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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 103 63 it is the complementary color RGB 44 152 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 103 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 211 103 63 shade: RGB 216 103 58, RGB 233 121 77, RGB 250 139 96, RGB 255 157 115 and RGB 255 175 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 103 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 211 103 63 shade: RGB 211 103 63, RGB 194 85 44, RGB 177 67 25, RGB 160 49 6 and RGB 143 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 211 103 63 shade: RGB 211 103 63, RGB 211 63 63 and RGB 211 63 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 211 103 63 shade: RGB 211 103 63, RGB 211 143 63, RGB 211 183 63, RGB 199 211 63 and RGB 160 211 63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 211 103 63 shade matches the following richer shades: RGB 211 103 63, RGB 230 95 44 and RGB 249 86 25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 211 103 63 shade: RGB 211 103 63, RGB 192 112 82, RGB 173 121 101, RGB 154 129 120 and RGB 135 138 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 211 103 63 shade: RGB 211 63 103, RGB 211 63 63, RGB 211 103 63, RGB 211 142 63 and RGB 211 182 63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 211 103 63 shade: RGB 157 68 35, RGB 190 83 43, RGB 211 103 63, RGB 219 130 97 and RGB 226 156 131

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 211 103 63 shade: RGB 211 103 63, RGB 142 211 63 and RGB 63 83 211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 211 103 63 shade: RGB 211 103 63, RGB 63 211 103 and RGB 103 63 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 211 103 63 shade: RGB 211 103 63, RGB 142 211 63, RGB 63 172 211 and RGB 132 63 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 211 103 63 shade: RGB 211 103 63, RGB 98 211 63, RGB 63 172 211 and RGB 177 63 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 70 / 17

HEX #D3673F

RGB 211 103 63

HSL 16.22, 0.63%, 0.54%

LAB 56, 39.71, 41.79

 

Complementary color

CMYK 77 / 21 / 0 / 25

HEX #2C98C0

RGB 44 152 192

HSL 196.22, 0.63%, 0.46%

LAB 58.79, -16.38, -29.26

 

CMYK 0 / 52 / 73 / 15

HEX #D8673A

RGB 216 103 58

HSL 17.09, 0.67%, 0.54%

LAB 56.69, 41.39, 45.34

 

CMYK 0 / 48 / 67 / 9

HEX #E9794D

RGB 233 121 77

HSL 16.92, 0.78%, 0.61%

LAB 62.96, 39.85, 43.25

 

CMYK 0 / 44 / 62 / 2

HEX #FA8B60

RGB 250 139 96

HSL 16.75, 0.94%, 0.68%

LAB 69.21, 38.41, 41.28

 

CMYK 0 / 38 / 55 / 0

HEX #FF9D73

RGB 255 157 115

HSL 18, 1%, 0.73%

LAB 73.94, 32.47, 37.28

 

CMYK 0 / 31 / 47 / 0

HEX #FFAF86

RGB 255 175 134

HSL 20.33, 1%, 0.76%

LAB 78.25, 24.73, 32.8

 

CMYK 0 / 51 / 70 / 17

HEX #D3673F

RGB 211 103 63

HSL 16.22, 0.63%, 0.54%

LAB 56, 39.71, 41.79

 

CMYK 0 / 56 / 77 / 24

HEX #C2552C

RGB 194 85 44

HSL 16.4, 0.63%, 0.47%

LAB 49.68, 41.29, 43.99

 

CMYK 0 / 62 / 86 / 31

HEX #B14319

RGB 177 67 25

HSL 16.58, 0.75%, 0.4%

LAB 43.41, 42.88, 46.03

 

CMYK 0 / 69 / 96 / 37

HEX #A03106

RGB 160 49 6

HSL 16.75, 0.93%, 0.33%

LAB 37.27, 44.32, 47.12

 

CMYK 0 / 78 / 100 / 44

HEX #8F1F00

RGB 143 31 0

HSL 13.01, 1%, 0.28%

LAB 31.39, 45.28, 44.21

 

CMYK 0 / 51 / 70 / 17

HEX #D3673F

RGB 211 103 63

HSL 16.22, 0.63%, 0.54%

LAB 56, 39.71, 41.79

 

CMYK 0 / 70 / 70 / 17

HEX #D33F3F

RGB 211 63 63

HSL 0, 0.63%, 0.54%

LAB 49.21, 57.61, 33.96

 

CMYK 0 / 70 / 70 / 17

HEX #D33F3F

RGB 211 63 63

HSL 0, 0.63%, 0.54%

LAB 49.21, 57.61, 33.96

 

CMYK 0 / 51 / 70 / 17

HEX #D3673F

RGB 211 103 63

HSL 16.22, 0.63%, 0.54%

LAB 56, 39.71, 41.79

 

CMYK 0 / 32 / 70 / 17

HEX #D38F3F

RGB 211 143 63

HSL 32.43, 0.63%, 0.54%

LAB 64.85, 18.52, 51.45

 

CMYK 0 / 13 / 70 / 17

HEX #D3B73F

RGB 211 183 63

HSL 48.65, 0.63%, 0.54%

LAB 74.87, -2.88, 61.79

 

CMYK 6 / 0 / 70 / 17

HEX #C7D33F

RGB 199 211 63

HSL 64.86, 0.63%, 0.54%

LAB 81.34, -22.11, 67.87

 

CMYK 24 / 0 / 70 / 17

HEX #A0D33F

RGB 160 211 63

HSL 80.68, 0.63%, 0.54%

LAB 78.71, -37.66, 64.38

 

CMYK 0 / 51 / 70 / 17

HEX #D3673F

RGB 211 103 63

HSL 16.22, 0.63%, 0.54%

LAB 56, 39.71, 41.79

 

CMYK 0 / 59 / 81 / 10

HEX #E65F2C

RGB 230 95 44

HSL 16.45, 0.79%, 0.54%

LAB 57.26, 49.9, 53.35

 

CMYK 0 / 65 / 90 / 2

HEX #F95619

RGB 249 86 25

HSL 16.34, 0.95%, 0.54%

LAB 58.85, 59.93, 63.34

 

CMYK 0 / 51 / 70 / 17

HEX #D3673F

RGB 211 103 63

HSL 16.22, 0.63%, 0.54%

LAB 56, 39.71, 41.79

 

CMYK 0 / 42 / 57 / 25

HEX #C07052

RGB 192 112 82

HSL 16.36, 0.47%, 0.54%

LAB 55.49, 28.69, 30.19

 

CMYK 0 / 30 / 42 / 32

HEX #AD7965

RGB 173 121 101

HSL 16.67, 0.31%, 0.54%

LAB 55.58, 17.77, 19.09

 

CMYK 0 / 16 / 22 / 40

HEX #9A8178

RGB 154 129 120

HSL 15.88, 0.14%, 0.54%

LAB 56.01, 8.09, 8.44

 

CMYK 3 / 1 / 0 / 45

HEX #878A8B

RGB 135 138 139

HSL 195, 0.02%, 0.54%

LAB 57.26, -0.9, -0.93

 

CMYK 0 / 70 / 51 / 17

HEX #D33F67

RGB 211 63 103

HSL 343.78, 0.63%, 0.54%

LAB 49.96, 60.21, 11.02

 

CMYK 0 / 70 / 70 / 17

HEX #D33F3F

RGB 211 63 63

HSL 0, 0.63%, 0.54%

LAB 49.21, 57.61, 33.96

 

CMYK 0 / 51 / 70 / 17

HEX #D3673F

RGB 211 103 63

HSL 16.22, 0.63%, 0.54%

LAB 56, 39.71, 41.79

 

CMYK 0 / 33 / 70 / 17

HEX #D38E3F

RGB 211 142 63

HSL 32.03, 0.63%, 0.54%

LAB 64.61, 19.06, 51.2

 

CMYK 0 / 14 / 70 / 17

HEX #D3B63F

RGB 211 182 63

HSL 48.24, 0.63%, 0.54%

LAB 74.61, -2.35, 61.53

 

CMYK 0 / 57 / 78 / 38

HEX #9D4423

RGB 157 68 35

HSL 16.23, 0.64%, 0.38%

LAB 40.29, 35.04, 37.06

 

CMYK 0 / 56 / 77 / 25

HEX #BE532B

RGB 190 83 43

HSL 16.33, 0.63%, 0.46%

LAB 48.65, 40.7, 43.24

 

CMYK 0 / 51 / 70 / 17

HEX #D3673F

RGB 211 103 63

HSL 16.22, 0.63%, 0.54%

LAB 56, 39.71, 41.79

 

CMYK 0 / 41 / 56 / 14

HEX #DB8261

RGB 219 130 97

HSL 16.23, 0.63%, 0.62%

LAB 63.25, 31.07, 32.46

 

CMYK 0 / 31 / 42 / 11

HEX #E29C83

RGB 226 156 131

HSL 15.79, 0.62%, 0.7%

LAB 70.58, 23.16, 23.63

 

CMYK 0 / 51 / 70 / 17

HEX #D3673F

RGB 211 103 63

HSL 16.22, 0.63%, 0.54%

LAB 56, 39.71, 41.79

 

CMYK 33 / 0 / 70 / 17

HEX #8ED33F

RGB 142 211 63

HSL 87.97, 0.63%, 0.54%

LAB 77.7, -44.3, 63.03

 

CMYK 70 / 61 / 0 / 17

HEX #3F53D3

RGB 63 83 211

HSL 231.89, 0.63%, 0.54%

LAB 41.13, 34.91, -68.19

 

CMYK 0 / 51 / 70 / 17

HEX #D3673F

RGB 211 103 63

HSL 16.22, 0.63%, 0.54%

LAB 56, 39.71, 41.79

 

CMYK 70 / 0 / 51 / 17

HEX #3FD367

RGB 63 211 103

HSL 136.22, 0.63%, 0.54%

LAB 75.22, -61.31, 42.17

 

CMYK 51 / 70 / 0 / 17

HEX #673FD3

RGB 103 63 211

HSL 256.22, 0.63%, 0.54%

LAB 39.82, 52.42, -70.22

 

CMYK 0 / 51 / 70 / 17

HEX #D3673F

RGB 211 103 63

HSL 16.22, 0.63%, 0.54%

LAB 56, 39.71, 41.79

 

CMYK 33 / 0 / 70 / 17

HEX #8ED33F

RGB 142 211 63

HSL 87.97, 0.63%, 0.54%

LAB 77.7, -44.3, 63.03

 

CMYK 70 / 18 / 0 / 17

HEX #3FACD3

RGB 63 172 211

HSL 195.81, 0.63%, 0.54%

LAB 65.95, -18.35, -28.75

 

CMYK 37 / 70 / 0 / 17

HEX #843FD3

RGB 132 63 211

HSL 267.97, 0.63%, 0.54%

LAB 43.01, 57.46, -64.88

 

CMYK 0 / 51 / 70 / 17

HEX #D3673F

RGB 211 103 63

HSL 16.22, 0.63%, 0.54%

LAB 56, 39.71, 41.79

 

CMYK 54 / 0 / 70 / 17

HEX #62D33F

RGB 98 211 63

HSL 105.81, 0.63%, 0.54%

LAB 75.79, -58.15, 60.47

 

CMYK 70 / 18 / 0 / 17

HEX #3FACD3

RGB 63 172 211

HSL 195.81, 0.63%, 0.54%

LAB 65.95, -18.35, -28.75

 

CMYK 16 / 70 / 0 / 17

HEX #B13FD3

RGB 177 63 211

HSL 286.22, 0.63%, 0.54%

LAB 49.01, 66.39, -54.88

 

Description

Color code: RGB 211 103 63 | qconv.com Color code: RGB 211 103 63 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 103 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 103 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 70 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 70% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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