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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 8 231 it is the complementary color RGB 43 247 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 8 231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 8 231 shade: RGB 217 8 226, RGB 234 26 245, RGB 251 44 255, RGB 255 62 255 and RGB 255 80 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 8 231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 8 231 shade: RGB 212 8 231, RGB 195 0 212, RGB 178 0 193, RGB 161 0 174 and RGB 144 0 155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 8 231 shade: RGB 212 8 231, RGB 231 8 190, RGB 231 8 130, RGB 231 8 69 and RGB 231 8 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 8 231 shade: RGB 212 8 231, RGB 152 8 231, RGB 92 8 231, RGB 31 8 231 and RGB 8 8 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 8 231 shade matches the following richer shades: RGB 212 8 231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 8 231 shade: RGB 212 8 231, RGB 196 27 211, RGB 180 47 192, RGB 164 66 173 and RGB 147 85 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 8 231 shade: RGB 90 8 231, RGB 149 8 231, RGB 209 8 231, RGB 231 8 194 and RGB 231 8 134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 8 231 shade: RGB 139 5 151, RGB 175 6 191, RGB 212 8 231, RGB 228 33 246 and RGB 233 73 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 8 231 shade: RGB 212 8 231, RGB 231 30 8 and RGB 8 231 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 8 231 shade: RGB 212 8 231, RGB 231 209 8 and RGB 8 231 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 8 231 shade: RGB 212 8 231, RGB 231 30 8, RGB 30 231 8 and RGB 8 209 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 8 231 shade: RGB 212 8 231, RGB 231 97 8, RGB 30 231 8 and RGB 8 142 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 97 / 0 / 9

HEX #D408E7

RGB 212 8 231

HSL 294.89, 0.93%, 0.47%

LAB 51.77, 87.7, -61.54

 

Complementary color

CMYK 83 / 0 / 90 / 3

HEX #2BF718

RGB 43 247 24

HSL 114.89, 0.93%, 0.53%

LAB 85.55, -81.34, 79.2

 

CMYK 4 / 96 / 0 / 11

HEX #D908E2

RGB 217 8 226

HSL 297.52, 0.93%, 0.46%

LAB 52.3, 87.72, -57.8

 

CMYK 4 / 89 / 0 / 4

HEX #EA1AF5

RGB 234 26 245

HSL 296.99, 0.92%, 0.53%

LAB 56.9, 91.48, -60.95

 

CMYK 2 / 83 / 0 / 0

HEX #FB2CFF

RGB 251 44 255

HSL 298.86, 1%, 0.59%

LAB 61.25, 92.92, -59.4

 

CMYK 0 / 76 / 0 / 0

HEX #FF3EFF

RGB 255 62 255

HSL 300, 1%, 0.62%

LAB 63.28, 89.59, -56.12

 

CMYK 0 / 69 / 0 / 0

HEX #FF50FF

RGB 255 80 255

HSL 300, 1%, 0.66%

LAB 65.13, 84.28, -53.17

 

CMYK 8 / 97 / 0 / 9

HEX #D408E7

RGB 212 8 231

HSL 294.89, 0.93%, 0.47%

LAB 51.77, 87.7, -61.54

 

CMYK 8 / 100 / 0 / 17

HEX #C300D4

RGB 195 0 212

HSL 295.19, 1%, 0.42%

LAB 47.44, 82.85, -57.84

 

CMYK 8 / 100 / 0 / 24

HEX #B200C1

RGB 178 0 193

HSL 295.34, 1%, 0.38%

LAB 43.23, 77.32, -53.75

 

CMYK 7 / 100 / 0 / 32

HEX #A100AE

RGB 161 0 174

HSL 295.52, 1%, 0.34%

LAB 38.96, 71.68, -49.58

 

CMYK 7 / 100 / 0 / 39

HEX #90009B

RGB 144 0 155

HSL 295.74, 1%, 0.3%

LAB 34.59, 65.94, -45.32

 

CMYK 8 / 97 / 0 / 9

HEX #D408E7

RGB 212 8 231

HSL 294.89, 0.93%, 0.47%

LAB 51.77, 87.7, -61.54

 

CMYK 0 / 97 / 18 / 9

HEX #E708BE

RGB 231 8 190

HSL 311.03, 0.93%, 0.47%

LAB 52.82, 85.22, -36.18

 

CMYK 0 / 97 / 44 / 9

HEX #E70882

RGB 231 8 130

HSL 327.17, 0.93%, 0.47%

LAB 50.42, 79.01, -4.23

 

CMYK 0 / 97 / 70 / 9

HEX #E70845

RGB 231 8 69

HSL 343.59, 0.93%, 0.47%

LAB 49, 75.18, 31.09

 

CMYK 0 / 97 / 96 / 9

HEX #E70809

RGB 231 8 9

HSL 359.73, 0.93%, 0.47%

LAB 48.49, 73.78, 59.95

 

CMYK 8 / 97 / 0 / 9

HEX #D408E7

RGB 212 8 231

HSL 294.89, 0.93%, 0.47%

LAB 51.77, 87.7, -61.54

 

CMYK 34 / 97 / 0 / 9

HEX #9808E7

RGB 152 8 231

HSL 278.74, 0.93%, 0.47%

LAB 42.18, 79.75, -77.55

 

CMYK 60 / 97 / 0 / 9

HEX #5C08E7

RGB 92 8 231

HSL 262.6, 0.93%, 0.47%

LAB 34.43, 74.58, -90.6

 

CMYK 87 / 97 / 0 / 9

HEX #1F08E7

RGB 31 8 231

HSL 246.19, 0.93%, 0.47%

LAB 30, 72.39, -98.11

 

CMYK 97 / 97 / 0 / 9

HEX #0808E7

RGB 8 8 231

HSL 240, 0.93%, 0.47%

LAB 29.4, 72.16, -99.13

 

CMYK 8 / 97 / 0 / 9

HEX #D408E7

RGB 212 8 231

HSL 294.89, 0.93%, 0.47%

LAB 51.77, 87.7, -61.54

 

CMYK 8 / 97 / 0 / 9

HEX #D408E7

RGB 212 8 231

HSL 294.89, 0.93%, 0.47%

LAB 51.77, 87.7, -61.54

 

CMYK 7 / 87 / 0 / 17

HEX #C41BD3

RGB 196 27 211

HSL 295.11, 0.77%, 0.47%

LAB 48.54, 79.9, -55.48

 

CMYK 6 / 76 / 0 / 25

HEX #B42FC0

RGB 180 47 192

HSL 295.03, 0.61%, 0.47%

LAB 46.37, 69.14, -48.12

 

CMYK 5 / 62 / 0 / 32

HEX #A442AD

RGB 164 66 173

HSL 294.95, 0.45%, 0.47%

LAB 45.37, 54.99, -38.72

 

CMYK 4 / 44 / 0 / 40

HEX #935599

RGB 147 85 153

HSL 294.71, 0.29%, 0.47%

LAB 45.63, 36.76, -26.6

 

CMYK 61 / 97 / 0 / 9

HEX #5A08E7

RGB 90 8 231

HSL 262.06, 0.93%, 0.47%

LAB 34.23, 74.46, -90.96

 

CMYK 35 / 97 / 0 / 9

HEX #9508E7

RGB 149 8 231

HSL 277.94, 0.93%, 0.47%

LAB 41.74, 79.42, -78.3

 

CMYK 10 / 97 / 0 / 9

HEX #D108E7

RGB 209 8 231

HSL 294.08, 0.93%, 0.47%

LAB 51.27, 87.25, -62.38

 

CMYK 0 / 97 / 16 / 9

HEX #E708C2

RGB 231 8 194

HSL 309.96, 0.93%, 0.47%

LAB 53.01, 85.71, -38.19

 

CMYK 0 / 97 / 42 / 9

HEX #E70886

RGB 231 8 134

HSL 326.1, 0.93%, 0.47%

LAB 50.55, 79.36, -6.46

 

CMYK 8 / 97 / 0 / 41

HEX #8B0597

RGB 139 5 151

HSL 295.07, 0.94%, 0.31%

LAB 33.63, 63.8, -44.47

 

CMYK 8 / 97 / 0 / 25

HEX #AF06BF

RGB 175 6 191

HSL 294.81, 0.94%, 0.39%

LAB 42.77, 75.96, -53.35

 

CMYK 8 / 97 / 0 / 9

HEX #D408E7

RGB 212 8 231

HSL 294.89, 0.93%, 0.47%

LAB 51.77, 87.7, -61.54

 

CMYK 7 / 87 / 0 / 4

HEX #E421F6

RGB 228 33 246

HSL 294.93, 0.92%, 0.55%

LAB 56.32, 89.65, -62.5

 

CMYK 6 / 71 / 0 / 3

HEX #E949F8

RGB 233 73 248

HSL 294.86, 0.93%, 0.63%

LAB 60.66, 80.92, -56.62

 

CMYK 8 / 97 / 0 / 9

HEX #D408E7

RGB 212 8 231

HSL 294.89, 0.93%, 0.47%

LAB 51.77, 87.7, -61.54

 

CMYK 0 / 87 / 97 / 9

HEX #E71E08

RGB 231 30 8

HSL 5.92, 0.93%, 0.47%

LAB 49.42, 71.09, 60.66

 

CMYK 97 / 0 / 48 / 9

HEX #08E777

RGB 8 231 119

HSL 149.87, 0.93%, 0.47%

LAB 81.04, -70.4, 41.55

 

CMYK 8 / 97 / 0 / 9

HEX #D408E7

RGB 212 8 231

HSL 294.89, 0.93%, 0.47%

LAB 51.77, 87.7, -61.54

 

CMYK 0 / 10 / 97 / 9

HEX #E7D108

RGB 231 209 8

HSL 54.08, 0.93%, 0.47%

LAB 83.24, -9.07, 82.79

 

CMYK 97 / 0 / 10 / 9

HEX #08E7D1

RGB 8 231 209

HSL 174.08, 0.93%, 0.47%

LAB 82.81, -50.64, -2.36

 

CMYK 8 / 97 / 0 / 9

HEX #D408E7

RGB 212 8 231

HSL 294.89, 0.93%, 0.47%

LAB 51.77, 87.7, -61.54

 

CMYK 0 / 87 / 97 / 9

HEX #E71E08

RGB 231 30 8

HSL 5.92, 0.93%, 0.47%

LAB 49.42, 71.09, 60.66

 

CMYK 87 / 0 / 97 / 9

HEX #1EE708

RGB 30 231 8

HSL 114.08, 0.93%, 0.47%

LAB 80.43, -78.44, 76.69

 

CMYK 97 / 10 / 0 / 9

HEX #08D1E7

RGB 8 209 231

HSL 185.92, 0.93%, 0.47%

LAB 76.93, -34.43, -22.88

 

CMYK 8 / 97 / 0 / 9

HEX #D408E7

RGB 212 8 231

HSL 294.89, 0.93%, 0.47%

LAB 51.77, 87.7, -61.54

 

CMYK 0 / 58 / 97 / 9

HEX #E76108

RGB 231 97 8

HSL 23.95, 0.93%, 0.47%

LAB 57.61, 48.68, 65.21

 

CMYK 87 / 0 / 97 / 9

HEX #1EE708

RGB 30 231 8

HSL 114.08, 0.93%, 0.47%

LAB 80.43, -78.44, 76.69

 

CMYK 97 / 39 / 0 / 9

HEX #088EE7

RGB 8 142 231

HSL 203.95, 0.93%, 0.47%

LAB 57.24, 1.21, -53.58

 

Description

Color code: RGB 212 8 231 | qconv.com Color code: RGB 212 8 231 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 8 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 8 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 97 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 97% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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