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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212.1 201 179 it is the complementary color RGB 42.9 54 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212.1 201 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212.1 201 179 shade: RGB 217.1 201 174, RGB 234.1 219 193, RGB 251.1 237 212, RGB 255 255 231 and RGB 255 255 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212.1 201 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212.1 201 179 shade: RGB 212.1 201 179, RGB 195.1 183 160, RGB 178.1 165 141, RGB 161.1 147 122 and RGB 144.1 129 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212.1 201 179 shade: RGB 213 202 180, RGB 213 193 180, RGB 213 184 180 and RGB 213 180 180

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212.1 201 179 shade: RGB 213 202 180, RGB 213 211 180, RGB 206 213 180, RGB 197 213 180 and RGB 188 213 180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212.1 201 179 shade matches the following richer shades: RGB 213 202 180, RGB 222 205 170, RGB 232 208 161, RGB 241 211 151 and RGB 251 214 142

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212.1 201 179 shade: RGB 213 202 180, RGB 203 199 189, RGB 194 196 199, RGB 184 192 208 and RGB 175 189 218

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212.1 201 179 shade: RGB 213 184 180, RGB 213 193 180, RGB 213 201 180, RGB 213 210 180 and RGB 207 213 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212.1 201 179 shade: RGB 183 164 127, RGB 198 183 154, RGB 213 202 180, RGB 228 220 206 and RGB 242 239 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212.1 201 179 shade: RGB 212.1 201 179, RGB 185 213 180 and RGB 188 180 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212.1 201 179 shade: RGB 212.1 201 179, RGB 180 213 201 and RGB 201 180 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212.1 201 179 shade: RGB 212.1 201 179, RGB 185 213 180, RGB 180 191 213 and RGB 208 180 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212.1 201 179 shade: RGB 212.1 201 179, RGB 180 213 185, RGB 180 191 213 and RGB 213 180 208

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 16 / 17

HEX #D4C9B3

RGB 212.1 201 179

HSL 39.88, 0.28%, 0.77%

LAB 81.31, 0.22, 12.38

 

Complementary color

CMYK 44 / 29 / 0 / 70

HEX #2A364C

RGB 42.9 54 76

HSL 219.88, 0.28%, 0.23%

LAB 22.55, 1.98, -14.98

 

CMYK 0 / 7 / 20 / 15

HEX #D9C9AE

RGB 217.1 201 174

HSL 37.59, 0.36%, 0.77%

LAB 81.62, 1.3, 15.53

 

CMYK 0 / 6 / 18 / 8

HEX #EADBC1

RGB 234.1 219 193

HSL 37.96, 0.5%, 0.84%

LAB 87.98, 1.02, 14.65

 

CMYK 0 / 6 / 16 / 2

HEX #FBEDD4

RGB 251.1 237 212

HSL 38.36, 0.83%, 0.91%

LAB 94.25, 0.76, 13.82

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE7

RGB 255 255 231

HSL 60, 1%, 0.95%

LAB 99.44, -4.01, 11.47

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFA

RGB 255 255 250

HSL 60, 1%, 0.99%

LAB 99.88, -0.86, 2.37

 

CMYK 0 / 5 / 16 / 17

HEX #D4C9B3

RGB 212.1 201 179

HSL 39.88, 0.28%, 0.77%

LAB 81.31, 0.22, 12.38

 

CMYK 0 / 6 / 18 / 23

HEX #C3B7A0

RGB 195.1 183 160

HSL 39.32, 0.23%, 0.7%

LAB 74.84, 0.48, 13.24

 

CMYK 0 / 7 / 21 / 30

HEX #B2A58D

RGB 178.1 165 141

HSL 38.81, 0.19%, 0.63%

LAB 68.25, 0.77, 14.16

 

CMYK 0 / 9 / 24 / 37

HEX #A1937A

RGB 161.1 147 122

HSL 38.36, 0.17%, 0.56%

LAB 61.53, 1.11, 15.15

 

CMYK 0 / 10 / 29 / 43

HEX #908167

RGB 144.1 129 103

HSL 37.96, 0.17%, 0.48%

LAB 54.68, 1.5, 16.21

 

CMYK 0 / 5 / 15 / 16

HEX #D5CAB4

RGB 213 202 180

HSL 40, 0.28%, 0.77%

LAB 81.67, 0.18, 12.35

 

CMYK 0 / 9 / 15 / 16

HEX #D5C1B4

RGB 213 193 180

HSL 23.64, 0.28%, 0.77%

LAB 79.37, 4.92, 9.09

 

CMYK 0 / 14 / 15 / 16

HEX #D5B8B4

RGB 213 184 180

HSL 7.27, 0.28%, 0.77%

LAB 77.11, 9.72, 5.85

 

CMYK 0 / 15 / 15 / 16

HEX #D5B4B4

RGB 213 180 180

HSL 0, 0.28%, 0.77%

LAB 76.12, 11.87, 4.42

 

CMYK 0 / 5 / 15 / 16

HEX #D5CAB4

RGB 213 202 180

HSL 40, 0.28%, 0.77%

LAB 81.67, 0.18, 12.35

 

CMYK 0 / 1 / 15 / 16

HEX #D5D3B4

RGB 213 211 180

HSL 56.36, 0.28%, 0.77%

LAB 83.98, -4.5, 15.62

 

CMYK 3 / 0 / 15 / 16

HEX #CED5B4

RGB 206 213 180

HSL 72.73, 0.28%, 0.77%

LAB 83.97, -8.06, 15.53

 

CMYK 8 / 0 / 15 / 16

HEX #C5D5B4

RGB 197 213 180

HSL 89.09, 0.28%, 0.77%

LAB 83.31, -11.27, 14.51

 

CMYK 12 / 0 / 15 / 16

HEX #BCD5B4

RGB 188 213 180

HSL 105.45, 0.28%, 0.77%

LAB 82.69, -14.42, 13.54

 

CMYK 0 / 5 / 15 / 16

HEX #D5CAB4

RGB 213 202 180

HSL 40, 0.28%, 0.77%

LAB 81.67, 0.18, 12.35

 

CMYK 0 / 8 / 23 / 13

HEX #DECDAA

RGB 222 205 170

HSL 40.38, 0.44%, 0.77%

LAB 82.96, 0.46, 19.59

 

CMYK 0 / 10 / 31 / 9

HEX #E8D0A1

RGB 232 208 161

HSL 39.72, 0.61%, 0.77%

LAB 84.4, 1.49, 26.43

 

CMYK 0 / 12 / 37 / 5

HEX #F1D397

RGB 241 211 151

HSL 40, 0.76%, 0.77%

LAB 85.77, 2.21, 33.57

 

CMYK 0 / 15 / 43 / 2

HEX #FBD68E

RGB 251 214 142

HSL 39.63, 0.93%, 0.77%

LAB 87.27, 3.63, 40.28

 

CMYK 0 / 5 / 15 / 16

HEX #D5CAB4

RGB 213 202 180

HSL 40, 0.28%, 0.77%

LAB 81.67, 0.18, 12.35

 

CMYK 0 / 2 / 7 / 20

HEX #CBC7BD

RGB 203 199 189

HSL 42.86, 0.12%, 0.77%

LAB 80.3, -0.37, 5.48

 

CMYK 3 / 2 / 0 / 22

HEX #C2C4C7

RGB 194 196 199

HSL 216, 0.04%, 0.77%

LAB 79.08, -0.13, -1.75

 

CMYK 12 / 8 / 0 / 18

HEX #B8C0D0

RGB 184 192 208

HSL 220, 0.2%, 0.77%

LAB 77.55, 0.42, -8.96

 

CMYK 20 / 13 / 0 / 15

HEX #AFBDDA

RGB 175 189 218

HSL 220.47, 0.37%, 0.77%

LAB 76.42, 1.28, -16.13

 

CMYK 0 / 14 / 15 / 16

HEX #D5B8B4

RGB 213 184 180

HSL 7.27, 0.28%, 0.77%

LAB 77.11, 9.72, 5.85

 

CMYK 0 / 9 / 15 / 16

HEX #D5C1B4

RGB 213 193 180

HSL 23.64, 0.28%, 0.77%

LAB 79.37, 4.92, 9.09

 

CMYK 0 / 6 / 15 / 16

HEX #D5C9B4

RGB 213 201 180

HSL 38.18, 0.28%, 0.77%

LAB 81.41, 0.7, 11.99

 

CMYK 0 / 1 / 15 / 16

HEX #D5D2B4

RGB 213 210 180

HSL 54.55, 0.28%, 0.77%

LAB 83.72, -3.98, 15.26

 

CMYK 3 / 0 / 15 / 16

HEX #CFD5B4

RGB 207 213 180

HSL 70.91, 0.28%, 0.77%

LAB 84.04, -7.7, 15.64

 

CMYK 0 / 10 / 31 / 28

HEX #B7A47F

RGB 183 164 127

HSL 39.64, 0.28%, 0.61%

LAB 68.13, 1.24, 21.76

 

CMYK 0 / 8 / 22 / 22

HEX #C6B79A

RGB 198 183 154

HSL 39.55, 0.28%, 0.69%

LAB 74.95, 0.67, 16.69

 

CMYK 0 / 5 / 15 / 16

HEX #D5CAB4

RGB 213 202 180

HSL 40, 0.28%, 0.77%

LAB 81.67, 0.18, 12.35

 

CMYK 0 / 4 / 10 / 11

HEX #E4DCCE

RGB 228 220 206

HSL 38.18, 0.29%, 0.85%

LAB 88.03, 0.36, 7.84

 

CMYK 0 / 1 / 4 / 5

HEX #F2EFE9

RGB 242 239 233

HSL 40, 0.26%, 0.93%

LAB 94.52, -0.03, 3.24

 

CMYK 0 / 5 / 16 / 17

HEX #D4C9B3

RGB 212.1 201 179

HSL 39.88, 0.28%, 0.77%

LAB 81.31, 0.22, 12.38

 

CMYK 13 / 0 / 15 / 16

HEX #B9D5B4

RGB 185 213 180

HSL 110.91, 0.28%, 0.77%

LAB 82.49, -15.46, 13.22

 

CMYK 12 / 15 / 0 / 16

HEX #BCB4D5

RGB 188 180 213

HSL 254.55, 0.28%, 0.77%

LAB 74.91, 9.25, -15.59

 

CMYK 0 / 5 / 16 / 17

HEX #D4C9B3

RGB 212.1 201 179

HSL 39.88, 0.28%, 0.77%

LAB 81.31, 0.22, 12.38

 

CMYK 15 / 0 / 6 / 16

HEX #B4D5C9

RGB 180 213 201

HSL 158.18, 0.28%, 0.77%

LAB 82.65, -13.27, 2.27

 

CMYK 6 / 15 / 0 / 16

HEX #C9B4D5

RGB 201 180 213

HSL 278.18, 0.28%, 0.77%

LAB 75.99, 13.54, -13.86

 

CMYK 0 / 5 / 16 / 17

HEX #D4C9B3

RGB 212.1 201 179

HSL 39.88, 0.28%, 0.77%

LAB 81.31, 0.22, 12.38

 

CMYK 13 / 0 / 15 / 16

HEX #B9D5B4

RGB 185 213 180

HSL 110.91, 0.28%, 0.77%

LAB 82.49, -15.46, 13.22

 

CMYK 15 / 10 / 0 / 16

HEX #B4BFD5

RGB 180 191 213

HSL 220, 0.28%, 0.77%

LAB 77.14, 0.7, -12.3

 

CMYK 2 / 15 / 0 / 16

HEX #D0B4D5

RGB 208 180 213

HSL 290.91, 0.28%, 0.77%

LAB 76.59, 15.89, -12.89

 

CMYK 0 / 5 / 16 / 17

HEX #D4C9B3

RGB 212.1 201 179

HSL 39.88, 0.28%, 0.77%

LAB 81.31, 0.22, 12.38

 

CMYK 15 / 0 / 13 / 16

HEX #B4D5B9

RGB 180 213 185

HSL 129.09, 0.28%, 0.77%

LAB 82.27, -16.28, 10.22

 

CMYK 15 / 10 / 0 / 16

HEX #B4BFD5

RGB 180 191 213

HSL 220, 0.28%, 0.77%

LAB 77.14, 0.7, -12.3

 

CMYK 0 / 15 / 2 / 16

HEX #D5B4D0

RGB 213 180 208

HSL 309.09, 0.28%, 0.77%

LAB 76.89, 16.66, -9.69

 

Description

Color code: RGB 212.1 201 179 | qconv.com Color code: RGB 212.1 201 179 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212.1 red, 201 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212.1 201 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 16 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 16% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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