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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 104 231 it is the complementary color RGB 43 151 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 104 231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 104 231 shade: RGB 217 104 226, RGB 234 122 245, RGB 251 140 255, RGB 255 158 255 and RGB 255 176 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 104 231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 104 231 shade: RGB 212 104 231, RGB 195 86 212, RGB 178 68 193, RGB 161 50 174 and RGB 144 32 155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 104 231 shade: RGB 212 105 231, RGB 231 105 216, RGB 231 105 182, RGB 231 105 148 and RGB 231 105 113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 104 231 shade: RGB 212 105 231, RGB 178 105 231, RGB 144 105 231, RGB 110 105 231 and RGB 105 105 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 104 231 shade matches the following richer shades: RGB 212 105 231 and RGB 222 90 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 104 231 shade: RGB 212 105 231, RGB 202 119 217, RGB 192 133 203, RGB 183 147 189 and RGB 173 161 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 104 231 shade: RGB 145 105 231, RGB 178 105 231, RGB 212 105 231, RGB 231 105 216 and RGB 231 105 183

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 104 231 shade: RGB 192 34 219, RGB 202 69 226, RGB 212 105 231, RGB 222 140 237 and RGB 232 176 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 104 231 shade: RGB 212 104 231, RGB 231 111 105 and RGB 105 231 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 104 231 shade: RGB 212 104 231, RGB 231 212 105 and RGB 105 231 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 104 231 shade: RGB 212 104 231, RGB 231 111 105, RGB 123 231 105 and RGB 105 225 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 104 231 shade: RGB 212 104 231, RGB 231 149 105, RGB 123 231 105 and RGB 105 187 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 55 / 0 / 9

HEX #D468E7

RGB 212 104 231

HSL 291.02, 0.73%, 0.66%

LAB 61.37, 60.58, -46.23

 

Complementary color

CMYK 72 / 0 / 84 / 41

HEX #2B9718

RGB 43 151 24

HSL 111.02, 0.73%, 0.34%

LAB 54.78, -52.66, 52.35

 

CMYK 4 / 54 / 0 / 11

HEX #D968E2

RGB 217 104 226

HSL 295.57, 0.68%, 0.65%

LAB 61.78, 60.96, -42.75

 

CMYK 4 / 50 / 0 / 4

HEX #EA7AF5

RGB 234 122 245

HSL 294.63, 0.86%, 0.72%

LAB 68.02, 60.39, -43.31

 

CMYK 2 / 45 / 0 / 0

HEX #FB8CFF

RGB 251 140 255

HSL 297.91, 1%, 0.77%

LAB 73.86, 58.13, -39.5

 

CMYK 0 / 38 / 0 / 0

HEX #FF9EFF

RGB 255 158 255

HSL 300, 1%, 0.81%

LAB 77.84, 50.31, -33.3

 

CMYK 0 / 31 / 0 / 0

HEX #FFB0FF

RGB 255 176 255

HSL 300, 1%, 0.85%

LAB 81.58, 41.04, -27.55

 

CMYK 8 / 55 / 0 / 9

HEX #D468E7

RGB 212 104 231

HSL 291.02, 0.73%, 0.66%

LAB 61.37, 60.58, -46.23

 

CMYK 8 / 59 / 0 / 17

HEX #C356D4

RGB 195 86 212

HSL 291.9, 0.59%, 0.58%

LAB 55.08, 61.03, -45.62

 

CMYK 8 / 65 / 0 / 24

HEX #B244C1

RGB 178 68 193

HSL 292.8, 0.5%, 0.51%

LAB 48.82, 61.23, -44.81

 

CMYK 7 / 71 / 0 / 32

HEX #A132AE

RGB 161 50 174

HSL 293.71, 0.55%, 0.44%

LAB 42.63, 60.99, -43.68

 

CMYK 7 / 79 / 0 / 39

HEX #90209B

RGB 144 32 155

HSL 294.63, 0.66%, 0.37%

LAB 36.61, 60.02, -42.08

 

CMYK 8 / 55 / 0 / 9

HEX #D469E7

RGB 212 105 231

HSL 290.95, 0.72%, 0.66%

LAB 61.54, 60.11, -45.95

 

CMYK 0 / 55 / 6 / 9

HEX #E769D8

RGB 231 105 216

HSL 307.14, 0.72%, 0.66%

LAB 63.38, 62.53, -34.5

 

CMYK 0 / 55 / 21 / 9

HEX #E769B6

RGB 231 105 182

HSL 323.33, 0.72%, 0.66%

LAB 62.06, 57.39, -17.3

 

CMYK 0 / 55 / 36 / 9

HEX #E76994

RGB 231 105 148

HSL 339.52, 0.72%, 0.66%

LAB 60.98, 53.05, 0.63

 

CMYK 0 / 55 / 51 / 9

HEX #E76971

RGB 231 105 113

HSL 356.19, 0.72%, 0.66%

LAB 60.14, 49.54, 19.68

 

CMYK 8 / 55 / 0 / 9

HEX #D469E7

RGB 212 105 231

HSL 290.95, 0.72%, 0.66%

LAB 61.54, 60.11, -45.95

 

CMYK 23 / 55 / 0 / 9

HEX #B269E7

RGB 178 105 231

HSL 274.76, 0.72%, 0.66%

LAB 57.4, 51.42, -52.78

 

CMYK 38 / 55 / 0 / 9

HEX #9069E7

RGB 144 105 231

HSL 258.57, 0.72%, 0.66%

LAB 53.82, 43.16, -58.72

 

CMYK 52 / 55 / 0 / 9

HEX #6E69E7

RGB 110 105 231

HSL 242.38, 0.72%, 0.66%

LAB 50.91, 35.79, -63.55

 

CMYK 55 / 55 / 0 / 9

HEX #6969E7

RGB 105 105 231

HSL 240, 0.72%, 0.66%

LAB 50.54, 34.82, -64.16

 

CMYK 8 / 55 / 0 / 9

HEX #D469E7

RGB 212 105 231

HSL 290.95, 0.72%, 0.66%

LAB 61.54, 60.11, -45.95

 

CMYK 9 / 63 / 0 / 4

HEX #DE5AF5

RGB 222 90 245

HSL 291.1, 0.89%, 0.66%

LAB 61.16, 71.73, -54.25

 

CMYK 8 / 55 / 0 / 9

HEX #D469E7

RGB 212 105 231

HSL 290.95, 0.72%, 0.66%

LAB 61.54, 60.11, -45.95

 

CMYK 7 / 45 / 0 / 15

HEX #CA77D9

RGB 202 119 217

HSL 290.82, 0.56%, 0.66%

LAB 62.3, 47.74, -37.02

 

CMYK 5 / 34 / 0 / 20

HEX #C085CB

RGB 192 133 203

HSL 290.57, 0.4%, 0.66%

LAB 63.58, 34.46, -27.28

 

CMYK 3 / 22 / 0 / 26

HEX #B793BD

RGB 183 147 189

HSL 291.43, 0.24%, 0.66%

LAB 65.44, 20.97, -16.67

 

CMYK 1 / 8 / 0 / 31

HEX #ADA1AF

RGB 173 161 175

HSL 291.43, 0.08%, 0.66%

LAB 67.63, 6.96, -5.67

 

CMYK 37 / 55 / 0 / 9

HEX #9169E7

RGB 145 105 231

HSL 259.05, 0.72%, 0.66%

LAB 53.91, 43.39, -58.56

 

CMYK 23 / 55 / 0 / 9

HEX #B269E7

RGB 178 105 231

HSL 274.76, 0.72%, 0.66%

LAB 57.4, 51.42, -52.78

 

CMYK 8 / 55 / 0 / 9

HEX #D469E7

RGB 212 105 231

HSL 290.95, 0.72%, 0.66%

LAB 61.54, 60.11, -45.95

 

CMYK 0 / 55 / 6 / 9

HEX #E769D8

RGB 231 105 216

HSL 307.14, 0.72%, 0.66%

LAB 63.38, 62.53, -34.5

 

CMYK 0 / 55 / 21 / 9

HEX #E769B7

RGB 231 105 183

HSL 322.86, 0.72%, 0.66%

LAB 62.09, 57.53, -17.82

 

CMYK 12 / 84 / 0 / 14

HEX #C022DB

RGB 192 34 219

HSL 291.24, 0.73%, 0.5%

LAB 48.84, 79.23, -59.61

 

CMYK 11 / 69 / 0 / 11

HEX #CA45E2

RGB 202 69 226

HSL 290.83, 0.73%, 0.58%

LAB 54.35, 72.13, -54.66

 

CMYK 8 / 55 / 0 / 9

HEX #D469E7

RGB 212 105 231

HSL 290.95, 0.72%, 0.66%

LAB 61.54, 60.11, -45.95

 

CMYK 6 / 41 / 0 / 7

HEX #DE8CED

RGB 222 140 237

HSL 290.72, 0.73%, 0.74%

LAB 69.75, 46.49, -36.33

 

CMYK 4 / 27 / 0 / 5

HEX #E8B0F2

RGB 232 176 242

HSL 290.91, 0.72%, 0.82%

LAB 78.82, 31.43, -25

 

CMYK 8 / 55 / 0 / 9

HEX #D468E7

RGB 212 104 231

HSL 291.02, 0.73%, 0.66%

LAB 61.37, 60.58, -46.23

 

CMYK 0 / 52 / 55 / 9

HEX #E76F69

RGB 231 111 105

HSL 2.86, 0.72%, 0.66%

LAB 61.11, 45.99, 25.55

 

CMYK 55 / 0 / 30 / 9

HEX #69E7A1

RGB 105 231 161

HSL 146.67, 0.72%, 0.66%

LAB 83.3, -50.73, 23.71

 

CMYK 8 / 55 / 0 / 9

HEX #D468E7

RGB 212 104 231

HSL 291.02, 0.73%, 0.66%

LAB 61.37, 60.58, -46.23

 

CMYK 0 / 8 / 55 / 9

HEX #E7D469

RGB 231 212 105

HSL 50.95, 0.72%, 0.66%

LAB 84.53, -6.69, 54.54

 

CMYK 55 / 0 / 8 / 9

HEX #69E7D4

RGB 105 231 212

HSL 170.95, 0.72%, 0.66%

LAB 84.44, -39.54, -1.38

 

CMYK 8 / 55 / 0 / 9

HEX #D468E7

RGB 212 104 231

HSL 291.02, 0.73%, 0.66%

LAB 61.37, 60.58, -46.23

 

CMYK 0 / 52 / 55 / 9

HEX #E76F69

RGB 231 111 105

HSL 2.86, 0.72%, 0.66%

LAB 61.11, 45.99, 25.55

 

CMYK 47 / 0 / 55 / 9

HEX #7BE769

RGB 123 231 105

HSL 111.43, 0.72%, 0.66%

LAB 83.12, -54.75, 51.2

 

CMYK 55 / 3 / 0 / 9

HEX #69E1E7

RGB 105 225 231

HSL 182.86, 0.72%, 0.66%

LAB 83.24, -31.9, -13.19

 

CMYK 8 / 55 / 0 / 9

HEX #D468E7

RGB 212 104 231

HSL 291.02, 0.73%, 0.66%

LAB 61.37, 60.58, -46.23

 

CMYK 0 / 35 / 55 / 9

HEX #E79569

RGB 231 149 105

HSL 20.95, 0.72%, 0.66%

LAB 69.11, 26.41, 35.87

 

CMYK 47 / 0 / 55 / 9

HEX #7BE769

RGB 123 231 105

HSL 111.43, 0.72%, 0.66%

LAB 83.12, -54.75, 51.2

 

CMYK 55 / 19 / 0 / 9

HEX #69BBE7

RGB 105 187 231

HSL 200.95, 0.72%, 0.66%

LAB 72.44, -12.79, -29.6

 

Description

Color code: RGB 212 104 231 | qconv.com Color code: RGB 212 104 231 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 104 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 104 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 55 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 55% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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