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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 53 112 it is the complementary color RGB 43 202 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 53 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 53 112 shade: RGB 217 53 107, RGB 234 71 126, RGB 251 89 145, RGB 255 107 164 and RGB 255 125 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 53 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 53 112 shade: RGB 212 53 112, RGB 195 35 93, RGB 178 17 74, RGB 161 0 55 and RGB 144 0 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 53 112 shade: RGB 212 53 112, RGB 212 53 69 and RGB 212 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 53 112 shade: RGB 212 53 112, RGB 212 53 155, RGB 212 53 198, RGB 184 53 212 and RGB 141 53 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 53 112 shade matches the following richer shades: RGB 212 53 112, RGB 232 33 107 and RGB 252 13 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 53 112 shade: RGB 212 53 112, RGB 192 73 117, RGB 173 93 122, RGB 153 112 127 and RGB 133 132 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 53 112 shade: RGB 212 53 199, RGB 212 53 156, RGB 212 53 114, RGB 212 53 72 and RGB 212 77 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 53 112 shade: RGB 151 32 76, RGB 185 39 93, RGB 212 53 112, RGB 219 87 136 and RGB 227 121 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 53 112 shade: RGB 212 53 112, RGB 212 183 53 and RGB 53 178 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 53 112 shade: RGB 212 53 112, RGB 114 212 53 and RGB 53 114 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 53 112 shade: RGB 212 53 112, RGB 212 183 53, RGB 53 212 151 and RGB 53 82 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 53 112 shade: RGB 212 53 112, RGB 194 212 53, RGB 53 212 151 and RGB 72 53 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 47 / 17

HEX #D43570

RGB 212 53 112

HSL 337.74, 0.65%, 0.52%

LAB 49.15, 64.66, 4.42

 

Complementary color

CMYK 79 / 0 / 29 / 21

HEX #2BCA8F

RGB 43 202 143

HSL 157.74, 0.65%, 0.48%

LAB 72.72, -53.42, 18.36

 

CMYK 0 / 76 / 51 / 15

HEX #D9356B

RGB 217 53 107

HSL 340.24, 0.68%, 0.53%

LAB 49.93, 65.61, 8.71

 

CMYK 0 / 70 / 46 / 8

HEX #EA477E

RGB 234 71 126

HSL 339.75, 0.8%, 0.6%

LAB 55.59, 65.97, 5.77

 

CMYK 0 / 65 / 42 / 2

HEX #FB5991

RGB 251 89 145

HSL 339.26, 0.95%, 0.67%

LAB 61.39, 65.87, 3.34

 

CMYK 0 / 58 / 36 / 0

HEX #FF6BA4

RGB 255 107 164

HSL 336.89, 1%, 0.71%

LAB 65.32, 61.53, -1.79

 

CMYK 0 / 51 / 28 / 0

HEX #FF7DB7

RGB 255 125 183

HSL 333.23, 1%, 0.75%

LAB 69, 55.56, -7.11

 

CMYK 0 / 75 / 47 / 17

HEX #D43570

RGB 212 53 112

HSL 337.74, 0.65%, 0.52%

LAB 49.15, 64.66, 4.42

 

CMYK 0 / 82 / 52 / 24

HEX #C3235D

RGB 195 35 93

HSL 338.25, 0.7%, 0.45%

LAB 43.65, 63.62, 7.87

 

CMYK 0 / 90 / 58 / 30

HEX #B2114A

RGB 178 17 74

HSL 338.76, 0.83%, 0.38%

LAB 38.48, 61.55, 12.19

 

CMYK 0 / 100 / 66 / 37

HEX #A10037

RGB 161 0 55

HSL 339.5, 1%, 0.32%

LAB 33.67, 58.39, 17.44

 

CMYK 0 / 100 / 75 / 44

HEX #900024

RGB 144 0 36

HSL 345, 1%, 0.28%

LAB 29.55, 53.21, 23.95

 

CMYK 0 / 75 / 47 / 17

HEX #D43570

RGB 212 53 112

HSL 337.74, 0.65%, 0.52%

LAB 49.15, 64.66, 4.42

 

CMYK 0 / 75 / 67 / 17

HEX #D43545

RGB 212 53 69

HSL 353.96, 0.65%, 0.52%

LAB 48.23, 61.69, 29.29

 

CMYK 0 / 75 / 75 / 17

HEX #D43535

RGB 212 53 53

HSL 0, 0.65%, 0.52%

LAB 48.01, 60.97, 38.36

 

CMYK 0 / 75 / 47 / 17

HEX #D43570

RGB 212 53 112

HSL 337.74, 0.65%, 0.52%

LAB 49.15, 64.66, 4.42

 

CMYK 0 / 75 / 27 / 17

HEX #D4359B

RGB 212 53 155

HSL 321.51, 0.65%, 0.52%

LAB 50.58, 69.13, -19.34

 

CMYK 0 / 75 / 7 / 17

HEX #D435C6

RGB 212 53 198

HSL 305.28, 0.65%, 0.52%

LAB 52.53, 74.93, -41.48

 

CMYK 13 / 75 / 0 / 17

HEX #B835D4

RGB 184 53 212

HSL 289.43, 0.65%, 0.52%

LAB 48.87, 71.53, -55.62

 

CMYK 33 / 75 / 0 / 17

HEX #8D35D4

RGB 141 53 212

HSL 273.21, 0.65%, 0.52%

LAB 42.71, 63.6, -65.89

 

CMYK 0 / 75 / 47 / 17

HEX #D43570

RGB 212 53 112

HSL 337.74, 0.65%, 0.52%

LAB 49.15, 64.66, 4.42

 

CMYK 0 / 86 / 54 / 9

HEX #E8216B

RGB 232 33 107

HSL 337.69, 0.81%, 0.52%

LAB 51.04, 74.38, 10.68

 

CMYK 0 / 95 / 60 / 1

HEX #FC0D66

RGB 252 13 102

HSL 337.66, 0.98%, 0.52%

LAB 53.97, 81.33, 18.37

 

CMYK 0 / 75 / 47 / 17

HEX #D43570

RGB 212 53 112

HSL 337.74, 0.65%, 0.52%

LAB 49.15, 64.66, 4.42

 

CMYK 0 / 62 / 39 / 25

HEX #C04975

RGB 192 73 117

HSL 337.82, 0.49%, 0.52%

LAB 48.58, 51.66, 0.14

 

CMYK 0 / 46 / 29 / 32

HEX #AD5D7A

RGB 173 93 122

HSL 338.25, 0.33%, 0.52%

LAB 49.64, 35.98, -1.66

 

CMYK 0 / 27 / 17 / 40

HEX #99707F

RGB 153 112 127

HSL 338.05, 0.17%, 0.52%

LAB 51.72, 18.62, -1.87

 

CMYK 0 / 1 / 0 / 48

HEX #858485

RGB 133 132 133

HSL 300, 0%, 0.52%

LAB 55.26, 0.57, -0.41

 

CMYK 0 / 75 / 6 / 17

HEX #D435C7

RGB 212 53 199

HSL 304.91, 0.65%, 0.52%

LAB 52.58, 75.08, -41.98

 

CMYK 0 / 75 / 26 / 17

HEX #D4359C

RGB 212 53 156

HSL 321.13, 0.65%, 0.52%

LAB 50.62, 69.25, -19.88

 

CMYK 0 / 75 / 46 / 17

HEX #D43572

RGB 212 53 114

HSL 336.98, 0.65%, 0.52%

LAB 49.2, 64.83, 3.29

 

CMYK 0 / 75 / 66 / 17

HEX #D43548

RGB 212 53 72

HSL 352.83, 0.65%, 0.52%

LAB 48.27, 61.85, 27.56

 

CMYK 0 / 64 / 75 / 17

HEX #D44D35

RGB 212 77 53

HSL 9.06, 0.65%, 0.52%

LAB 51.34, 51.87, 41.99

 

CMYK 0 / 79 / 50 / 41

HEX #97204C

RGB 151 32 76

HSL 337.82, 0.65%, 0.36%

LAB 34.26, 51.04, 4.17

 

CMYK 0 / 79 / 50 / 27

HEX #B9275D

RGB 185 39 93

HSL 337.81, 0.65%, 0.44%

LAB 42.09, 59.89, 5.38

 

CMYK 0 / 75 / 47 / 17

HEX #D43570

RGB 212 53 112

HSL 337.74, 0.65%, 0.52%

LAB 49.15, 64.66, 4.42

 

CMYK 0 / 60 / 38 / 14

HEX #DB5788

RGB 219 87 136

HSL 337.73, 0.65%, 0.6%

LAB 55.74, 56.08, -0.24

 

CMYK 0 / 47 / 30 / 11

HEX #E379A0

RGB 227 121 160

HSL 337.92, 0.65%, 0.68%

LAB 63.79, 45.38, -2.22

 

CMYK 0 / 75 / 47 / 17

HEX #D43570

RGB 212 53 112

HSL 337.74, 0.65%, 0.52%

LAB 49.15, 64.66, 4.42

 

CMYK 0 / 14 / 75 / 17

HEX #D4B735

RGB 212 183 53

HSL 49.06, 0.65%, 0.52%

LAB 74.9, -2.91, 65.6

 

CMYK 75 / 16 / 0 / 17

HEX #35B2D4

RGB 53 178 212

HSL 192.83, 0.65%, 0.52%

LAB 67.54, -22.43, -26.88

 

CMYK 0 / 75 / 47 / 17

HEX #D43570

RGB 212 53 112

HSL 337.74, 0.65%, 0.52%

LAB 49.15, 64.66, 4.42

 

CMYK 46 / 0 / 75 / 17

HEX #72D435

RGB 114 212 53

HSL 96.98, 0.65%, 0.52%

LAB 76.63, -54.64, 65.02

 

CMYK 75 / 46 / 0 / 17

HEX #3572D4

RGB 53 114 212

HSL 216.98, 0.65%, 0.52%

LAB 48.94, 14.32, -56.14

 

CMYK 0 / 75 / 47 / 17

HEX #D43570

RGB 212 53 112

HSL 337.74, 0.65%, 0.52%

LAB 49.15, 64.66, 4.42

 

CMYK 0 / 14 / 75 / 17

HEX #D4B735

RGB 212 183 53

HSL 49.06, 0.65%, 0.52%

LAB 74.9, -2.91, 65.6

 

CMYK 75 / 0 / 29 / 17

HEX #35D497

RGB 53 212 151

HSL 156.98, 0.65%, 0.52%

LAB 76.12, -54.38, 18.84

 

CMYK 75 / 61 / 0 / 17

HEX #3552D4

RGB 53 82 212

HSL 229.06, 0.65%, 0.52%

LAB 40.48, 34.72, -69.85

 

CMYK 0 / 75 / 47 / 17

HEX #D43570

RGB 212 53 112

HSL 337.74, 0.65%, 0.52%

LAB 49.15, 64.66, 4.42

 

CMYK 8 / 0 / 75 / 17

HEX #C2D435

RGB 194 212 53

HSL 66.79, 0.65%, 0.52%

LAB 81.19, -25.12, 70.96

 

CMYK 75 / 0 / 29 / 17

HEX #35D497

RGB 53 212 151

HSL 156.98, 0.65%, 0.52%

LAB 76.12, -54.38, 18.84

 

CMYK 66 / 75 / 0 / 17

HEX #4835D4

RGB 72 53 212

HSL 247.17, 0.65%, 0.52%

LAB 35.36, 53.73, -78.23

 

Description

Color code: RGB 212 53 112 | qconv.com Color code: RGB 212 53 112 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 53 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 53 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 47 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 47% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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