62.39, 62.53, -33.25

 

CMYK 0 / 55 / 23 / 10

HEX #E566B1

RGB 229 102 177

HSL 324.57, 0.71%, 0.65%

LAB 61.08, 57.47, -15.96

 

CMYK 0 / 55 / 38 / 10

HEX #E5668F

RGB 229 102 143

HSL 340.63, 0.71%, 0.65%

LAB 60.02, 53.24, 2.09

 

CMYK 0 / 55 / 52 / 10

HEX #E5666D

RGB 229 102 109

HSL 356.69, 0.71%, 0.65%

LAB 59.22, 49.93, 20.68

 

CMYK 7 / 55 / 0 / 10

HEX #D566E5

RGB 213 102 229

HSL 292.44, 0.71%, 0.65%

LAB 61.05, 61.4, -45.6

 

CMYK 22 / 55 / 0 / 10

HEX #B366E5

RGB 179 102 229

HSL 276.38, 0.71%, 0.65%

LAB 56.82, 52.77, -52.57

 

CMYK 37 / 55 / 0 / 10

HEX #9166E5

RGB 145 102 229

HSL 260.31, 0.71%, 0.65%

LAB 53.15, 44.54, -58.66

 

CMYK 52 / 55 / 0 / 10

HEX #6E66E5

RGB 110 102 229

HSL 243.78, 0.71%, 0.65%

LAB 50.07, 36.97, -63.78

 

CMYK 55 / 55 / 0 / 10

HEX #6666E5

RGB 102 102 229

HSL 240, 0.71%, 0.65%

LAB 49.48, 35.43, -64.76

 

CMYK 7 / 55 / 0 / 10

HEX #D566E5

RGB 213 102 229

HSL 292.44, 0.71%, 0.65%

LAB 61.05, 61.4, -45.6

 

CMYK 8 / 64 / 0 / 4

HEX #E058F4

RGB 224 88 244

HSL 292.31, 0.88%, 0.65%

LAB 61.1, 72.81, -53.79

 

CMYK 7 / 55 / 0 / 10

HEX #D566E5

RGB 213 102 229

HSL 292.44, 0.71%, 0.65%

LAB 61.05, 61.4, -45.6

 

CMYK 6 / 46 / 0 / 16

HEX #CA75D7

RGB 202 117 215

HSL 292.04, 0.55%, 0.65%

LAB 61.81, 48.39, -36.67

 

CMYK 5 / 35 / 0 / 22

HEX #BF83C8

RGB 191 131 200

HSL 292.17, 0.39%, 0.65%

LAB 62.91, 34.65, -26.64

 

CMYK 3 / 22 / 0 / 27

HEX #B592BA

RGB 181 146 186

HSL 292.5, 0.22%, 0.65%

LAB 64.9, 20.26, -15.82

 

CMYK 1 / 6 / 0 / 33

HEX #AAA0AB

RGB 170 160 171

HSL 294.55, 0.06%, 0.65%

LAB 67, 5.68, -4.4

 

CMYK 37 / 55 / 0 / 10

HEX #9166E5

RGB 145 102 229

HSL 260.31, 0.71%, 0.65%

LAB 53.15, 44.54, -58.66

 

CMYK 22 / 55 / 0 / 10

HEX #B266E5

RGB 178 102 229

HSL 275.91, 0.71%, 0.65%

LAB 56.71, 52.52, -52.76

 

CMYK 7 / 55 / 0 / 10

HEX #D466E5

RGB 212 102 229

HSL 291.97, 0.71%, 0.65%

LAB 60.92, 61.14, -45.82

 

CMYK 0 / 55 / 7 / 10

HEX #E566D4

RGB 229 102 212

HSL 308.03, 0.71%, 0.65%

LAB 62.44, 62.69, -33.75

 

CMYK 0 / 55 / 22 / 10

HEX #E566B2

RGB 229 102 178

HSL 324.09, 0.71%, 0.65%

LAB 61.11, 57.61, -16.48

 

CMYK 11 / 83 / 0 / 16

HEX #BE24D5

RGB 190 36 213

HSL 292.2, 0.71%, 0.49%

LAB 48.28, 77.45, -57.1

 

CMYK 9 / 70 / 0 / 13

HEX #CB43DF

RGB 203 67 223

HSL 292.31, 0.71%, 0.57%

LAB 54.07, 72.54, -53.4

 

CMYK 7 / 55 / 0 / 10

HEX #D566E5

RGB 213 102 229

HSL 292.44, 0.71%, 0.65%

LAB 61.05, 61.4, -45.6

 

CMYK 5 / 41 / 0 / 8

HEX #DF8AEB

RGB 223 138 235

HSL 292.58, 0.71%, 0.73%

LAB 69.37, 47.45, -35.81

 

CMYK 4 / 28 / 0 / 5

HEX #E8ADF1

RGB 232 173 241

HSL 292.06, 0.71%, 0.81%

LAB 78.11, 32.84, -25.55

 

CMYK 7 / 55 / 0 / 10

HEX #D567E5

RGB 213 103 229

HSL 292.38, 0.71%, 0.65%

LAB 61.22, 60.93, -45.33

 

CMYK 0 / 52 / 55 / 10

HEX #E56F66

RGB 229 111 102

HSL 4.25, 0.71%, 0.65%

LAB 60.77, 45.02, 26.74

 

CMYK 55 / 0 / 29 / 10

HEX #66E5A2

RGB 102 229 162

HSL 148.35, 0.71%, 0.65%

LAB 82.63, -50.38, 22.26

 

CMYK 7 / 55 / 0 / 10

HEX #D567E5

RGB 213 103 229

HSL 292.38, 0.71%, 0.65%

LAB 61.22, 60.93, -45.33

 

CMYK 0 / 7 / 55 / 10

HEX #E5D466

RGB 229 212 102

HSL 51.97, 0.71%, 0.65%

LAB 84.33, -7.74, 55.64

 

CMYK 55 / 0 / 7 / 10

HEX #66E5D4

RGB 102 229 212

HSL 171.97, 0.71%, 0.65%

LAB 83.77, -39.23, -2.37

 

CMYK 7 / 55 / 0 / 10

HEX #D567E5

RGB 213 103 229

HSL 292.38, 0.71%, 0.65%

LAB 61.22, 60.93, -45.33

 

CMYK 0 / 52 / 55 / 10

HEX #E56F66

RGB 229 111 102

HSL 4.25, 0.71%, 0.65%

LAB 60.77, 45.02, 26.74

 

CMYK 48 / 0 / 55 / 10

HEX #77E566

RGB 119 229 102

HSL 111.97, 0.71%, 0.65%

LAB 82.34, -55.44, 51.61

 

CMYK 55 / 3 / 0 / 10

HEX #66DDE5

RGB 102 221 229

HSL 183.78, 0.71%, 0.65%

LAB 81.94, -31.1, -14.09

 

CMYK 7 / 55 / 0 / 10

HEX #D567E5

RGB 213 103 229

HSL 292.38, 0.71%, 0.65%

LAB 61.22, 60.93, -45.33

 

CMYK 0 / 35 / 55 / 10

HEX #E59566

RGB 229 149 102

HSL 22.2, 0.71%, 0.65%

LAB 68.83, 25.36, 37.06

 

CMYK 48 / 0 / 55 / 10

HEX #77E566

RGB 119 229 102

HSL 111.97, 0.71%, 0.65%

LAB 82.34, -55.44, 51.61

 

CMYK 55 / 20 / 0 / 10

HEX #66B7E5

RGB 102 183 229

HSL 201.73, 0.71%, 0.65%

LAB 71.11, -11.86, -30.56

 

Description

Color code: RGB 213 103 229 | qconv.com Color code: RGB 213 103 229 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 103 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 103 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 55 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 55% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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