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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 103 173 it is the complementary color RGB 44 152 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 103 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 211 103 173 shade: RGB 216 103 168, RGB 233 121 187, RGB 250 139 206, RGB 255 157 225 and RGB 255 175 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 103 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 211 103 173 shade: RGB 211 103 173, RGB 194 85 154, RGB 177 67 135, RGB 160 49 116 and RGB 143 31 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 211 103 173 shade: RGB 211 105 174, RGB 211 105 145, RGB 211 105 116 and RGB 211 105 105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 211 103 173 shade: RGB 211 105 174, RGB 211 105 203, RGB 191 105 211, RGB 163 105 211 and RGB 134 105 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 211 103 173 shade matches the following richer shades: RGB 211 105 174, RGB 227 89 179 and RGB 243 73 183

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 211 103 173 shade: RGB 211 105 174, RGB 196 120 169, RGB 180 136 165, RGB 164 152 160 and RGB 149 168 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 211 103 173 shade: RGB 192 105 211, RGB 211 105 203, RGB 211 105 174, RGB 211 105 146 and RGB 211 105 117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 211 103 173 shade: RGB 181 53 136, RGB 202 73 157, RGB 211 105 174, RGB 221 137 191 and RGB 230 169 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 211 103 173 shade: RGB 211 103 173, RGB 211 163 105 and RGB 105 211 206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 211 103 173 shade: RGB 211 103 173, RGB 174 211 105 and RGB 105 174 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 211 103 173 shade: RGB 211 103 173, RGB 211 163 105, RGB 105 211 142 and RGB 105 153 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 211 103 173 shade: RGB 211 103 173, RGB 211 195 105, RGB 105 211 142 and RGB 105 121 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 18 / 17

HEX #D367AD

RGB 211 103 173

HSL 321.11, 0.55%, 0.62%

LAB 58.57, 50.93, -17.7

 

Complementary color

CMYK 71 / 0 / 46 / 40

HEX #2C9852

RGB 44 152 82

HSL 141.11, 0.55%, 0.38%

LAB 55.69, -46.26, 28.21

 

CMYK 0 / 52 / 22 / 15

HEX #D867A8

RGB 216 103 168

HSL 325.49, 0.59%, 0.63%

LAB 59.09, 51.76, -13.96

 

CMYK 0 / 48 / 20 / 9

HEX #E979BB

RGB 233 121 187

HSL 324.64, 0.72%, 0.69%

LAB 65.43, 51.07, -15.02

 

CMYK 0 / 44 / 18 / 2

HEX #FA8BCE

RGB 250 139 206

HSL 323.78, 0.92%, 0.76%

LAB 71.72, 50.33, -15.93

 

CMYK 0 / 38 / 12 / 0

HEX #FF9DE1

RGB 255 157 225

HSL 318.37, 1%, 0.81%

LAB 76.56, 45.76, -18.99

 

CMYK 0 / 31 / 4 / 0

HEX #FFAFF4

RGB 255 175 244

HSL 308.25, 1%, 0.84%

LAB 80.99, 39.63, -22.56

 

CMYK 0 / 51 / 18 / 17

HEX #D367AD

RGB 211 103 173

HSL 321.11, 0.55%, 0.62%

LAB 58.57, 50.93, -17.7

 

CMYK 0 / 56 / 21 / 24

HEX #C2559A

RGB 194 85 154

HSL 322.02, 0.47%, 0.55%

LAB 52.17, 51.53, -16.58

 

CMYK 0 / 62 / 24 / 31

HEX #B14387

RGB 177 67 135

HSL 322.91, 0.45%, 0.48%

LAB 45.79, 51.94, -15.2

 

CMYK 0 / 69 / 28 / 37

HEX #A03174

RGB 160 49 116

HSL 323.78, 0.53%, 0.41%

LAB 39.46, 51.98, -13.41

 

CMYK 0 / 78 / 32 / 44

HEX #8F1F61

RGB 143 31 97

HSL 324.64, 0.64%, 0.34%

LAB 33.31, 51.35, -11.01

 

CMYK 0 / 50 / 18 / 17

HEX #D369AE

RGB 211 105 174

HSL 320.94, 0.55%, 0.62%

LAB 58.98, 50.1, -17.65

 

CMYK 0 / 50 / 31 / 17

HEX #D36991

RGB 211 105 145

HSL 337.36, 0.55%, 0.62%

LAB 58.03, 46.06, -2.29

 

CMYK 0 / 50 / 45 / 17

HEX #D36974

RGB 211 105 116

HSL 353.77, 0.55%, 0.62%

LAB 57.28, 42.74, 13.54

 

CMYK 0 / 50 / 50 / 17

HEX #D36969

RGB 211 105 105

HSL 0, 0.55%, 0.62%

LAB 57.05, 41.69, 19.6

 

CMYK 0 / 50 / 18 / 17

HEX #D369AE

RGB 211 105 174

HSL 320.94, 0.55%, 0.62%

LAB 58.98, 50.1, -17.65

 

CMYK 0 / 50 / 4 / 17

HEX #D369CB

RGB 211 105 203

HSL 304.53, 0.55%, 0.62%

LAB 60.13, 54.8, -32.45

 

CMYK 9 / 50 / 0 / 17

HEX #BF69D3

RGB 191 105 211

HSL 288.68, 0.55%, 0.62%

LAB 57.93, 50.65, -40.6

 

CMYK 23 / 50 / 0 / 17

HEX #A369D3

RGB 163 105 211

HSL 272.83, 0.55%, 0.62%

LAB 54.65, 42.99, -45.99

 

CMYK 36 / 50 / 0 / 17

HEX #8669D3

RGB 134 105 211

HSL 256.42, 0.55%, 0.62%

LAB 51.7, 35.43, -50.87

 

CMYK 0 / 50 / 18 / 17

HEX #D369AE

RGB 211 105 174

HSL 320.94, 0.55%, 0.62%

LAB 58.98, 50.1, -17.65

 

CMYK 0 / 61 / 21 / 11

HEX #E359B3

RGB 227 89 179

HSL 320.87, 0.71%, 0.62%

LAB 58.72, 62.9, -20.71

 

CMYK 0 / 70 / 25 / 5

HEX #F349B7

RGB 243 73 183

HSL 321.18, 0.88%, 0.62%

LAB 59.19, 73.76, -22.07

 

CMYK 0 / 50 / 18 / 17

HEX #D369AE

RGB 211 105 174

HSL 320.94, 0.55%, 0.62%

LAB 58.98, 50.1, -17.65

 

CMYK 0 / 39 / 14 / 23

HEX #C478A9

RGB 196 120 169

HSL 321.32, 0.39%, 0.62%

LAB 59.92, 36.67, -13.55

 

CMYK 0 / 24 / 8 / 29

HEX #B488A5

RGB 180 136 165

HSL 320.45, 0.23%, 0.62%

LAB 61.68, 21.56, -8.81

 

CMYK 0 / 7 / 2 / 36

HEX #A498A0

RGB 164 152 160

HSL 320, 0.06%, 0.62%

LAB 64.07, 5.88, -2.6

 

CMYK 11 / 0 / 8 / 34

HEX #95A89B

RGB 149 168 155

HSL 138.95, 0.1%, 0.62%

LAB 67.1, -9.21, 4.46

 

CMYK 9 / 50 / 0 / 17

HEX #C069D3

RGB 192 105 211

HSL 289.25, 0.55%, 0.62%

LAB 58.05, 50.93, -40.4

 

CMYK 0 / 50 / 4 / 17

HEX #D369CB

RGB 211 105 203

HSL 304.53, 0.55%, 0.62%

LAB 60.13, 54.8, -32.45

 

CMYK 0 / 50 / 18 / 17

HEX #D369AE

RGB 211 105 174

HSL 320.94, 0.55%, 0.62%

LAB 58.98, 50.1, -17.65

 

CMYK 0 / 50 / 31 / 17

HEX #D36992

RGB 211 105 146

HSL 336.79, 0.55%, 0.62%

LAB 58.06, 46.19, -2.83

 

CMYK 0 / 50 / 45 / 17

HEX #D36975

RGB 211 105 117

HSL 353.21, 0.55%, 0.62%

LAB 57.31, 42.84, 12.98

 

CMYK 0 / 71 / 25 / 29

HEX #B53588

RGB 181 53 136

HSL 321.09, 0.55%, 0.46%

LAB 44.44, 58.85, -17.79

 

CMYK 0 / 64 / 22 / 21

HEX #CA499D

RGB 202 73 157

HSL 320.93, 0.55%, 0.54%

LAB 51.56, 59.59, -19.18

 

CMYK 0 / 50 / 18 / 17

HEX #D369AE

RGB 211 105 174

HSL 320.94, 0.55%, 0.62%

LAB 58.98, 50.1, -17.65

 

CMYK 0 / 38 / 14 / 13

HEX #DD89BF

RGB 221 137 191

HSL 321.43, 0.55%, 0.7%

LAB 67.3, 39.6, -14.6

 

CMYK 0 / 27 / 10 / 10

HEX #E6A9D0

RGB 230 169 208

HSL 321.64, 0.55%, 0.78%

LAB 75.92, 28.4, -10.96

 

CMYK 0 / 51 / 18 / 17

HEX #D367AD

RGB 211 103 173

HSL 321.11, 0.55%, 0.62%

LAB 58.57, 50.93, -17.7

 

CMYK 0 / 23 / 50 / 17

HEX #D3A369

RGB 211 163 105

HSL 32.83, 0.55%, 0.62%

LAB 70.22, 10.74, 36.8

 

CMYK 50 / 0 / 2 / 17

HEX #69D3CE

RGB 105 211 206

HSL 177.17, 0.55%, 0.62%

LAB 78.49, -31.78, -6.95

 

CMYK 0 / 51 / 18 / 17

HEX #D367AD

RGB 211 103 173

HSL 321.11, 0.55%, 0.62%

LAB 58.57, 50.93, -17.7

 

CMYK 18 / 0 / 50 / 17

HEX #AED369

RGB 174 211 105

HSL 80.94, 0.55%, 0.62%

LAB 79.96, -28.89, 48.07

 

CMYK 50 / 18 / 0 / 17

HEX #69AED3

RGB 105 174 211

HSL 200.94, 0.55%, 0.62%

LAB 68, -11.67, -25.47

 

CMYK 0 / 51 / 18 / 17

HEX #D367AD

RGB 211 103 173

HSL 321.11, 0.55%, 0.62%

LAB 58.57, 50.93, -17.7

 

CMYK 0 / 23 / 50 / 17

HEX #D3A369

RGB 211 163 105

HSL 32.83, 0.55%, 0.62%

LAB 70.22, 10.74, 36.8

 

CMYK 50 / 0 / 33 / 17

HEX #69D38E

RGB 105 211 142

HSL 140.94, 0.55%, 0.62%

LAB 77.01, -45.95, 25.01

 

CMYK 50 / 27 / 0 / 17

HEX #6999D3

RGB 105 153 211

HSL 212.83, 0.55%, 0.62%

LAB 62.07, -0.02, -34.64

 

CMYK 0 / 51 / 18 / 17

HEX #D367AD

RGB 211 103 173

HSL 321.11, 0.55%, 0.62%

LAB 58.57, 50.93, -17.7

 

CMYK 0 / 8 / 50 / 17

HEX #D3C369

RGB 211 195 105

HSL 50.94, 0.55%, 0.62%

LAB 78.4, -6.18, 46.86

 

CMYK 50 / 0 / 33 / 17

HEX #69D38E

RGB 105 211 142

HSL 140.94, 0.55%, 0.62%

LAB 77.01, -45.95, 25.01

 

CMYK 50 / 43 / 0 / 17

HEX #6979D3

RGB 105 121 211

HSL 230.94, 0.55%, 0.62%

LAB 53.36, 18.88, -48.35

 

Description

Color code: RGB 211 103 173 | qconv.com Color code: RGB 211 103 173 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 103 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 103 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 18 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 18% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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