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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 128 32 it is the complementary color RGB 43 127 223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 128 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 128 32 shade: RGB 217 128 27, RGB 234 146 46, RGB 251 164 65, RGB 255 182 84 and RGB 255 200 103

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 128 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 128 32 shade: RGB 212 128 32, RGB 195 110 13, RGB 178 92 0, RGB 161 74 0 and RGB 144 56 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 128 32 shade: RGB 212 128 31, RGB 212 79 31 and RGB 212 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 128 32 shade: RGB 212 128 31, RGB 212 177 31, RGB 199 212 31, RGB 150 212 31 and RGB 102 212 31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 128 32 shade matches the following richer shades: RGB 212 128 31 and RGB 232 129 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 128 32 shade: RGB 212 128 31, RGB 193 127 51, RGB 173 125 71, RGB 153 124 91 and RGB 133 123 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 128 32 shade: RGB 212 31 31, RGB 212 80 31, RGB 212 128 31, RGB 212 176 31 and RGB 200 212 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 128 32 shade: RGB 141 85 21, RGB 177 106 26, RGB 212 128 31, RGB 225 148 60 and RGB 231 168 96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 128 32 shade: RGB 212 128 32, RGB 80 212 31 and RGB 55 31 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 128 32 shade: RGB 212 128 32, RGB 31 212 128 and RGB 128 31 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 128 32 shade: RGB 212 128 32, RGB 80 212 31, RGB 31 116 212 and RGB 164 31 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 128 32 shade: RGB 212 128 32, RGB 31 212 37, RGB 31 116 212 and RGB 212 31 206

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 85 / 17

HEX #D48020

RGB 212 128 32

HSL 32, 0.74%, 0.48%

LAB 61.25, 25.83, 60.56

Complementary color

CMYK 81 / 43 / 0 / 13

HEX #2B7FDF

RGB 43 127 223

HSL 212, 0.74%, 0.52%

LAB 52.97, 9.26, -55.9

 

CMYK 0 / 41 / 88 / 15

HEX #D9801B

RGB 217 128 27

HSL 31.89, 0.78%, 0.48%

LAB 61.89, 27.82, 62.89

 

CMYK 0 / 38 / 80 / 8

HEX #EA922E

RGB 234 146 46

HSL 31.91, 0.82%, 0.55%

LAB 68.2, 25.9, 62.79

 

CMYK 0 / 35 / 74 / 2

HEX #FBA441

RGB 251 164 65

HSL 31.94, 0.96%, 0.62%

LAB 74.47, 24.19, 61.97

 

CMYK 0 / 29 / 67 / 0

HEX #FFB654

RGB 255 182 84

HSL 34.39, 1%, 0.66%

LAB 79.25, 17.34, 58.83

 

CMYK 0 / 22 / 60 / 0

HEX #FFC867

RGB 255 200 103

HSL 38.29, 1%, 0.7%

LAB 83.73, 9.16, 55.11

 

CMYK 0 / 40 / 85 / 17

HEX #D48020

RGB 212 128 32

HSL 32, 0.74%, 0.48%

LAB 61.25, 25.83, 60.56

 

CMYK 0 / 44 / 93 / 24

HEX #C36E0D

RGB 195 110 13

HSL 31.98, 0.88%, 0.41%

LAB 54.85, 27.92, 59.83

 

CMYK 0 / 48 / 100 / 30

HEX #B25C00

RGB 178 92 0

HSL 31.01, 1%, 0.35%

LAB 48.41, 30.23, 57.12

 

CMYK 0 / 54 / 100 / 37

HEX #A14A00

RGB 161 74 0

HSL 27.58, 1%, 0.32%

LAB 41.96, 32.69, 51.94

 

CMYK 0 / 61 / 100 / 44

HEX #903800

RGB 144 56 0

HSL 23.33, 1%, 0.28%

LAB 35.51, 35.02, 46.8

 

CMYK 0 / 40 / 85 / 17

HEX #D4801F

RGB 212 128 31

HSL 32.15, 0.74%, 0.48%

LAB 61.25, 25.81, 60.88

 

CMYK 0 / 63 / 85 / 17

HEX #D44F1F

RGB 212 79 31

HSL 15.91, 0.74%, 0.48%

LAB 51.48, 50.29, 52.73

 

CMYK 0 / 85 / 85 / 17

HEX #D41F1F

RGB 212 31 31

HSL 0, 0.74%, 0.48%

LAB 45.74, 66.14, 47.86

 

CMYK 0 / 40 / 85 / 17

HEX #D4801F

RGB 212 128 31

HSL 32.15, 0.74%, 0.48%

LAB 61.25, 25.81, 60.88

 

CMYK 0 / 17 / 85 / 17

HEX #D4B11F

RGB 212 177 31

HSL 48.4, 0.74%, 0.48%

LAB 73.25, -0.49, 70.76

 

CMYK 6 / 0 / 85 / 17

HEX #C7D41F

RGB 199 212 31

HSL 64.31, 0.74%, 0.48%

LAB 81.47, -23.79, 77.07

 

CMYK 29 / 0 / 85 / 17

HEX #96D41F

RGB 150 212 31

HSL 80.55, 0.74%, 0.48%

LAB 78.27, -43.34, 73.09

 

CMYK 52 / 0 / 85 / 17

HEX #66D41F

RGB 102 212 31

HSL 96.46, 0.74%, 0.48%

LAB 76.08, -59.23, 70.34

 

CMYK 0 / 40 / 85 / 17

HEX #D4801F

RGB 212 128 31

HSL 32.15, 0.74%, 0.48%

LAB 61.25, 25.81, 60.88

 

CMYK 0 / 44 / 95 / 9

HEX #E8810C

RGB 232 129 12

HSL 31.91, 0.9%, 0.48%

LAB 64.07, 33.28, 68.78

 

CMYK 0 / 40 / 85 / 17

HEX #D4801F

RGB 212 128 31

HSL 32.15, 0.74%, 0.48%

LAB 61.25, 25.81, 60.88

 

CMYK 0 / 34 / 74 / 24

HEX #C17F33

RGB 193 127 51

HSL 32.11, 0.58%, 0.48%

LAB 58.75, 18.92, 49.89

 

CMYK 0 / 28 / 59 / 32

HEX #AD7D47

RGB 173 125 71

HSL 31.76, 0.42%, 0.48%

LAB 56.09, 12.59, 36.41

 

CMYK 0 / 19 / 41 / 40

HEX #997C5B

RGB 153 124 91

HSL 31.94, 0.25%, 0.48%

LAB 53.97, 6.5, 22.25

 

CMYK 0 / 8 / 17 / 48

HEX #857B6F

RGB 133 123 111

HSL 32.73, 0.09%, 0.48%

LAB 52.17, 1.67, 7.93

 

CMYK 0 / 85 / 85 / 17

HEX #D41F1F

RGB 212 31 31

HSL 0, 0.74%, 0.48%

LAB 45.74, 66.14, 47.86

 

CMYK 0 / 62 / 85 / 17

HEX #D4501F

RGB 212 80 31

HSL 16.24, 0.74%, 0.48%

LAB 51.65, 49.85, 52.87

 

CMYK 0 / 40 / 85 / 17

HEX #D4801F

RGB 212 128 31

HSL 32.15, 0.74%, 0.48%

LAB 61.25, 25.81, 60.88

 

CMYK 0 / 17 / 85 / 17

HEX #D4B01F

RGB 212 176 31

HSL 48.07, 0.74%, 0.48%

LAB 72.99, 0.04, 70.55

 

CMYK 6 / 0 / 85 / 17

HEX #C8D41F

RGB 200 212 31

HSL 63.98, 0.74%, 0.48%

LAB 81.55, -23.37, 77.16

 

CMYK 0 / 40 / 85 / 45

HEX #8D5515

RGB 141 85 21

HSL 32, 0.74%, 0.32%

LAB 41.55, 18.28, 43.87

 

CMYK 0 / 40 / 85 / 31

HEX #B16A1A

RGB 177 106 26

HSL 31.79, 0.74%, 0.4%

LAB 51.53, 22.62, 52.55

 

CMYK 0 / 40 / 85 / 17

HEX #D4801F

RGB 212 128 31

HSL 32.15, 0.74%, 0.48%

LAB 61.25, 25.81, 60.88

 

CMYK 0 / 34 / 73 / 12

HEX #E1943C

RGB 225 148 60

HSL 32, 0.73%, 0.56%

LAB 67.66, 21.61, 56.23

 

CMYK 0 / 27 / 58 / 9

HEX #E7A860

RGB 231 168 96

HSL 32, 0.74%, 0.64%

LAB 73.44, 15.59, 45.83

 

CMYK 0 / 40 / 85 / 17

HEX #D48020

RGB 212 128 32

HSL 32, 0.74%, 0.48%

LAB 61.25, 25.83, 60.56

 

CMYK 62 / 0 / 85 / 17

HEX #50D41F

RGB 80 212 31

HSL 103.76, 0.74%, 0.48%

LAB 75.38, -64.81, 69.46

 

CMYK 74 / 85 / 0 / 17

HEX #371FD4

RGB 55 31 212

HSL 247.96, 0.74%, 0.48%

LAB 30.75, 62.23, -85.89

 

CMYK 0 / 40 / 85 / 17

HEX #D48020

RGB 212 128 32

HSL 32, 0.74%, 0.48%

LAB 61.25, 25.83, 60.56

 

CMYK 85 / 0 / 40 / 17

HEX #1FD480

RGB 31 212 128

HSL 152.15, 0.74%, 0.48%

LAB 75.41, -61.31, 29.83

 

CMYK 40 / 85 / 0 / 17

HEX #801FD4

RGB 128 31 212

HSL 272.15, 0.74%, 0.48%

LAB 38.42, 69.04, -72.98

 

CMYK 0 / 40 / 85 / 17

HEX #D48020

RGB 212 128 32

HSL 32, 0.74%, 0.48%

LAB 61.25, 25.83, 60.56

 

CMYK 62 / 0 / 85 / 17

HEX #50D41F

RGB 80 212 31

HSL 103.76, 0.74%, 0.48%

LAB 75.38, -64.81, 69.46

 

CMYK 85 / 45 / 0 / 17

HEX #1F74D4

RGB 31 116 212

HSL 211.82, 0.74%, 0.48%

LAB 48.93, 10.91, -56.19

 

CMYK 23 / 85 / 0 / 17

HEX #A41FD4

RGB 164 31 212

HSL 284.09, 0.74%, 0.48%

LAB 43.69, 74.14, -64.14

 

CMYK 0 / 40 / 85 / 17

HEX #D48020

RGB 212 128 32

HSL 32, 0.74%, 0.48%

LAB 61.25, 25.83, 60.56

 

CMYK 85 / 0 / 83 / 17

HEX #1FD425

RGB 31 212 37

HSL 121.99, 0.74%, 0.48%

LAB 74.52, -72.2, 66.95

 

CMYK 85 / 45 / 0 / 17

HEX #1F74D4

RGB 31 116 212

HSL 211.82, 0.74%, 0.48%

LAB 48.93, 10.91, -56.19

 

CMYK 0 / 85 / 3 / 17

HEX #D41FCE

RGB 212 31 206

HSL 301.99, 0.74%, 0.48%

LAB 51.19, 81.24, -48.21

 

Description

Color code: RGB 212 128 32 | qconv.com Color code: RGB 212 128 32 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 128 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 128 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 85 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 85% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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