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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 182 151 it is the complementary color RGB 43 73 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 182 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 182 151 shade: RGB 217 182 146, RGB 234 200 165, RGB 251 218 184, RGB 255 236 203 and RGB 255 254 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 182 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 182 151 shade: RGB 212 182 151, RGB 195 164 132, RGB 178 146 113, RGB 161 128 94 and RGB 144 110 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 182 151 shade: RGB 211 181 150, RGB 211 165 150 and RGB 211 150 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 182 151 shade: RGB 211 181 150, RGB 211 197 150, RGB 208 211 150, RGB 192 211 150 and RGB 175 211 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 182 151 shade matches the following richer shades: RGB 211 181 150, RGB 223 181 138, RGB 235 181 126 and RGB 247 182 114

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 182 151 shade: RGB 211 181 150, RGB 199 181 162, RGB 187 181 174, RGB 175 180 186 and RGB 163 180 198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 182 151 shade: RGB 211 150 152, RGB 211 164 150, RGB 211 181 150, RGB 211 197 150 and RGB 209 211 150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 182 151 shade: RGB 187 140 92, RGB 199 161 121, RGB 211 181 150, RGB 223 202 179 and RGB 235 222 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 182 151 shade: RGB 212 182 151, RGB 168 211 150 and RGB 156 150 211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 182 151 shade: RGB 212 182 151, RGB 150 211 181 and RGB 181 150 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 182 151 shade: RGB 212 182 151, RGB 168 211 150, RGB 150 181 211 and RGB 193 150 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 182 151 shade: RGB 212 182 151, RGB 150 211 150, RGB 150 181 211 and RGB 211 150 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 29 / 17

HEX #D4B697

RGB 212 182 151

HSL 30.49, 0.41%, 0.71%

LAB 75.88, 6.16, 19.78

 

Complementary color

CMYK 59 / 30 / 0 / 59

HEX #2B4968

RGB 43 73 104

HSL 210.49, 0.41%, 0.29%

LAB 30.1, -1, -21.45

 

CMYK 0 / 16 / 33 / 15

HEX #D9B692

RGB 217 182 146

HSL 30.42, 0.48%, 0.71%

LAB 76.24, 7.46, 23.04

 

CMYK 0 / 15 / 29 / 8

HEX #EAC8A5

RGB 234 200 165

HSL 30.43, 0.62%, 0.78%

LAB 82.66, 6.93, 21.97

 

CMYK 0 / 13 / 27 / 2

HEX #FBDAB8

RGB 251 218 184

HSL 30.45, 0.89%, 0.85%

LAB 88.98, 6.47, 20.96

 

CMYK 0 / 7 / 20 / 0

HEX #FFECCB

RGB 255 236 203

HSL 38.08, 1%, 0.9%

LAB 94.13, 1.34, 18.34

 

CMYK 0 / 0 / 13 / 0

HEX #FFFEDE

RGB 255 254 222

HSL 58.18, 1%, 0.94%

LAB 98.99, -4.91, 15.44

 

CMYK 0 / 14 / 29 / 17

HEX #D4B697

RGB 212 182 151

HSL 30.49, 0.41%, 0.71%

LAB 75.88, 6.16, 19.78

 

CMYK 0 / 16 / 32 / 24

HEX #C3A484

RGB 195 164 132

HSL 30.48, 0.34%, 0.64%

LAB 69.34, 6.68, 20.85

 

CMYK 0 / 18 / 37 / 30

HEX #B29271

RGB 178 146 113

HSL 30.46, 0.3%, 0.57%

LAB 62.69, 7.28, 22.02

 

CMYK 0 / 20 / 42 / 37

HEX #A1805E

RGB 161 128 94

HSL 30.45, 0.26%, 0.5%

LAB 55.91, 7.98, 23.28

 

CMYK 0 / 24 / 48 / 44

HEX #906E4B

RGB 144 110 75

HSL 30.43, 0.32%, 0.43%

LAB 48.99, 8.82, 24.67

 

CMYK 0 / 14 / 29 / 17

HEX #D3B596

RGB 211 181 150

HSL 30.49, 0.41%, 0.71%

LAB 75.51, 6.17, 19.8

 

CMYK 0 / 22 / 29 / 17

HEX #D3A596

RGB 211 165 150

HSL 14.75, 0.41%, 0.71%

LAB 71.53, 14.78, 14.26

 

CMYK 0 / 29 / 29 / 17

HEX #D39696

RGB 211 150 150

HSL 0, 0.41%, 0.71%

LAB 67.92, 22.93, 9.16

 

CMYK 0 / 14 / 29 / 17

HEX #D3B596

RGB 211 181 150

HSL 30.49, 0.41%, 0.71%

LAB 75.51, 6.17, 19.8

 

CMYK 0 / 7 / 29 / 17

HEX #D3C596

RGB 211 197 150

HSL 46.23, 0.41%, 0.71%

LAB 79.6, -2.27, 25.39

 

CMYK 1 / 0 / 29 / 17

HEX #D0D396

RGB 208 211 150

HSL 62.95, 0.41%, 0.71%

LAB 83.02, -10.63, 29.95

 

CMYK 9 / 0 / 29 / 17

HEX #C0D396

RGB 192 211 150

HSL 78.69, 0.41%, 0.71%

LAB 81.84, -16.64, 28.16

 

CMYK 17 / 0 / 29 / 17

HEX #AFD396

RGB 175 211 150

HSL 95.41, 0.41%, 0.71%

LAB 80.69, -22.83, 26.41

 

CMYK 0 / 14 / 29 / 17

HEX #D3B596

RGB 211 181 150

HSL 30.49, 0.41%, 0.71%

LAB 75.51, 6.17, 19.8

 

CMYK 0 / 19 / 38 / 13

HEX #DFB58A

RGB 223 181 138

HSL 30.35, 0.57%, 0.71%

LAB 76.42, 9.38, 27.64

 

CMYK 0 / 23 / 46 / 8

HEX #EBB57E

RGB 235 181 126

HSL 30.28, 0.73%, 0.71%

LAB 77.41, 12.89, 35.49

 

CMYK 0 / 26 / 54 / 3

HEX #F7B672

RGB 247 182 114

HSL 30.68, 0.89%, 0.71%

LAB 78.72, 16.12, 43.57

 

CMYK 0 / 14 / 29 / 17

HEX #D3B596

RGB 211 181 150

HSL 30.49, 0.41%, 0.71%

LAB 75.51, 6.17, 19.8

 

CMYK 0 / 9 / 19 / 22

HEX #C7B5A2

RGB 199 181 162

HSL 30.81, 0.25%, 0.71%

LAB 74.7, 3.32, 12.01

 

CMYK 0 / 3 / 7 / 27

HEX #BBB5AE

RGB 187 181 174

HSL 32.31, 0.09%, 0.71%

LAB 73.98, 0.87, 4.31

 

CMYK 6 / 3 / 0 / 27

HEX #AFB4BA

RGB 175 180 186

HSL 212.73, 0.07%, 0.71%

LAB 73.09, -0.58, -3.66

 

CMYK 18 / 9 / 0 / 22

HEX #A3B4C6

RGB 163 180 198

HSL 210.86, 0.23%, 0.71%

LAB 72.57, -2.07, -11.11

 

CMYK 0 / 29 / 28 / 17

HEX #D39698

RGB 211 150 152

HSL 358.03, 0.41%, 0.71%

LAB 67.97, 23.2, 8.11

 

CMYK 0 / 22 / 29 / 17

HEX #D3A496

RGB 211 164 150

HSL 13.77, 0.41%, 0.71%

LAB 71.28, 15.33, 13.92

 

CMYK 0 / 14 / 29 / 17

HEX #D3B596

RGB 211 181 150

HSL 30.49, 0.41%, 0.71%

LAB 75.51, 6.17, 19.8

 

CMYK 0 / 7 / 29 / 17

HEX #D3C596

RGB 211 197 150

HSL 46.23, 0.41%, 0.71%

LAB 79.6, -2.27, 25.39

 

CMYK 1 / 0 / 29 / 17

HEX #D1D396

RGB 209 211 150

HSL 61.97, 0.41%, 0.71%

LAB 83.1, -10.25, 30.06

 

CMYK 0 / 25 / 51 / 27

HEX #BB8C5C

RGB 187 140 92

HSL 30.32, 0.41%, 0.55%

LAB 61.73, 12.06, 32.47

 

CMYK 0 / 19 / 39 / 22

HEX #C7A179

RGB 199 161 121

HSL 30.77, 0.41%, 0.63%

LAB 68.76, 8.56, 26.13

 

CMYK 0 / 14 / 29 / 17

HEX #D3B596

RGB 211 181 150

HSL 30.49, 0.41%, 0.71%

LAB 75.51, 6.17, 19.8

 

CMYK 0 / 9 / 20 / 13

HEX #DFCAB3

RGB 223 202 179

HSL 31.36, 0.41%, 0.79%

LAB 82.48, 3.7, 14.15

 

CMYK 0 / 6 / 11 / 8

HEX #EBDED0

RGB 235 222 208

HSL 31.11, 0.4%, 0.87%

LAB 89.14, 2.12, 8.44

 

CMYK 0 / 14 / 29 / 17

HEX #D4B697

RGB 212 182 151

HSL 30.49, 0.41%, 0.71%

LAB 75.88, 6.16, 19.78

 

CMYK 20 / 0 / 29 / 17

HEX #A8D396

RGB 168 211 150

HSL 102.3, 0.41%, 0.71%

LAB 80.24, -25.3, 25.74

 

CMYK 26 / 29 / 0 / 17

HEX #9C96D3

RGB 156 150 211

HSL 245.9, 0.41%, 0.71%

LAB 64.63, 15.47, -30.41

 

CMYK 0 / 14 / 29 / 17

HEX #D4B697

RGB 212 182 151

HSL 30.49, 0.41%, 0.71%

LAB 75.88, 6.16, 19.78

 

CMYK 29 / 0 / 14 / 17

HEX #96D3B5

RGB 150 211 181

HSL 150.49, 0.41%, 0.71%

LAB 79.85, -25.72, 8.65

 

CMYK 14 / 29 / 0 / 17

HEX #B596D3

RGB 181 150 211

HSL 270.49, 0.41%, 0.71%

LAB 66.78, 23.19, -26.92

 

CMYK 0 / 14 / 29 / 17

HEX #D4B697

RGB 212 182 151

HSL 30.49, 0.41%, 0.71%

LAB 75.88, 6.16, 19.78

 

CMYK 20 / 0 / 29 / 17

HEX #A8D396

RGB 168 211 150

HSL 102.3, 0.41%, 0.71%

LAB 80.24, -25.3, 25.74

 

CMYK 29 / 14 / 0 / 17

HEX #96B5D3

RGB 150 181 211

HSL 209.51, 0.41%, 0.71%

LAB 72.39, -3.61, -18.58

 

CMYK 9 / 29 / 0 / 17

HEX #C196D3

RGB 193 150 211

HSL 282.3, 0.41%, 0.71%

LAB 67.91, 27.01, -25.08

 

CMYK 0 / 14 / 29 / 17

HEX #D4B697

RGB 212 182 151

HSL 30.49, 0.41%, 0.71%

LAB 75.88, 6.16, 19.78

 

CMYK 29 / 0 / 29 / 17

HEX #96D396

RGB 150 211 150

HSL 120, 0.41%, 0.71%

LAB 79.2, -31.4, 24.14

 

CMYK 29 / 14 / 0 / 17

HEX #96B5D3

RGB 150 181 211

HSL 209.51, 0.41%, 0.71%

LAB 72.39, -3.61, -18.58

 

CMYK 0 / 29 / 0 / 17

HEX #D396D3

RGB 211 150 211

HSL 300, 0.41%, 0.71%

LAB 69.73, 32.83, -22.14

 

Description

Color code: RGB 212 182 151 | qconv.com Color code: RGB 212 182 151 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 182 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 182 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 29 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 29% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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