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Color name
RGB 212 103 26

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 103 26 it is the complementary color RGB 43 152 229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 103 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 103 26 shade: RGB 217 103 21, RGB 234 121 40, RGB 251 139 59, RGB 255 157 78 and RGB 255 175 97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 103 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 103 26 shade: RGB 212 103 26, RGB 195 85 7, RGB 178 67 0, RGB 161 49 0 and RGB 144 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 103 26 shade: RGB 213 104 26, RGB 213 53 26 and RGB 213 26 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 103 26 shade: RGB 213 104 26, RGB 213 154 26, RGB 213 205 26, RGB 172 213 26 and RGB 121 213 26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 103 26 shade matches the following richer shades: RGB 213 104 26 and RGB 233 100 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 103 26 shade: RGB 213 104 26, RGB 194 107 46, RGB 175 110 65, RGB 155 114 85 and RGB 136 117 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 103 26 shade: RGB 213 26 51, RGB 213 51 26, RGB 213 101 26, RGB 213 151 26 and RGB 213 201 26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 103 26 shade: RGB 140 68 17, RGB 177 86 22, RGB 213 104 26, RGB 230 125 51 and RGB 234 149 88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 103 26 shade: RGB 212 103 26, RGB 101 213 26 and RGB 26 26 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 103 26 shade: RGB 212 103 26, RGB 26 213 101 and RGB 101 26 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 103 26 shade: RGB 212 103 26, RGB 101 213 26, RGB 26 139 213 and RGB 139 26 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 103 26 shade: RGB 212 103 26, RGB 45 213 26, RGB 26 139 213 and RGB 195 26 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 88 / 17

HEX #D4671A

RGB 212 103 26

HSL 24.84, 0.78%, 0.47%

LAB 55.86, 38.78, 58.14

 

Complementary color

CMYK 81 / 34 / 0 / 10

HEX #2B98E5

RGB 43 152 229

HSL 204.84, 0.78%, 0.53%

LAB 60.45, -3.43, -47.34

 

CMYK 0 / 53 / 90 / 15

HEX #D96715

RGB 217 103 21

HSL 25.1, 0.82%, 0.47%

LAB 56.59, 40.65, 60.56

 

CMYK 0 / 48 / 83 / 8

HEX #EA7928

RGB 234 121 40

HSL 25.05, 0.82%, 0.54%

LAB 62.78, 38.7, 60.21

 

CMYK 0 / 45 / 76 / 2

HEX #FB8B3B

RGB 251 139 59

HSL 25, 0.96%, 0.61%

LAB 68.96, 36.89, 59.05

 

CMYK 0 / 38 / 69 / 0

HEX #FF9D4E

RGB 255 157 78

HSL 26.78, 1%, 0.65%

LAB 73.5, 30.07, 55.34

 

CMYK 0 / 31 / 62 / 0

HEX #FFAF61

RGB 255 175 97

HSL 29.62, 1%, 0.69%

LAB 77.75, 21.78, 51.05

 

CMYK 0 / 51 / 88 / 17

HEX #D4671A

RGB 212 103 26

HSL 24.84, 0.78%, 0.47%

LAB 55.86, 38.78, 58.14

 

CMYK 0 / 56 / 96 / 24

HEX #C35507

RGB 195 85 7

HSL 24.89, 0.93%, 0.4%

LAB 49.63, 40.8, 57.57

 

CMYK 0 / 62 / 100 / 30

HEX #B24300

RGB 178 67 0

HSL 22.58, 1%, 0.35%

LAB 43.48, 42.84, 54.3

 

CMYK 0 / 70 / 100 / 37

HEX #A13100

RGB 161 49 0

HSL 18.26, 1%, 0.32%

LAB 37.43, 44.58, 49.5

 

CMYK 0 / 78 / 100 / 44

HEX #901F00

RGB 144 31 0

HSL 12.92, 1%, 0.28%

LAB 31.6, 45.6, 44.45

 

CMYK 0 / 51 / 88 / 16

HEX #D5681A

RGB 213 104 26

HSL 25.03, 0.78%, 0.47%

LAB 56.21, 38.67, 58.48

 

CMYK 0 / 75 / 88 / 16

HEX #D5351A

RGB 213 53 26

HSL 8.66, 0.78%, 0.47%

LAB 47.97, 60.51, 52.03

 

CMYK 0 / 88 / 88 / 16

HEX #D51A1A

RGB 213 26 26

HSL 0, 0.78%, 0.47%

LAB 45.58, 67.25, 50.18

 

CMYK 0 / 51 / 88 / 16

HEX #D5681A

RGB 213 104 26

HSL 25.03, 0.78%, 0.47%

LAB 56.21, 38.67, 58.48

 

CMYK 0 / 28 / 88 / 16

HEX #D59A1A

RGB 213 154 26

HSL 41.07, 0.78%, 0.47%

LAB 67.53, 12.1, 67.41

 

CMYK 0 / 4 / 88 / 16

HEX #D5CD1A

RGB 213 205 26

HSL 57.43, 0.78%, 0.47%

LAB 80.67, -14.53, 77.84

 

CMYK 19 / 0 / 88 / 16

HEX #ACD51A

RGB 172 213 26

HSL 73.16, 0.78%, 0.47%

LAB 79.86, -35.42, 75.92

 

CMYK 43 / 0 / 88 / 16

HEX #79D51A

RGB 121 213 26

HSL 89.52, 0.78%, 0.47%

LAB 77.12, -54.02, 72.53

 

CMYK 0 / 51 / 88 / 16

HEX #D5681A

RGB 213 104 26

HSL 25.03, 0.78%, 0.47%

LAB 56.21, 38.67, 58.48

 

CMYK 0 / 57 / 97 / 9

HEX #E96407

RGB 233 100 7

HSL 24.69, 0.94%, 0.47%

LAB 58.46, 48.02, 66.07

 

CMYK 0 / 51 / 88 / 16

HEX #D5681A

RGB 213 104 26

HSL 25.03, 0.78%, 0.47%

LAB 56.21, 38.67, 58.48

 

CMYK 0 / 45 / 76 / 24

HEX #C26B2E

RGB 194 107 46

HSL 24.73, 0.62%, 0.47%

LAB 54.22, 30.02, 47.63

 

CMYK 0 / 37 / 63 / 31

HEX #AF6E41

RGB 175 110 65

HSL 24.55, 0.46%, 0.47%

LAB 52.56, 21.42, 35.47

 

CMYK 0 / 26 / 45 / 39

HEX #9B7255

RGB 155 114 85

HSL 24.86, 0.29%, 0.47%

LAB 51.45, 12.38, 22.38

 

CMYK 0 / 14 / 24 / 47

HEX #887568

RGB 136 117 104

HSL 24.38, 0.13%, 0.47%

LAB 50.64, 5.2, 9.89

 

CMYK 0 / 88 / 76 / 16

HEX #D51A33

RGB 213 26 51

HSL 351.98, 0.78%, 0.47%

LAB 45.8, 67.9, 37.13

 

CMYK 0 / 76 / 88 / 16

HEX #D5331A

RGB 213 51 26

HSL 8.02, 0.78%, 0.47%

LAB 47.74, 61.14, 51.85

 

CMYK 0 / 53 / 88 / 16

HEX #D5651A

RGB 213 101 26

HSL 24.06, 0.78%, 0.47%

LAB 55.61, 40.18, 58.01

 

CMYK 0 / 29 / 88 / 16

HEX #D5971A

RGB 213 151 26

HSL 40.11, 0.78%, 0.47%

LAB 66.79, 13.72, 66.82

 

CMYK 0 / 6 / 88 / 16

HEX #D5C91A

RGB 213 201 26

HSL 56.15, 0.78%, 0.47%

LAB 79.61, -12.53, 76.99

 

CMYK 0 / 51 / 88 / 45

HEX #8C4411

RGB 140 68 17

HSL 24.88, 0.78%, 0.31%

LAB 37.39, 27.38, 41.79

 

CMYK 0 / 51 / 88 / 31

HEX #B15616

RGB 177 86 22

HSL 24.77, 0.78%, 0.39%

LAB 47.05, 33.36, 50.25

 

CMYK 0 / 51 / 88 / 16

HEX #D5681A

RGB 213 104 26

HSL 25.03, 0.78%, 0.47%

LAB 56.21, 38.67, 58.48

 

CMYK 0 / 46 / 78 / 10

HEX #E67D33

RGB 230 125 51

HSL 24.8, 0.78%, 0.55%

LAB 63.12, 35.42, 55.84

 

CMYK 0 / 36 / 62 / 8

HEX #EA9558

RGB 234 149 88

HSL 25.07, 0.78%, 0.63%

LAB 69.25, 26.36, 44.98

 

CMYK 0 / 51 / 88 / 17

HEX #D4671A

RGB 212 103 26

HSL 24.84, 0.78%, 0.47%

LAB 55.86, 38.78, 58.14

 

CMYK 53 / 0 / 88 / 16

HEX #65D51A

RGB 101 213 26

HSL 95.94, 0.78%, 0.47%

LAB 76.33, -60.04, 71.55

 

CMYK 88 / 88 / 0 / 16

HEX #1A1AD5

RGB 26 26 213

HSL 240, 0.78%, 0.47%

LAB 28.81, 63.2, -89.75

 

CMYK 0 / 51 / 88 / 17

HEX #D4671A

RGB 212 103 26

HSL 24.84, 0.78%, 0.47%

LAB 55.86, 38.78, 58.14

 

CMYK 88 / 0 / 53 / 16

HEX #1AD565

RGB 26 213 101

HSL 144.06, 0.78%, 0.47%

LAB 75.29, -66.58, 43.11

 

CMYK 53 / 88 / 0 / 16

HEX #651AD5

RGB 101 26 213

HSL 264.06, 0.78%, 0.47%

LAB 34.62, 67.59, -79.93

 

CMYK 0 / 51 / 88 / 17

HEX #D4671A

RGB 212 103 26

HSL 24.84, 0.78%, 0.47%

LAB 55.86, 38.78, 58.14

 

CMYK 53 / 0 / 88 / 16

HEX #65D51A

RGB 101 213 26

HSL 95.94, 0.78%, 0.47%

LAB 76.33, -60.04, 71.55

 

CMYK 88 / 35 / 0 / 16

HEX #1A8BD5

RGB 26 139 213

HSL 203.74, 0.78%, 0.47%

LAB 55.57, -3.05, -46.15

 

CMYK 35 / 88 / 0 / 16

HEX #8B1AD5

RGB 139 26 213

HSL 276.26, 0.78%, 0.47%

LAB 39.63, 71.9, -71.5

 

CMYK 0 / 51 / 88 / 17

HEX #D4671A

RGB 212 103 26

HSL 24.84, 0.78%, 0.47%

LAB 55.86, 38.78, 58.14

 

CMYK 79 / 0 / 88 / 16

HEX #2DD51A

RGB 45 213 26

HSL 113.9, 0.78%, 0.47%

LAB 74.96, -71.46, 69.83

 

CMYK 88 / 35 / 0 / 16

HEX #1A8BD5

RGB 26 139 213

HSL 203.74, 0.78%, 0.47%

LAB 55.57, -3.05, -46.15

 

CMYK 8 / 88 / 0 / 16

HEX #C31AD5

RGB 195 26 213

HSL 294.22, 0.78%, 0.47%

LAB 48.44, 80.22, -56.79

 

Description

Color code: RGB 212 103 26 | qconv.com Color code: RGB 212 103 26 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 103 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 103 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 88 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 88% 17% C M Y K

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Provide designers and agencies with accurate color values.

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