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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 105 215 it is the complementary color RGB 43 150 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 105 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 105 215 shade: RGB 217 105 210, RGB 234 123 229, RGB 251 141 248, RGB 255 159 255 and RGB 255 177 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 105 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 105 215 shade: RGB 212 105 215, RGB 195 87 196, RGB 178 69 177, RGB 161 51 158 and RGB 144 33 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 105 215 shade: RGB 212 105 215, RGB 215 105 188, RGB 215 105 159, RGB 215 105 129 and RGB 215 105 105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 105 215 shade: RGB 212 105 215, RGB 182 105 215, RGB 153 105 215, RGB 123 105 215 and RGB 105 105 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 105 215 shade matches the following richer shades: RGB 212 105 215, RGB 226 90 230 and RGB 241 75 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 105 215 shade: RGB 212 105 215, RGB 197 121 200, RGB 183 136 184, RGB 169 151 169 and RGB 154 166 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 105 215 shade: RGB 153 105 215, RGB 182 105 215, RGB 211 105 215, RGB 215 105 189 and RGB 215 105 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 105 215 shade: RGB 184 50 188, RGB 203 73 206, RGB 212 105 215, RGB 221 138 224 and RGB 231 171 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 105 215 shade: RGB 212 105 215, RGB 215 124 105 and RGB 105 215 167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 105 215 shade: RGB 212 105 215, RGB 215 211 105 and RGB 105 215 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 105 215 shade: RGB 212 105 215, RGB 215 124 105, RGB 109 215 105 and RGB 105 197 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 105 215 shade: RGB 212 105 215, RGB 215 157 105, RGB 109 215 105 and RGB 105 164 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 51 / 0 / 16

HEX #D469D7

RGB 212 105 215

HSL 298.36, 0.58%, 0.63%

LAB 60.79, 57.18, -38.18

 

Complementary color

CMYK 71 / 0 / 73 / 41

HEX #2B9628

RGB 43 150 40

HSL 118.36, 0.58%, 0.37%

LAB 54.53, -51.21, 46.79

 

CMYK 0 / 52 / 3 / 15

HEX #D969D2

RGB 217 105 210

HSL 303.75, 0.6%, 0.63%

LAB 61.23, 57.68, -34.63

 

CMYK 0 / 47 / 2 / 8

HEX #EA7BE5

RGB 234 123 229

HSL 302.7, 0.73%, 0.7%

LAB 67.51, 57.08, -35.29

 

CMYK 0 / 44 / 1 / 2

HEX #FB8DF8

RGB 251 141 248

HSL 301.64, 0.93%, 0.77%

LAB 73.76, 56.42, -35.85

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 0 / 31 / 0 / 0

HEX #FFB1FF

RGB 255 177 255

HSL 300, 1%, 0.85%

LAB 81.8, 40.52, -27.22

 

CMYK 1 / 51 / 0 / 16

HEX #D469D7

RGB 212 105 215

HSL 298.36, 0.58%, 0.63%

LAB 60.79, 57.18, -38.18

 

CMYK 1 / 56 / 0 / 23

HEX #C357C4

RGB 195 87 196

HSL 299.45, 0.48%, 0.55%

LAB 54.45, 57.68, -37.48

 

CMYK 0 / 61 / 1 / 30

HEX #B245B1

RGB 178 69 177

HSL 300.55, 0.44%, 0.48%

LAB 48.13, 57.95, -36.58

 

CMYK 0 / 68 / 2 / 37

HEX #A1339E

RGB 161 51 158

HSL 301.64, 0.52%, 0.42%

LAB 41.87, 57.82, -35.36

 

CMYK 0 / 77 / 3 / 44

HEX #90218B

RGB 144 33 139

HSL 302.7, 0.63%, 0.35%

LAB 35.75, 57, -33.66

 

CMYK 1 / 51 / 0 / 16

HEX #D469D7

RGB 212 105 215

HSL 298.36, 0.58%, 0.63%

LAB 60.79, 57.18, -38.18

 

CMYK 0 / 51 / 13 / 16

HEX #D769BC

RGB 215 105 188

HSL 314.73, 0.58%, 0.63%

LAB 60.05, 53.49, -23.99

 

CMYK 0 / 51 / 26 / 16

HEX #D7699F

RGB 215 105 159

HSL 330.55, 0.58%, 0.63%

LAB 59.02, 49.22, -8.88

 

CMYK 0 / 51 / 40 / 16

HEX #D76981

RGB 215 105 129

HSL 346.91, 0.58%, 0.63%

LAB 58.17, 45.53, 7.29

 

CMYK 0 / 51 / 51 / 16

HEX #D76969

RGB 215 105 105

HSL 0, 0.58%, 0.63%

LAB 57.63, 43.15, 20.48

 

CMYK 1 / 51 / 0 / 16

HEX #D469D7

RGB 212 105 215

HSL 298.36, 0.58%, 0.63%

LAB 60.79, 57.18, -38.18

 

CMYK 15 / 51 / 0 / 16

HEX #B669D7

RGB 182 105 215

HSL 282, 0.58%, 0.63%

LAB 57.03, 49, -44.35

 

CMYK 29 / 51 / 0 / 16

HEX #9969D7

RGB 153 105 215

HSL 266.18, 0.58%, 0.63%

LAB 53.79, 41.3, -49.68

 

CMYK 43 / 51 / 0 / 16

HEX #7B69D7

RGB 123 105 215

HSL 249.82, 0.58%, 0.63%

LAB 50.94, 33.87, -54.4

 

CMYK 51 / 51 / 0 / 16

HEX #6969D7

RGB 105 105 215

HSL 240, 0.58%, 0.63%

LAB 49.51, 29.85, -56.78

 

CMYK 1 / 51 / 0 / 16

HEX #D469D7

RGB 212 105 215

HSL 298.36, 0.58%, 0.63%

LAB 60.79, 57.18, -38.18

 

CMYK 2 / 61 / 0 / 10

HEX #E25AE6

RGB 226 90 230

HSL 298.29, 0.74%, 0.63%

LAB 60.95, 70.05, -46.2

 

CMYK 2 / 69 / 0 / 4

HEX #F14BF5

RGB 241 75 245

HSL 298.59, 0.89%, 0.63%

LAB 61.93, 81.42, -52.86

 

CMYK 1 / 51 / 0 / 16

HEX #D469D7

RGB 212 105 215

HSL 298.36, 0.58%, 0.63%

LAB 60.79, 57.18, -38.18

 

CMYK 1 / 40 / 0 / 22

HEX #C579C8

RGB 197 121 200

HSL 297.72, 0.42%, 0.63%

LAB 61.41, 41.94, -28.9

 

CMYK 1 / 26 / 0 / 28

HEX #B788B8

RGB 183 136 184

HSL 298.75, 0.25%, 0.63%

LAB 62.62, 26.14, -18.13

 

CMYK 0 / 11 / 0 / 34

HEX #A997A9

RGB 169 151 169

HSL 300, 0.09%, 0.63%

LAB 64.51, 9.95, -6.97

 

CMYK 7 / 0 / 7 / 35

HEX #9AA69A

RGB 154 166 154

HSL 120, 0.06%, 0.63%

LAB 66.88, -6.55, 4.75

 

CMYK 29 / 51 / 0 / 16

HEX #9969D7

RGB 153 105 215

HSL 266.18, 0.58%, 0.63%

LAB 53.79, 41.3, -49.68

 

CMYK 15 / 51 / 0 / 16

HEX #B669D7

RGB 182 105 215

HSL 282, 0.58%, 0.63%

LAB 57.03, 49, -44.35

 

CMYK 2 / 51 / 0 / 16

HEX #D369D7

RGB 211 105 215

HSL 297.82, 0.58%, 0.63%

LAB 60.66, 56.9, -38.39

 

CMYK 0 / 51 / 12 / 16

HEX #D769BD

RGB 215 105 189

HSL 314.18, 0.58%, 0.63%

LAB 60.09, 53.65, -24.5

 

CMYK 0 / 51 / 26 / 16

HEX #D769A0

RGB 215 105 160

HSL 330, 0.58%, 0.63%

LAB 59.06, 49.36, -9.41

 

CMYK 2 / 73 / 0 / 26

HEX #B832BC

RGB 184 50 188

HSL 298.26, 0.58%, 0.47%

LAB 47.11, 68.36, -44.57

 

CMYK 1 / 65 / 0 / 19

HEX #CB49CE

RGB 203 73 206

HSL 298.65, 0.58%, 0.55%

LAB 53.94, 67.37, -43.94

 

CMYK 1 / 51 / 0 / 16

HEX #D469D7

RGB 212 105 215

HSL 298.36, 0.58%, 0.63%

LAB 60.79, 57.18, -38.18

 

CMYK 1 / 38 / 0 / 12

HEX #DD8AE0

RGB 221 138 224

HSL 297.91, 0.58%, 0.71%

LAB 68.7, 44.79, -30.81

 

CMYK 0 / 26 / 0 / 9

HEX #E7ABE8

RGB 231 171 232

HSL 299.02, 0.57%, 0.79%

LAB 77.25, 31.91, -22

 

CMYK 1 / 51 / 0 / 16

HEX #D469D7

RGB 212 105 215

HSL 298.36, 0.58%, 0.63%

LAB 60.79, 57.18, -38.18

 

CMYK 0 / 42 / 51 / 16

HEX #D77C69

RGB 215 124 105

HSL 10.36, 0.58%, 0.63%

LAB 61.55, 33.36, 25.72

 

CMYK 51 / 0 / 22 / 16

HEX #69D7A7

RGB 105 215 167

HSL 153.82, 0.58%, 0.63%

LAB 78.69, -42.74, 14.17

 

CMYK 1 / 51 / 0 / 16

HEX #D469D7

RGB 212 105 215

HSL 298.36, 0.58%, 0.63%

LAB 60.79, 57.18, -38.18

 

CMYK 0 / 2 / 51 / 16

HEX #D7D369

RGB 215 211 105

HSL 57.82, 0.58%, 0.63%

LAB 82.94, -12.7, 52.34

 

CMYK 51 / 0 / 2 / 16

HEX #69D7D3

RGB 105 215 211

HSL 177.82, 0.58%, 0.63%

LAB 79.79, -32.39, -7.7

 

CMYK 1 / 51 / 0 / 16

HEX #D469D7

RGB 212 105 215

HSL 298.36, 0.58%, 0.63%

LAB 60.79, 57.18, -38.18

 

CMYK 0 / 42 / 51 / 16

HEX #D77C69

RGB 215 124 105

HSL 10.36, 0.58%, 0.63%

LAB 61.55, 33.36, 25.72

 

CMYK 49 / 0 / 51 / 16

HEX #6DD769

RGB 109 215 105

HSL 117.82, 0.58%, 0.63%

LAB 77.8, -52.33, 44.68

 

CMYK 51 / 8 / 0 / 16

HEX #69C5D7

RGB 105 197 215

HSL 189.82, 0.58%, 0.63%

LAB 74.73, -22.53, -17.43

 

CMYK 1 / 51 / 0 / 16

HEX #D469D7

RGB 212 105 215

HSL 298.36, 0.58%, 0.63%

LAB 60.79, 57.18, -38.18

 

CMYK 0 / 27 / 51 / 16

HEX #D79D69

RGB 215 157 105

HSL 28.36, 0.58%, 0.63%

LAB 69.17, 15.62, 35.56

 

CMYK 49 / 0 / 51 / 16

HEX #6DD769

RGB 109 215 105

HSL 117.82, 0.58%, 0.63%

LAB 77.8, -52.33, 44.68

 

CMYK 51 / 24 / 0 / 16

HEX #69A4D7

RGB 105 164 215

HSL 207.82, 0.58%, 0.63%

LAB 65.33, -5.02, -31.81

 

Description

Color code: RGB 212 105 215 | qconv.com Color code: RGB 212 105 215 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 105 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 105 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 51 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 51% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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