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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 54 162 it is the complementary color RGB 44 201 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 54 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 211 54 162 shade: RGB 216 54 157, RGB 233 72 176, RGB 250 90 195, RGB 255 108 214 and RGB 255 126 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 54 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 211 54 162 shade: RGB 211 54 162, RGB 194 36 143, RGB 177 18 124, RGB 160 0 105 and RGB 143 0 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 211 54 162 shade: RGB 211 54 162, RGB 211 54 120, RGB 211 54 78 and RGB 211 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 211 54 162 shade: RGB 211 54 162, RGB 211 54 204, RGB 175 54 211, RGB 133 54 211 and RGB 91 54 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 211 54 162 shade matches the following richer shades: RGB 211 54 162, RGB 231 34 169 and RGB 251 15 177

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 211 54 162 shade: RGB 211 54 162, RGB 191 74 155, RGB 171 94 147, RGB 152 114 140 and RGB 132 133 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 211 54 162 shade: RGB 174 54 211, RGB 211 54 206, RGB 211 54 164, RGB 211 54 122 and RGB 211 54 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 211 54 162 shade: RGB 150 33 113, RGB 184 40 139, RGB 211 54 162, RGB 218 88 178 and RGB 226 122 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 211 54 162 shade: RGB 211 54 162, RGB 211 133 54 and RGB 54 211 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 211 54 162 shade: RGB 211 54 162, RGB 164 211 54 and RGB 54 164 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 211 54 162 shade: RGB 211 54 162, RGB 211 133 54, RGB 54 211 101 and RGB 54 133 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 211 54 162 shade: RGB 211 54 162, RGB 211 180 54, RGB 54 211 101 and RGB 54 86 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 23 / 17

HEX #D336A2

RGB 211 54 162

HSL 318.73, 0.64%, 0.52%

LAB 50.8, 69.44, -23.18

 

Complementary color

CMYK 78 / 0 / 54 / 21

HEX #2CC95D

RGB 44 201 93

HSL 138.73, 0.64%, 0.48%

LAB 71.62, -62.09, 42.51

 

CMYK 0 / 75 / 27 / 15

HEX #D8369D

RGB 216 54 157

HSL 321.85, 0.68%, 0.53%

LAB 51.46, 70.04, -19.12

 

CMYK 0 / 69 / 24 / 9

HEX #E948B0

RGB 233 72 176

HSL 321.24, 0.79%, 0.6%

LAB 57.17, 70.71, -21.28

 

CMYK 0 / 64 / 22 / 2

HEX #FA5AC3

RGB 250 90 195

HSL 320.63, 0.94%, 0.67%

LAB 62.99, 70.88, -23.03

 

CMYK 0 / 58 / 16 / 0

HEX #FF6CD6

RGB 255 108 214

HSL 316.73, 1%, 0.71%

LAB 67.16, 67.46, -27.27

 

CMYK 0 / 51 / 9 / 0

HEX #FF7EE9

RGB 255 126 233

HSL 310.23, 1%, 0.75%

LAB 70.92, 62.26, -32.01

 

CMYK 0 / 74 / 23 / 17

HEX #D336A2

RGB 211 54 162

HSL 318.73, 0.64%, 0.52%

LAB 50.8, 69.44, -23.18

 

CMYK 0 / 81 / 26 / 24

HEX #C2248F

RGB 194 36 143

HSL 319.37, 0.69%, 0.45%

LAB 45.24, 68.08, -20.62

 

CMYK 0 / 90 / 30 / 31

HEX #B1127C

RGB 177 18 124

HSL 320, 0.82%, 0.38%

LAB 39.97, 65.66, -17.33

 

CMYK 0 / 100 / 34 / 37

HEX #A00069

RGB 160 0 105

HSL 320.63, 1%, 0.31%

LAB 34.99, 62.19, -13.28

 

CMYK 0 / 100 / 40 / 44

HEX #8F0056

RGB 143 0 86

HSL 323.92, 1%, 0.28%

LAB 30.67, 56.51, -7.85

 

CMYK 0 / 74 / 23 / 17

HEX #D336A2

RGB 211 54 162

HSL 318.73, 0.64%, 0.52%

LAB 50.8, 69.44, -23.18

 

CMYK 0 / 74 / 43 / 17

HEX #D33678

RGB 211 54 120

HSL 334.78, 0.64%, 0.52%

LAB 49.31, 64.79, -0.23

 

CMYK 0 / 74 / 63 / 17

HEX #D3364E

RGB 211 54 78

HSL 350.83, 0.64%, 0.52%

LAB 48.31, 61.57, 23.95

 

CMYK 0 / 74 / 74 / 17

HEX #D33636

RGB 211 54 54

HSL 0, 0.64%, 0.52%

LAB 47.95, 60.38, 37.68

 

CMYK 0 / 74 / 23 / 17

HEX #D336A2

RGB 211 54 162

HSL 318.73, 0.64%, 0.52%

LAB 50.8, 69.44, -23.18

 

CMYK 0 / 74 / 3 / 17

HEX #D336CC

RGB 211 54 204

HSL 302.68, 0.64%, 0.52%

LAB 52.78, 75.33, -44.55

 

CMYK 17 / 74 / 0 / 17

HEX #AF36D3

RGB 175 54 211

HSL 286.24, 0.64%, 0.52%

LAB 47.57, 69.28, -57.22

 

CMYK 37 / 74 / 0 / 17

HEX #8536D3

RGB 133 54 211

HSL 270.19, 0.64%, 0.52%

LAB 41.73, 61.6, -66.95

 

CMYK 57 / 74 / 0 / 17

HEX #5B36D3

RGB 91 54 211

HSL 254.14, 0.64%, 0.52%

LAB 37.05, 55.19, -74.8

 

CMYK 0 / 74 / 23 / 17

HEX #D336A2

RGB 211 54 162

HSL 318.73, 0.64%, 0.52%

LAB 50.8, 69.44, -23.18

 

CMYK 0 / 85 / 27 / 9

HEX #E722A9

RGB 231 34 169

HSL 318.88, 0.8%, 0.52%

LAB 52.95, 79.65, -23.7

 

CMYK 0 / 94 / 29 / 2

HEX #FB0FB1

RGB 251 15 177

HSL 318.81, 0.97%, 0.52%

LAB 56.11, 87.04, -23.2

 

CMYK 0 / 74 / 23 / 17

HEX #D336A2

RGB 211 54 162

HSL 318.73, 0.64%, 0.52%

LAB 50.8, 69.44, -23.18

 

CMYK 0 / 61 / 19 / 25

HEX #BF4A9B

RGB 191 74 155

HSL 318.46, 0.48%, 0.52%

LAB 49.91, 55.79, -20.68

 

CMYK 0 / 45 / 14 / 33

HEX #AB5E93

RGB 171 94 147

HSL 318.7, 0.31%, 0.52%

LAB 50.42, 38.56, -15.42

 

CMYK 0 / 25 / 8 / 40

HEX #98728C

RGB 152 114 140

HSL 318.95, 0.16%, 0.52%

LAB 52.51, 19.39, -8.36

 

CMYK 1 / 0 / 1 / 48

HEX #848584

RGB 132 133 132

HSL 120, 0%, 0.52%

LAB 55.43, -0.57, 0.4

 

CMYK 18 / 74 / 0 / 17

HEX #AE36D3

RGB 174 54 211

HSL 285.86, 0.64%, 0.52%

LAB 47.42, 69.08, -57.47

 

CMYK 0 / 74 / 2 / 17

HEX #D336CE

RGB 211 54 206

HSL 301.91, 0.64%, 0.52%

LAB 52.89, 75.64, -45.53

 

CMYK 0 / 74 / 22 / 17

HEX #D336A4

RGB 211 54 164

HSL 317.96, 0.64%, 0.52%

LAB 50.88, 69.7, -24.23

 

CMYK 0 / 74 / 42 / 17

HEX #D3367A

RGB 211 54 122

HSL 334.01, 0.64%, 0.52%

LAB 49.37, 64.98, -1.36

 

CMYK 0 / 74 / 62 / 17

HEX #D33650

RGB 211 54 80

HSL 350.06, 0.64%, 0.52%

LAB 48.34, 61.69, 22.79

 

CMYK 0 / 78 / 25 / 41

HEX #962171

RGB 150 33 113

HSL 318.97, 0.64%, 0.36%

LAB 35.53, 54.57, -17.72

 

CMYK 0 / 78 / 24 / 28

HEX #B8288B

RGB 184 40 139

HSL 318.75, 0.64%, 0.44%

LAB 43.61, 64.2, -20.85

 

CMYK 0 / 74 / 23 / 17

HEX #D336A2

RGB 211 54 162

HSL 318.73, 0.64%, 0.52%

LAB 50.8, 69.44, -23.18

 

CMYK 0 / 60 / 18 / 15

HEX #DA58B2

RGB 218 88 178

HSL 318.46, 0.64%, 0.6%

LAB 57.17, 60.66, -22.63

 

CMYK 0 / 46 / 15 / 11

HEX #E27AC1

RGB 226 122 193

HSL 319.04, 0.64%, 0.68%

LAB 64.91, 49.27, -19.27

 

CMYK 0 / 74 / 23 / 17

HEX #D336A2

RGB 211 54 162

HSL 318.73, 0.64%, 0.52%

LAB 50.8, 69.44, -23.18

 

CMYK 0 / 37 / 74 / 17

HEX #D38536

RGB 211 133 54

HSL 30.19, 0.64%, 0.52%

LAB 62.41, 23.49, 53

 

CMYK 74 / 0 / 8 / 17

HEX #36D3C3

RGB 54 211 195

HSL 173.89, 0.64%, 0.52%

LAB 76.87, -43.06, -3.58

 

CMYK 0 / 74 / 23 / 17

HEX #D336A2

RGB 211 54 162

HSL 318.73, 0.64%, 0.52%

LAB 50.8, 69.44, -23.18

 

CMYK 22 / 0 / 74 / 17

HEX #A4D336

RGB 164 211 54

HSL 77.96, 0.64%, 0.52%

LAB 78.9, -36.63, 67.76

 

CMYK 74 / 22 / 0 / 17

HEX #36A4D3

RGB 54 164 211

HSL 197.96, 0.64%, 0.52%

LAB 63.37, -15.26, -32.76

 

CMYK 0 / 74 / 23 / 17

HEX #D336A2

RGB 211 54 162

HSL 318.73, 0.64%, 0.52%

LAB 50.8, 69.44, -23.18

 

CMYK 0 / 37 / 74 / 17

HEX #D38536

RGB 211 133 54

HSL 30.19, 0.64%, 0.52%

LAB 62.41, 23.49, 53

 

CMYK 74 / 0 / 52 / 17

HEX #36D365

RGB 54 211 101

HSL 137.96, 0.64%, 0.52%

LAB 75.02, -62.98, 42.86

 

CMYK 74 / 37 / 0 / 17

HEX #3685D3

RGB 54 133 211

HSL 209.81, 0.64%, 0.52%

LAB 54.3, 2.4, -47

 

CMYK 0 / 74 / 23 / 17

HEX #D336A2

RGB 211 54 162

HSL 318.73, 0.64%, 0.52%

LAB 50.8, 69.44, -23.18

 

CMYK 0 / 15 / 74 / 17

HEX #D3B436

RGB 211 180 54

HSL 48.15, 0.64%, 0.52%

LAB 74.03, -1.73, 64.39

 

CMYK 74 / 0 / 52 / 17

HEX #36D365

RGB 54 211 101

HSL 137.96, 0.64%, 0.52%

LAB 75.02, -62.98, 42.86

 

CMYK 74 / 59 / 0 / 17

HEX #3656D3

RGB 54 86 211

HSL 227.77, 0.64%, 0.52%

LAB 41.44, 31.93, -67.7

 

Description

Color code: RGB 211 54 162 | qconv.com Color code: RGB 211 54 162 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 54 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 54 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 23 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 23% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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