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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212.3 108.4 154 it is the complementary color RGB 42.7 146.6 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212.3 108.4 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212.3 108.4 154 shade: RGB 217.3 108.4 149, RGB 234.3 126.4 168, RGB 251.3 144.4 187, RGB 255 162.4 206 and RGB 255 180.4 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212.3 108.4 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212.3 108.4 154 shade: RGB 212.3 108.4 154, RGB 195.3 90.4 135, RGB 178.3 72.4 116, RGB 161.3 54.4 97 and RGB 144.3 36.4 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212.3 108.4 154 shade: RGB 213 109 154, RGB 213 109 126 and RGB 213 109 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212.3 108.4 154 shade: RGB 213 109 154, RGB 213 109 182, RGB 213 109 210, RGB 187 109 213 and RGB 159 109 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212.3 108.4 154 shade matches the following richer shades: RGB 213 109 154, RGB 228 93 152 and RGB 243 78 151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212.3 108.4 154 shade: RGB 213 109 154, RGB 197 124 156, RGB 182 139 158, RGB 167 155 160 and RGB 151 170 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212.3 108.4 154 shade: RGB 213 109 211, RGB 213 109 183, RGB 213 109 155, RGB 213 109 128 and RGB 213 117 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212.3 108.4 154 shade: RGB 185 54 111, RGB 203 77 132, RGB 213 109 154, RGB 222 141 176 and RGB 231 173 198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212.3 108.4 154 shade: RGB 212.3 108.4 154, RGB 213 187 109 and RGB 109 197 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212.3 108.4 154 shade: RGB 212.3 108.4 154, RGB 155 213 109 and RGB 109 155 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212.3 108.4 154 shade: RGB 212.3 108.4 154, RGB 213 187 109, RGB 109 213 166 and RGB 109 135 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212.3 108.4 154 shade: RGB 212.3 108.4 154, RGB 207 213 109, RGB 109 213 166 and RGB 114 109 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 27 / 17

HEX #D46C9A

RGB 212.3 108.4 154

HSL 333.67, 0.55%, 0.63%

LAB 59.14, 45.97, -5.85

 

Complementary color

CMYK 71 / 0 / 31 / 43

HEX #2A9265

RGB 42.7 146.6 101

HSL 153.67, 0.55%, 0.37%

LAB 54.23, -40.52, 15.82

 

CMYK 0 / 50 / 31 / 15

HEX #D96C95

RGB 217.3 108.4 149

HSL 337.63, 0.59%, 0.64%

LAB 59.69, 47, -2.08

 

CMYK 0 / 46 / 28 / 8

HEX #EA7EA8

RGB 234.3 126.4 168

HSL 336.87, 0.72%, 0.71%

LAB 66.05, 46.17, -3.32

 

CMYK 0 / 43 / 26 / 1

HEX #FB90BB

RGB 251.3 144.4 187

HSL 336.09, 0.94%, 0.78%

LAB 72.38, 45.34, -4.4

 

CMYK 0 / 36 / 19 / 0

HEX #FFA2CE

RGB 255 162.4 206

HSL 331.75, 1%, 0.82%

LAB 77.1, 40.06, -7.82

 

CMYK 0 / 29 / 12 / 0

HEX #FFB4E1

RGB 255 180.4 225

HSL 324.13, 1%, 0.85%

LAB 81.57, 33.63, -11.47

 

CMYK 0 / 49 / 27 / 17

HEX #D46C9A

RGB 212.3 108.4 154

HSL 333.67, 0.55%, 0.63%

LAB 59.14, 45.97, -5.85

 

CMYK 0 / 54 / 31 / 23

HEX #C35A87

RGB 195.3 90.4 135

HSL 334.49, 0.47%, 0.56%

LAB 52.7, 46.75, -4.54

 

CMYK 0 / 59 / 35 / 30

HEX #B24874

RGB 178.3 72.4 116

HSL 335.3, 0.42%, 0.49%

LAB 46.24, 47.41, -2.95

 

CMYK 0 / 66 / 40 / 37

HEX #A13661

RGB 161.3 54.4 97

HSL 336.09, 0.5%, 0.42%

LAB 39.83, 47.84, -0.95

 

CMYK 0 / 75 / 46 / 43

HEX #90244E

RGB 144.3 36.4 78

HSL 336.87, 0.6%, 0.35%

LAB 33.55, 47.78, 1.67

 

CMYK 0 / 49 / 28 / 16

HEX #D56D9A

RGB 213 109 154

HSL 334.04, 0.55%, 0.63%

LAB 59.36, 45.91, -5.52

 

CMYK 0 / 49 / 41 / 16

HEX #D56D7E

RGB 213 109 126

HSL 350.19, 0.55%, 0.63%

LAB 58.59, 42.49, 9.6

 

CMYK 0 / 49 / 49 / 16

HEX #D56D6D

RGB 213 109 109

HSL 0, 0.55%, 0.63%

LAB 58.21, 40.76, 18.92

 

CMYK 0 / 49 / 28 / 16

HEX #D56D9A

RGB 213 109 154

HSL 334.04, 0.55%, 0.63%

LAB 59.36, 45.91, -5.52

 

CMYK 0 / 49 / 15 / 16

HEX #D56DB6

RGB 213 109 182

HSL 317.88, 0.55%, 0.63%

LAB 60.3, 49.98, -20.2

 

CMYK 0 / 49 / 1 / 16

HEX #D56DD2

RGB 213 109 210

HSL 301.73, 0.55%, 0.63%

LAB 61.43, 54.64, -34.36

 

CMYK 12 / 49 / 0 / 16

HEX #BB6DD5

RGB 187 109 213

HSL 285, 0.55%, 0.63%

LAB 58.33, 47.88, -41.14

 

CMYK 25 / 49 / 0 / 16

HEX #9F6DD5

RGB 159 109 213

HSL 268.85, 0.55%, 0.63%

LAB 55.19, 40.18, -46.3

 

CMYK 0 / 49 / 28 / 16

HEX #D56D9A

RGB 213 109 154

HSL 334.04, 0.55%, 0.63%

LAB 59.36, 45.91, -5.52

 

CMYK 0 / 59 / 33 / 11

HEX #E45D98

RGB 228 93 152

HSL 333.78, 0.71%, 0.63%

LAB 58.59, 58.03, -5.25

 

CMYK 0 / 68 / 38 / 5

HEX #F34E97

RGB 243 78 151

HSL 333.45, 0.87%, 0.63%

LAB 58.73, 68.37, -4.2

 

CMYK 0 / 49 / 28 / 16

HEX #D56D9A

RGB 213 109 154

HSL 334.04, 0.55%, 0.63%

LAB 59.36, 45.91, -5.52

 

CMYK 0 / 37 / 21 / 23

HEX #C57C9C

RGB 197 124 156

HSL 333.7, 0.39%, 0.63%

LAB 60.5, 32.79, -5.21

 

CMYK 0 / 24 / 13 / 29

HEX #B68B9E

RGB 182 139 158

HSL 333.49, 0.23%, 0.63%

LAB 62.41, 19.39, -3.73

 

CMYK 0 / 7 / 4 / 35

HEX #A79BA0

RGB 167 155 160

HSL 335, 0.06%, 0.63%

LAB 65.12, 5.3, -1.03

 

CMYK 11 / 0 / 5 / 33

HEX #97AAA2

RGB 151 170 162

HSL 154.74, 0.1%, 0.63%

LAB 67.97, -8.21, 1.87

 

CMYK 0 / 49 / 1 / 16

HEX #D56DD3

RGB 213 109 211

HSL 301.15, 0.55%, 0.63%

LAB 61.47, 54.81, -34.85

 

CMYK 0 / 49 / 14 / 16

HEX #D56DB7

RGB 213 109 183

HSL 317.31, 0.55%, 0.63%

LAB 60.34, 50.14, -20.72

 

CMYK 0 / 49 / 27 / 16

HEX #D56D9B

RGB 213 109 155

HSL 333.46, 0.55%, 0.63%

LAB 59.39, 46.04, -6.05

 

CMYK 0 / 49 / 40 / 16

HEX #D56D80

RGB 213 109 128

HSL 349.04, 0.55%, 0.63%

LAB 58.64, 42.71, 8.51

 

CMYK 0 / 45 / 49 / 16

HEX #D5756D

RGB 213 117 109

HSL 4.62, 0.55%, 0.63%

LAB 59.86, 36.64, 21.16

 

CMYK 0 / 71 / 40 / 27

HEX #B9366F

RGB 185 54 111

HSL 333.89, 0.55%, 0.47%

LAB 44.38, 56.64, -2.5

 

CMYK 0 / 62 / 35 / 20

HEX #CB4D84

RGB 203 77 132

HSL 333.81, 0.55%, 0.55%

LAB 51.46, 55.04, -4.45

 

CMYK 0 / 49 / 28 / 16

HEX #D56D9A

RGB 213 109 154

HSL 334.04, 0.55%, 0.63%

LAB 59.36, 45.91, -5.52

 

CMYK 0 / 36 / 21 / 13

HEX #DE8DB0

RGB 222 141 176

HSL 334.07, 0.55%, 0.71%

LAB 67.81, 35.5, -5.41

 

CMYK 0 / 25 / 14 / 9

HEX #E7ADC6

RGB 231 173 198

HSL 334.14, 0.55%, 0.79%

LAB 76.65, 24.96, -4.41

 

CMYK 0 / 49 / 27 / 17

HEX #D46C9A

RGB 212.3 108.4 154

HSL 333.67, 0.55%, 0.63%

LAB 59.14, 45.97, -5.85

 

CMYK 0 / 12 / 49 / 16

HEX #D5BB6D

RGB 213 187 109

HSL 45, 0.55%, 0.63%

LAB 76.55, -0.84, 42.67

 

CMYK 49 / 8 / 0 / 16

HEX #6DC5D5

RGB 109 197 213

HSL 189.23, 0.55%, 0.63%

LAB 74.82, -22.2, -16.19

 

CMYK 0 / 49 / 27 / 17

HEX #D46C9A

RGB 212.3 108.4 154

HSL 333.67, 0.55%, 0.63%

LAB 59.14, 45.97, -5.85

 

CMYK 27 / 0 / 49 / 16

HEX #9BD56D

RGB 155 213 109

HSL 93.46, 0.55%, 0.63%

LAB 79.42, -36.38, 45.24

 

CMYK 49 / 27 / 0 / 16

HEX #6D9BD5

RGB 109 155 213

HSL 213.46, 0.55%, 0.63%

LAB 62.93, 0.38, -34.41

 

CMYK 0 / 49 / 27 / 17

HEX #D46C9A

RGB 212.3 108.4 154

HSL 333.67, 0.55%, 0.63%

LAB 59.14, 45.97, -5.85

 

CMYK 0 / 12 / 49 / 16

HEX #D5BB6D

RGB 213 187 109

HSL 45, 0.55%, 0.63%

LAB 76.55, -0.84, 42.67

 

CMYK 49 / 0 / 22 / 16

HEX #6DD5A6

RGB 109 213 166

HSL 152.88, 0.55%, 0.63%

LAB 78.22, -41.11, 14.06

 

CMYK 49 / 37 / 0 / 16

HEX #6D87D5

RGB 109 135 213

HSL 225, 0.55%, 0.63%

LAB 57.45, 12.02, -42.99

 

CMYK 0 / 49 / 27 / 17

HEX #D46C9A

RGB 212.3 108.4 154

HSL 333.67, 0.55%, 0.63%

LAB 59.14, 45.97, -5.85

 

CMYK 3 / 0 / 49 / 16

HEX #CFD56D

RGB 207 213 109

HSL 63.46, 0.55%, 0.63%

LAB 82.89, -16.57, 50.24

 

CMYK 49 / 0 / 22 / 16

HEX #6DD5A6

RGB 109 213 166

HSL 152.88, 0.55%, 0.63%

LAB 78.22, -41.11, 14.06

 

CMYK 46 / 49 / 0 / 16

HEX #726DD5

RGB 114 109 213

HSL 242.88, 0.55%, 0.63%

LAB 51.06, 28.81, -53.12

 

Description

Color code: RGB 212.3 108.4 154 | qconv.com Color code: RGB 212.3 108.4 154 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212.3 red, 108.4 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212.3 108.4 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 27 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 27% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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