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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 103 219 it is the complementary color RGB 43 152 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 103 219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 103 219 shade: RGB 217 103 214, RGB 234 121 233, RGB 251 139 252, RGB 255 157 255 and RGB 255 175 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 103 219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 103 219 shade: RGB 212 103 219, RGB 195 85 200, RGB 178 67 181, RGB 161 49 162 and RGB 144 31 143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 103 219 shade: RGB 212 102 219, RGB 219 102 195, RGB 219 102 163, RGB 219 102 132 and RGB 219 102 102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 103 219 shade: RGB 212 102 219, RGB 181 102 219, RGB 149 102 219, RGB 117 102 219 and RGB 102 102 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 103 219 shade matches the following richer shades: RGB 212 102 219, RGB 226 87 234 and RGB 239 72 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 103 219 shade: RGB 212 102 219, RGB 199 117 204, RGB 185 133 189, RGB 172 148 173 and RGB 158 163 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 103 219 shade: RGB 149 102 219, RGB 180 102 219, RGB 211 102 219, RGB 219 102 196 and RGB 219 102 165

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 103 219 shade: RGB 184 45 193, RGB 203 69 211, RGB 212 102 219, RGB 221 136 227 and RGB 231 169 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 103 219 shade: RGB 212 103 219, RGB 219 118 102 and RGB 102 219 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 103 219 shade: RGB 212 103 219, RGB 219 211 102 and RGB 102 219 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 103 219 shade: RGB 212 103 219, RGB 219 118 102, RGB 110 219 102 and RGB 102 204 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 103 219 shade: RGB 212 103 219, RGB 219 153 102, RGB 110 219 102 and RGB 102 168 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 53 / 0 / 14

HEX #D467DB

RGB 212 103 219

HSL 296.38, 0.62%, 0.63%

LAB 60.62, 58.85, -40.7

 

Complementary color

CMYK 72 / 0 / 76 / 40

HEX #2B9824

RGB 43 152 36

HSL 116.38, 0.62%, 0.37%

LAB 55.17, -52.22, 48.93

 

CMYK 0 / 53 / 1 / 15

HEX #D967D6

RGB 217 103 214

HSL 301.58, 0.6%, 0.63%

LAB 61.05, 59.31, -37.16

 

CMYK 0 / 48 / 0 / 8

HEX #EA79E9

RGB 234 121 233

HSL 300.53, 0.73%, 0.7%

LAB 67.31, 58.74, -37.81

 

CMYK 0 / 45 / 0 / 1

HEX #FB8BFC

RGB 251 139 252

HSL 299.47, 0.95%, 0.77%

LAB 73.55, 58.09, -38.36

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 3 / 53 / 0 / 14

HEX #D467DB

RGB 212 103 219

HSL 296.38, 0.62%, 0.63%

LAB 60.62, 58.85, -40.7

 

CMYK 3 / 58 / 0 / 22

HEX #C355C8

RGB 195 85 200

HSL 297.39, 0.51%, 0.56%

LAB 54.31, 59.3, -40

 

CMYK 2 / 63 / 0 / 29

HEX #B243B5

RGB 178 67 181

HSL 298.42, 0.46%, 0.49%

LAB 48.03, 59.5, -39.08

 

CMYK 1 / 70 / 0 / 36

HEX #A131A2

RGB 161 49 162

HSL 299.47, 0.54%, 0.41%

LAB 41.82, 59.25, -37.83

 

CMYK 0 / 78 / 1 / 44

HEX #901F8F

RGB 144 31 143

HSL 300.53, 0.65%, 0.34%

LAB 35.78, 58.26, -36.09

 

CMYK 3 / 53 / 0 / 14

HEX #D466DB

RGB 212 102 219

HSL 296.41, 0.62%, 0.63%

LAB 60.44, 59.32, -40.97

 

CMYK 0 / 53 / 11 / 14

HEX #DB66C3

RGB 219 102 195

HSL 312.31, 0.62%, 0.63%

LAB 60.34, 57.19, -27.49

 

CMYK 0 / 53 / 26 / 14

HEX #DB66A3

RGB 219 102 163

HSL 328.72, 0.62%, 0.63%

LAB 59.17, 52.49, -10.92

 

CMYK 0 / 53 / 40 / 14

HEX #DB6684

RGB 219 102 132

HSL 344.62, 0.62%, 0.63%

LAB 58.25, 48.7, 5.75

 

CMYK 0 / 53 / 53 / 14

HEX #DB6666

RGB 219 102 102

HSL 0, 0.62%, 0.63%

LAB 57.58, 45.82, 22.25

 

CMYK 3 / 53 / 0 / 14

HEX #D466DB

RGB 212 102 219

HSL 296.41, 0.62%, 0.63%

LAB 60.44, 59.32, -40.97

 

CMYK 17 / 53 / 0 / 14

HEX #B566DB

RGB 181 102 219

HSL 280.51, 0.62%, 0.63%

LAB 56.53, 51.13, -47.41

 

CMYK 32 / 53 / 0 / 14

HEX #9566DB

RGB 149 102 219

HSL 264.1, 0.62%, 0.63%

LAB 52.96, 42.95, -53.31

 

CMYK 47 / 53 / 0 / 14

HEX #7566DB

RGB 117 102 219

HSL 247.69, 0.62%, 0.63%

LAB 49.98, 35.44, -58.25

 

CMYK 53 / 53 / 0 / 14

HEX #6666DB

RGB 102 102 219

HSL 240, 0.62%, 0.63%

LAB 48.81, 32.29, -60.18

 

CMYK 3 / 53 / 0 / 14

HEX #D466DB

RGB 212 102 219

HSL 296.41, 0.62%, 0.63%

LAB 60.44, 59.32, -40.97

 

CMYK 3 / 63 / 0 / 8

HEX #E257EA

RGB 226 87 234

HSL 296.73, 0.78%, 0.63%

LAB 60.72, 71.94, -48.81

 

CMYK 4 / 71 / 0 / 2

HEX #EF48FA

RGB 239 72 250

HSL 296.29, 0.95%, 0.63%

LAB 61.56, 82.79, -56.25

 

CMYK 3 / 53 / 0 / 14

HEX #D466DB

RGB 212 102 219

HSL 296.41, 0.62%, 0.63%

LAB 60.44, 59.32, -40.97

 

CMYK 2 / 43 / 0 / 20

HEX #C775CC

RGB 199 117 204

HSL 296.55, 0.46%, 0.63%

LAB 60.98, 45.41, -31.81

 

CMYK 2 / 30 / 0 / 26

HEX #B985BD

RGB 185 133 189

HSL 295.71, 0.3%, 0.63%

LAB 62.31, 29.45, -21.42

 

CMYK 1 / 14 / 0 / 32

HEX #AC94AD

RGB 172 148 173

HSL 297.6, 0.13%, 0.63%

LAB 64.13, 13.47, -9.75

 

CMYK 3 / 0 / 3 / 36

HEX #9EA39E

RGB 158 163 158

HSL 120, 0.03%, 0.63%

LAB 66.47, -2.74, 1.96

 

CMYK 32 / 53 / 0 / 14

HEX #9566DB

RGB 149 102 219

HSL 264.1, 0.62%, 0.63%

LAB 52.96, 42.95, -53.31

 

CMYK 18 / 53 / 0 / 14

HEX #B466DB

RGB 180 102 219

HSL 280, 0.62%, 0.63%

LAB 56.41, 50.86, -47.61

 

CMYK 4 / 53 / 0 / 14

HEX #D366DB

RGB 211 102 219

HSL 295.9, 0.62%, 0.63%

LAB 60.31, 59.05, -41.19

 

CMYK 0 / 53 / 11 / 14

HEX #DB66C4

RGB 219 102 196

HSL 311.79, 0.62%, 0.63%

LAB 60.38, 57.35, -27.99

 

CMYK 0 / 53 / 25 / 14

HEX #DB66A5

RGB 219 102 165

HSL 327.69, 0.62%, 0.63%

LAB 59.23, 52.77, -11.98

 

CMYK 5 / 77 / 0 / 24

HEX #B82DC1

RGB 184 45 193

HSL 296.35, 0.62%, 0.47%

LAB 46.87, 70.71, -47.87

 

CMYK 4 / 67 / 0 / 17

HEX #CB45D3

RGB 203 69 211

HSL 296.62, 0.62%, 0.55%

LAB 53.66, 69.74, -47.24

 

CMYK 3 / 53 / 0 / 14

HEX #D466DB

RGB 212 102 219

HSL 296.41, 0.62%, 0.63%

LAB 60.44, 59.32, -40.97

 

CMYK 3 / 40 / 0 / 11

HEX #DD88E3

RGB 221 136 227

HSL 296.04, 0.62%, 0.71%

LAB 68.41, 46.39, -32.92

 

CMYK 2 / 28 / 0 / 8

HEX #E7A9EB

RGB 231 169 235

HSL 296.36, 0.62%, 0.79%

LAB 76.9, 33.53, -24.16

 

CMYK 3 / 53 / 0 / 14

HEX #D467DB

RGB 212 103 219

HSL 296.38, 0.62%, 0.63%

LAB 60.62, 58.85, -40.7

 

CMYK 0 / 46 / 53 / 14

HEX #DB7666

RGB 219 118 102

HSL 8.21, 0.62%, 0.63%

LAB 60.76, 37.77, 26.46

 

CMYK 53 / 0 / 25 / 14

HEX #66DBA5

RGB 102 219 165

HSL 152.31, 0.62%, 0.63%

LAB 79.73, -45.58, 16.67

 

CMYK 3 / 53 / 0 / 14

HEX #D467DB

RGB 212 103 219

HSL 296.38, 0.62%, 0.63%

LAB 60.62, 58.85, -40.7

 

CMYK 0 / 4 / 53 / 14

HEX #DBD366

RGB 219 211 102

HSL 55.9, 0.62%, 0.63%

LAB 83.24, -11.32, 54.16

 

CMYK 53 / 0 / 4 / 14

HEX #66DBD3

RGB 102 219 211

HSL 175.9, 0.62%, 0.63%

LAB 80.84, -34.88, -6.15

 

CMYK 3 / 53 / 0 / 14

HEX #D467DB

RGB 212 103 219

HSL 296.38, 0.62%, 0.63%

LAB 60.62, 58.85, -40.7

 

CMYK 0 / 46 / 53 / 14

HEX #DB7666

RGB 219 118 102

HSL 8.21, 0.62%, 0.63%

LAB 60.76, 37.77, 26.46

 

CMYK 50 / 0 / 53 / 14

HEX #6EDB66

RGB 110 219 102

HSL 115.9, 0.62%, 0.63%

LAB 79.01, -54.01, 47.57

 

CMYK 53 / 7 / 0 / 14

HEX #66CCDB

RGB 102 204 219

HSL 187.69, 0.62%, 0.63%

LAB 76.75, -25.55, -16.54

 

CMYK 3 / 53 / 0 / 14

HEX #D467DB

RGB 212 103 219

HSL 296.38, 0.62%, 0.63%

LAB 60.62, 58.85, -40.7

 

CMYK 0 / 30 / 53 / 14

HEX #DB9966

RGB 219 153 102

HSL 26.15, 0.62%, 0.63%

LAB 68.61, 19.16, 36.53

 

CMYK 50 / 0 / 53 / 14

HEX #6EDB66

RGB 110 219 102

HSL 115.9, 0.62%, 0.63%

LAB 79.01, -54.01, 47.57

 

CMYK 53 / 23 / 0 / 14

HEX #66A8DB

RGB 102 168 219

HSL 206.15, 0.62%, 0.63%

LAB 66.48, -6.7, -32.25

 

Description

Color code: RGB 212 103 219 | qconv.com Color code: RGB 212 103 219 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 103 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 103 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 53 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 53% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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