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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 53 125 it is the complementary color RGB 44 202 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 53 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 211 53 125 shade: RGB 216 53 120, RGB 233 71 139, RGB 250 89 158, RGB 255 107 177 and RGB 255 125 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 53 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 211 53 125 shade: RGB 211 53 125, RGB 194 35 106, RGB 177 17 87, RGB 160 0 68 and RGB 143 0 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 211 53 125 shade: RGB 211 54 126, RGB 211 54 83 and RGB 211 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 211 53 125 shade: RGB 211 54 126, RGB 211 54 168, RGB 211 54 210, RGB 169 54 211 and RGB 127 54 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 211 53 125 shade matches the following richer shades: RGB 211 54 126, RGB 231 34 124 and RGB 251 15 122

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 211 53 125 shade: RGB 211 54 126, RGB 191 74 127, RGB 171 94 129, RGB 152 114 131 and RGB 132 133 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 211 53 125 shade: RGB 211 54 211, RGB 211 54 169, RGB 211 54 127, RGB 211 54 86 and RGB 211 65 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 211 53 125 shade: RGB 150 33 86, RGB 184 40 106, RGB 211 54 126, RGB 218 88 147 and RGB 226 122 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 211 53 125 shade: RGB 211 53 125, RGB 211 169 54 and RGB 54 190 211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 211 53 125 shade: RGB 211 53 125, RGB 127 211 54 and RGB 54 127 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 211 53 125 shade: RGB 211 53 125, RGB 211 169 54, RGB 54 211 138 and RGB 54 96 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 211 53 125 shade: RGB 211 53 125, RGB 206 211 54, RGB 54 211 138 and RGB 59 54 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 41 / 17

HEX #D3357D

RGB 211 53 125

HSL 332.66, 0.64%, 0.52%

LAB 49.35, 65.59, -3.21

 

Complementary color

CMYK 78 / 0 / 36 / 21

HEX #2CCA82

RGB 44 202 130

HSL 152.66, 0.64%, 0.48%

LAB 72.49, -56.05, 24.92

 

CMYK 0 / 75 / 44 / 15

HEX #D83578

RGB 216 53 120

HSL 335.34, 0.68%, 0.53%

LAB 50.1, 66.45, 1.03

 

CMYK 0 / 70 / 40 / 9

HEX #E9478B

RGB 233 71 139

HSL 334.81, 0.79%, 0.6%

LAB 55.78, 66.91, -1.68

 

CMYK 0 / 64 / 37 / 2

HEX #FA599E

RGB 250 89 158

HSL 334.29, 0.94%, 0.66%

LAB 61.6, 66.89, -3.9

 

CMYK 0 / 58 / 31 / 0

HEX #FF6BB1

RGB 255 107 177

HSL 331.62, 1%, 0.71%

LAB 65.71, 63.02, -8.62

 

CMYK 0 / 51 / 23 / 0

HEX #FF7DC4

RGB 255 125 196

HSL 327.23, 1%, 0.75%

LAB 69.41, 57.27, -13.79

 

CMYK 0 / 75 / 41 / 17

HEX #D3357D

RGB 211 53 125

HSL 332.66, 0.64%, 0.52%

LAB 49.35, 65.59, -3.21

 

CMYK 0 / 82 / 45 / 24

HEX #C2236A

RGB 194 35 106

HSL 333.21, 0.69%, 0.45%

LAB 43.82, 64.44, -0.03

 

CMYK 0 / 90 / 51 / 31

HEX #B11157

RGB 177 17 87

HSL 333.75, 0.82%, 0.38%

LAB 38.61, 62.25, 4

 

CMYK 0 / 100 / 58 / 37

HEX #A00044

RGB 160 0 68

HSL 334.5, 1%, 0.31%

LAB 33.75, 58.95, 8.95

 

CMYK 0 / 100 / 66 / 44

HEX #8F0031

RGB 143 0 49

HSL 339.44, 1%, 0.28%

LAB 29.57, 53.6, 15.28

 

CMYK 0 / 74 / 40 / 17

HEX #D3367E

RGB 211 54 126

HSL 332.48, 0.64%, 0.52%

LAB 49.49, 65.37, -3.6

 

CMYK 0 / 74 / 61 / 17

HEX #D33653

RGB 211 54 83

HSL 348.92, 0.64%, 0.52%

LAB 48.4, 61.87, 21.04

 

CMYK 0 / 74 / 74 / 17

HEX #D33636

RGB 211 54 54

HSL 0, 0.64%, 0.52%

LAB 47.95, 60.38, 37.68

 

CMYK 0 / 74 / 40 / 17

HEX #D3367E

RGB 211 54 126

HSL 332.48, 0.64%, 0.52%

LAB 49.49, 65.37, -3.6

 

CMYK 0 / 74 / 20 / 17

HEX #D336A8

RGB 211 54 168

HSL 316.43, 0.64%, 0.52%

LAB 51.05, 70.22, -26.33

 

CMYK 0 / 74 / 0 / 17

HEX #D336D2

RGB 211 54 210

HSL 300.38, 0.64%, 0.52%

LAB 53.1, 76.26, -47.47

 

CMYK 20 / 74 / 0 / 17

HEX #A936D3

RGB 169 54 211

HSL 283.95, 0.64%, 0.52%

LAB 46.68, 68.13, -58.7

 

CMYK 40 / 74 / 0 / 17

HEX #7F36D3

RGB 127 54 211

HSL 267.9, 0.64%, 0.52%

LAB 40.98, 60.59, -68.2

 

CMYK 0 / 74 / 40 / 17

HEX #D3367E

RGB 211 54 126

HSL 332.48, 0.64%, 0.52%

LAB 49.49, 65.37, -3.6

 

CMYK 0 / 85 / 46 / 9

HEX #E7227C

RGB 231 34 124

HSL 332.59, 0.8%, 0.52%

LAB 51.37, 75.24, 0.8

 

CMYK 0 / 94 / 51 / 2

HEX #FB0F7A

RGB 251 15 122

HSL 332.8, 0.97%, 0.52%

LAB 54.3, 82.22, 6.73

 

CMYK 0 / 74 / 40 / 17

HEX #D3367E

RGB 211 54 126

HSL 332.48, 0.64%, 0.52%

LAB 49.49, 65.37, -3.6

 

CMYK 0 / 61 / 34 / 25

HEX #BF4A7F

RGB 191 74 127

HSL 332.82, 0.48%, 0.52%

LAB 48.89, 52.06, -5.47

 

CMYK 0 / 45 / 25 / 33

HEX #AB5E81

RGB 171 94 129

HSL 332.73, 0.31%, 0.52%

LAB 49.8, 35.73, -5.65

 

CMYK 0 / 25 / 14 / 40

HEX #987283

RGB 152 114 131

HSL 333.16, 0.16%, 0.52%

LAB 52.23, 17.77, -3.49

 

CMYK 1 / 0 / 0 / 48

HEX #848585

RGB 132 133 133

HSL 180, 0%, 0.52%

LAB 55.46, -0.37, -0.14

 

CMYK 0 / 74 / 0 / 17

HEX #D336D3

RGB 211 54 211

HSL 300, 0.64%, 0.52%

LAB 53.16, 76.42, -47.96

 

CMYK 0 / 74 / 20 / 17

HEX #D336A9

RGB 211 54 169

HSL 316.05, 0.64%, 0.52%

LAB 51.1, 70.35, -26.85

 

CMYK 0 / 74 / 40 / 17

HEX #D3367F

RGB 211 54 127

HSL 332.1, 0.64%, 0.52%

LAB 49.52, 65.47, -4.16

 

CMYK 0 / 74 / 59 / 17

HEX #D33656

RGB 211 54 86

HSL 347.77, 0.64%, 0.52%

LAB 48.46, 62.07, 19.3

 

CMYK 0 / 69 / 74 / 17

HEX #D34136

RGB 211 65 54

HSL 4.2, 0.64%, 0.52%

LAB 49.37, 56.46, 39.25

 

CMYK 0 / 78 / 43 / 41

HEX #962156

RGB 150 33 86

HSL 332.82, 0.64%, 0.36%

LAB 34.49, 51.39, -2.02

 

CMYK 0 / 78 / 42 / 28

HEX #B8286A

RGB 184 40 106

HSL 332.5, 0.64%, 0.44%

LAB 42.38, 60.51, -2.35

 

CMYK 0 / 74 / 40 / 17

HEX #D3367E

RGB 211 54 126

HSL 332.48, 0.64%, 0.52%

LAB 49.49, 65.37, -3.6

 

CMYK 0 / 60 / 33 / 15

HEX #DA5893

RGB 218 88 147

HSL 332.77, 0.64%, 0.6%

LAB 56.08, 56.59, -6.23

 

CMYK 0 / 46 / 25 / 11

HEX #E27AA9

RGB 226 122 169

HSL 332.88, 0.64%, 0.68%

LAB 64.12, 45.74, -6.87

 

CMYK 0 / 75 / 41 / 17

HEX #D3357D

RGB 211 53 125

HSL 332.66, 0.64%, 0.52%

LAB 49.35, 65.59, -3.21

 

CMYK 0 / 20 / 74 / 17

HEX #D3A936

RGB 211 169 54

HSL 43.95, 0.64%, 0.52%

LAB 71.21, 4.09, 61.68

 

CMYK 74 / 10 / 0 / 17

HEX #36BED3

RGB 54 190 211

HSL 188.03, 0.64%, 0.52%

LAB 71.09, -28.66, -20.91

 

CMYK 0 / 75 / 41 / 17

HEX #D3357D

RGB 211 53 125

HSL 332.66, 0.64%, 0.52%

LAB 49.35, 65.59, -3.21

 

CMYK 40 / 0 / 74 / 17

HEX #7FD336

RGB 127 211 54

HSL 92.1, 0.64%, 0.52%

LAB 76.9, -50.04, 65.14

 

CMYK 74 / 40 / 0 / 17

HEX #367FD3

RGB 54 127 211

HSL 212.1, 0.64%, 0.52%

LAB 52.58, 6.03, -49.74

 

CMYK 0 / 75 / 41 / 17

HEX #D3357D

RGB 211 53 125

HSL 332.66, 0.64%, 0.52%

LAB 49.35, 65.59, -3.21

 

CMYK 0 / 20 / 74 / 17

HEX #D3A936

RGB 211 169 54

HSL 43.95, 0.64%, 0.52%

LAB 71.21, 4.09, 61.68

 

CMYK 74 / 0 / 35 / 17

HEX #36D38A

RGB 54 211 138

HSL 152.1, 0.64%, 0.52%

LAB 75.58, -56.58, 24.93

 

CMYK 74 / 55 / 0 / 17

HEX #3660D3

RGB 54 96 211

HSL 223.95, 0.64%, 0.52%

LAB 44.02, 25.53, -63.51

 

CMYK 0 / 75 / 41 / 17

HEX #D3357D

RGB 211 53 125

HSL 332.66, 0.64%, 0.52%

LAB 49.35, 65.59, -3.21

 

CMYK 2 / 0 / 74 / 17

HEX #CED336

RGB 206 211 54

HSL 61.91, 0.64%, 0.52%

LAB 81.83, -19.62, 71.56

 

CMYK 74 / 0 / 35 / 17

HEX #36D38A

RGB 54 211 138

HSL 152.1, 0.64%, 0.52%

LAB 75.58, -56.58, 24.93

 

CMYK 72 / 74 / 0 / 17

HEX #3B36D3

RGB 59 54 211

HSL 241.91, 0.64%, 0.52%

LAB 34.54, 51.63, -79.02

 

Description

Color code: RGB 211 53 125 | qconv.com Color code: RGB 211 53 125 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 53 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 53 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 41 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 41% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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