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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 53 172 it is the complementary color RGB 43 202 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 53 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 53 172 shade: RGB 217 53 167, RGB 234 71 186, RGB 251 89 205, RGB 255 107 224 and RGB 255 125 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 53 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 53 172 shade: RGB 212 53 172, RGB 195 35 153, RGB 178 17 134, RGB 161 0 115 and RGB 144 0 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 53 172 shade: RGB 212 53 172, RGB 212 53 129, RGB 212 53 86 and RGB 212 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 53 172 shade: RGB 212 53 172, RGB 209 53 212, RGB 166 53 212, RGB 123 53 212 and RGB 81 53 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 53 172 shade matches the following richer shades: RGB 212 53 172, RGB 232 33 182 and RGB 252 13 192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 53 172 shade: RGB 212 53 172, RGB 192 73 162, RGB 173 93 152, RGB 153 112 143 and RGB 133 132 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 53 172 shade: RGB 167 53 212, RGB 210 53 212, RGB 212 53 172, RGB 212 53 130 and RGB 212 53 88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 53 172 shade: RGB 151 32 121, RGB 185 39 148, RGB 212 53 172, RGB 219 87 186 and RGB 227 121 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 53 172 shade: RGB 212 53 172, RGB 212 125 53 and RGB 53 212 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 53 172 shade: RGB 212 53 172, RGB 172 212 53 and RGB 53 172 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 53 172 shade: RGB 212 53 172, RGB 212 125 53, RGB 53 212 93 and RGB 53 141 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 53 172 shade: RGB 212 53 172, RGB 212 172 53, RGB 53 212 93 and RGB 53 93 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 19 / 17

HEX #D435AC

RGB 212 53 172

HSL 315.09, 0.65%, 0.52%

LAB 51.29, 71.28, -28.29

 

Complementary color

CMYK 79 / 0 / 59 / 21

HEX #2BCA53

RGB 43 202 83

HSL 135.09, 0.65%, 0.48%

LAB 71.81, -63.89, 47.4

 

CMYK 0 / 76 / 23 / 15

HEX #D935A7

RGB 217 53 167

HSL 318.29, 0.68%, 0.53%

LAB 51.94, 71.8, -24.29

 

CMYK 0 / 70 / 21 / 8

HEX #EA47BA

RGB 234 71 186

HSL 317.67, 0.8%, 0.6%

LAB 57.6, 72.59, -26.38

 

CMYK 0 / 65 / 18 / 2

HEX #FB59CD

RGB 251 89 205

HSL 317.04, 0.95%, 0.67%

LAB 63.39, 72.86, -28.06

 

CMYK 0 / 58 / 12 / 0

HEX #FF6BE0

RGB 255 107 224

HSL 312.57, 1%, 0.71%

LAB 67.39, 69.34, -32.48

 

CMYK 0 / 51 / 5 / 0

HEX #FF7DF3

RGB 255 125 243

HSL 305.54, 1%, 0.75%

LAB 71.14, 64.33, -37.14

 

CMYK 0 / 75 / 19 / 17

HEX #D435AC

RGB 212 53 172

HSL 315.09, 0.65%, 0.52%

LAB 51.29, 71.28, -28.29

 

CMYK 0 / 82 / 22 / 24

HEX #C32399

RGB 195 35 153

HSL 315.75, 0.7%, 0.45%

LAB 45.78, 69.77, -25.81

 

CMYK 0 / 90 / 25 / 30

HEX #B21186

RGB 178 17 134

HSL 316.4, 0.83%, 0.38%

LAB 40.55, 67.2, -22.61

 

CMYK 0 / 100 / 29 / 37

HEX #A10073

RGB 161 0 115

HSL 317.14, 1%, 0.32%

LAB 35.63, 63.5, -18.65

 

CMYK 0 / 100 / 33 / 44

HEX #900060

RGB 144 0 96

HSL 320, 1%, 0.28%

LAB 31.29, 57.78, -13.44

 

CMYK 0 / 75 / 19 / 17

HEX #D435AC

RGB 212 53 172

HSL 315.09, 0.65%, 0.52%

LAB 51.29, 71.28, -28.29

 

CMYK 0 / 75 / 39 / 17

HEX #D43581

RGB 212 53 129

HSL 331.32, 0.65%, 0.52%

LAB 49.65, 66.25, -5.16

 

CMYK 0 / 75 / 59 / 17

HEX #D43556

RGB 212 53 86

HSL 347.55, 0.65%, 0.52%

LAB 48.53, 62.68, 19.43

 

CMYK 0 / 75 / 75 / 17

HEX #D43535

RGB 212 53 53

HSL 0, 0.65%, 0.52%

LAB 48.01, 60.97, 38.36

 

CMYK 0 / 75 / 19 / 17

HEX #D435AC

RGB 212 53 172

HSL 315.09, 0.65%, 0.52%

LAB 51.29, 71.28, -28.29

 

CMYK 1 / 75 / 0 / 17

HEX #D135D4

RGB 209 53 212

HSL 298.87, 0.65%, 0.52%

LAB 52.79, 76.46, -49.13

 

CMYK 22 / 75 / 0 / 17

HEX #A635D4

RGB 166 53 212

HSL 282.64, 0.65%, 0.52%

LAB 46.19, 68.11, -60.09

 

CMYK 42 / 75 / 0 / 17

HEX #7B35D4

RGB 123 53 212

HSL 266.42, 0.65%, 0.52%

LAB 40.43, 60.6, -69.71

 

CMYK 62 / 75 / 0 / 17

HEX #5135D4

RGB 81 53 212

HSL 250.57, 0.65%, 0.52%

LAB 36.08, 54.73, -77.01

 

CMYK 0 / 75 / 19 / 17

HEX #D435AC

RGB 212 53 172

HSL 315.09, 0.65%, 0.52%

LAB 51.29, 71.28, -28.29

 

CMYK 0 / 86 / 22 / 9

HEX #E821B6

RGB 232 33 182

HSL 315.08, 0.81%, 0.52%

LAB 53.62, 81.54, -30.25

 

CMYK 0 / 95 / 24 / 1

HEX #FC0DC0

RGB 252 13 192

HSL 315.06, 0.98%, 0.52%

LAB 56.87, 89.01, -30.72

 

CMYK 0 / 75 / 19 / 17

HEX #D435AC

RGB 212 53 172

HSL 315.09, 0.65%, 0.52%

LAB 51.29, 71.28, -28.29

 

CMYK 0 / 62 / 16 / 25

HEX #C049A2

RGB 192 73 162

HSL 315.13, 0.49%, 0.52%

LAB 50.19, 57.53, -24.37

 

CMYK 0 / 46 / 12 / 32

HEX #AD5D98

RGB 173 93 152

HSL 315.75, 0.33%, 0.52%

LAB 50.66, 40.59, -17.97

 

CMYK 0 / 27 / 7 / 40

HEX #99708F

RGB 153 112 143

HSL 314.63, 0.17%, 0.52%

LAB 52.22, 21.47, -10.54

 

CMYK 0 / 1 / 0 / 48

HEX #858485

RGB 133 132 133

HSL 300, 0%, 0.52%

LAB 55.26, 0.57, -0.41

 

CMYK 21 / 75 / 0 / 17

HEX #A735D4

RGB 167 53 212

HSL 283.02, 0.65%, 0.52%

LAB 46.33, 68.3, -59.85

 

CMYK 1 / 75 / 0 / 17

HEX #D235D4

RGB 210 53 212

HSL 299.25, 0.65%, 0.52%

LAB 52.95, 76.66, -48.87

 

CMYK 0 / 75 / 19 / 17

HEX #D435AC

RGB 212 53 172

HSL 315.09, 0.65%, 0.52%

LAB 51.29, 71.28, -28.29

 

CMYK 0 / 75 / 39 / 17

HEX #D43582

RGB 212 53 130

HSL 330.94, 0.65%, 0.52%

LAB 49.68, 66.35, -5.71

 

CMYK 0 / 75 / 58 / 17

HEX #D43558

RGB 212 53 88

HSL 346.79, 0.65%, 0.52%

LAB 48.57, 62.81, 18.26

 

CMYK 0 / 79 / 20 / 41

HEX #972079

RGB 151 32 121

HSL 315.13, 0.65%, 0.36%

LAB 35.97, 56.2, -22.05

 

CMYK 0 / 79 / 20 / 27

HEX #B92794

RGB 185 39 148

HSL 315.21, 0.65%, 0.44%

LAB 44.09, 65.87, -25.55

 

CMYK 0 / 75 / 19 / 17

HEX #D435AC

RGB 212 53 172

HSL 315.09, 0.65%, 0.52%

LAB 51.29, 71.28, -28.29

 

CMYK 0 / 60 / 15 / 14

HEX #DB57BA

RGB 219 87 186

HSL 315, 0.65%, 0.6%

LAB 57.48, 62.53, -26.75

 

CMYK 0 / 47 / 12 / 11

HEX #E379C8

RGB 227 121 200

HSL 315.28, 0.65%, 0.68%

LAB 65.1, 51.18, -22.91

 

CMYK 0 / 75 / 19 / 17

HEX #D435AC

RGB 212 53 172

HSL 315.09, 0.65%, 0.52%

LAB 51.29, 71.28, -28.29

 

CMYK 0 / 41 / 75 / 17

HEX #D47D35

RGB 212 125 53

HSL 27.17, 0.65%, 0.52%

LAB 60.71, 28.16, 51.77

 

CMYK 75 / 0 / 11 / 17

HEX #35D4BC

RGB 53 212 188

HSL 170.94, 0.65%, 0.52%

LAB 76.97, -45.47, 0.32

 

CMYK 0 / 75 / 19 / 17

HEX #D435AC

RGB 212 53 172

HSL 315.09, 0.65%, 0.52%

LAB 51.29, 71.28, -28.29

 

CMYK 19 / 0 / 75 / 17

HEX #ACD435

RGB 172 212 53

HSL 75.09, 0.65%, 0.52%

LAB 79.68, -34.01, 69

 

CMYK 75 / 19 / 0 / 17

HEX #35ACD4

RGB 53 172 212

HSL 195.09, 0.65%, 0.52%

LAB 65.76, -19.31, -29.62

 

CMYK 0 / 75 / 19 / 17

HEX #D435AC

RGB 212 53 172

HSL 315.09, 0.65%, 0.52%

LAB 51.29, 71.28, -28.29

 

CMYK 0 / 41 / 75 / 17

HEX #D47D35

RGB 212 125 53

HSL 27.17, 0.65%, 0.52%

LAB 60.71, 28.16, 51.77

 

CMYK 75 / 0 / 56 / 17

HEX #35D45D

RGB 53 212 93

HSL 135.09, 0.65%, 0.52%

LAB 75.22, -64.57, 46.87

 

CMYK 75 / 33 / 0 / 17

HEX #358DD4

RGB 53 141 212

HSL 206.79, 0.65%, 0.52%

LAB 56.64, -2.1, -43.86

 

CMYK 0 / 75 / 19 / 17

HEX #D435AC

RGB 212 53 172

HSL 315.09, 0.65%, 0.52%

LAB 51.29, 71.28, -28.29

 

CMYK 0 / 19 / 75 / 17

HEX #D4AC35

RGB 212 172 53

HSL 44.91, 0.65%, 0.52%

LAB 72.07, 2.88, 62.91

 

CMYK 75 / 0 / 56 / 17

HEX #35D45D

RGB 53 212 93

HSL 135.09, 0.65%, 0.52%

LAB 75.22, -64.57, 46.87

 

CMYK 75 / 56 / 0 / 17

HEX #355DD4

RGB 53 93 212

HSL 224.91, 0.65%, 0.52%

LAB 43.27, 27.7, -65.3

 

Description

Color code: RGB 212 53 172 | qconv.com Color code: RGB 212 53 172 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 53 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 53 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 19 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 19% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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