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Complementary color
Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.
With this color tone RGB 210 215 85 it is the complementary color RGB 45 40 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.
If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.
Lighter colors
Exposures are based on the same hue and represent lighter versions of the current color RGB 210 215 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design
The following lighter shades match the RGB 210 215 85 shade: RGB 215 215 80, RGB 232 233 99, RGB 249 251 118, RGB 255 255 137 and RGB 255 255 156
You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.
Darker colors
Shades are based on the same hue and represent a darker version of the current color RGB 210 215 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.
The following darker shades match the RGB 210 215 85 shade: RGB 210 215 85, RGB 193 197 66, RGB 176 179 47, RGB 159 161 28 and RGB 142 143 9
Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.
Warmer colors
Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.
The following warmer shades match the RGB 210 215 85 shade: RGB 210 215 85, RGB 215 185 85, RGB 215 150 85, RGB 215 115 85 and RGB 215 85 85
They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.
Colder colors
Colder colors are created by shifting the hue towards green, blue and violet.
The following colder shades match the RGB 210 215 85 shade: RGB 210 215 85, RGB 175 215 85, RGB 140 215 85, RGB 105 215 85 and RGB 85 215 100
These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.
Richer colors
Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.
The RGB 210 215 85 shade matches the following richer shades: RGB 210 215 85, RGB 225 232 68 and RGB 241 249 51
An example is the development from a pale pink to a strong and bright red.
Paler colors
Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.
The following paler shades match the RGB 210 215 85 shade: RGB 210 215 85, RGB 194 198 102, RGB 179 181 119, RGB 163 164 136 and RGB 147 147 153
An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.
Analogue colors
The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.
The following analogous shades match the RGB 210 215 85 shade: RGB 215 150 85, RGB 215 185 85, RGB 210 215 85, RGB 176 215 85 and RGB 141 215 85
Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent
Monochromatic colors
The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.
The following monochrome shades match the RGB 210 215 85 shade: RGB 171 176 41, RGB 201 207 52, RGB 210 215 85, RGB 219 223 119 and RGB 227 230 152
Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye
Partial complementary colors
The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.
The following split-complementary shades match the RGB 210 215 85 shade: RGB 210 215 85, RGB 85 215 115 and RGB 167 85 215
This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.
Triadic colors
A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.
The following triaden shades match the RGB 210 215 85 shade: RGB 210 215 85, RGB 85 210 215 and RGB 215 85 210
The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.
Rectangular (tetradic) colors
The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.
The following tetraden shades match the RGB 210 215 85 shade: RGB 210 215 85, RGB 85 215 115, RGB 89 85 215 and RGB 215 85 185
It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design
Square colors
The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.
The following squaren shades match the RGB 210 215 85 shade: RGB 210 215 85, RGB 85 215 154, RGB 89 85 215 and RGB 215 85 146
Again, pay attention to the balance between warm and cold colors in the design.
Note
Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.
Display options
Primary color
Complementary color
Lighter colors
Darker colors
HSL 62.31, 0.62%, 0.59%
LAB 83.42, -18.24, 61.69
HSL 61.83, 0.53%, 0.52%
LAB 77.08, -17.54, 62.35
HSL 61.36, 0.58%, 0.44%
LAB 70.65, -16.68, 62.55
HSL 60.9, 0.7%, 0.37%
LAB 64.12, -15.62, 61.93
HSL 60.45, 0.88%, 0.3%
LAB 57.48, -14.31, 59.89
Warmer colors
HSL 62.31, 0.62%, 0.59%
LAB 83.42, -18.24, 61.69
HSL 46.15, 0.62%, 0.59%
LAB 75.95, -0.9, 53.59
HSL 30, 0.62%, 0.59%
LAB 67.21, 17.79, 43.54
HSL 13.85, 0.62%, 0.59%
LAB 59.31, 36.46, 33.98
Colder colors
HSL 62.31, 0.62%, 0.59%
LAB 83.42, -18.24, 61.69
HSL 78.46, 0.62%, 0.59%
LAB 80.94, -32.19, 58.28
HSL 94.62, 0.62%, 0.59%
LAB 78.94, -44.97, 55.5
HSL 110.77, 0.62%, 0.59%
LAB 77.44, -55.76, 53.39
HSL 126.92, 0.62%, 0.59%
LAB 76.95, -58.92, 45.84
Richer colors
HSL 62.31, 0.62%, 0.59%
LAB 83.42, -18.24, 61.69
HSL 62.56, 0.78%, 0.59%
LAB 88.99, -21.36, 74.24
HSL 62.42, 0.94%, 0.59%
LAB 94.61, -23.62, 84.86
Paler colors
HSL 62.31, 0.62%, 0.59%
LAB 83.42, -18.24, 61.69
HSL 62.5, 0.46%, 0.59%
LAB 77.77, -14.93, 47.22
HSL 61.94, 0.3%, 0.59%
LAB 72.2, -10.42, 31.41
HSL 62.14, 0.13%, 0.59%
LAB 66.61, -5.27, 14.44
HSL 240, 0.03%, 0.59%
LAB 61.11, 1.19, -3.17
Analogue colors
HSL 62.31, 0.62%, 0.59%
LAB 83.42, -18.24, 61.69
HSL 78, 0.62%, 0.59%
LAB 81.01, -31.81, 58.37
HSL 94.15, 0.62%, 0.59%
LAB 78.99, -44.63, 55.57
Monochromatic colors
HSL 62.31, 0.62%, 0.59%
LAB 83.42, -18.24, 61.69
HSL 62.31, 0.62%, 0.67%
LAB 86.59, -15.83, 50.15
HSL 62.31, 0.61%, 0.75%
LAB 89.48, -12.7, 37.73
Partial complementary colors
HSL 62.31, 0.62%, 0.59%
LAB 83.42, -18.24, 61.69
HSL 133.85, 0.62%, 0.59%
LAB 77.14, -56.78, 38.83
HSL 277.85, 0.62%, 0.59%
LAB 51.4, 55.3, -53.41
Triadic colors
HSL 62.31, 0.62%, 0.59%
LAB 83.42, -18.24, 61.69
HSL 182.31, 0.62%, 0.59%
LAB 77.83, -32.73, -12.82
HSL 302.31, 0.62%, 0.59%
LAB 57.65, 66.09, -40.24
Rectangular (tetradic) colors
HSL 62.31, 0.62%, 0.59%
LAB 83.42, -18.24, 61.69
HSL 133.85, 0.62%, 0.59%
LAB 77.14, -56.78, 38.83
HSL 241.85, 0.62%, 0.59%
LAB 43.55, 38.9, -66.48
HSL 313.85, 0.62%, 0.59%
LAB 56.53, 62.15, -27.69
Square colors
HSL 62.31, 0.62%, 0.59%
LAB 83.42, -18.24, 61.69
HSL 151.85, 0.62%, 0.59%
LAB 77.8, -49.77, 19.69
HSL 241.85, 0.62%, 0.59%
LAB 43.55, 38.9, -66.48
HSL 331.85, 0.62%, 0.59%
LAB 55.09, 56.87, -7.16
Description
With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.
The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 215 green and 85 blue.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 60 yellow and 16 key.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
Verification of their color palette as a manufacturer!
Provide designers and agencies with accurate color values.
Popular conversions
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RGB to Sherwin Williams®
convert from RGB red green blue to Sherwin Williams®-number (SW 0000)
RGB to NCS®
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CMYK to HEX
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CMYK to RGB
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CMYK to RAL®
convert from CMYK cyan / magenta / yellow / black to RAL®-number (RAL 0000)
CMYK to HKS®
convert from CMYK cyan / magenta / yellow / black to HKS®-number (HKS 00)
CMYK to PANTONE®
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CMYK to Sherwin Williams®
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CMYK to NCS®
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HEX to RGB
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HEX to CMYK
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HEX to RAL®
convert from #RRGGBB to RAL®-number (RAL 0000)
HEX to HKS®
convert from #RRGGBB to HKS®-number (HKS 00)
HEX to PANTONE®
convert from #RRGGBB to Pantone®-number (Pantone 0000)
HEX to Sherwin Williams®
convert from #RRGGBB to Sherwin Williams®-number (SW 0000)
HEX to NCS®
convert from #RRGGBB to NCS-number (S0000-X00X)
RAL® to RGB
convert from RAL®-number (RAL 0000) to RGB red green blue
RAL® to CMYK
convert from RAL®-number (RAL 0000) to CMYK cyan / magenta / yellow / black
RAL® to HEX
convert from RAL®-number (RAL 0000) to #RRGGBB
RAL® to HKS®
convert from RAL®-number (RAL 0000) to HKS®-number (HKS 00)
RAL® to PANTONE®
convert from RAL®-number (RAL 0000) to Pantone®-number (Pantone 0000)
RAL® to Sherwin Williams®
convert from RAL®-number (RAL 0000) to Sherwin Williams®-number (SW 0000)
RAL® to NCS®
convert from RAL®-number (RAL 0000) to NCS-number (S0000-X00X)
HKS® to RGB
convert from HKS®-number (HKS 00) to RGB red green blue
HKS® to CMYK
convert from HKS®-number (HKS 00) to CMYK cyan / magenta / yellow / black
HKS® to HEX
convert from HKS®-number (HKS 00) to #RRGGBB
HKS® to RAL®
convert from HKS®-number (HKS 00) to RAL®-number (RAL 0000)
HKS® to PANTONE®
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HKS® to Sherwin Williams®
convert from HKS®-number (HKS 00) to Sherwin Williams®-number (SW 0000)
HKS® to NCS®
convert from HKS®-number (HKS 00) to NCS-number (S0000-X00X)
PANTONE® to RGB
convert from Pantone®-number (Pantone 0000) to RGB red green blue
PANTONE® to CMYK
convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black
PANTONE® to HEX
convert from Pantone®-number (Pantone 0000) to #RRGGBB
PANTONE® to RAL®
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PANTONE® to HKS®
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PANTONE® to Sherwin Williams®
convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)
PANTONE® to NCS®
convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)
Sherwin Williams® to RGB
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Sherwin Williams® to CMYK
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Sherwin Williams® to HEX
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Sherwin Williams® to RAL®
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Sherwin Williams® to HKS®
convert from Sherwin Williams®-number (SW 0000) to HKS®-number (HKS 00)
Sherwin Williams® to PANTONE®
convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)
Sherwin Williams® to NCS®
convert from Sherwin Williams®-number (SW 0000) to NCS-number (S0000-X00X)
NCS® to RGB
convert from NCS-number (S0000-X00X) to RGB red green blue
NCS® to CMYK
convert from NCS-number (S0000-X00X) to CMYK cyan / magenta / yellow / black
NCS® to HEX
convert from NCS-number (S0000-X00X) to #RRGGBB
NCS® to RAL®
convert from NCS-number (S0000-X00X) to RAL®-number (RAL 0000)
NCS® to HKS®
convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)
NCS® to PANTONE®
convert from NCS-number (S0000-X00X) to Pantone®-number (Pantone 0000)
NCS® to Sherwin Williams®
convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)