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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212.1 144.8 178 it is the complementary color RGB 42.9 110.2 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212.1 144.8 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212.1 144.8 178 shade: RGB 217.1 144.8 173, RGB 234.1 162.8 192, RGB 251.1 180.8 211, RGB 255 198.8 230 and RGB 255 216.8 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212.1 144.8 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212.1 144.8 178 shade: RGB 212.1 144.8 178, RGB 195.1 126.8 159, RGB 178.1 108.8 140, RGB 161.1 90.8 121 and RGB 144.1 72.8 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212.1 144.8 178 shade: RGB 212 145 178, RGB 212 145 160 and RGB 212 145 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212.1 144.8 178 shade: RGB 212 145 178, RGB 212 145 196, RGB 210 145 212, RGB 192 145 212 and RGB 174 145 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212.1 144.8 178 shade matches the following richer shades: RGB 212 145 178, RGB 225 132 178, RGB 237 120 178 and RGB 249 108 178

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212.1 144.8 178 shade: RGB 212 145 178, RGB 200 157 178, RGB 187 170 178, RGB 175 182 179 and RGB 163 194 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212.1 144.8 178 shade: RGB 210 145 212, RGB 212 145 196, RGB 212 145 179, RGB 212 145 161 and RGB 212 147 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212.1 144.8 178 shade: RGB 189 85 137, RGB 201 115 157, RGB 212 145 178, RGB 224 175 199 and RGB 235 204 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212.1 144.8 178 shade: RGB 212.1 144.8 178, RGB 212 192 145 and RGB 145 205 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212.1 144.8 178 shade: RGB 212.1 144.8 178, RGB 179 212 145 and RGB 145 179 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212.1 144.8 178 shade: RGB 212.1 144.8 178, RGB 212 192 145, RGB 145 212 179 and RGB 145 165 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212.1 144.8 178 shade: RGB 212.1 144.8 178, RGB 212 212 145, RGB 145 212 179 and RGB 145 145 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 16 / 17

HEX #D490B2

RGB 212.1 144.8 178

HSL 330.4, 0.44%, 0.7%

LAB 67.59, 30.3, -6.98

 

Complementary color

CMYK 61 / 0 / 30 / 57

HEX #2A6E4D

RGB 42.9 110.2 77

HSL 150.4, 0.44%, 0.3%

LAB 41.6, -29.8, 12.3

 

CMYK 0 / 33 / 20 / 15

HEX #D990AD

RGB 217.1 144.8 173

HSL 336.6, 0.49%, 0.71%

LAB 68, 31.29, -3.51

 

CMYK 0 / 30 / 18 / 8

HEX #EAA2C0

RGB 234.1 162.8 192

HSL 335.43, 0.63%, 0.78%

LAB 74.47, 30.56, -4.3

 

CMYK 0 / 28 / 16 / 2

HEX #FBB4D3

RGB 251.1 180.8 211

HSL 334.22, 0.9%, 0.85%

LAB 80.85, 29.87, -5.04

 

CMYK 0 / 22 / 10 / 0

HEX #FFC6E6

RGB 255 198.8 230

HSL 326.69, 1%, 0.89%

LAB 85.87, 24.78, -7.74

 

CMYK 0 / 15 / 2 / 0

HEX #FFD8F9

RGB 255 216.8 249

HSL 309.42, 1%, 0.93%

LAB 90.61, 18.59, -10.75

 

CMYK 0 / 32 / 16 / 17

HEX #D490B2

RGB 212.1 144.8 178

HSL 330.4, 0.44%, 0.7%

LAB 67.59, 30.3, -6.98

 

CMYK 0 / 35 / 19 / 23

HEX #C37E9F

RGB 195.1 126.8 159

HSL 331.71, 0.36%, 0.63%

LAB 61, 31.05, -6.22

 

CMYK 0 / 39 / 21 / 30

HEX #B26C8C

RGB 178.1 108.8 140

HSL 332.99, 0.31%, 0.56%

LAB 54.31, 31.86, -5.36

 

CMYK 0 / 44 / 25 / 37

HEX #A15A79

RGB 161.1 90.8 121

HSL 334.22, 0.28%, 0.49%

LAB 47.52, 32.72, -4.38

 

CMYK 0 / 49 / 29 / 43

HEX #904866

RGB 144.1 72.8 102

HSL 335.43, 0.33%, 0.43%

LAB 40.63, 33.61, -3.2

 

CMYK 0 / 32 / 16 / 17

HEX #D491B2

RGB 212 145 178

HSL 330.45, 0.44%, 0.7%

LAB 67.62, 30.16, -6.93

 

CMYK 0 / 32 / 25 / 17

HEX #D491A0

RGB 212 145 160

HSL 346.57, 0.44%, 0.7%

LAB 67.12, 27.42, 2.42

 

CMYK 0 / 32 / 32 / 17

HEX #D49191

RGB 212 145 145

HSL 0, 0.44%, 0.7%

LAB 66.74, 25.36, 10.3

 

CMYK 0 / 32 / 16 / 17

HEX #D491B2

RGB 212 145 178

HSL 330.45, 0.44%, 0.7%

LAB 67.62, 30.16, -6.93

 

CMYK 0 / 32 / 8 / 17

HEX #D491C4

RGB 212 145 196

HSL 314.33, 0.44%, 0.7%

LAB 68.19, 33.16, -16.14

 

CMYK 1 / 32 / 0 / 17

HEX #D291D4

RGB 210 145 212

HSL 298.21, 0.44%, 0.7%

LAB 68.54, 35.4, -24.52

 

CMYK 9 / 32 / 0 / 17

HEX #C091D4

RGB 192 145 212

HSL 282.09, 0.44%, 0.7%

LAB 66.68, 29.67, -27.53

 

CMYK 18 / 32 / 0 / 17

HEX #AE91D4

RGB 174 145 212

HSL 265.97, 0.44%, 0.7%

LAB 64.96, 24.03, -30.32

 

CMYK 0 / 32 / 16 / 17

HEX #D491B2

RGB 212 145 178

HSL 330.45, 0.44%, 0.7%

LAB 67.62, 30.16, -6.93

 

CMYK 0 / 41 / 21 / 12

HEX #E184B2

RGB 225 132 178

HSL 330.32, 0.61%, 0.7%

LAB 66.31, 41.56, -8.72

 

CMYK 0 / 49 / 25 / 7

HEX #ED78B2

RGB 237 120 178

HSL 330.26, 0.76%, 0.7%

LAB 65.48, 51.56, -9.8

 

CMYK 0 / 57 / 29 / 2

HEX #F96CB2

RGB 249 108 178

HSL 330.21, 0.92%, 0.7%

LAB 65.03, 60.91, -10.3

 

CMYK 0 / 32 / 16 / 17

HEX #D491B2

RGB 212 145 178

HSL 330.45, 0.44%, 0.7%

LAB 67.62, 30.16, -6.93

 

CMYK 0 / 22 / 11 / 22

HEX #C89DB2

RGB 200 157 178

HSL 330.7, 0.28%, 0.7%

LAB 69.19, 19.34, -4.75

 

CMYK 0 / 9 / 5 / 27

HEX #BBAAB2

RGB 187 170 178

HSL 331.76, 0.11%, 0.7%

LAB 71.23, 7.54, -1.88

 

CMYK 4 / 0 / 2 / 29

HEX #AFB6B3

RGB 175 182 179

HSL 154.29, 0.05%, 0.7%

LAB 73.43, -3.01, 0.67

 

CMYK 16 / 0 / 8 / 24

HEX #A3C2B3

RGB 163 194 179

HSL 150.97, 0.2%, 0.7%

LAB 75.84, -13.41, 4.06

 

CMYK 1 / 32 / 0 / 17

HEX #D291D4

RGB 210 145 212

HSL 298.21, 0.44%, 0.7%

LAB 68.54, 35.4, -24.52

 

CMYK 0 / 32 / 8 / 17

HEX #D491C4

RGB 212 145 196

HSL 314.33, 0.44%, 0.7%

LAB 68.19, 33.16, -16.14

 

CMYK 0 / 32 / 16 / 17

HEX #D491B3

RGB 212 145 179

HSL 329.55, 0.44%, 0.7%

LAB 67.65, 30.32, -7.45

 

CMYK 0 / 32 / 24 / 17

HEX #D491A1

RGB 212 145 161

HSL 345.67, 0.44%, 0.7%

LAB 67.14, 27.56, 1.9

 

CMYK 0 / 31 / 32 / 17

HEX #D49391

RGB 212 147 145

HSL 1.79, 0.44%, 0.7%

LAB 67.21, 24.27, 10.96

 

CMYK 0 / 55 / 28 / 26

HEX #BD5589

RGB 189 85 137

HSL 330, 0.44%, 0.54%

LAB 50.83, 47.58, -8.61

 

CMYK 0 / 43 / 22 / 21

HEX #C9739D

RGB 201 115 157

HSL 330.7, 0.44%, 0.62%

LAB 59.08, 39.16, -7.84

 

CMYK 0 / 32 / 16 / 17

HEX #D491B2

RGB 212 145 178

HSL 330.45, 0.44%, 0.7%

LAB 67.62, 30.16, -6.93

 

CMYK 0 / 22 / 11 / 12

HEX #E0AFC7

RGB 224 175 199

HSL 330.61, 0.44%, 0.78%

LAB 76.45, 21.6, -5.32

 

CMYK 0 / 13 / 6 / 8

HEX #EBCCDC

RGB 235 204 220

HSL 329.03, 0.44%, 0.86%

LAB 85, 13.51, -3.91

 

CMYK 0 / 32 / 16 / 17

HEX #D490B2

RGB 212.1 144.8 178

HSL 330.4, 0.44%, 0.7%

LAB 67.59, 30.3, -6.98

 

CMYK 0 / 9 / 32 / 17

HEX #D4C091

RGB 212 192 145

HSL 42.09, 0.44%, 0.7%

LAB 78.31, 0.09, 26.3

 

CMYK 32 / 3 / 0 / 17

HEX #91CDD4

RGB 145 205 212

HSL 186.27, 0.44%, 0.7%

LAB 78.72, -17.43, -9.64

 

CMYK 0 / 32 / 16 / 17

HEX #D490B2

RGB 212.1 144.8 178

HSL 330.4, 0.44%, 0.7%

LAB 67.59, 30.3, -6.98

 

CMYK 16 / 0 / 32 / 17

HEX #B3D491

RGB 179 212 145

HSL 89.55, 0.44%, 0.7%

LAB 81.13, -22.61, 29.65

 

CMYK 32 / 16 / 0 / 17

HEX #91B3D4

RGB 145 179 212

HSL 209.55, 0.44%, 0.7%

LAB 71.56, -3.74, -20.4

 

CMYK 0 / 32 / 16 / 17

HEX #D490B2

RGB 212.1 144.8 178

HSL 330.4, 0.44%, 0.7%

LAB 67.59, 30.3, -6.98

 

CMYK 0 / 9 / 32 / 17

HEX #D4C091

RGB 212 192 145

HSL 42.09, 0.44%, 0.7%

LAB 78.31, 0.09, 26.3

 

CMYK 32 / 0 / 16 / 17

HEX #91D4B3

RGB 145 212 179

HSL 150.45, 0.44%, 0.7%

LAB 79.82, -28.12, 9.64

 

CMYK 32 / 22 / 0 / 17

HEX #91A5D4

RGB 145 165 212

HSL 222.09, 0.44%, 0.7%

LAB 67.79, 3.99, -26.17

 

CMYK 0 / 32 / 16 / 17

HEX #D490B2

RGB 212.1 144.8 178

HSL 330.4, 0.44%, 0.7%

LAB 67.59, 30.3, -6.98

 

CMYK 0 / 0 / 32 / 17

HEX #D4D491

RGB 212 212 145

HSL 60, 0.44%, 0.7%

LAB 83.51, -10.24, 33.23

 

CMYK 32 / 0 / 16 / 17

HEX #91D4B3

RGB 145 212 179

HSL 150.45, 0.44%, 0.7%

LAB 79.82, -28.12, 9.64

 

CMYK 32 / 32 / 0 / 17

HEX #9191D4

RGB 145 145 212

HSL 240, 0.44%, 0.7%

LAB 62.53, 15.36, -34.29

 

Description

Color code: RGB 212.1 144.8 178 | qconv.com Color code: RGB 212.1 144.8 178 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212.1 red, 144.8 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212.1 144.8 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 16 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 16% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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