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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 174 181 it is the complementary color RGB 43 81 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 174 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 174 181 shade: RGB 217 174 176, RGB 234 192 195, RGB 251 210 214, RGB 255 228 233 and RGB 255 246 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 174 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 174 181 shade: RGB 212 174 181, RGB 195 156 162, RGB 178 138 143, RGB 161 120 124 and RGB 144 102 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 174 181 shade: RGB 212 174 181 and RGB 212 174 174

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 174 181 shade: RGB 212 174 181, RGB 212 174 192, RGB 212 174 202, RGB 212 174 212 and RGB 202 174 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 174 181 shade matches the following richer shades: RGB 212 174 181, RGB 222 164 175, RGB 232 155 169, RGB 242 145 163 and RGB 252 135 156

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 174 181 shade: RGB 212 174 181, RGB 202 184 188, RGB 192 194 194, RGB 183 204 200 and RGB 173 214 206

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 174 181 shade: RGB 212 174 202, RGB 212 174 192, RGB 212 174 182, RGB 212 177 174 and RGB 212 187 174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 174 181 shade: RGB 184 120 132, RGB 198 147 157, RGB 212 174 181, RGB 227 201 206 and RGB 241 228 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 174 181 shade: RGB 212 174 181, RGB 212 212 174 and RGB 174 197 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 174 181 shade: RGB 212 174 181, RGB 182 212 174 and RGB 174 182 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 174 181 shade: RGB 212 174 181, RGB 212 212 174, RGB 174 212 205 and RGB 174 174 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 174 181 shade: RGB 212 174 181, RGB 201 212 174, RGB 174 212 205 and RGB 186 174 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 15 / 17

HEX #D4AEB5

RGB 212 174 181

HSL 348.95, 0.31%, 0.76%

LAB 74.58, 14.9, 1.62

 

Complementary color

CMYK 47 / 0 / 9 / 68

HEX #2B514A

RGB 43 81 74

HSL 168.95, 0.31%, 0.24%

LAB 31.56, -15.5, -0.11

 

CMYK 0 / 20 / 19 / 15

HEX #D9AEB0

RGB 217 174 176

HSL 357.21, 0.36%, 0.77%

LAB 74.92, 15.94, 4.92

 

CMYK 0 / 18 / 17 / 8

HEX #EAC0C3

RGB 234 192 195

HSL 355.71, 0.5%, 0.84%

LAB 81.36, 15.43, 4.14

 

CMYK 0 / 16 / 15 / 2

HEX #FBD2D6

RGB 251 210 214

HSL 354.15, 0.84%, 0.9%

LAB 87.71, 14.96, 3.39

 

CMYK 0 / 11 / 9 / 0

HEX #FFE4E9

RGB 255 228 233

HSL 348.89, 1%, 0.95%

LAB 92.85, 10.05, 0.94

 

CMYK 0 / 4 / 1 / 0

HEX #FFF6FC

RGB 255 246 252

HSL 320, 1%, 0.98%

LAB 97.71, 4.04, -1.81

 

CMYK 0 / 18 / 15 / 17

HEX #D4AEB5

RGB 212 174 181

HSL 348.95, 0.31%, 0.76%

LAB 74.58, 14.9, 1.62

 

CMYK 0 / 20 / 17 / 24

HEX #C39CA2

RGB 195 156 162

HSL 350.77, 0.25%, 0.69%

LAB 68.01, 15.41, 2.38

 

CMYK 0 / 22 / 20 / 30

HEX #B28A8F

RGB 178 138 143

HSL 352.5, 0.21%, 0.62%

LAB 61.33, 15.99, 3.19

 

CMYK 0 / 25 / 23 / 37

HEX #A1787C

RGB 161 120 124

HSL 354.15, 0.18%, 0.55%

LAB 54.52, 16.63, 4.07

 

CMYK 0 / 29 / 27 / 44

HEX #906669

RGB 144 102 105

HSL 355.71, 0.17%, 0.48%

LAB 47.56, 17.36, 5.05

 

CMYK 0 / 18 / 15 / 17

HEX #D4AEB5

RGB 212 174 181

HSL 348.95, 0.31%, 0.76%

LAB 74.58, 14.9, 1.62

 

CMYK 0 / 18 / 18 / 17

HEX #D4AEAE

RGB 212 174 174

HSL 0, 0.31%, 0.76%

LAB 74.4, 13.79, 5.19

 

CMYK 0 / 18 / 15 / 17

HEX #D4AEB5

RGB 212 174 181

HSL 348.95, 0.31%, 0.76%

LAB 74.58, 14.9, 1.62

 

CMYK 0 / 18 / 9 / 17

HEX #D4AEC0

RGB 212 174 192

HSL 331.58, 0.31%, 0.76%

LAB 74.87, 16.73, -3.96

 

CMYK 0 / 18 / 5 / 17

HEX #D4AECA

RGB 212 174 202

HSL 315.79, 0.31%, 0.76%

LAB 75.16, 18.48, -9

 

CMYK 0 / 18 / 0 / 17

HEX #D4AED4

RGB 212 174 212

HSL 300, 0.31%, 0.76%

LAB 75.47, 20.31, -14

 

CMYK 5 / 18 / 0 / 17

HEX #CAAED4

RGB 202 174 212

HSL 284.21, 0.31%, 0.76%

LAB 74.56, 16.95, -15.45

 

CMYK 0 / 18 / 15 / 17

HEX #D4AEB5

RGB 212 174 181

HSL 348.95, 0.31%, 0.76%

LAB 74.58, 14.9, 1.62

 

CMYK 0 / 26 / 21 / 13

HEX #DEA4AF

RGB 222 164 175

HSL 348.62, 0.47%, 0.76%

LAB 73.01, 23.01, 2.76

 

CMYK 0 / 33 / 27 / 9

HEX #E89BA9

RGB 232 155 169

HSL 349.09, 0.63%, 0.76%

LAB 71.87, 30.62, 4.56

 

CMYK 0 / 40 / 33 / 5

HEX #F291A3

RGB 242 145 163

HSL 348.87, 0.79%, 0.76%

LAB 70.71, 38.69, 6.38

 

CMYK 0 / 46 / 38 / 1

HEX #FC879C

RGB 252 135 156

HSL 349.23, 0.95%, 0.76%

LAB 69.77, 46.48, 9.12

 

CMYK 0 / 18 / 15 / 17

HEX #D4AEB5

RGB 212 174 181

HSL 348.95, 0.31%, 0.76%

LAB 74.58, 14.9, 1.62

 

CMYK 0 / 9 / 7 / 21

HEX #CAB8BC

RGB 202 184 188

HSL 346.67, 0.15%, 0.76%

LAB 76.36, 7.08, 0.29

 

CMYK 1 / 0 / 0 / 24

HEX #C0C2C2

RGB 192 194 194

HSL 180, 0.02%, 0.76%

LAB 78.28, -0.69, -0.25

 

CMYK 10 / 0 / 2 / 20

HEX #B7CCC8

RGB 183 204 200

HSL 168.57, 0.17%, 0.76%

LAB 80.42, -7.84, -0.43

 

CMYK 19 / 0 / 4 / 16

HEX #ADD6CE

RGB 173 214 206

HSL 168.29, 0.33%, 0.76%

LAB 82.61, -15.01, -0.5

 

CMYK 0 / 18 / 5 / 17

HEX #D4AECA

RGB 212 174 202

HSL 315.79, 0.31%, 0.76%

LAB 75.16, 18.48, -9

 

CMYK 0 / 18 / 9 / 17

HEX #D4AEC0

RGB 212 174 192

HSL 331.58, 0.31%, 0.76%

LAB 74.87, 16.73, -3.96

 

CMYK 0 / 18 / 14 / 17

HEX #D4AEB6

RGB 212 174 182

HSL 347.37, 0.31%, 0.76%

LAB 74.6, 15.06, 1.11

 

CMYK 0 / 17 / 18 / 17

HEX #D4B1AE

RGB 212 177 174

HSL 4.74, 0.31%, 0.76%

LAB 75.14, 12.17, 6.26

 

CMYK 0 / 12 / 18 / 17

HEX #D4BBAE

RGB 212 187 174

HSL 20.53, 0.31%, 0.76%

LAB 77.63, 6.81, 9.83

 

CMYK 0 / 35 / 28 / 28

HEX #B87884

RGB 184 120 132

HSL 348.75, 0.31%, 0.6%

LAB 57.36, 26.68, 3.85

 

CMYK 0 / 26 / 21 / 22

HEX #C6939D

RGB 198 147 157

HSL 348.24, 0.31%, 0.68%

LAB 65.99, 20.7, 2.28

 

CMYK 0 / 18 / 15 / 17

HEX #D4AEB5

RGB 212 174 181

HSL 348.95, 0.31%, 0.76%

LAB 74.58, 14.9, 1.62

 

CMYK 0 / 11 / 9 / 11

HEX #E3C9CE

RGB 227 201 206

HSL 348.46, 0.32%, 0.84%

LAB 83.21, 9.94, 0.85

 

CMYK 0 / 5 / 4 / 5

HEX #F1E4E7

RGB 241 228 231

HSL 346.15, 0.32%, 0.92%

LAB 91.67, 4.93, 0.11

 

CMYK 0 / 18 / 15 / 17

HEX #D4AEB5

RGB 212 174 181

HSL 348.95, 0.31%, 0.76%

LAB 74.58, 14.9, 1.62

 

CMYK 0 / 0 / 18 / 17

HEX #D4D4AE

RGB 212 212 174

HSL 60, 0.31%, 0.76%

LAB 84.04, -6.29, 18.85

 

CMYK 18 / 7 / 0 / 17

HEX #AEC5D4

RGB 174 197 212

HSL 203.68, 0.31%, 0.76%

LAB 78.28, -4.62, -10.11

 

CMYK 0 / 18 / 15 / 17

HEX #D4AEB5

RGB 212 174 181

HSL 348.95, 0.31%, 0.76%

LAB 74.58, 14.9, 1.62

 

CMYK 14 / 0 / 18 / 17

HEX #B6D4AE

RGB 182 212 174

HSL 107.37, 0.31%, 0.76%

LAB 81.89, -17.02, 15.52

 

CMYK 18 / 14 / 0 / 17

HEX #AEB6D4

RGB 174 182 212

HSL 227.37, 0.31%, 0.76%

LAB 74.32, 3.43, -16.04

 

CMYK 0 / 18 / 15 / 17

HEX #D4AEB5

RGB 212 174 181

HSL 348.95, 0.31%, 0.76%

LAB 74.58, 14.9, 1.62

 

CMYK 0 / 0 / 18 / 17

HEX #D4D4AE

RGB 212 212 174

HSL 60, 0.31%, 0.76%

LAB 84.04, -6.29, 18.85

 

CMYK 18 / 0 / 3 / 17

HEX #AED4CD

RGB 174 212 205

HSL 168.95, 0.31%, 0.76%

LAB 82.11, -13.88, -0.7

 

CMYK 18 / 18 / 0 / 17

HEX #AEAED4

RGB 174 174 212

HSL 240, 0.31%, 0.76%

LAB 72.24, 7.81, -19.18

 

CMYK 0 / 18 / 15 / 17

HEX #D4AEB5

RGB 212 174 181

HSL 348.95, 0.31%, 0.76%

LAB 74.58, 14.9, 1.62

 

CMYK 5 / 0 / 18 / 17

HEX #C9D4AE

RGB 201 212 174

HSL 77.37, 0.31%, 0.76%

LAB 83.21, -10.29, 17.57

 

CMYK 18 / 0 / 3 / 17

HEX #AED4CD

RGB 174 212 205

HSL 168.95, 0.31%, 0.76%

LAB 82.11, -13.88, -0.7

 

CMYK 12 / 18 / 0 / 17

HEX #BAAED4

RGB 186 174 212

HSL 258.95, 0.31%, 0.76%

LAB 73.2, 11.67, -17.64

 

Description

Color code: RGB 212 174 181 | qconv.com Color code: RGB 212 174 181 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 174 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 174 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 15 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 15% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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