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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 136 191 it is the complementary color RGB 43 119 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 136 191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 136 191 shade: RGB 217 136 186, RGB 234 154 205, RGB 251 172 224, RGB 255 190 243 and RGB 255 208 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 136 191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 136 191 shade: RGB 212 136 191, RGB 195 118 172, RGB 178 100 153, RGB 161 82 134 and RGB 144 64 115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 136 191 shade: RGB 212 135 191, RGB 212 135 170, RGB 212 135 149 and RGB 212 135 135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 136 191 shade: RGB 212 135 191, RGB 212 135 211, RGB 192 135 212, RGB 171 135 212 and RGB 150 135 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 136 191 shade matches the following richer shades: RGB 212 135 191, RGB 225 122 196, RGB 238 109 202 and RGB 251 95 208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 136 191 shade: RGB 212 135 191, RGB 199 148 185, RGB 185 161 179, RGB 172 175 173 and RGB 159 188 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 136 191 shade: RGB 191 135 212, RGB 212 135 212, RGB 212 135 191, RGB 212 135 171 and RGB 212 135 150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 136 191 shade: RGB 190 74 158, RGB 201 105 174, RGB 212 135 191, RGB 223 165 207 and RGB 234 196 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 136 191 shade: RGB 212 136 191, RGB 212 171 135 and RGB 135 212 202

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 136 191 shade: RGB 212 136 191, RGB 191 212 135 and RGB 135 191 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 136 191 shade: RGB 212 136 191, RGB 212 171 135, RGB 135 212 156 and RGB 135 176 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 136 191 shade: RGB 212 136 191, RGB 212 194 135, RGB 135 212 156 and RGB 135 153 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 10 / 17

HEX #D488BF

RGB 212 136 191

HSL 316.58, 0.47%, 0.68%

LAB 66.03, 37.14, -16.6

 

Complementary color

CMYK 64 / 0 / 46 / 53

HEX #2B7740

RGB 43 119 64

HSL 136.58, 0.47%, 0.32%

LAB 44.34, -36.34, 23.47

 

CMYK 0 / 37 / 14 / 15

HEX #D988BA

RGB 217 136 186

HSL 322.96, 0.52%, 0.69%

LAB 66.45, 37.99, -13.12

 

CMYK 0 / 34 / 12 / 8

HEX #EA9ACD

RGB 234 154 205

HSL 321.75, 0.66%, 0.76%

LAB 72.9, 37.24, -13.79

 

CMYK 0 / 31 / 11 / 2

HEX #FBACE0

RGB 251 172 224

HSL 320.51, 0.91%, 0.83%

LAB 79.27, 36.53, -14.41

 

CMYK 0 / 25 / 5 / 0

HEX #FFBEF3

RGB 255 190 243

HSL 311.08, 1%, 0.87%

LAB 84.26, 31.6, -17.08

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 0 / 36 / 10 / 17

HEX #D488BF

RGB 212 136 191

HSL 316.58, 0.47%, 0.68%

LAB 66.03, 37.14, -16.6

 

CMYK 0 / 39 / 12 / 24

HEX #C376AC

RGB 195 118 172

HSL 317.92, 0.39%, 0.61%

LAB 59.47, 37.9, -15.96

 

CMYK 0 / 44 / 14 / 30

HEX #B26499

RGB 178 100 153

HSL 319.23, 0.34%, 0.55%

LAB 52.82, 38.69, -15.22

 

CMYK 0 / 49 / 17 / 37

HEX #A15286

RGB 161 82 134

HSL 320.51, 0.33%, 0.48%

LAB 46.09, 39.46, -14.36

 

CMYK 0 / 56 / 20 / 44

HEX #904073

RGB 144 64 115

HSL 321.75, 0.38%, 0.41%

LAB 39.3, 40.17, -13.28

 

CMYK 0 / 36 / 10 / 17

HEX #D487BF

RGB 212 135 191

HSL 316.36, 0.47%, 0.68%

LAB 65.82, 37.67, -16.93

 

CMYK 0 / 36 / 20 / 17

HEX #D487AA

RGB 212 135 170

HSL 332.73, 0.47%, 0.68%

LAB 65.14, 34.3, -6.11

 

CMYK 0 / 36 / 30 / 17

HEX #D48795

RGB 212 135 149

HSL 349.09, 0.47%, 0.68%

LAB 64.56, 31.29, 4.93

 

CMYK 0 / 36 / 36 / 17

HEX #D48787

RGB 212 135 135

HSL 0, 0.47%, 0.68%

LAB 64.22, 29.5, 12.37

 

CMYK 0 / 36 / 10 / 17

HEX #D487BF

RGB 212 135 191

HSL 316.36, 0.47%, 0.68%

LAB 65.82, 37.67, -16.93

 

CMYK 0 / 36 / 0 / 17

HEX #D487D3

RGB 212 135 211

HSL 300.78, 0.47%, 0.68%

LAB 66.54, 41.21, -27.01

 

CMYK 9 / 36 / 0 / 17

HEX #C087D4

RGB 192 135 212

HSL 284.42, 0.47%, 0.68%

LAB 64.39, 35.18, -31.06

 

CMYK 19 / 36 / 0 / 17

HEX #AB87D4

RGB 171 135 212

HSL 268.05, 0.47%, 0.68%

LAB 62.29, 28.76, -34.5

 

CMYK 29 / 36 / 0 / 17

HEX #9687D4

RGB 150 135 212

HSL 251.69, 0.47%, 0.68%

LAB 60.4, 22.57, -37.59

 

CMYK 0 / 36 / 10 / 17

HEX #D487BF

RGB 212 135 191

HSL 316.36, 0.47%, 0.68%

LAB 65.82, 37.67, -16.93

 

CMYK 0 / 46 / 13 / 12

HEX #E17AC4

RGB 225 122 196

HSL 316.89, 0.63%, 0.68%

LAB 64.89, 49.43, -21

 

CMYK 0 / 54 / 15 / 7

HEX #EE6DCA

RGB 238 109 202

HSL 316.74, 0.79%, 0.68%

LAB 64.47, 60.49, -24.88

 

CMYK 0 / 62 / 17 / 2

HEX #FB5FD0

RGB 251 95 208

HSL 316.54, 0.95%, 0.68%

LAB 64.36, 70.93, -28.26

 

CMYK 0 / 36 / 10 / 17

HEX #D487BF

RGB 212 135 191

HSL 316.36, 0.47%, 0.68%

LAB 65.82, 37.67, -16.93

 

CMYK 0 / 26 / 7 / 22

HEX #C794B9

RGB 199 148 185

HSL 316.47, 0.31%, 0.68%

LAB 67.15, 25.15, -11.71

 

CMYK 0 / 13 / 3 / 27

HEX #B9A1B3

RGB 185 161 179

HSL 315, 0.15%, 0.68%

LAB 68.79, 11.96, -6.05

 

CMYK 2 / 0 / 1 / 31

HEX #ACAFAD

RGB 172 175 173

HSL 140, 0.02%, 0.68%

LAB 71.18, -1.43, 0.64

 

CMYK 15 / 0 / 11 / 26

HEX #9FBCA7

RGB 159 188 167

HSL 136.55, 0.18%, 0.68%

LAB 73.63, -13.97, 7.35

 

CMYK 10 / 36 / 0 / 17

HEX #BF87D4

RGB 191 135 212

HSL 283.64, 0.47%, 0.68%

LAB 64.29, 34.87, -31.24

 

CMYK 0 / 36 / 0 / 17

HEX #D487D4

RGB 212 135 212

HSL 300, 0.47%, 0.68%

LAB 66.58, 41.39, -27.51

 

CMYK 0 / 36 / 10 / 17

HEX #D487BF

RGB 212 135 191

HSL 316.36, 0.47%, 0.68%

LAB 65.82, 37.67, -16.93

 

CMYK 0 / 36 / 19 / 17

HEX #D487AB

RGB 212 135 171

HSL 331.95, 0.47%, 0.68%

LAB 65.17, 34.45, -6.63

 

CMYK 0 / 36 / 29 / 17

HEX #D48796

RGB 212 135 150

HSL 348.31, 0.47%, 0.68%

LAB 64.59, 31.42, 4.4

 

CMYK 0 / 61 / 17 / 25

HEX #BE4A9E

RGB 190 74 158

HSL 316.55, 0.47%, 0.52%

LAB 49.87, 55.95, -22.52

 

CMYK 0 / 48 / 13 / 21

HEX #C969AE

RGB 201 105 174

HSL 316.88, 0.47%, 0.6%

LAB 57.63, 46.97, -19.83

 

CMYK 0 / 36 / 10 / 17

HEX #D487BF

RGB 212 135 191

HSL 316.36, 0.47%, 0.68%

LAB 65.82, 37.67, -16.93

 

CMYK 0 / 26 / 7 / 13

HEX #DFA5CF

RGB 223 165 207

HSL 316.55, 0.48%, 0.76%

LAB 74.26, 28, -12.98

 

CMYK 0 / 16 / 5 / 8

HEX #EAC4DF

RGB 234 196 223

HSL 317.37, 0.48%, 0.84%

LAB 83.07, 17.93, -8.37

 

CMYK 0 / 36 / 10 / 17

HEX #D488BF

RGB 212 136 191

HSL 316.58, 0.47%, 0.68%

LAB 66.03, 37.14, -16.6

 

CMYK 0 / 19 / 36 / 17

HEX #D4AB87

RGB 212 171 135

HSL 28.05, 0.47%, 0.68%

LAB 72.81, 10.02, 24.21

 

CMYK 36 / 0 / 5 / 17

HEX #87D4CA

RGB 135 212 202

HSL 172.21, 0.47%, 0.68%

LAB 79.9, -25.99, -2.59

 

CMYK 0 / 36 / 10 / 17

HEX #D488BF

RGB 212 136 191

HSL 316.58, 0.47%, 0.68%

LAB 66.03, 37.14, -16.6

 

CMYK 10 / 0 / 36 / 17

HEX #BFD487

RGB 191 212 135

HSL 76.36, 0.47%, 0.68%

LAB 81.79, -19.5, 35.8

 

CMYK 36 / 10 / 0 / 17

HEX #87BFD4

RGB 135 191 212

HSL 196.36, 0.47%, 0.68%

LAB 74.3, -12.94, -16.32

 

CMYK 0 / 36 / 10 / 17

HEX #D488BF

RGB 212 136 191

HSL 316.58, 0.47%, 0.68%

LAB 66.03, 37.14, -16.6

 

CMYK 0 / 19 / 36 / 17

HEX #D4AB87

RGB 212 171 135

HSL 28.05, 0.47%, 0.68%

LAB 72.81, 10.02, 24.21

 

CMYK 36 / 0 / 26 / 17

HEX #87D49C

RGB 135 212 156

HSL 136.36, 0.47%, 0.68%

LAB 78.83, -35.52, 20.37

 

CMYK 36 / 17 / 0 / 17

HEX #87B0D4

RGB 135 176 212

HSL 208.05, 0.47%, 0.68%

LAB 70.14, -4.92, -22.61

 

CMYK 0 / 36 / 10 / 17

HEX #D488BF

RGB 212 136 191

HSL 316.58, 0.47%, 0.68%

LAB 66.03, 37.14, -16.6

 

CMYK 0 / 8 / 36 / 17

HEX #D4C287

RGB 212 194 135

HSL 45.97, 0.47%, 0.68%

LAB 78.65, -2.18, 32.01

 

CMYK 36 / 0 / 26 / 17

HEX #87D49C

RGB 135 212 156

HSL 136.36, 0.47%, 0.68%

LAB 78.83, -35.52, 20.37

 

CMYK 36 / 28 / 0 / 17

HEX #8799D4

RGB 135 153 212

HSL 225.97, 0.47%, 0.68%

LAB 63.91, 7.94, -32.21

 

Description

Color code: RGB 212 136 191 | qconv.com Color code: RGB 212 136 191 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 136 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 136 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 10 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 10% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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