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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213.7 200.6 14 it is the complementary color RGB 41.3 54.4 241. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213.7 200.6 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213.7 200.6 14 shade: RGB 218.7 200.6 9, RGB 235.7 218.6 28, RGB 252.7 236.6 47, RGB 255 254.6 66 and RGB 255 255 85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213.7 200.6 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213.7 200.6 14 shade: RGB 213.7 200.6 14, RGB 196.7 182.6 0, RGB 179.7 164.6 0, RGB 162.7 146.6 0 and RGB 145.7 128.6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213.7 200.6 14 shade: RGB 216 202 14, RGB 216 148 14, RGB 216 94 14, RGB 216 39 14 and RGB 216 14 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213.7 200.6 14 shade: RGB 216 202 14, RGB 175 216 14, RGB 120 216 14, RGB 66 216 14 and RGB 14 216 16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213.7 200.6 14 shade matches the following richer shades: RGB 216 202 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213.7 200.6 14 shade: RGB 216 202 14, RGB 197 186 32, RGB 179 170 51, RGB 160 154 69 and RGB 141 138 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213.7 200.6 14 shade: RGB 216 95 14, RGB 216 148 14, RGB 216 202 14, RGB 175 216 14 and RGB 121 216 14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213.7 200.6 14 shade: RGB 138 130 9, RGB 177 166 11, RGB 216 202 14, RGB 241 227 30 and RGB 243 232 69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213.7 200.6 14 shade: RGB 213.7 200.6 14, RGB 14 216 41 and RGB 121 14 216

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213.7 200.6 14 shade: RGB 213.7 200.6 14, RGB 14 216 202 and RGB 202 14 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213.7 200.6 14 shade: RGB 213.7 200.6 14, RGB 14 216 41, RGB 14 27 216 and RGB 216 14 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213.7 200.6 14 shade: RGB 213.7 200.6 14, RGB 14 216 101, RGB 14 27 216 and RGB 216 14 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 93 / 16

HEX #D5C80E

RGB 213.7 200.6 14

HSL 56.06, 0.88%, 0.45%

LAB 79.54, -12.21, 78.77

 

Complementary color

CMYK 83 / 77 / 0 / 5

HEX #2936F1

RGB 41.3 54.4 241

HSL 236.06, 0.88%, 0.55%

LAB 36.94, 59.7, -92.23

 

CMYK 0 / 8 / 96 / 14

HEX #DAC809

RGB 218.7 200.6 9

HSL 54.82, 0.92%, 0.45%

LAB 79.97, -10.11, 79.8

 

CMYK 0 / 7 / 88 / 8

HEX #EBDA1C

RGB 235.7 218.6 28

HSL 55.06, 0.84%, 0.52%

LAB 86.17, -11.62, 82.64

 

CMYK 0 / 6 / 81 / 1

HEX #FCEC2F

RGB 252.7 236.6 47

HSL 55.3, 0.98%, 0.59%

LAB 92.3, -12.95, 84.24

 

CMYK 0 / 0 / 74 / 0

HEX #FFFE42

RGB 255 254.6 66

HSL 59.87, 1%, 0.63%

LAB 97.19, -20.08, 83.43

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF55

RGB 255 255 85

HSL 60, 1%, 0.67%

LAB 97.4, -19.42, 77.31

 

CMYK 0 / 6 / 93 / 16

HEX #D5C80E

RGB 213.7 200.6 14

HSL 56.06, 0.88%, 0.45%

LAB 79.54, -12.21, 78.77

 

CMYK 0 / 7 / 100 / 23

HEX #C4B600

RGB 196.7 182.6 0

HSL 55.7, 1%, 0.39%

LAB 73.24, -10.59, 74.94

 

CMYK 0 / 8 / 100 / 30

HEX #B3A400

RGB 179.7 164.6 0

HSL 54.96, 1%, 0.35%

LAB 66.85, -8.78, 69.64

 

CMYK 0 / 10 / 100 / 36

HEX #A29200

RGB 162.7 146.6 0

HSL 54.06, 1%, 0.32%

LAB 60.34, -6.91, 64.25

 

CMYK 0 / 12 / 100 / 43

HEX #918000

RGB 145.7 128.6 0

HSL 52.96, 1%, 0.29%

LAB 53.68, -4.97, 58.74

 

CMYK 0 / 6 / 94 / 15

HEX #D8CA0E

RGB 216 202 14

HSL 55.84, 0.88%, 0.45%

LAB 80.11, -11.93, 79.29

 

CMYK 0 / 31 / 94 / 15

HEX #D8940E

RGB 216 148 14

HSL 39.8, 0.88%, 0.45%

LAB 66.37, 16.44, 69.13

 

CMYK 0 / 56 / 94 / 15

HEX #D85E0E

RGB 216 94 14

HSL 23.76, 0.88%, 0.45%

LAB 54.7, 44.56, 60.97

 

CMYK 0 / 82 / 94 / 15

HEX #D8270E

RGB 216 39 14

HSL 7.43, 0.88%, 0.45%

LAB 47.08, 65.18, 56.13

 

CMYK 0 / 94 / 94 / 15

HEX #D80E0E

RGB 216 14 14

HSL 0, 0.88%, 0.45%

LAB 45.56, 69.54, 55.23

 

CMYK 0 / 6 / 94 / 15

HEX #D8CA0E

RGB 216 202 14

HSL 55.84, 0.88%, 0.45%

LAB 80.11, -11.93, 79.29

 

CMYK 19 / 0 / 94 / 15

HEX #AFD80E

RGB 175 216 14

HSL 72.18, 0.88%, 0.45%

LAB 80.88, -35.81, 78.55

 

CMYK 44 / 0 / 94 / 15

HEX #78D80E

RGB 120 216 14

HSL 88.51, 0.88%, 0.45%

LAB 77.96, -55.77, 74.98

 

CMYK 69 / 0 / 94 / 15

HEX #42D80E

RGB 66 216 14

HSL 104.55, 0.88%, 0.45%

LAB 76.25, -69.44, 72.89

 

CMYK 94 / 0 / 93 / 15

HEX #0ED810

RGB 14 216 16

HSL 120.59, 0.88%, 0.45%

LAB 75.6, -75.2, 71.84

 

CMYK 0 / 6 / 94 / 15

HEX #D8CA0E

RGB 216 202 14

HSL 55.84, 0.88%, 0.45%

LAB 80.11, -11.93, 79.29

 

CMYK 0 / 6 / 94 / 15

HEX #D8CA0E

RGB 216 202 14

HSL 55.84, 0.88%, 0.45%

LAB 80.11, -11.93, 79.29

 

CMYK 0 / 6 / 84 / 23

HEX #C5BA20

RGB 197 186 32

HSL 56, 0.72%, 0.45%

LAB 74.25, -11.69, 70.79

 

CMYK 0 / 5 / 72 / 30

HEX #B3AA33

RGB 179 170 51

HSL 55.78, 0.56%, 0.45%

LAB 68.44, -10.56, 59.09

 

CMYK 0 / 4 / 57 / 37

HEX #A09A45

RGB 160 154 69

HSL 56.04, 0.4%, 0.45%

LAB 62.52, -9.25, 44.59

 

CMYK 0 / 2 / 38 / 45

HEX #8D8A58

RGB 141 138 88

HSL 56.6, 0.23%, 0.45%

LAB 56.63, -6.83, 27.2

 

CMYK 0 / 56 / 94 / 15

HEX #D85F0E

RGB 216 95 14

HSL 24.06, 0.88%, 0.45%

LAB 54.88, 44.08, 61.09

 

CMYK 0 / 31 / 94 / 15

HEX #D8940E

RGB 216 148 14

HSL 39.8, 0.88%, 0.45%

LAB 66.37, 16.44, 69.13

 

CMYK 0 / 6 / 94 / 15

HEX #D8CA0E

RGB 216 202 14

HSL 55.84, 0.88%, 0.45%

LAB 80.11, -11.93, 79.29

 

CMYK 19 / 0 / 94 / 15

HEX #AFD80E

RGB 175 216 14

HSL 72.18, 0.88%, 0.45%

LAB 80.88, -35.81, 78.55

 

CMYK 44 / 0 / 94 / 15

HEX #79D80E

RGB 121 216 14

HSL 88.22, 0.88%, 0.45%

LAB 78, -55.45, 75.04

 

CMYK 0 / 6 / 93 / 46

HEX #8A8209

RGB 138 130 9

HSL 56.28, 0.88%, 0.29%

LAB 53.37, -9.18, 56.56

 

CMYK 0 / 6 / 94 / 31

HEX #B1A60B

RGB 177 166 11

HSL 56.02, 0.88%, 0.37%

LAB 67.01, -10.59, 68.25

 

CMYK 0 / 6 / 94 / 15

HEX #D8CA0E

RGB 216 202 14

HSL 55.84, 0.88%, 0.45%

LAB 80.11, -11.93, 79.29

 

CMYK 0 / 6 / 88 / 5

HEX #F1E31E

RGB 241 227 30

HSL 56.02, 0.88%, 0.53%

LAB 88.8, -13.51, 84.56

 

CMYK 0 / 5 / 72 / 5

HEX #F3E845

RGB 243 232 69

HSL 56.21, 0.88%, 0.61%

LAB 90.41, -13.92, 75.76

 

CMYK 0 / 6 / 93 / 16

HEX #D5C80E

RGB 213.7 200.6 14

HSL 56.06, 0.88%, 0.45%

LAB 79.54, -12.21, 78.77

 

CMYK 94 / 0 / 81 / 15

HEX #0ED829

RGB 14 216 41

HSL 128.02, 0.88%, 0.45%

LAB 75.68, -74.22, 66.93

 

CMYK 44 / 94 / 0 / 15

HEX #790ED8

RGB 121 14 216

HSL 271.78, 0.88%, 0.45%

LAB 36.62, 72.71, -78.26

 

CMYK 0 / 6 / 93 / 16

HEX #D5C80E

RGB 213.7 200.6 14

HSL 56.06, 0.88%, 0.45%

LAB 79.54, -12.21, 78.77

 

CMYK 94 / 0 / 6 / 15

HEX #0ED8CA

RGB 14 216 202

HSL 175.84, 0.88%, 0.45%

LAB 78.15, -46.09, -5.49

 

CMYK 6 / 94 / 0 / 15

HEX #CA0ED8

RGB 202 14 216

HSL 295.84, 0.88%, 0.45%

LAB 49.29, 83.37, -57.09

 

CMYK 0 / 6 / 93 / 16

HEX #D5C80E

RGB 213.7 200.6 14

HSL 56.06, 0.88%, 0.45%

LAB 79.54, -12.21, 78.77

 

CMYK 94 / 0 / 81 / 15

HEX #0ED829

RGB 14 216 41

HSL 128.02, 0.88%, 0.45%

LAB 75.68, -74.22, 66.93

 

CMYK 94 / 88 / 0 / 15

HEX #0E1BD8

RGB 14 27 216

HSL 236.14, 0.88%, 0.45%

LAB 28.99, 63.47, -91.18

 

CMYK 0 / 94 / 13 / 15

HEX #D80EBD

RGB 216 14 189

HSL 308.02, 0.88%, 0.45%

LAB 50.2, 81.9, -39.9

 

CMYK 0 / 6 / 93 / 16

HEX #D5C80E

RGB 213.7 200.6 14

HSL 56.06, 0.88%, 0.45%

LAB 79.54, -12.21, 78.77

 

CMYK 94 / 0 / 53 / 15

HEX #0ED865

RGB 14 216 101

HSL 145.84, 0.88%, 0.45%

LAB 76.16, -68.2, 44.15

 

CMYK 94 / 88 / 0 / 15

HEX #0E1BD8

RGB 14 27 216

HSL 236.14, 0.88%, 0.45%

LAB 28.99, 63.47, -91.18

 

CMYK 0 / 94 / 41 / 15

HEX #D80E80

RGB 216 14 128

HSL 326.14, 0.88%, 0.45%

LAB 47.59, 75.1, -7.54

 

Description

Color code: RGB 213.7 200.6 14 | qconv.com Color code: RGB 213.7 200.6 14 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213.7 red, 200.6 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213.7 200.6 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 93 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 93% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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