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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 136 160 it is the complementary color RGB 44 119 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 136 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 211 136 160 shade: RGB 216 136 155, RGB 233 154 174, RGB 250 172 193, RGB 255 190 212 and RGB 255 208 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 136 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 211 136 160 shade: RGB 211 136 160, RGB 194 118 141, RGB 177 100 122, RGB 160 82 103 and RGB 143 64 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 211 136 160 shade: RGB 211 136 160, RGB 211 136 140 and RGB 211 136 136

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 211 136 160 shade: RGB 211 136 160, RGB 211 136 180, RGB 211 136 200, RGB 201 136 211 and RGB 181 136 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 211 136 160 shade matches the following richer shades: RGB 211 136 160, RGB 224 123 155, RGB 237 109 150 and RGB 251 96 146

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 211 136 160 shade: RGB 211 136 160, RGB 198 149 165, RGB 185 162 169, RGB 171 175 174 and RGB 158 189 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 211 136 160 shade: RGB 211 136 201, RGB 211 136 181, RGB 211 136 161, RGB 211 136 141 and RGB 211 151 136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 211 136 160 shade: RGB 189 76 112, RGB 200 106 136, RGB 211 136 160, RGB 222 166 184 and RGB 233 196 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 211 136 160 shade: RGB 211 136 160, RGB 211 201 136 and RGB 136 191 211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 211 136 160 shade: RGB 211 136 160, RGB 161 211 136 and RGB 136 161 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 211 136 160 shade: RGB 211 136 160, RGB 211 201 136, RGB 136 211 186 and RGB 136 146 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 211 136 160 shade: RGB 211 136 160, RGB 198 211 136, RGB 136 211 186 and RGB 148 136 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 24 / 17

HEX #D388A0

RGB 211 136 160

HSL 340.8, 0.46%, 0.68%

LAB 64.96, 31.92, -0.74

 

Complementary color

CMYK 63 / 0 / 20 / 53

HEX #2C775F

RGB 44 119 95

HSL 160.8, 0.46%, 0.32%

LAB 45.02, -29.35, 6.41

 

CMYK 0 / 37 / 28 / 15

HEX #D8889B

RGB 216 136 155

HSL 345.75, 0.51%, 0.69%

LAB 65.42, 33.03, 2.83

 

CMYK 0 / 34 / 25 / 9

HEX #E99AAE

RGB 233 154 174

HSL 344.81, 0.64%, 0.76%

LAB 71.89, 32.2, 1.83

 

CMYK 0 / 31 / 23 / 2

HEX #FAACC1

RGB 250 172 193

HSL 343.85, 0.89%, 0.83%

LAB 78.27, 31.44, 0.93

 

CMYK 0 / 25 / 17 / 0

HEX #FFBED4

RGB 255 190 212

HSL 339.69, 1%, 0.87%

LAB 83.36, 26.55, -1.84

 

CMYK 0 / 18 / 9 / 0

HEX #FFD0E7

RGB 255 208 231

HSL 330.64, 1%, 0.91%

LAB 88.04, 20.12, -5.07

 

CMYK 0 / 36 / 24 / 17

HEX #D388A0

RGB 211 136 160

HSL 340.8, 0.46%, 0.68%

LAB 64.96, 31.92, -0.74

 

CMYK 0 / 39 / 27 / 24

HEX #C2768D

RGB 194 118 141

HSL 341.84, 0.38%, 0.61%

LAB 58.37, 32.76, 0.26

 

CMYK 0 / 44 / 31 / 31

HEX #B1647A

RGB 177 100 122

HSL 342.86, 0.33%, 0.54%

LAB 51.69, 33.66, 1.39

 

CMYK 0 / 49 / 36 / 37

HEX #A05267

RGB 160 82 103

HSL 343.85, 0.32%, 0.47%

LAB 44.92, 34.61, 2.73

 

CMYK 0 / 55 / 41 / 44

HEX #8F4054

RGB 143 64 84

HSL 344.81, 0.38%, 0.41%

LAB 38.1, 35.55, 4.37

 

CMYK 0 / 36 / 24 / 17

HEX #D388A0

RGB 211 136 160

HSL 340.8, 0.46%, 0.68%

LAB 64.96, 31.92, -0.74

 

CMYK 0 / 36 / 34 / 17

HEX #D3888C

RGB 211 136 140

HSL 356.8, 0.46%, 0.68%

LAB 64.44, 29.2, 9.84

 

CMYK 0 / 36 / 36 / 17

HEX #D38888

RGB 211 136 136

HSL 0, 0.46%, 0.68%

LAB 64.35, 28.71, 11.97

 

CMYK 0 / 36 / 24 / 17

HEX #D388A0

RGB 211 136 160

HSL 340.8, 0.46%, 0.68%

LAB 64.96, 31.92, -0.74

 

CMYK 0 / 36 / 15 / 17

HEX #D388B4

RGB 211 136 180

HSL 324.8, 0.46%, 0.68%

LAB 65.56, 34.98, -11.15

 

CMYK 0 / 36 / 5 / 17

HEX #D388C8

RGB 211 136 200

HSL 308.8, 0.46%, 0.68%

LAB 66.23, 38.37, -21.35

 

CMYK 5 / 36 / 0 / 17

HEX #C988D3

RGB 201 136 211

HSL 292, 0.46%, 0.68%

LAB 65.54, 37.23, -28.66

 

CMYK 14 / 36 / 0 / 17

HEX #B588D3

RGB 181 136 211

HSL 276, 0.46%, 0.68%

LAB 63.45, 31.02, -32.05

 

CMYK 0 / 36 / 24 / 17

HEX #D388A0

RGB 211 136 160

HSL 340.8, 0.46%, 0.68%

LAB 64.96, 31.92, -0.74

 

CMYK 0 / 45 / 31 / 12

HEX #E07B9B

RGB 224 123 155

HSL 340.99, 0.62%, 0.68%

LAB 63.66, 42.68, 0.39

 

CMYK 0 / 54 / 37 / 7

HEX #ED6D96

RGB 237 109 150

HSL 340.78, 0.78%, 0.68%

LAB 62.63, 53.36, 1.98

 

CMYK 0 / 62 / 42 / 2

HEX #FB6092

RGB 251 96 146

HSL 340.65, 0.95%, 0.68%

LAB 62.47, 63.13, 4.31

 

CMYK 0 / 36 / 24 / 17

HEX #D388A0

RGB 211 136 160

HSL 340.8, 0.46%, 0.68%

LAB 64.96, 31.92, -0.74

 

CMYK 0 / 25 / 17 / 22

HEX #C695A5

RGB 198 149 165

HSL 340.41, 0.3%, 0.68%

LAB 66.69, 20.86, -1.2

 

CMYK 0 / 12 / 9 / 27

HEX #B9A2A9

RGB 185 162 169

HSL 341.74, 0.14%, 0.68%

LAB 68.77, 9.61, -0.54

 

CMYK 2 / 0 / 1 / 31

HEX #ABAFAE

RGB 171 175 174

HSL 165, 0.02%, 0.68%

LAB 71.13, -1.59, 0.01

 

CMYK 16 / 0 / 5 / 26

HEX #9EBDB3

RGB 158 189 179

HSL 160.65, 0.19%, 0.68%

LAB 74.14, -12.48, 1.55

 

CMYK 0 / 36 / 5 / 17

HEX #D388C9

RGB 211 136 201

HSL 308, 0.46%, 0.68%

LAB 66.27, 38.55, -21.86

 

CMYK 0 / 36 / 14 / 17

HEX #D388B5

RGB 211 136 181

HSL 324, 0.46%, 0.68%

LAB 65.59, 35.14, -11.67

 

CMYK 0 / 36 / 24 / 17

HEX #D388A1

RGB 211 136 161

HSL 340, 0.46%, 0.68%

LAB 64.99, 32.06, -1.26

 

CMYK 0 / 36 / 33 / 17

HEX #D3888D

RGB 211 136 141

HSL 356, 0.46%, 0.68%

LAB 64.47, 29.33, 9.31

 

CMYK 0 / 28 / 36 / 17

HEX #D39788

RGB 211 151 136

HSL 12, 0.46%, 0.68%

LAB 67.84, 20.57, 16.85

 

CMYK 0 / 60 / 41 / 26

HEX #BD4C70

RGB 189 76 112

HSL 340.88, 0.46%, 0.52%

LAB 48.46, 48.79, 2.93

 

CMYK 0 / 47 / 32 / 22

HEX #C86A88

RGB 200 106 136

HSL 340.85, 0.46%, 0.6%

LAB 56.45, 40.61, 0.47

 

CMYK 0 / 36 / 24 / 17

HEX #D388A0

RGB 211 136 160

HSL 340.8, 0.46%, 0.68%

LAB 64.96, 31.92, -0.74

 

CMYK 0 / 25 / 17 / 13

HEX #DEA6B8

RGB 222 166 184

HSL 340.71, 0.46%, 0.76%

LAB 73.72, 23.31, -1.16

 

CMYK 0 / 16 / 11 / 9

HEX #E9C4D0

RGB 233 196 208

HSL 340.54, 0.46%, 0.84%

LAB 82.57, 15.03, -1.09

 

CMYK 0 / 36 / 24 / 17

HEX #D388A0

RGB 211 136 160

HSL 340.8, 0.46%, 0.68%

LAB 64.96, 31.92, -0.74

 

CMYK 0 / 5 / 36 / 17

HEX #D3C988

RGB 211 201 136

HSL 52, 0.46%, 0.68%

LAB 80.4, -6.09, 33.77

 

CMYK 36 / 9 / 0 / 17

HEX #88BFD3

RGB 136 191 211

HSL 196, 0.46%, 0.68%

LAB 74.32, -12.92, -15.74

 

CMYK 0 / 36 / 24 / 17

HEX #D388A0

RGB 211 136 160

HSL 340.8, 0.46%, 0.68%

LAB 64.96, 31.92, -0.74

 

CMYK 24 / 0 / 36 / 17

HEX #A1D388

RGB 161 211 136

HSL 100, 0.46%, 0.68%

LAB 79.58, -29.84, 32.03

 

CMYK 36 / 24 / 0 / 17

HEX #88A1D3

RGB 136 161 211

HSL 220, 0.46%, 0.68%

LAB 66.08, 3.41, -28.29

 

CMYK 0 / 36 / 24 / 17

HEX #D388A0

RGB 211 136 160

HSL 340.8, 0.46%, 0.68%

LAB 64.96, 31.92, -0.74

 

CMYK 0 / 5 / 36 / 17

HEX #D3C988

RGB 211 201 136

HSL 52, 0.46%, 0.68%

LAB 80.4, -6.09, 33.77

 

CMYK 36 / 0 / 12 / 17

HEX #88D3BA

RGB 136 211 186

HSL 160, 0.46%, 0.68%

LAB 79.25, -28.8, 5.03

 

CMYK 36 / 31 / 0 / 17

HEX #8892D3

RGB 136 146 211

HSL 232, 0.46%, 0.68%

LAB 62.08, 11.97, -34.49

 

CMYK 0 / 36 / 24 / 17

HEX #D388A0

RGB 211 136 160

HSL 340.8, 0.46%, 0.68%

LAB 64.96, 31.92, -0.74

 

CMYK 6 / 0 / 36 / 17

HEX #C6D388

RGB 198 211 136

HSL 70.4, 0.46%, 0.68%

LAB 82.04, -16.21, 35.71

 

CMYK 36 / 0 / 12 / 17

HEX #88D3BA

RGB 136 211 186

HSL 160, 0.46%, 0.68%

LAB 79.25, -28.8, 5.03

 

CMYK 30 / 36 / 0 / 17

HEX #9488D3

RGB 148 136 211

HSL 249.6, 0.46%, 0.68%

LAB 60.43, 21.17, -36.98

 

Description

Color code: RGB 211 136 160 | qconv.com Color code: RGB 211 136 160 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 136 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 136 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 24 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 24% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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