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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212.1 54.8 77 it is the complementary color RGB 42.9 200.2 178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212.1 54.8 77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212.1 54.8 77 shade: RGB 217.1 54.8 72, RGB 234.1 72.8 91, RGB 251.1 90.8 110, RGB 255 108.8 129 and RGB 255 126.8 148

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212.1 54.8 77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212.1 54.8 77 shade: RGB 212.1 54.8 77, RGB 195.1 36.8 58, RGB 178.1 18.8 39, RGB 161.1 0.8 20 and RGB 144.1 0 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212.1 54.8 77 shade: RGB 212 53 76 and RGB 212 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212.1 54.8 77 shade: RGB 212 53 76, RGB 212 53 118, RGB 212 53 161, RGB 212 53 204 and RGB 177 53 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212.1 54.8 77 shade matches the following richer shades: RGB 212 53 76, RGB 232 33 61 and RGB 252 13 47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212.1 54.8 77 shade: RGB 212 53 76, RGB 192 73 90, RGB 173 93 104, RGB 153 112 118 and RGB 133 132 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212.1 54.8 77 shade: RGB 212 53 162, RGB 212 53 119, RGB 212 53 77, RGB 212 72 53 and RGB 212 114 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212.1 54.8 77 shade: RGB 151 32 49, RGB 185 39 60, RGB 212 53 76, RGB 219 87 106 and RGB 227 121 136

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212.1 54.8 77 shade: RGB 212.1 54.8 77, RGB 204 212 53 and RGB 53 141 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212.1 54.8 77 shade: RGB 212.1 54.8 77, RGB 77 212 53 and RGB 53 77 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212.1 54.8 77 shade: RGB 212.1 54.8 77, RGB 204 212 53, RGB 53 212 188 and RGB 61 53 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212.1 54.8 77 shade: RGB 212.1 54.8 77, RGB 156 212 53, RGB 53 212 188 and RGB 109 53 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 64 / 17

HEX #D4364D

RGB 212.1 54.8 77

HSL 351.53, 0.65%, 0.52%

LAB 48.59, 61.57, 24.96

 

Complementary color

CMYK 79 / 0 / 11 / 21

HEX #2AC8B2

RGB 42.9 200.2 178

HSL 171.53, 0.65%, 0.48%

LAB 72.98, -44.11, -0.13

 

CMYK 0 / 75 / 67 / 15

HEX #D93648

RGB 217.1 54.8 72

HSL 353.64, 0.68%, 0.53%

LAB 49.43, 62.77, 29.22

 

CMYK 0 / 69 / 61 / 8

HEX #EA485B

RGB 234.1 72.8 91

HSL 353.23, 0.79%, 0.6%

LAB 55.08, 62.7, 25.8

 

CMYK 0 / 64 / 56 / 2

HEX #FB5A6E

RGB 251.1 90.8 110

HSL 352.81, 0.95%, 0.67%

LAB 60.87, 62.24, 22.92

 

CMYK 0 / 57 / 49 / 0

HEX #FF6C81

RGB 255 108.8 129

HSL 351.71, 1%, 0.71%

LAB 64.76, 57.28, 17.4

 

CMYK 0 / 50 / 42 / 0

HEX #FF7E94

RGB 255 126.8 148

HSL 350.08, 1%, 0.75%

LAB 68.41, 50.68, 11.73

 

CMYK 0 / 74 / 64 / 17

HEX #D4364D

RGB 212.1 54.8 77

HSL 351.53, 0.65%, 0.52%

LAB 48.59, 61.57, 24.96

 

CMYK 0 / 81 / 70 / 23

HEX #C3243A

RGB 195.1 36.8 58

HSL 351.96, 0.68%, 0.45%

LAB 43.11, 61.03, 28.91

 

CMYK 0 / 89 / 78 / 30

HEX #B21227

RGB 178.1 18.8 39

HSL 352.39, 0.81%, 0.39%

LAB 37.99, 59.53, 33.6

 

CMYK 0 / 100 / 88 / 37

HEX #A10014

RGB 161.1 0.8 20

HSL 352.81, 0.99%, 0.32%

LAB 33.25, 57.01, 38.56

 

CMYK 0 / 100 / 99 / 43

HEX #900001

RGB 144.1 0 1

HSL 359.58, 1%, 0.28%

LAB 29.26, 52.38, 42.33

 

CMYK 0 / 75 / 64 / 17

HEX #D4354C

RGB 212 53 76

HSL 351.32, 0.65%, 0.52%

LAB 48.34, 62.07, 25.24

 

CMYK 0 / 75 / 75 / 17

HEX #D43535

RGB 212 53 53

HSL 0, 0.65%, 0.52%

LAB 48.01, 60.97, 38.36

 

CMYK 0 / 75 / 64 / 17

HEX #D4354C

RGB 212 53 76

HSL 351.32, 0.65%, 0.52%

LAB 48.34, 62.07, 25.24

 

CMYK 0 / 75 / 44 / 17

HEX #D43576

RGB 212 53 118

HSL 335.47, 0.65%, 0.52%

LAB 49.32, 65.19, 1.02

 

CMYK 0 / 75 / 24 / 17

HEX #D435A1

RGB 212 53 161

HSL 319.25, 0.65%, 0.52%

LAB 50.82, 69.86, -22.53

 

CMYK 0 / 75 / 4 / 17

HEX #D435CC

RGB 212 53 204

HSL 303.02, 0.65%, 0.52%

LAB 52.84, 75.83, -44.44

 

CMYK 17 / 75 / 0 / 17

HEX #B135D4

RGB 177 53 212

HSL 286.79, 0.65%, 0.52%

LAB 47.81, 70.19, -57.38

 

CMYK 0 / 75 / 64 / 17

HEX #D4354C

RGB 212 53 76

HSL 351.32, 0.65%, 0.52%

LAB 48.34, 62.07, 25.24

 

CMYK 0 / 86 / 74 / 9

HEX #E8213D

RGB 232 33 61

HSL 351.56, 0.81%, 0.52%

LAB 50.19, 71.92, 37.29

 

CMYK 0 / 95 / 81 / 1

HEX #FC0D2F

RGB 252 13 47

HSL 351.46, 0.98%, 0.52%

LAB 53.16, 79.1, 49.43

 

CMYK 0 / 75 / 64 / 17

HEX #D4354C

RGB 212 53 76

HSL 351.32, 0.65%, 0.52%

LAB 48.34, 62.07, 25.24

 

CMYK 0 / 62 / 53 / 25

HEX #C0495A

RGB 192 73 90

HSL 351.43, 0.49%, 0.52%

LAB 47.89, 49.04, 15.54

 

CMYK 0 / 46 / 40 / 32

HEX #AD5D68

RGB 173 93 104

HSL 351.75, 0.33%, 0.52%

LAB 49.15, 33.67, 8.41

 

CMYK 0 / 27 / 23 / 40

HEX #997076

RGB 153 112 118

HSL 351.22, 0.17%, 0.52%

LAB 51.46, 17.15, 3.07

 

CMYK 0 / 1 / 1 / 48

HEX #858484

RGB 133 132 132

HSL 0, 0%, 0.52%

LAB 55.23, 0.38, 0.13

 

CMYK 0 / 75 / 24 / 17

HEX #D435A2

RGB 212 53 162

HSL 318.87, 0.65%, 0.52%

LAB 50.86, 69.99, -23.06

 

CMYK 0 / 75 / 44 / 17

HEX #D43577

RGB 212 53 119

HSL 335.09, 0.65%, 0.52%

LAB 49.34, 65.29, 0.45

 

CMYK 0 / 75 / 64 / 17

HEX #D4354D

RGB 212 53 77

HSL 350.94, 0.65%, 0.52%

LAB 48.36, 62.13, 24.66

 

CMYK 0 / 66 / 75 / 17

HEX #D44835

RGB 212 72 53

HSL 7.17, 0.65%, 0.52%

LAB 50.56, 53.97, 41.15

 

CMYK 0 / 46 / 75 / 17

HEX #D47235

RGB 212 114 53

HSL 23.02, 0.65%, 0.52%

LAB 58.31, 33.98, 49.32

 

CMYK 0 / 79 / 68 / 41

HEX #972031

RGB 151 32 49

HSL 351.43, 0.65%, 0.36%

LAB 33.63, 49.06, 20.86

 

CMYK 0 / 79 / 68 / 27

HEX #B9273C

RGB 185 39 60

HSL 351.37, 0.65%, 0.44%

LAB 41.36, 57.63, 25.09

 

CMYK 0 / 75 / 64 / 17

HEX #D4354C

RGB 212 53 76

HSL 351.32, 0.65%, 0.52%

LAB 48.34, 62.07, 25.24

 

CMYK 0 / 60 / 52 / 14

HEX #DB576A

RGB 219 87 106

HSL 351.36, 0.65%, 0.6%

LAB 54.99, 53.16, 16.41

 

CMYK 0 / 47 / 40 / 11

HEX #E37988

RGB 227 121 136

HSL 351.51, 0.65%, 0.68%

LAB 63.16, 42.5, 10.59

 

CMYK 0 / 74 / 64 / 17

HEX #D4364D

RGB 212.1 54.8 77

HSL 351.53, 0.65%, 0.52%

LAB 48.59, 61.57, 24.96

 

CMYK 4 / 0 / 75 / 17

HEX #CCD435

RGB 204 212 53

HSL 63.02, 0.65%, 0.52%

LAB 81.94, -20.98, 71.92

 

CMYK 75 / 33 / 0 / 17

HEX #358DD4

RGB 53 141 212

HSL 206.79, 0.65%, 0.52%

LAB 56.64, -2.1, -43.86

 

CMYK 0 / 74 / 64 / 17

HEX #D4364D

RGB 212.1 54.8 77

HSL 351.53, 0.65%, 0.52%

LAB 48.59, 61.57, 24.96

 

CMYK 64 / 0 / 75 / 17

HEX #4DD435

RGB 77 212 53

HSL 110.94, 0.65%, 0.52%

LAB 75.4, -64.3, 63.4

 

CMYK 75 / 64 / 0 / 17

HEX #354DD4

RGB 53 77 212

HSL 230.94, 0.65%, 0.52%

LAB 39.27, 37.87, -71.83

 

CMYK 0 / 74 / 64 / 17

HEX #D4364D

RGB 212.1 54.8 77

HSL 351.53, 0.65%, 0.52%

LAB 48.59, 61.57, 24.96

 

CMYK 4 / 0 / 75 / 17

HEX #CCD435

RGB 204 212 53

HSL 63.02, 0.65%, 0.52%

LAB 81.94, -20.98, 71.92

 

CMYK 75 / 0 / 11 / 17

HEX #35D4BC

RGB 53 212 188

HSL 170.94, 0.65%, 0.52%

LAB 76.97, -45.47, 0.32

 

CMYK 71 / 75 / 0 / 17

HEX #3D35D4

RGB 61 53 212

HSL 243.02, 0.65%, 0.52%

LAB 34.58, 52.66, -79.53

 

CMYK 0 / 74 / 64 / 17

HEX #D4364D

RGB 212.1 54.8 77

HSL 351.53, 0.65%, 0.52%

LAB 48.59, 61.57, 24.96

 

CMYK 26 / 0 / 75 / 17

HEX #9CD435

RGB 156 212 53

HSL 81.13, 0.65%, 0.52%

LAB 78.7, -40.19, 67.73

 

CMYK 75 / 0 / 11 / 17

HEX #35D4BC

RGB 53 212 188

HSL 170.94, 0.65%, 0.52%

LAB 76.97, -45.47, 0.32

 

CMYK 49 / 75 / 0 / 17

HEX #6D35D4

RGB 109 53 212

HSL 261.13, 0.65%, 0.52%

LAB 38.81, 58.45, -72.41

 

Description

Color code: RGB 212.1 54.8 77 | qconv.com Color code: RGB 212.1 54.8 77 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212.1 red, 54.8 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212.1 54.8 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 64 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 64% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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