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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 201 135 it is the complementary color RGB 43 54 120. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 201 135. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 201 135 shade: RGB 217 201 130, RGB 234 219 149, RGB 251 237 168, RGB 255 255 187 and RGB 255 255 206

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 201 135. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 201 135 shade: RGB 212 201 135, RGB 195 183 116, RGB 178 165 97, RGB 161 147 78 and RGB 144 129 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 201 135 shade: RGB 212 201 135, RGB 212 180 135, RGB 212 159 135, RGB 212 139 135 and RGB 212 135 135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 201 135 shade: RGB 212 201 135, RGB 202 212 135, RGB 181 212 135, RGB 161 212 135 and RGB 140 212 135

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 201 135 shade matches the following richer shades: RGB 212 201 135, RGB 225 210 122, RGB 238 220 109 and RGB 251 229 95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 201 135 shade: RGB 212 201 135, RGB 199 191 148, RGB 185 182 161, RGB 172 173 175 and RGB 159 163 188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 201 135 shade: RGB 212 159 135, RGB 212 180 135, RGB 212 200 135, RGB 203 212 135 and RGB 182 212 135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 201 135 shade: RGB 190 173 74, RGB 201 187 105, RGB 212 201 135, RGB 223 214 165 and RGB 234 228 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 201 135 shade: RGB 212 201 135, RGB 135 212 139 and RGB 170 135 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 201 135 shade: RGB 212 201 135, RGB 135 212 200 and RGB 200 135 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 201 135 shade: RGB 212 201 135, RGB 135 212 139, RGB 135 147 212 and RGB 212 135 208

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 201 135 shade: RGB 212 201 135, RGB 135 212 162, RGB 135 147 212 and RGB 212 135 185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 36 / 17

HEX #D4C987

RGB 212 201 135

HSL 51.43, 0.47%, 0.68%

LAB 80.47, -5.81, 34.39

 

Complementary color

CMYK 64 / 55 / 0 / 53

HEX #2B3678

RGB 43 54 120

HSL 231.43, 0.47%, 0.32%

LAB 25.28, 17.83, -39.27

 

CMYK 0 / 7 / 40 / 15

HEX #D9C982

RGB 217 201 130

HSL 48.97, 0.53%, 0.68%

LAB 80.81, -4.39, 37.48

 

CMYK 0 / 6 / 36 / 8

HEX #EADB95

RGB 234 219 149

HSL 49.41, 0.67%, 0.75%

LAB 87.16, -4.83, 36.31

 

CMYK 0 / 6 / 33 / 2

HEX #FBEDA8

RGB 251 237 168

HSL 49.88, 0.91%, 0.82%

LAB 93.41, -5.21, 35.19

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBB

RGB 255 255 187

HSL 60, 1%, 0.87%

LAB 98.58, -10.32, 32.6

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 0 / 5 / 36 / 17

HEX #D4C987

RGB 212 201 135

HSL 51.43, 0.47%, 0.68%

LAB 80.47, -5.81, 34.39

 

CMYK 0 / 6 / 41 / 24

HEX #C3B774

RGB 195 183 116

HSL 50.89, 0.4%, 0.61%

LAB 74.02, -5.39, 35.58

 

CMYK 0 / 7 / 46 / 30

HEX #B2A561

RGB 178 165 97

HSL 50.37, 0.34%, 0.54%

LAB 67.46, -4.88, 36.82

 

CMYK 0 / 9 / 52 / 37

HEX #A1934E

RGB 161 147 78

HSL 49.88, 0.35%, 0.47%

LAB 60.78, -4.26, 38.09

 

CMYK 0 / 10 / 59 / 44

HEX #90813B

RGB 144 129 59

HSL 49.41, 0.42%, 0.4%

LAB 53.97, -3.5, 39.34

 

CMYK 0 / 5 / 36 / 17

HEX #D4C987

RGB 212 201 135

HSL 51.43, 0.47%, 0.68%

LAB 80.47, -5.81, 34.39

 

CMYK 0 / 15 / 36 / 17

HEX #D4B487

RGB 212 180 135

HSL 35.06, 0.47%, 0.68%

LAB 75.07, 5.2, 27.25

 

CMYK 0 / 25 / 36 / 17

HEX #D49F87

RGB 212 159 135

HSL 18.7, 0.47%, 0.68%

LAB 69.85, 16.5, 20.19

 

CMYK 0 / 34 / 36 / 17

HEX #D48B87

RGB 212 139 135

HSL 3.12, 0.47%, 0.68%

LAB 65.13, 27.34, 13.65

 

CMYK 0 / 36 / 36 / 17

HEX #D48787

RGB 212 135 135

HSL 0, 0.47%, 0.68%

LAB 64.22, 29.5, 12.37

 

CMYK 0 / 5 / 36 / 17

HEX #D4C987

RGB 212 201 135

HSL 51.43, 0.47%, 0.68%

LAB 80.47, -5.81, 34.39

 

CMYK 5 / 0 / 36 / 17

HEX #CAD487

RGB 202 212 135

HSL 67.79, 0.47%, 0.68%

LAB 82.59, -15.3, 36.99

 

CMYK 15 / 0 / 36 / 17

HEX #B5D487

RGB 181 212 135

HSL 84.16, 0.47%, 0.68%

LAB 81.1, -23.24, 34.77

 

CMYK 24 / 0 / 36 / 17

HEX #A1D487

RGB 161 212 135

HSL 99.74, 0.47%, 0.68%

LAB 79.85, -30.45, 32.89

 

CMYK 34 / 0 / 36 / 17

HEX #8CD487

RGB 140 212 135

HSL 116.1, 0.47%, 0.68%

LAB 78.7, -37.5, 31.17

 

CMYK 0 / 5 / 36 / 17

HEX #D4C987

RGB 212 201 135

HSL 51.43, 0.47%, 0.68%

LAB 80.47, -5.81, 34.39

 

CMYK 0 / 7 / 46 / 12

HEX #E1D27A

RGB 225 210 122

HSL 51.26, 0.63%, 0.68%

LAB 83.71, -6.63, 45.28

 

CMYK 0 / 8 / 54 / 7

HEX #EEDC6D

RGB 238 220 109

HSL 51.63, 0.79%, 0.68%

LAB 87.23, -7.58, 55.97

 

CMYK 0 / 9 / 62 / 2

HEX #FBE55F

RGB 251 229 95

HSL 51.54, 0.95%, 0.68%

LAB 90.49, -7.77, 66.11

 

CMYK 0 / 5 / 36 / 17

HEX #D4C987

RGB 212 201 135

HSL 51.43, 0.47%, 0.68%

LAB 80.47, -5.81, 34.39

 

CMYK 0 / 4 / 26 / 22

HEX #C7BF94

RGB 199 191 148

HSL 50.59, 0.31%, 0.68%

LAB 77.01, -4.02, 22.75

 

CMYK 0 / 2 / 13 / 27

HEX #B9B6A1

RGB 185 182 161

HSL 52.5, 0.15%, 0.68%

LAB 73.77, -2.59, 11.07

 

CMYK 2 / 1 / 0 / 31

HEX #ACADAF

RGB 172 173 175

HSL 220, 0.02%, 0.68%

LAB 70.7, 0.03, -1.16

 

CMYK 15 / 13 / 0 / 26

HEX #9FA3BC

RGB 159 163 188

HSL 231.72, 0.18%, 0.68%

LAB 67.42, 3.75, -13.33

 

CMYK 0 / 25 / 36 / 17

HEX #D49F87

RGB 212 159 135

HSL 18.7, 0.47%, 0.68%

LAB 69.85, 16.5, 20.19

 

CMYK 0 / 15 / 36 / 17

HEX #D4B487

RGB 212 180 135

HSL 35.06, 0.47%, 0.68%

LAB 75.07, 5.2, 27.25

 

CMYK 0 / 6 / 36 / 17

HEX #D4C887

RGB 212 200 135

HSL 50.65, 0.47%, 0.68%

LAB 80.21, -5.29, 34.05

 

CMYK 4 / 0 / 36 / 17

HEX #CBD487

RGB 203 212 135

HSL 67.01, 0.47%, 0.68%

LAB 82.66, -14.91, 37.1

 

CMYK 14 / 0 / 36 / 17

HEX #B6D487

RGB 182 212 135

HSL 83.38, 0.47%, 0.68%

LAB 81.17, -22.87, 34.87

 

CMYK 0 / 9 / 61 / 25

HEX #BEAD4A

RGB 190 173 74

HSL 51.21, 0.47%, 0.52%

LAB 70.41, -6, 51.81

 

CMYK 0 / 7 / 48 / 21

HEX #C9BB69

RGB 201 187 105

HSL 51.25, 0.47%, 0.6%

LAB 75.44, -6.15, 43.06

 

CMYK 0 / 5 / 36 / 17

HEX #D4C987

RGB 212 201 135

HSL 51.43, 0.47%, 0.68%

LAB 80.47, -5.81, 34.39

 

CMYK 0 / 4 / 26 / 13

HEX #DFD6A5

RGB 223 214 165

HSL 50.69, 0.48%, 0.76%

LAB 85.25, -4.5, 25.37

 

CMYK 0 / 3 / 16 / 8

HEX #EAE4C4

RGB 234 228 196

HSL 50.53, 0.48%, 0.84%

LAB 90.31, -3.18, 16.36

 

CMYK 0 / 5 / 36 / 17

HEX #D4C987

RGB 212 201 135

HSL 51.43, 0.47%, 0.68%

LAB 80.47, -5.81, 34.39

 

CMYK 36 / 0 / 34 / 17

HEX #87D48B

RGB 135 212 139

HSL 123.12, 0.47%, 0.68%

LAB 78.52, -38.45, 28.82

 

CMYK 20 / 36 / 0 / 17

HEX #AA87D4

RGB 170 135 212

HSL 267.27, 0.47%, 0.68%

LAB 62.19, 28.46, -34.65

 

CMYK 0 / 5 / 36 / 17

HEX #D4C987

RGB 212 201 135

HSL 51.43, 0.47%, 0.68%

LAB 80.47, -5.81, 34.39

 

CMYK 36 / 0 / 6 / 17

HEX #87D4C8

RGB 135 212 200

HSL 170.65, 0.47%, 0.68%

LAB 79.85, -26.45, -1.6

 

CMYK 6 / 36 / 0 / 17

HEX #C887D4

RGB 200 135 212

HSL 290.65, 0.47%, 0.68%

LAB 65.25, 37.66, -29.67

 

CMYK 0 / 5 / 36 / 17

HEX #D4C987

RGB 212 201 135

HSL 51.43, 0.47%, 0.68%

LAB 80.47, -5.81, 34.39

 

CMYK 36 / 0 / 34 / 17

HEX #87D48B

RGB 135 212 139

HSL 123.12, 0.47%, 0.68%

LAB 78.52, -38.45, 28.82

 

CMYK 36 / 31 / 0 / 17

HEX #8793D4

RGB 135 147 212

HSL 230.65, 0.47%, 0.68%

LAB 62.31, 11.39, -34.68

 

CMYK 0 / 36 / 2 / 17

HEX #D487D0

RGB 212 135 208

HSL 303.12, 0.47%, 0.68%

LAB 66.43, 40.66, -25.52

 

CMYK 0 / 5 / 36 / 17

HEX #D4C987

RGB 212 201 135

HSL 51.43, 0.47%, 0.68%

LAB 80.47, -5.81, 34.39

 

CMYK 36 / 0 / 24 / 17

HEX #87D4A2

RGB 135 212 162

HSL 141.04, 0.47%, 0.68%

LAB 78.95, -34.41, 17.37

 

CMYK 36 / 31 / 0 / 17

HEX #8793D4

RGB 135 147 212

HSL 230.65, 0.47%, 0.68%

LAB 62.31, 11.39, -34.68

 

CMYK 0 / 36 / 13 / 17

HEX #D487B9

RGB 212 135 185

HSL 321.04, 0.47%, 0.68%

LAB 65.61, 36.67, -13.87

 

Description

Color code: RGB 212 201 135 | qconv.com Color code: RGB 212 201 135 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 201 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 201 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 36 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 36% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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