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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211.5 183 170 it is the complementary color RGB 43.5 72 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211.5 183 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 211.5 183 170 shade: RGB 216.5 183 165, RGB 233.5 201 184, RGB 250.5 219 203, RGB 255 237 222 and RGB 255 255 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211.5 183 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 211.5 183 170 shade: RGB 211.5 183 170, RGB 194.5 165 151, RGB 177.5 147 132, RGB 160.5 129 113 and RGB 143.5 111 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 211.5 183 170 shade: RGB 212 184 171, RGB 212 173 171 and RGB 212 171 171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 211.5 183 170 shade: RGB 212 184 171, RGB 212 195 171, RGB 212 206 171, RGB 207 212 171 and RGB 196 212 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 211.5 183 170 shade matches the following richer shades: RGB 212 184 171, RGB 222 180 161, RGB 232 176 150, RGB 243 172 140 and RGB 253 168 130

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 211.5 183 170 shade: RGB 212 184 171, RGB 201 187 181, RGB 191 191 191, RGB 181 195 202 and RGB 170 199 212

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 211.5 183 170 shade: RGB 212 171 180, RGB 212 172 171, RGB 212 183 171, RGB 212 194 171 and RGB 212 205 171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 211.5 183 170 shade: RGB 184 137 116, RGB 198 161 144, RGB 212 184 171, RGB 226 207 198 and RGB 240 230 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 211.5 183 170 shade: RGB 211.5 183 170, RGB 191 212 171 and RGB 171 175 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 211.5 183 170 shade: RGB 211.5 183 170, RGB 171 212 183 and RGB 183 171 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 211.5 183 170 shade: RGB 211.5 183 170, RGB 191 212 171, RGB 171 199 212 and RGB 191 171 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 211.5 183 170 shade: RGB 211.5 183 170, RGB 179 212 171, RGB 171 199 212 and RGB 203 171 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 20 / 17

HEX #D3B7AA

RGB 211.5 183 170

HSL 18.8, 0.32%, 0.75%

LAB 76.49, 8.15, 10.37

 

Complementary color

CMYK 49 / 15 / 0 / 67

HEX #2B4855

RGB 43.5 72 85

HSL 198.8, 0.32%, 0.25%

LAB 28.94, -6.68, -11.08

 

CMYK 0 / 15 / 24 / 15

HEX #D8B7A5

RGB 216.5 183 165

HSL 20.97, 0.4%, 0.75%

LAB 76.84, 9.29, 13.62

 

CMYK 0 / 14 / 21 / 8

HEX #E9C9B8

RGB 233.5 201 184

HSL 20.61, 0.54%, 0.82%

LAB 83.25, 8.84, 12.72

 

CMYK 0 / 13 / 19 / 2

HEX #FADBCB

RGB 250.5 219 203

HSL 20.21, 0.84%, 0.89%

LAB 89.58, 8.43, 11.86

 

CMYK 0 / 7 / 13 / 0

HEX #FFEDDE

RGB 255 237 222

HSL 27.27, 1%, 0.94%

LAB 94.78, 3.66, 9.44

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 0 / 13 / 20 / 17

HEX #D3B7AA

RGB 211.5 183 170

HSL 18.8, 0.32%, 0.75%

LAB 76.49, 8.15, 10.37

 

CMYK 0 / 15 / 22 / 24

HEX #C2A597

RGB 194.5 165 151

HSL 19.31, 0.26%, 0.68%

LAB 69.95, 8.59, 11.26

 

CMYK 0 / 17 / 26 / 30

HEX #B19384

RGB 177.5 147 132

HSL 19.78, 0.23%, 0.61%

LAB 63.29, 9.09, 12.21

 

CMYK 0 / 20 / 30 / 37

HEX #A08171

RGB 160.5 129 113

HSL 20.21, 0.2%, 0.54%

LAB 56.5, 9.66, 13.25

 

CMYK 0 / 23 / 34 / 44

HEX #8F6F5E

RGB 143.5 111 94

HSL 20.61, 0.21%, 0.47%

LAB 49.57, 10.33, 14.4

 

CMYK 0 / 13 / 19 / 17

HEX #D4B8AB

RGB 212 184 171

HSL 19.02, 0.32%, 0.75%

LAB 76.81, 7.95, 10.28

 

CMYK 0 / 18 / 19 / 17

HEX #D4ADAB

RGB 212 173 171

HSL 2.93, 0.32%, 0.75%

LAB 74.08, 13.87, 6.37

 

CMYK 0 / 19 / 19 / 17

HEX #D4ABAB

RGB 212 171 171

HSL 0, 0.32%, 0.75%

LAB 73.59, 14.95, 5.67

 

CMYK 0 / 13 / 19 / 17

HEX #D4B8AB

RGB 212 184 171

HSL 19.02, 0.32%, 0.75%

LAB 76.81, 7.95, 10.28

 

CMYK 0 / 8 / 19 / 17

HEX #D4C3AB

RGB 212 195 171

HSL 35.12, 0.32%, 0.75%

LAB 79.6, 2.11, 14.22

 

CMYK 0 / 3 / 19 / 17

HEX #D4CEAB

RGB 212 206 171

HSL 51.22, 0.32%, 0.75%

LAB 82.42, -3.64, 18.18

 

CMYK 2 / 0 / 19 / 17

HEX #CFD4AB

RGB 207 212 171

HSL 67.32, 0.32%, 0.75%

LAB 83.6, -8.57, 19.76

 

CMYK 8 / 0 / 19 / 17

HEX #C4D4AB

RGB 196 212 171

HSL 83.41, 0.32%, 0.75%

LAB 82.79, -12.56, 18.51

 

CMYK 0 / 13 / 19 / 17

HEX #D4B8AB

RGB 212 184 171

HSL 19.02, 0.32%, 0.75%

LAB 76.81, 7.95, 10.28

 

CMYK 0 / 19 / 27 / 13

HEX #DEB4A1

RGB 222 180 161

HSL 18.69, 0.48%, 0.75%

LAB 76.52, 12.42, 15.42

 

CMYK 0 / 24 / 35 / 9

HEX #E8B096

RGB 232 176 150

HSL 19.02, 0.64%, 0.75%

LAB 76.32, 16.98, 21.23

 

CMYK 0 / 29 / 42 / 5

HEX #F3AC8C

RGB 243 172 140

HSL 18.64, 0.81%, 0.75%

LAB 76.35, 22.24, 26.84

 

CMYK 0 / 34 / 49 / 1

HEX #FDA882

RGB 253 168 130

HSL 18.54, 0.97%, 0.75%

LAB 76.37, 27.24, 32.42

 

CMYK 0 / 13 / 19 / 17

HEX #D4B8AB

RGB 212 184 171

HSL 19.02, 0.32%, 0.75%

LAB 76.81, 7.95, 10.28

 

CMYK 0 / 7 / 10 / 21

HEX #C9BBB5

RGB 201 187 181

HSL 18, 0.16%, 0.75%

LAB 76.86, 3.91, 4.81

 

CMYK 0 / 0 / 0 / 25

HEX #BFBFBF

RGB 191 191 191

HSL 0, 0%, 0.75%

LAB 77.34, 0, -0.01

 

CMYK 10 / 3 / 0 / 21

HEX #B5C3CA

RGB 181 195 202

HSL 200, 0.17%, 0.75%

LAB 77.94, -3.38, -5.15

 

CMYK 20 / 6 / 0 / 17

HEX #AAC7D4

RGB 170 199 212

HSL 198.57, 0.33%, 0.75%

LAB 78.55, -6.93, -9.74

 

CMYK 0 / 19 / 15 / 17

HEX #D4ABB4

RGB 212 171 180

HSL 346.83, 0.32%, 0.75%

LAB 73.82, 16.36, 1.06

 

CMYK 0 / 19 / 19 / 17

HEX #D4ACAB

RGB 212 172 171

HSL 1.46, 0.32%, 0.75%

LAB 73.83, 14.41, 6.02

 

CMYK 0 / 14 / 19 / 17

HEX #D4B7AB

RGB 212 183 171

HSL 17.56, 0.32%, 0.75%

LAB 76.56, 8.49, 9.93

 

CMYK 0 / 8 / 19 / 17

HEX #D4C2AB

RGB 212 194 171

HSL 33.66, 0.32%, 0.75%

LAB 79.34, 2.64, 13.87

 

CMYK 0 / 3 / 19 / 17

HEX #D4CDAB

RGB 212 205 171

HSL 49.76, 0.32%, 0.75%

LAB 82.16, -3.12, 17.82

 

CMYK 0 / 26 / 37 / 28

HEX #B88974

RGB 184 137 116

HSL 18.53, 0.32%, 0.59%

LAB 61.08, 15.09, 18.26

 

CMYK 0 / 19 / 27 / 22

HEX #C6A190

RGB 198 161 144

HSL 18.89, 0.32%, 0.67%

LAB 69.12, 11.11, 14

 

CMYK 0 / 13 / 19 / 17

HEX #D4B8AB

RGB 212 184 171

HSL 19.02, 0.32%, 0.75%

LAB 76.81, 7.95, 10.28

 

CMYK 0 / 8 / 12 / 11

HEX #E2CFC6

RGB 226 207 198

HSL 19.29, 0.33%, 0.83%

LAB 84.42, 5.11, 6.85

 

CMYK 0 / 4 / 6 / 6

HEX #F0E6E1

RGB 240 230 225

HSL 20, 0.33%, 0.91%

LAB 91.93, 2.53, 3.63

 

CMYK 0 / 13 / 20 / 17

HEX #D3B7AA

RGB 211.5 183 170

HSL 18.8, 0.32%, 0.75%

LAB 76.49, 8.15, 10.37

 

CMYK 10 / 0 / 19 / 17

HEX #BFD4AB

RGB 191 212 171

HSL 90.73, 0.32%, 0.75%

LAB 82.43, -14.35, 17.96

 

CMYK 19 / 17 / 0 / 17

HEX #ABAFD4

RGB 171 175 212

HSL 234.15, 0.32%, 0.75%

LAB 72.28, 6.31, -19.15

 

CMYK 0 / 13 / 20 / 17

HEX #D3B7AA

RGB 211.5 183 170

HSL 18.8, 0.32%, 0.75%

LAB 76.49, 8.15, 10.37

 

CMYK 19 / 0 / 14 / 17

HEX #ABD4B7

RGB 171 212 183

HSL 137.56, 0.32%, 0.75%

LAB 81.38, -19.14, 9.94

 

CMYK 14 / 19 / 0 / 17

HEX #B7ABD4

RGB 183 171 212

HSL 257.56, 0.32%, 0.75%

LAB 72.19, 12.35, -19.19

 

CMYK 0 / 13 / 20 / 17

HEX #D3B7AA

RGB 211.5 183 170

HSL 18.8, 0.32%, 0.75%

LAB 76.49, 8.15, 10.37

 

CMYK 10 / 0 / 19 / 17

HEX #BFD4AB

RGB 191 212 171

HSL 90.73, 0.32%, 0.75%

LAB 82.43, -14.35, 17.96

 

CMYK 19 / 6 / 0 / 17

HEX #ABC7D4

RGB 171 199 212

HSL 199.02, 0.32%, 0.75%

LAB 78.61, -6.62, -9.63

 

CMYK 10 / 19 / 0 / 17

HEX #BFABD4

RGB 191 171 212

HSL 269.27, 0.32%, 0.75%

LAB 72.86, 14.96, -18.11

 

CMYK 0 / 13 / 20 / 17

HEX #D3B7AA

RGB 211.5 183 170

HSL 18.8, 0.32%, 0.75%

LAB 76.49, 8.15, 10.37

 

CMYK 16 / 0 / 19 / 17

HEX #B3D4AB

RGB 179 212 171

HSL 108.29, 0.32%, 0.75%

LAB 81.63, -18.57, 16.72

 

CMYK 19 / 6 / 0 / 17

HEX #ABC7D4

RGB 171 199 212

HSL 199.02, 0.32%, 0.75%

LAB 78.61, -6.62, -9.63

 

CMYK 4 / 19 / 0 / 17

HEX #CBABD4

RGB 203 171 212

HSL 286.83, 0.32%, 0.75%

LAB 73.92, 18.92, -16.41

 

Description

Color code: RGB 211.5 183 170 | qconv.com Color code: RGB 211.5 183 170 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211.5 red, 183 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211.5 183 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 20 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 20% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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