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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 53 157 it is the complementary color RGB 45 202 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 53 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 210 53 157 shade: RGB 215 53 152, RGB 232 71 171, RGB 249 89 190, RGB 255 107 209 and RGB 255 125 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 53 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 210 53 157 shade: RGB 210 53 157, RGB 193 35 138, RGB 176 17 119, RGB 159 0 100 and RGB 142 0 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 210 53 157 shade: RGB 211 54 158, RGB 211 54 116, RGB 211 54 74 and RGB 211 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 210 53 157 shade: RGB 211 54 158, RGB 211 54 200, RGB 179 54 211, RGB 137 54 211 and RGB 95 54 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 210 53 157 shade matches the following richer shades: RGB 211 54 158, RGB 231 34 164 and RGB 251 15 171

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 210 53 157 shade: RGB 211 54 158, RGB 191 74 152, RGB 171 94 145, RGB 152 114 139 and RGB 132 133 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 210 53 157 shade: RGB 180 54 211, RGB 211 54 200, RGB 211 54 159, RGB 211 54 117 and RGB 211 54 75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 210 53 157 shade: RGB 150 33 110, RGB 184 40 135, RGB 211 54 158, RGB 218 88 174 and RGB 226 122 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 210 53 157 shade: RGB 210 53 157, RGB 211 138 54 and RGB 54 211 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 210 53 157 shade: RGB 210 53 157, RGB 159 211 54 and RGB 54 159 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 210 53 157 shade: RGB 210 53 157, RGB 211 138 54, RGB 54 211 106 and RGB 54 127 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 210 53 157 shade: RGB 210 53 157, RGB 211 185 54, RGB 54 211 106 and RGB 54 80 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 25 / 18

HEX #D2359D

RGB 210 53 157

HSL 320.25, 0.64%, 0.52%

LAB 50.31, 68.88, -20.97

 

Complementary color

CMYK 78 / 0 / 51 / 21

HEX #2DCA62

RGB 45 202 98

HSL 140.25, 0.64%, 0.48%

LAB 72.01, -61.57, 40.58

 

CMYK 0 / 75 / 29 / 16

HEX #D73598

RGB 215 53 152

HSL 323.33, 0.67%, 0.53%

LAB 50.99, 69.51, -16.89

 

CMYK 0 / 69 / 26 / 9

HEX #E847AB

RGB 232 71 171

HSL 322.73, 0.78%, 0.59%

LAB 56.69, 70.19, -19.12

 

CMYK 0 / 64 / 24 / 2

HEX #F959BE

RGB 249 89 190

HSL 322.13, 0.93%, 0.66%

LAB 62.51, 70.36, -20.93

 

CMYK 0 / 58 / 18 / 0

HEX #FF6BD1

RGB 255 107 209

HSL 318.65, 1%, 0.71%

LAB 66.81, 67.18, -25.01

 

CMYK 0 / 51 / 11 / 0

HEX #FF7DE4

RGB 255 125 228

HSL 312.46, 1%, 0.75%

LAB 70.54, 61.94, -29.83

 

CMYK 0 / 75 / 25 / 18

HEX #D2359D

RGB 210 53 157

HSL 320.25, 0.64%, 0.52%

LAB 50.31, 68.88, -20.97

 

CMYK 0 / 82 / 28 / 24

HEX #C1238A

RGB 193 35 138

HSL 320.89, 0.69%, 0.45%

LAB 44.77, 67.5, -18.33

 

CMYK 0 / 90 / 32 / 31

HEX #B01177

RGB 176 17 119

HSL 321.51, 0.82%, 0.38%

LAB 39.52, 65.04, -14.93

 

CMYK 0 / 100 / 37 / 38

HEX #9F0064

RGB 159 0 100

HSL 322.26, 1%, 0.31%

LAB 34.58, 61.45, -10.72

 

CMYK 0 / 100 / 43 / 44

HEX #8E0051

RGB 142 0 81

HSL 325.77, 1%, 0.28%

LAB 30.27, 55.79, -5.18

 

CMYK 0 / 74 / 25 / 17

HEX #D3369E

RGB 211 54 158

HSL 320.25, 0.64%, 0.52%

LAB 50.64, 68.94, -21.06

 

CMYK 0 / 74 / 45 / 17

HEX #D33674

RGB 211 54 116

HSL 336.31, 0.64%, 0.52%

LAB 49.19, 64.42, 2.03

 

CMYK 0 / 74 / 65 / 17

HEX #D3364A

RGB 211 54 74

HSL 352.36, 0.64%, 0.52%

LAB 48.24, 61.34, 26.27

 

CMYK 0 / 74 / 74 / 17

HEX #D33636

RGB 211 54 54

HSL 0, 0.64%, 0.52%

LAB 47.95, 60.38, 37.68

 

CMYK 0 / 74 / 25 / 17

HEX #D3369E

RGB 211 54 158

HSL 320.25, 0.64%, 0.52%

LAB 50.64, 68.94, -21.06

 

CMYK 0 / 74 / 5 / 17

HEX #D336C8

RGB 211 54 200

HSL 304.2, 0.64%, 0.52%

LAB 52.57, 74.73, -42.58

 

CMYK 15 / 74 / 0 / 17

HEX #B336D3

RGB 179 54 211

HSL 287.77, 0.64%, 0.52%

LAB 48.17, 70.05, -56.23

 

CMYK 35 / 74 / 0 / 17

HEX #8936D3

RGB 137 54 211

HSL 271.72, 0.64%, 0.52%

LAB 42.25, 62.28, -66.09

 

CMYK 55 / 74 / 0 / 17

HEX #5F36D3

RGB 95 54 211

HSL 255.67, 0.64%, 0.52%

LAB 37.43, 55.72, -74.15

 

CMYK 0 / 74 / 25 / 17

HEX #D3369E

RGB 211 54 158

HSL 320.25, 0.64%, 0.52%

LAB 50.64, 68.94, -21.06

 

CMYK 0 / 85 / 29 / 9

HEX #E722A4

RGB 231 34 164

HSL 320.41, 0.8%, 0.52%

LAB 52.74, 79.09, -21.06

 

CMYK 0 / 94 / 32 / 2

HEX #FB0FAB

RGB 251 15 171

HSL 320.34, 0.97%, 0.52%

LAB 55.88, 86.42, -20.06

 

CMYK 0 / 74 / 25 / 17

HEX #D3369E

RGB 211 54 158

HSL 320.25, 0.64%, 0.52%

LAB 50.64, 68.94, -21.06

 

CMYK 0 / 61 / 20 / 25

HEX #BF4A98

RGB 191 74 152

HSL 320, 0.48%, 0.52%

LAB 49.79, 55.36, -19.08

 

CMYK 0 / 45 / 15 / 33

HEX #AB5E91

RGB 171 94 145

HSL 320.26, 0.31%, 0.52%

LAB 50.34, 38.23, -14.34

 

CMYK 0 / 25 / 9 / 40

HEX #98728B

RGB 152 114 139

HSL 320.53, 0.16%, 0.52%

LAB 52.48, 19.21, -7.82

 

CMYK 1 / 0 / 1 / 48

HEX #848584

RGB 132 133 132

HSL 120, 0%, 0.52%

LAB 55.43, -0.57, 0.4

 

CMYK 15 / 74 / 0 / 17

HEX #B436D3

RGB 180 54 211

HSL 288.15, 0.64%, 0.52%

LAB 48.32, 70.24, -55.98

 

CMYK 0 / 74 / 5 / 17

HEX #D336C8

RGB 211 54 200

HSL 304.2, 0.64%, 0.52%

LAB 52.57, 74.73, -42.58

 

CMYK 0 / 74 / 25 / 17

HEX #D3369F

RGB 211 54 159

HSL 319.87, 0.64%, 0.52%

LAB 50.68, 69.07, -21.59

 

CMYK 0 / 74 / 45 / 17

HEX #D33675

RGB 211 54 117

HSL 335.92, 0.64%, 0.52%

LAB 49.22, 64.51, 1.46

 

CMYK 0 / 74 / 64 / 17

HEX #D3364B

RGB 211 54 75

HSL 351.97, 0.64%, 0.52%

LAB 48.25, 61.39, 25.69

 

CMYK 0 / 78 / 27 / 41

HEX #96216E

RGB 150 33 110

HSL 320.51, 0.64%, 0.36%

LAB 35.4, 54.18, -16.02

 

CMYK 0 / 78 / 27 / 28

HEX #B82887

RGB 184 40 135

HSL 320.42, 0.64%, 0.44%

LAB 43.44, 63.7, -18.67

 

CMYK 0 / 74 / 25 / 17

HEX #D3369E

RGB 211 54 158

HSL 320.25, 0.64%, 0.52%

LAB 50.64, 68.94, -21.06

 

CMYK 0 / 60 / 20 / 15

HEX #DA58AE

RGB 218 88 174

HSL 320.31, 0.64%, 0.6%

LAB 57.02, 60.1, -20.55

 

CMYK 0 / 46 / 15 / 11

HEX #E27ABF

RGB 226 122 191

HSL 320.19, 0.64%, 0.68%

LAB 64.84, 48.96, -18.25

 

CMYK 0 / 75 / 25 / 18

HEX #D2359D

RGB 210 53 157

HSL 320.25, 0.64%, 0.52%

LAB 50.31, 68.88, -20.97

 

CMYK 0 / 35 / 74 / 17

HEX #D38A36

RGB 211 138 54

HSL 32.1, 0.64%, 0.52%

LAB 63.58, 20.79, 54.17

 

CMYK 74 / 0 / 5 / 17

HEX #36D3C8

RGB 54 211 200

HSL 175.8, 0.64%, 0.52%

LAB 77.01, -41.69, -6.07

 

CMYK 0 / 75 / 25 / 18

HEX #D2359D

RGB 210 53 157

HSL 320.25, 0.64%, 0.52%

LAB 50.31, 68.88, -20.97

 

CMYK 25 / 0 / 74 / 17

HEX #9FD336

RGB 159 211 54

HSL 79.87, 0.64%, 0.52%

LAB 78.59, -38.55, 67.36

 

CMYK 74 / 25 / 0 / 17

HEX #369FD3

RGB 54 159 211

HSL 199.87, 0.64%, 0.52%

LAB 61.9, -12.54, -35.06

 

CMYK 0 / 75 / 25 / 18

HEX #D2359D

RGB 210 53 157

HSL 320.25, 0.64%, 0.52%

LAB 50.31, 68.88, -20.97

 

CMYK 0 / 35 / 74 / 17

HEX #D38A36

RGB 211 138 54

HSL 32.1, 0.64%, 0.52%

LAB 63.58, 20.79, 54.17

 

CMYK 74 / 0 / 50 / 17

HEX #36D36A

RGB 54 211 106

HSL 139.87, 0.64%, 0.52%

LAB 75.08, -62.24, 40.52

 

CMYK 74 / 40 / 0 / 17

HEX #367FD3

RGB 54 127 211

HSL 212.1, 0.64%, 0.52%

LAB 52.58, 6.03, -49.74

 

CMYK 0 / 75 / 25 / 18

HEX #D2359D

RGB 210 53 157

HSL 320.25, 0.64%, 0.52%

LAB 50.31, 68.88, -20.97

 

CMYK 0 / 12 / 74 / 17

HEX #D3B936

RGB 211 185 54

HSL 50.06, 0.64%, 0.52%

LAB 75.33, -4.34, 65.62

 

CMYK 74 / 0 / 50 / 17

HEX #36D36A

RGB 54 211 106

HSL 139.87, 0.64%, 0.52%

LAB 75.08, -62.24, 40.52

 

CMYK 74 / 62 / 0 / 17

HEX #3650D3

RGB 54 80 211

HSL 230.06, 0.64%, 0.52%

LAB 39.96, 35.73, -70.13

 

Description

Color code: RGB 210 53 157 | qconv.com Color code: RGB 210 53 157 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 53 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 53 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 25 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 25% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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