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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 53 139 it is the complementary color RGB 45 202 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 53 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 210 53 139 shade: RGB 215 53 134, RGB 232 71 153, RGB 249 89 172, RGB 255 107 191 and RGB 255 125 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 53 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 210 53 139 shade: RGB 210 53 139, RGB 193 35 120, RGB 176 17 101, RGB 159 0 82 and RGB 142 0 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 210 53 139 shade: RGB 211 54 140, RGB 211 54 98, RGB 211 54 56 and RGB 211 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 210 53 139 shade: RGB 211 54 140, RGB 211 54 182, RGB 197 54 211, RGB 155 54 211 and RGB 113 54 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 210 53 139 shade matches the following richer shades: RGB 211 54 140, RGB 231 34 142 and RGB 251 15 144

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 210 53 139 shade: RGB 211 54 140, RGB 191 74 138, RGB 171 94 136, RGB 152 114 134 and RGB 132 133 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 210 53 139 shade: RGB 198 54 211, RGB 211 54 182, RGB 211 54 140, RGB 211 54 99 and RGB 211 54 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 210 53 139 shade: RGB 150 33 97, RGB 184 40 119, RGB 211 54 140, RGB 218 88 159 and RGB 226 122 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 210 53 139 shade: RGB 210 53 139, RGB 211 156 54 and RGB 54 203 211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 210 53 139 shade: RGB 210 53 139, RGB 140 211 54 and RGB 54 140 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 210 53 139 shade: RGB 210 53 139, RGB 211 156 54, RGB 54 211 125 and RGB 54 109 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 210 53 139 shade: RGB 210 53 139, RGB 211 203 54, RGB 54 211 125 and RGB 54 62 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 34 / 18

HEX #D2358B

RGB 210 53 139

HSL 327.13, 0.64%, 0.52%

LAB 49.63, 66.78, -11.25

 

Complementary color

CMYK 78 / 0 / 43 / 21

HEX #2DCA74

RGB 45 202 116

HSL 147.13, 0.64%, 0.48%

LAB 72.27, -58.6, 31.89

 

CMYK 0 / 75 / 38 / 16

HEX #D73586

RGB 215 53 134

HSL 330, 0.67%, 0.53%

LAB 50.35, 67.54, -7.07

 

CMYK 0 / 69 / 34 / 9

HEX #E84799

RGB 232 71 153

HSL 329.44, 0.78%, 0.59%

LAB 56.05, 68.09, -9.56

 

CMYK 0 / 64 / 31 / 2

HEX #F959AC

RGB 249 89 172

HSL 328.88, 0.93%, 0.66%

LAB 61.88, 68.17, -11.58

 

CMYK 0 / 58 / 25 / 0

HEX #FF6BBF

RGB 255 107 191

HSL 325.95, 1%, 0.71%

LAB 66.16, 64.76, -15.86

 

CMYK 0 / 51 / 18 / 0

HEX #FF7DD2

RGB 255 125 210

HSL 320.77, 1%, 0.75%

LAB 69.88, 59.23, -20.88

 

CMYK 0 / 75 / 34 / 18

HEX #D2358B

RGB 210 53 139

HSL 327.13, 0.64%, 0.52%

LAB 49.63, 66.78, -11.25

 

CMYK 0 / 82 / 38 / 24

HEX #C12378

RGB 193 35 120

HSL 327.72, 0.69%, 0.45%

LAB 44.08, 65.53, -8.33

 

CMYK 0 / 90 / 43 / 31

HEX #B01165

RGB 176 17 101

HSL 328.3, 0.82%, 0.38%

LAB 38.85, 63.22, -4.6

 

CMYK 0 / 100 / 48 / 38

HEX #9F0052

RGB 159 0 82

HSL 329.06, 1%, 0.31%

LAB 33.94, 59.78, -0

 

CMYK 0 / 100 / 56 / 44

HEX #8E003F

RGB 142 0 63

HSL 333.38, 1%, 0.28%

LAB 29.69, 54.27, 5.99

 

CMYK 0 / 74 / 34 / 17

HEX #D3368C

RGB 211 54 140

HSL 327.13, 0.64%, 0.52%

LAB 49.95, 66.84, -11.35

 

CMYK 0 / 74 / 54 / 17

HEX #D33662

RGB 211 54 98

HSL 343.18, 0.64%, 0.52%

LAB 48.72, 62.92, 12.34

 

CMYK 0 / 74 / 73 / 17

HEX #D33638

RGB 211 54 56

HSL 359.24, 0.64%, 0.52%

LAB 47.97, 60.46, 36.56

 

CMYK 0 / 74 / 74 / 17

HEX #D33636

RGB 211 54 54

HSL 0, 0.64%, 0.52%

LAB 47.95, 60.38, 37.68

 

CMYK 0 / 74 / 34 / 17

HEX #D3368C

RGB 211 54 140

HSL 327.13, 0.64%, 0.52%

LAB 49.95, 66.84, -11.35

 

CMYK 0 / 74 / 14 / 17

HEX #D336B6

RGB 211 54 182

HSL 311.08, 0.64%, 0.52%

LAB 51.68, 72.11, -33.55

 

CMYK 7 / 74 / 0 / 17

HEX #C536D3

RGB 197 54 211

HSL 294.65, 0.64%, 0.52%

LAB 50.93, 73.6, -51.63

 

CMYK 27 / 74 / 0 / 17

HEX #9B36D3

RGB 155 54 211

HSL 278.6, 0.64%, 0.52%

LAB 44.67, 65.5, -62.04

 

CMYK 46 / 74 / 0 / 17

HEX #7136D3

RGB 113 54 211

HSL 262.55, 0.64%, 0.52%

LAB 39.33, 58.34, -70.97

 

CMYK 0 / 74 / 34 / 17

HEX #D3368C

RGB 211 54 140

HSL 327.13, 0.64%, 0.52%

LAB 49.95, 66.84, -11.35

 

CMYK 0 / 85 / 39 / 9

HEX #E7228E

RGB 231 34 142

HSL 327.11, 0.8%, 0.52%

LAB 51.93, 76.84, -9.21

 

CMYK 0 / 94 / 43 / 2

HEX #FB0F90

RGB 251 15 144

HSL 327.2, 0.97%, 0.52%

LAB 54.93, 83.92, -5.53

 

CMYK 0 / 74 / 34 / 17

HEX #D3368C

RGB 211 54 140

HSL 327.13, 0.64%, 0.52%

LAB 49.95, 66.84, -11.35

 

CMYK 0 / 61 / 28 / 25

HEX #BF4A8A

RGB 191 74 138

HSL 327.18, 0.48%, 0.52%

LAB 49.26, 53.44, -11.52

 

CMYK 0 / 45 / 20 / 33

HEX #AB5E88

RGB 171 94 136

HSL 327.27, 0.31%, 0.52%

LAB 50.03, 36.79, -9.48

 

CMYK 0 / 25 / 12 / 40

HEX #987286

RGB 152 114 134

HSL 328.42, 0.16%, 0.52%

LAB 52.32, 18.3, -5.11

 

CMYK 1 / 0 / 0 / 48

HEX #848585

RGB 132 133 133

HSL 180, 0%, 0.52%

LAB 55.46, -0.37, -0.14

 

CMYK 6 / 74 / 0 / 17

HEX #C636D3

RGB 198 54 211

HSL 295.03, 0.64%, 0.52%

LAB 51.09, 73.8, -51.37

 

CMYK 0 / 74 / 14 / 17

HEX #D336B6

RGB 211 54 182

HSL 311.08, 0.64%, 0.52%

LAB 51.68, 72.11, -33.55

 

CMYK 0 / 74 / 34 / 17

HEX #D3368C

RGB 211 54 140

HSL 327.13, 0.64%, 0.52%

LAB 49.95, 66.84, -11.35

 

CMYK 0 / 74 / 53 / 17

HEX #D33663

RGB 211 54 99

HSL 342.8, 0.64%, 0.52%

LAB 48.75, 63, 11.76

 

CMYK 0 / 74 / 73 / 17

HEX #D33639

RGB 211 54 57

HSL 358.85, 0.64%, 0.52%

LAB 47.98, 60.51, 36

 

CMYK 0 / 78 / 35 / 41

HEX #962161

RGB 150 33 97

HSL 327.18, 0.64%, 0.36%

LAB 34.87, 52.59, -8.53

 

CMYK 0 / 78 / 35 / 28

HEX #B82877

RGB 184 40 119

HSL 327.08, 0.64%, 0.44%

LAB 42.82, 61.85, -9.78

 

CMYK 0 / 74 / 34 / 17

HEX #D3368C

RGB 211 54 140

HSL 327.13, 0.64%, 0.52%

LAB 49.95, 66.84, -11.35

 

CMYK 0 / 60 / 27 / 15

HEX #DA589F

RGB 218 88 159

HSL 327.23, 0.64%, 0.6%

LAB 56.47, 58.08, -12.66

 

CMYK 0 / 46 / 21 / 11

HEX #E27AB3

RGB 226 122 179

HSL 327.12, 0.64%, 0.68%

LAB 64.44, 47.16, -12.07

 

CMYK 0 / 75 / 34 / 18

HEX #D2358B

RGB 210 53 139

HSL 327.13, 0.64%, 0.52%

LAB 49.63, 66.78, -11.25

 

CMYK 0 / 26 / 74 / 17

HEX #D39C36

RGB 211 156 54

HSL 38.98, 0.64%, 0.52%

LAB 67.94, 11.05, 58.5

 

CMYK 74 / 4 / 0 / 17

HEX #36CBD3

RGB 54 203 211

HSL 183.06, 0.64%, 0.52%

LAB 74.95, -34.9, -15.06

 

CMYK 0 / 75 / 34 / 18

HEX #D2358B

RGB 210 53 139

HSL 327.13, 0.64%, 0.52%

LAB 49.63, 66.78, -11.25

 

CMYK 34 / 0 / 74 / 17

HEX #8CD336

RGB 140 211 54

HSL 87.13, 0.64%, 0.52%

LAB 77.54, -45.56, 65.98

 

CMYK 74 / 34 / 0 / 17

HEX #368CD3

RGB 54 140 211

HSL 207.13, 0.64%, 0.52%

LAB 56.33, -1.75, -43.79

 

CMYK 0 / 75 / 34 / 18

HEX #D2358B

RGB 210 53 139

HSL 327.13, 0.64%, 0.52%

LAB 49.63, 66.78, -11.25

 

CMYK 0 / 26 / 74 / 17

HEX #D39C36

RGB 211 156 54

HSL 38.98, 0.64%, 0.52%

LAB 67.94, 11.05, 58.5

 

CMYK 74 / 0 / 41 / 17

HEX #36D37D

RGB 54 211 125

HSL 147.13, 0.64%, 0.52%

LAB 75.36, -59.06, 31.36

 

CMYK 74 / 48 / 0 / 17

HEX #366DD3

RGB 54 109 211

HSL 218.98, 0.64%, 0.52%

LAB 47.53, 17.23, -57.84

 

CMYK 0 / 75 / 34 / 18

HEX #D2358B

RGB 210 53 139

HSL 327.13, 0.64%, 0.52%

LAB 49.63, 66.78, -11.25

 

CMYK 0 / 4 / 74 / 17

HEX #D3CB36

RGB 211 203 54

HSL 56.94, 0.64%, 0.52%

LAB 80.08, -13.54, 70.08

 

CMYK 74 / 0 / 41 / 17

HEX #36D37D

RGB 54 211 125

HSL 147.13, 0.64%, 0.52%

LAB 75.36, -59.06, 31.36

 

CMYK 74 / 71 / 0 / 17

HEX #363ED3

RGB 54 62 211

HSL 236.94, 0.64%, 0.52%

LAB 35.85, 46.7, -76.87

 

Description

Color code: RGB 210 53 139 | qconv.com Color code: RGB 210 53 139 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 53 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 53 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 34 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 34% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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