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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 189 111 it is the complementary color RGB 44 66 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 189 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 211 189 111 shade: RGB 216 189 106, RGB 233 207 125, RGB 250 225 144, RGB 255 243 163 and RGB 255 255 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 189 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 211 189 111 shade: RGB 211 189 111, RGB 194 171 92, RGB 177 153 73, RGB 160 135 54 and RGB 143 117 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 211 189 111 shade: RGB 211 189 111, RGB 211 162 111, RGB 211 135 111 and RGB 211 111 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 211 189 111 shade: RGB 211 189 111, RGB 206 211 111, RGB 179 211 111, RGB 152 211 111 and RGB 125 211 111

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 211 189 111 shade matches the following richer shades: RGB 211 189 111, RGB 226 197 95 and RGB 241 206 80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 211 189 111 shade: RGB 211 189 111, RGB 195 180 126, RGB 180 172 141, RGB 165 163 156 and RGB 150 154 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 211 189 111 shade: RGB 211 134 111, RGB 211 161 111, RGB 211 187 111, RGB 207 211 111 and RGB 181 211 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 211 189 111 shade: RGB 183 155 56, RGB 201 174 79, RGB 211 189 111, RGB 220 203 142 and RGB 230 218 174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 211 189 111 shade: RGB 211 189 111, RGB 114 211 111 and RGB 147 111 211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 211 189 111 shade: RGB 211 189 111, RGB 111 211 187 and RGB 187 111 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 211 189 111 shade: RGB 211 189 111, RGB 114 211 111, RGB 111 134 211 and RGB 207 111 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 211 189 111 shade: RGB 211 189 111, RGB 111 211 137, RGB 111 134 211 and RGB 211 111 184

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 47 / 17

HEX #D3BD6F

RGB 211 189 111

HSL 46.8, 0.53%, 0.63%

LAB 76.92, -2.52, 42.08

 

Complementary color

CMYK 69 / 54 / 0 / 44

HEX #2C4290

RGB 44 66 144

HSL 226.8, 0.53%, 0.37%

LAB 30.51, 18.84, -45.78

 

CMYK 0 / 13 / 51 / 15

HEX #D8BD6A

RGB 216 189 106

HSL 45.27, 0.59%, 0.63%

LAB 77.3, -0.92, 45.15

 

CMYK 0 / 11 / 46 / 9

HEX #E9CF7D

RGB 233 207 125

HSL 45.56, 0.71%, 0.7%

LAB 83.67, -1.6, 43.9

 

CMYK 0 / 10 / 42 / 2

HEX #FAE190

RGB 250 225 144

HSL 45.85, 0.91%, 0.77%

LAB 89.95, -2.18, 42.69

 

CMYK 0 / 5 / 36 / 0

HEX #FFF3A3

RGB 255 243 163

HSL 52.17, 1%, 0.82%

LAB 95.16, -7.26, 40.06

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 0 / 10 / 47 / 17

HEX #D3BD6F

RGB 211 189 111

HSL 46.8, 0.53%, 0.63%

LAB 76.92, -2.52, 42.08

 

CMYK 0 / 12 / 53 / 24

HEX #C2AB5C

RGB 194 171 92

HSL 46.47, 0.46%, 0.56%

LAB 70.43, -1.83, 43.33

 

CMYK 0 / 14 / 59 / 31

HEX #B19949

RGB 177 153 73

HSL 46.15, 0.42%, 0.49%

LAB 63.84, -1, 44.58

 

CMYK 0 / 16 / 66 / 37

HEX #A08736

RGB 160 135 54

HSL 45.85, 0.5%, 0.42%

LAB 57.14, 0, 45.71

 

CMYK 0 / 18 / 76 / 44

HEX #8F7523

RGB 143 117 35

HSL 45.56, 0.61%, 0.35%

LAB 50.31, 1.25, 46.5

 

CMYK 0 / 10 / 47 / 17

HEX #D3BD6F

RGB 211 189 111

HSL 46.8, 0.53%, 0.63%

LAB 76.92, -2.52, 42.08

 

CMYK 0 / 23 / 47 / 17

HEX #D3A26F

RGB 211 162 111

HSL 30.6, 0.53%, 0.63%

LAB 70.06, 11.85, 33.43

 

CMYK 0 / 36 / 47 / 17

HEX #D3876F

RGB 211 135 111

HSL 14.4, 0.53%, 0.63%

LAB 63.61, 26.47, 25

 

CMYK 0 / 47 / 47 / 17

HEX #D36F6F

RGB 211 111 111

HSL 0, 0.53%, 0.63%

LAB 58.38, 39.19, 17.95

 

CMYK 0 / 10 / 47 / 17

HEX #D3BD6F

RGB 211 189 111

HSL 46.8, 0.53%, 0.63%

LAB 76.92, -2.52, 42.08

 

CMYK 2 / 0 / 47 / 17

HEX #CED36F

RGB 206 211 111

HSL 63, 0.53%, 0.63%

LAB 82.3, -15.78, 48.56

 

CMYK 15 / 0 / 47 / 17

HEX #B3D36F

RGB 179 211 111

HSL 79.2, 0.53%, 0.63%

LAB 80.36, -26.36, 45.75

 

CMYK 28 / 0 / 47 / 17

HEX #98D36F

RGB 152 211 111

HSL 95.4, 0.53%, 0.63%

LAB 78.7, -36.29, 43.34

 

CMYK 41 / 0 / 47 / 17

HEX #7DD36F

RGB 125 211 111

HSL 111.6, 0.53%, 0.63%

LAB 77.34, -45.24, 41.35

 

CMYK 0 / 10 / 47 / 17

HEX #D3BD6F

RGB 211 189 111

HSL 46.8, 0.53%, 0.63%

LAB 76.92, -2.52, 42.08

 

CMYK 0 / 13 / 58 / 11

HEX #E2C55F

RGB 226 197 95

HSL 46.72, 0.69%, 0.63%

LAB 80.14, -1.83, 53.99

 

CMYK 0 / 15 / 67 / 5

HEX #F1CE50

RGB 241 206 80

HSL 46.96, 0.85%, 0.63%

LAB 83.66, -1.16, 64.82

 

CMYK 0 / 10 / 47 / 17

HEX #D3BD6F

RGB 211 189 111

HSL 46.8, 0.53%, 0.63%

LAB 76.92, -2.52, 42.08

 

CMYK 0 / 8 / 35 / 24

HEX #C3B47E

RGB 195 180 126

HSL 46.96, 0.37%, 0.63%

LAB 73.38, -2.65, 29.52

 

CMYK 0 / 4 / 22 / 29

HEX #B4AC8D

RGB 180 172 141

HSL 47.69, 0.21%, 0.63%

LAB 70.27, -2.27, 17

 

CMYK 0 / 1 / 5 / 35

HEX #A5A39C

RGB 165 163 156

HSL 46.67, 0.05%, 0.63%

LAB 66.97, -0.57, 3.88

 

CMYK 13 / 10 / 0 / 33

HEX #969AAC

RGB 150 154 172

HSL 229.09, 0.12%, 0.63%

LAB 63.81, 2.28, -9.86

 

CMYK 0 / 36 / 47 / 17

HEX #D3866F

RGB 211 134 111

HSL 13.8, 0.53%, 0.63%

LAB 63.38, 27.01, 24.7

 

CMYK 0 / 24 / 47 / 17

HEX #D3A16F

RGB 211 161 111

HSL 30, 0.53%, 0.63%

LAB 69.81, 12.39, 33.11

 

CMYK 0 / 11 / 47 / 17

HEX #D3BB6F

RGB 211 187 111

HSL 45.6, 0.53%, 0.63%

LAB 76.4, -1.47, 41.43

 

CMYK 2 / 0 / 47 / 17

HEX #CFD36F

RGB 207 211 111

HSL 62.4, 0.53%, 0.63%

LAB 82.38, -15.39, 48.68

 

CMYK 14 / 0 / 47 / 17

HEX #B5D36F

RGB 181 211 111

HSL 78, 0.53%, 0.63%

LAB 80.49, -25.59, 45.95

 

CMYK 0 / 15 / 69 / 28

HEX #B79B38

RGB 183 155 56

HSL 46.77, 0.53%, 0.47%

LAB 64.8, -0.57, 53.57

 

CMYK 0 / 13 / 61 / 21

HEX #C9AE4F

RGB 201 174 79

HSL 46.72, 0.53%, 0.55%

LAB 71.73, -1.47, 51.27

 

CMYK 0 / 10 / 47 / 17

HEX #D3BD6F

RGB 211 189 111

HSL 46.8, 0.53%, 0.63%

LAB 76.92, -2.52, 42.08

 

CMYK 0 / 8 / 35 / 14

HEX #DCCB8E

RGB 220 203 142

HSL 46.92, 0.53%, 0.71%

LAB 81.77, -2.89, 32.61

 

CMYK 0 / 5 / 24 / 10

HEX #E6DAAE

RGB 230 218 174

HSL 47.14, 0.53%, 0.79%

LAB 87.01, -2.71, 23.18

 

CMYK 0 / 10 / 47 / 17

HEX #D3BD6F

RGB 211 189 111

HSL 46.8, 0.53%, 0.63%

LAB 76.92, -2.52, 42.08

 

CMYK 46 / 0 / 47 / 17

HEX #72D36F

RGB 114 211 111

HSL 118.2, 0.53%, 0.63%

LAB 76.87, -48.51, 40.66

 

CMYK 30 / 47 / 0 / 17

HEX #936FD3

RGB 147 111 211

HSL 261.6, 0.53%, 0.63%

LAB 54.32, 35.34, -46.62

 

CMYK 0 / 10 / 47 / 17

HEX #D3BD6F

RGB 211 189 111

HSL 46.8, 0.53%, 0.63%

LAB 76.92, -2.52, 42.08

 

CMYK 47 / 0 / 11 / 17

HEX #6FD3BB

RGB 111 211 187

HSL 165.6, 0.53%, 0.63%

LAB 78.2, -35.07, 2.84

 

CMYK 11 / 47 / 0 / 17

HEX #BB6FD3

RGB 187 111 211

HSL 285.6, 0.53%, 0.63%

LAB 58.64, 46.43, -39.52

 

CMYK 0 / 10 / 47 / 17

HEX #D3BD6F

RGB 211 189 111

HSL 46.8, 0.53%, 0.63%

LAB 76.92, -2.52, 42.08

 

CMYK 46 / 0 / 47 / 17

HEX #72D36F

RGB 114 211 111

HSL 118.2, 0.53%, 0.63%

LAB 76.87, -48.51, 40.66

 

CMYK 47 / 36 / 0 / 17

HEX #6F86D3

RGB 111 134 211

HSL 226.2, 0.53%, 0.63%

LAB 57.2, 12.49, -42.24

 

CMYK 2 / 47 / 0 / 17

HEX #CF6FD3

RGB 207 111 211

HSL 297.6, 0.53%, 0.63%

LAB 61.08, 52.12, -35.52

 

CMYK 0 / 10 / 47 / 17

HEX #D3BD6F

RGB 211 189 111

HSL 46.8, 0.53%, 0.63%

LAB 76.92, -2.52, 42.08

 

CMYK 47 / 0 / 35 / 17

HEX #6FD389

RGB 111 211 137

HSL 135.6, 0.53%, 0.63%

LAB 77.15, -45.29, 27.83

 

CMYK 47 / 36 / 0 / 17

HEX #6F86D3

RGB 111 134 211

HSL 226.2, 0.53%, 0.63%

LAB 57.2, 12.49, -42.24

 

CMYK 0 / 47 / 13 / 17

HEX #D36FB8

RGB 211 111 184

HSL 316.2, 0.53%, 0.63%

LAB 60.5, 48.68, -21.07

 

Description

Color code: RGB 211 189 111 | qconv.com Color code: RGB 211 189 111 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 189 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 189 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 47 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 47% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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