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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 24 142 it is the complementary color RGB 43 231 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 24 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 24 142 shade: RGB 217 24 137, RGB 234 42 156, RGB 251 60 175, RGB 255 78 194 and RGB 255 96 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 24 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 24 142 shade: RGB 212 24 142, RGB 195 6 123, RGB 178 0 104, RGB 161 0 85 and RGB 144 0 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 24 142 shade: RGB 211 23 141, RGB 211 23 91, RGB 211 23 40 and RGB 211 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 24 142 shade: RGB 211 23 141, RGB 211 23 192, RGB 180 23 211, RGB 129 23 211 and RGB 79 23 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 24 142 shade matches the following richer shades: RGB 211 23 141 and RGB 230 4 146

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 24 142 shade: RGB 211 23 141, RGB 192 42 136, RGB 173 61 132, RGB 154 80 127 and RGB 135 99 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 24 142 shade: RGB 180 23 211, RGB 211 23 192, RGB 211 23 142, RGB 211 23 92 and RGB 211 23 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 24 142 shade: RGB 137 15 92, RGB 174 19 116, RGB 211 23 141, RGB 232 44 162 and RGB 236 81 178

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 24 142 shade: RGB 212 24 142, RGB 211 130 23 and RGB 23 211 205

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 24 142 shade: RGB 212 24 142, RGB 142 211 23 and RGB 23 142 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 24 142 shade: RGB 212 24 142, RGB 211 130 23, RGB 23 211 92 and RGB 23 105 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 24 142 shade: RGB 212 24 142, RGB 211 186 23, RGB 23 211 92 and RGB 23 48 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 33 / 17

HEX #D4188E

RGB 212 24 142

HSL 322.34, 0.8%, 0.46%

LAB 47.76, 74.33, -15.87

 

Complementary color

CMYK 81 / 0 / 51 / 9

HEX #2BE771

RGB 43 231 113

HSL 142.34, 0.8%, 0.54%

LAB 81.21, -69.2, 44.71

 

CMYK 0 / 89 / 37 / 15

HEX #D91889

RGB 217 24 137

HSL 324.87, 0.8%, 0.47%

LAB 48.52, 74.91, -11.59

 

CMYK 0 / 82 / 33 / 8

HEX #EA2A9C

RGB 234 42 156

HSL 324.38, 0.82%, 0.54%

LAB 53.54, 77.29, -15.06

 

CMYK 0 / 76 / 30 / 2

HEX #FB3CAF

RGB 251 60 175

HSL 323.87, 0.96%, 0.61%

LAB 58.82, 78.78, -17.9

 

CMYK 0 / 69 / 24 / 0

HEX #FF4EC2

RGB 255 78 194

HSL 320.68, 1%, 0.65%

LAB 62.17, 76.41, -23.64

 

CMYK 0 / 62 / 16 / 0

HEX #FF60D5

RGB 255 96 213

HSL 315.85, 1%, 0.69%

LAB 65.3, 72.27, -29.57

 

CMYK 0 / 89 / 33 / 17

HEX #D4188E

RGB 212 24 142

HSL 322.34, 0.8%, 0.46%

LAB 47.76, 74.33, -15.87

 

CMYK 0 / 97 / 37 / 24

HEX #C3067B

RGB 195 6 123

HSL 322.86, 0.94%, 0.39%

LAB 43.01, 70.84, -11.77

 

CMYK 0 / 100 / 42 / 30

HEX #B20068

RGB 178 0 104

HSL 324.94, 1%, 0.35%

LAB 38.66, 65.97, -6.74

 

CMYK 0 / 100 / 47 / 37

HEX #A10055

RGB 161 0 85

HSL 328.32, 1%, 0.32%

LAB 34.46, 60.49, -1.14

 

CMYK 0 / 100 / 54 / 44

HEX #900042

RGB 144 0 66

HSL 332.5, 1%, 0.28%

LAB 30.21, 54.98, 4.79

 

CMYK 0 / 89 / 33 / 17

HEX #D3178D

RGB 211 23 141

HSL 322.34, 0.8%, 0.46%

LAB 47.48, 74.16, -15.71

 

CMYK 0 / 89 / 57 / 17

HEX #D3175B

RGB 211 23 91

HSL 338.3, 0.8%, 0.46%

LAB 45.93, 69.89, 12.78

 

CMYK 0 / 89 / 81 / 17

HEX #D31728

RGB 211 23 40

HSL 354.57, 0.8%, 0.46%

LAB 45.1, 67.54, 42.52

 

CMYK 0 / 89 / 89 / 17

HEX #D31717

RGB 211 23 23

HSL 0, 0.8%, 0.46%

LAB 44.97, 67.18, 50.87

 

CMYK 0 / 89 / 33 / 17

HEX #D3178D

RGB 211 23 141

HSL 322.34, 0.8%, 0.46%

LAB 47.48, 74.16, -15.71

 

CMYK 0 / 89 / 9 / 17

HEX #D317C0

RGB 211 23 192

HSL 306.06, 0.8%, 0.46%

LAB 49.82, 80.34, -42.31

 

CMYK 15 / 89 / 0 / 17

HEX #B417D3

RGB 180 23 211

HSL 290.11, 0.8%, 0.46%

LAB 45.66, 77.98, -60.26

 

CMYK 39 / 89 / 0 / 17

HEX #8117D3

RGB 129 23 211

HSL 273.83, 0.8%, 0.46%

LAB 37.81, 70.89, -73.38

 

CMYK 63 / 89 / 0 / 17

HEX #4F17D3

RGB 79 23 211

HSL 257.87, 0.8%, 0.46%

LAB 31.76, 66.07, -83.58

 

CMYK 0 / 89 / 33 / 17

HEX #D3178D

RGB 211 23 141

HSL 322.34, 0.8%, 0.46%

LAB 47.48, 74.16, -15.71

 

CMYK 0 / 98 / 37 / 10

HEX #E60492

RGB 230 4 146

HSL 322.3, 0.97%, 0.46%

LAB 50.67, 80.54, -13.53

 

CMYK 0 / 89 / 33 / 17

HEX #D3178D

RGB 211 23 141

HSL 322.34, 0.8%, 0.46%

LAB 47.48, 74.16, -15.71

 

CMYK 0 / 78 / 29 / 25

HEX #C02A88

RGB 192 42 136

HSL 322.4, 0.64%, 0.46%

LAB 45.14, 65.2, -16.56

 

CMYK 0 / 65 / 24 / 32

HEX #AD3D84

RGB 173 61 132

HSL 321.96, 0.48%, 0.46%

LAB 44.07, 52.95, -16.05

 

CMYK 0 / 48 / 18 / 40

HEX #9A507F

RGB 154 80 127

HSL 321.89, 0.32%, 0.46%

LAB 44.43, 37.04, -12.72

 

CMYK 0 / 27 / 10 / 47

HEX #87637A

RGB 135 99 122

HSL 321.67, 0.15%, 0.46%

LAB 46.28, 18.49, -7.16

 

CMYK 15 / 89 / 0 / 17

HEX #B417D3

RGB 180 23 211

HSL 290.11, 0.8%, 0.46%

LAB 45.66, 77.98, -60.26

 

CMYK 0 / 89 / 9 / 17

HEX #D317C0

RGB 211 23 192

HSL 306.06, 0.8%, 0.46%

LAB 49.82, 80.34, -42.31

 

CMYK 0 / 89 / 33 / 17

HEX #D3178E

RGB 211 23 142

HSL 322.02, 0.8%, 0.46%

LAB 47.51, 74.26, -16.25

 

CMYK 0 / 89 / 56 / 17

HEX #D3175C

RGB 211 23 92

HSL 337.98, 0.8%, 0.46%

LAB 45.95, 69.96, 12.19

 

CMYK 0 / 89 / 80 / 17

HEX #D3172A

RGB 211 23 42

HSL 353.94, 0.8%, 0.46%

LAB 45.12, 67.6, 41.43

 

CMYK 0 / 89 / 33 / 46

HEX #890F5C

RGB 137 15 92

HSL 322.13, 0.8%, 0.3%

LAB 30.48, 53.38, -12.19

 

CMYK 0 / 89 / 33 / 32

HEX #AE1374

RGB 174 19 116

HSL 322.45, 0.8%, 0.38%

LAB 39.11, 63.95, -13.7

 

CMYK 0 / 89 / 33 / 17

HEX #D3178D

RGB 211 23 141

HSL 322.34, 0.8%, 0.46%

LAB 47.48, 74.16, -15.71

 

CMYK 0 / 81 / 30 / 9

HEX #E82CA2

RGB 232 44 162

HSL 322.34, 0.8%, 0.54%

LAB 53.56, 77.03, -18.62

 

CMYK 0 / 66 / 25 / 7

HEX #EC51B2

RGB 236 81 178

HSL 322.45, 0.8%, 0.62%

LAB 58.91, 68.44, -19.72

 

CMYK 0 / 89 / 33 / 17

HEX #D4188E

RGB 212 24 142

HSL 322.34, 0.8%, 0.46%

LAB 47.76, 74.33, -15.87

 

CMYK 0 / 38 / 89 / 17

HEX #D38217

RGB 211 130 23

HSL 34.15, 0.8%, 0.46%

LAB 61.55, 24.13, 63.38

 

CMYK 89 / 0 / 3 / 17

HEX #17D3CD

RGB 23 211 205

HSL 178.09, 0.8%, 0.46%

LAB 76.79, -42.7, -9.12

 

CMYK 0 / 89 / 33 / 17

HEX #D4188E

RGB 212 24 142

HSL 322.34, 0.8%, 0.46%

LAB 47.76, 74.33, -15.87

 

CMYK 33 / 0 / 89 / 17

HEX #8ED317

RGB 142 211 23

HSL 82.02, 0.8%, 0.46%

LAB 77.52, -46.08, 73.79

 

CMYK 89 / 33 / 0 / 17

HEX #178ED3

RGB 23 142 211

HSL 202.02, 0.8%, 0.46%

LAB 56.32, -5.73, -43.85

 

CMYK 0 / 89 / 33 / 17

HEX #D4188E

RGB 212 24 142

HSL 322.34, 0.8%, 0.46%

LAB 47.76, 74.33, -15.87

 

CMYK 0 / 38 / 89 / 17

HEX #D38217

RGB 211 130 23

HSL 34.15, 0.8%, 0.46%

LAB 61.55, 24.13, 63.38

 

CMYK 89 / 0 / 56 / 17

HEX #17D35C

RGB 23 211 92

HSL 142.02, 0.8%, 0.46%

LAB 74.54, -67.43, 46.42

 

CMYK 89 / 50 / 0 / 17

HEX #1769D3

RGB 23 105 211

HSL 213.83, 0.8%, 0.46%

LAB 45.62, 17.01, -60.96

 

CMYK 0 / 89 / 33 / 17

HEX #D4188E

RGB 212 24 142

HSL 322.34, 0.8%, 0.46%

LAB 47.76, 74.33, -15.87

 

CMYK 0 / 12 / 89 / 17

HEX #D3BA17

RGB 211 186 23

HSL 52.02, 0.8%, 0.46%

LAB 75.47, -5.79, 74.2

 

CMYK 89 / 0 / 56 / 17

HEX #17D35C

RGB 23 211 92

HSL 142.02, 0.8%, 0.46%

LAB 74.54, -67.43, 46.42

 

CMYK 89 / 77 / 0 / 17

HEX #1730D3

RGB 23 48 211

HSL 232.02, 0.8%, 0.46%

LAB 31.81, 52.66, -83.6

 

Description

Color code: RGB 212 24 142 | qconv.com Color code: RGB 212 24 142 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 24 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 24 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 33 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 33% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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